Changing The Settings For Tutti; Pressed; Setting Whether Stop Illumination Is On/Off When The [Tutti] Piston Is Pressed; Changing The Settings For Crescendo - Rodgers Infinity organ Owner's Manual

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Changing the Settings for TUTTI

Setting the Sounds to be Played When the [TUTTI] Piston is Pressed
1. While holding down the [SET] piston, press the [TUTTI] piston .
The sound stop set for TUTTI will light.
2. Draw sound stops and select the stops you prefer .
3. Press the [SET] piston to save your settings .
MEMO
If you connect USB Flash Drive, your setting is saved to USB Memory.

Setting Whether Stop Illumination is On/Off When the [TUTTI] Piston is Pressed

Refer to "Blind [S]" (p. 19).

Changing the Settings for Crescendo

1. From the main screen, press the [Select/Menu] knob .
2. Turn the [Select/Menu] knob to select "Crescendo . "
3. Press the [Select/Menu] knob to access the "Crescendo . "
4. Turn the [Value/Exit Menu] knob to select Crescendo Step 0–63 .
5. Draw one or more sound stops and select the stops you prefer .
6. Press the [SET] piston to save your settings .
ѥ
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You can't save your settings at Step 0.
MEMO
You can have two independent Crescendo sequences, a Standard Crescendo and an Alternate Crescendo. Press the [ALT CRESC] reversible piston so
that it lights to engage the Alternate Crescendo sequence.
MEMO
If you connect USB Flash Drive, your setting is saved to USB Memory.

Changing ORGAN TYPE

Organ type allows you to select "Voice Palettes" that specify which variation sound will be heard when you turn on a specific stop.
1. Press [ORGAN TYPE] piston .
2. Turn the [Select/Menu] knob to select "Organ Type . "
Menu item
American Eclectic
English Cathedral
French Romantic
German Baroque
3. Press [ORGAN TYPE] piston again to return to the main screen .
NOTE
Press and hold the general cancel [0] piston for several seconds and the settings will be reset to "Default Voice Palettes. "
Explanation
Transparency and clarity of tone, eclectic specification characteristic of modern 20th century American organ builders
Broad 8' fundamental tone and smooth dark reeds typical of Willis and Harrison & Harrison organs
Warm 8' ensemble and bright, fiery reeds characteristic of 19th-century Cavaillé-Coll tonal style
Articulate and bright tonal spectrum in the North German style of 17th-century Arp Schnitger organs
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