Table of Contents
Advertisement
Fig. 6 amplitude of self-oscillation at different Emph-values
The corresponding CV-inputs are the jacks
fully through this parameter a voltage difference ∆V of 5 Volt is needed, in the
same way as for the resonance.
Mix A/B: The controller
original input and the corresponding effect output in a linear way depending
on the controller's position as hinted above (balance). In full counter clockwise
position the original input A or B, resp. is audible and in full clockwise position
the clean effect output is audible at the jacks
a damping of -2.5 dB as mentioned above. So, in center position a 50-50 mix of
both signals will be obtained.
Mode: With this mousy but mighty switch both channels A and B can be
routed in three different ways. Words will fail sometime, hence one should to
melt this relationships in one's mouth by contemplate the Fig. 3.
1.) A/B par (center position): Both channels A and B are working parallel and
totally independent in their audio paths. For the
number row is valid and for the
2.) A
B 2x8 (down position): Channel A and B are serial routed, which means
→
the 8th stage of channel A is running into the input of channel B. The outputs,
Mix Out's
especially the
channels are commonly selected by the rotary switch
CS-8 Series PHS-28 Rev1.01, Dec. 2013
level [dB]
fc
Emph = 2
Emph = 0.05
Mix A
and
Fb Stage
maintain their paths. The feedback stages for both
-20-
start of
}
self-oscillation
amplitude
phase
frequency
Emph CV A
Mix B
represents the weighting of the
Mix Out A
Out Stage
switch the bottom row.
Emph CV B
and
Mix Out B
or
, resp. with
switch the upper
Fb Stage
, namely stages
. To go
Advertisement
Table of Contents
