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User's Manual Comp 24 32 Bit Digital Compressor Module ON OFF www.alto proaudio.com Version 1.1 September 2005 English...
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SAFETY RELATED SYMBOLS result in damage to the product and possibly the user. Unplug the product before electrical storms CAUTION occur and when unused for long periods of RISK OF ELECTRIC SHOCK DO NOT OPEN time to reduce the risk of electric shock or fire.
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Operating Conditions Servicing Always install in accordance with the Refer all servicing to qualified service manufacturer's instructions. personnel only. Do not perform any servicing other than To avoid the risk of electric shock and those instructions contained within the damage, do not subject this product to User's Manual.
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LTO AUDIO TEAM job and researches. For our LTO AUDIO TEAM, music and sound are more than a job ..are first of all passion and let us say ...our obsession! We have been designing professional audio products for a long time in cooperation with some of the major brands in the world in the audio field.
Table of Contents 1. Introduction ...................6 2. Feature List ....................6 3. Front and Back Panels description ............6 3.1 Control Panel (Front Panel) a. Program and Variations Selections b. Analog Levels c. LED and Illuminated Power Switch 3.2 Analog Connections (Back Panel) a.
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5.4 Stereo 2 Bands Compressor Presets a. agc pure b. acoustic c. master d. clean e. dance f. kick drum g. mixdown h. jumping up 5.5 Mono 2 Bands + 5 Bands Eq Compressor 5.6 Mono 2 Bands + 5 Bands Eq Compressor Presets a.
All the algorithms are based on classical algorithms for the dynamic compression of audio signals, modified and optimized thanks to the experience of LTO AUDIO TEAM researchers. 2. Feature List Robust and Compact design...
- Outputs : These are 1/4" unbalanced phone jacks which connect to devices such as the channel inserts on a mixing console or power amplifier inputs. b. Compressor Bypass Pedal Input - Compressor Bypass : This is a 1/4" phone jack which connects to a footswitch ( with latching ), either normally-open or normally-closed.
also routed automatically to the RIGHT INPUT. However , if we are using stereo input signals, connecting a cable to the RIGHT INPUT jack , the automatic routing will be avoided and the LEFT INPUT jack will feed only the LEFT INPUT, and the RIGHT INPUT jack will feed only the RIGHT INPUT. b.
b. Application Examples line instrument When connecting audio cables and/or turning power on and off, make sure that all devices in your system have their volume controls turned down. Comp has two 1/4" unbalanced inputs and two 1/4" unbalanced outputs. These input /output configuration may provide three different audio connections options: Connect an audio cable to the [LEFT] INPUT of the...
From Stereo Audio Source To Amplifier or Mixing Console Right Output Left output Left Input Right Input Comp 24 32 bit Digital Compressor Module AGC PURE CLASSIC 8 ACOUSTIC CLASSIC 7 MASTER CLASSIC 6 CLEAN DANCE CLASSIC 5 CLASSIC 4 KICK DRUM CLASSIC 3 MIXDOWN...
Take good care in adjusting Comp input and output levels, in order to satisfy the dynamics needs of both the processed channels. If you don't hear any sound, try to swap the Input and Output ends of the TRS cable plugged into Comp.
Compressor Ratio OUTPUT Max Level AGC Coet = Decreased = f(Comp Speed) Threshold Comp AGC Coef = Constant Threshold Hold AGC Coef =increment = f(Exp Speed) Threshold Exp AGC Coef =Constant Input AGC Coef Min = f(Cmp Ratio) Exp Ratio AGC Coef Max = f(Exp Ratio) 1.Expander Speed: The parameter Expander Speed represents the speed with which the signal is expanded beyond the Expander Threshold, this is true only...
Input Output Gain Level Detector Control A compressor's input/output relationship is often described by a simple graph: The horizontal axis corresponds to the input signal level, and the vertical axis is the output level (both measured in decibels) . A line at 45 degrees corresponds to a gain of one - any input level is mapped to exactly the same output level.
This kind of dynamic process is very useful for the dynamic control of complex sounds as the ones coming from CD or orchestras etc. 5.4 Stereo 2 Bands Compressor Presets gc pure This process is a simple automatic level control. Its speed varies with the different 'variation' control positions.
h. jumping up The sound of Jumping Up Preset is quite similar to Clean Preset as general timbre, but this preset underlines very well male voices and is capable to keep up the level in soft passages of the music program. For female voices the Clean Program is probably better.
have been made thinking for them an use with single instruments. More, the presets are well tailored on classic guitars or acoustic instruments, where different equalizations of the sound can give to the instruments more or less character and deepness, passing from bright equalizations to warmer ones. 5.7 Compression Effects Summary Table LIMITER L i m i t e r L o w...
6.2 Specifications Electrical Frequency Response: +0.5 / -1.5 dB from 20Hz to 20 kHz 80 dB "A" wtg, 20 Hz-22kHz S/N Ratio (process) >90 dB "A" wtg, 20 Hz-22kHz S/N Ratio (bypass) <0.008% @ 1kHz (0dBV, bypass) THD+Noise: Input Number of Channels: Format: 1/4"...
7. Warranty 1. WARRANTY REGISTRATION CARD To obtain Warranty Service, the buyer should first fill out and return the enclosed Warranty Registration Card within 10 days of the Purchase Date. All the information presented in this Warranty Registration Card gives the manu- facturer a better understanding of the sales status, so as to purport a more effective and efficient after-sales warranty service.
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3.5 In no event shall be liable for any incidental or consequential damages. Some states do not allow the exclusion or limitation of incidental or conse- quential damages, so the above exclusion or limitation may not apply to you. 3.6 This warranty gives you the specific rights, and these rights are compatible with the state laws, you may also have other statutory rights that may vary from state to state.
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SEIKAKU TECHNICAL GROUP LIMITED No. 1, Lane 17, Sec. 2, Han Shi West Road, Taichung 40151, Taiwan http://www.altoproaudio.com Tel: 886-4-22313737 email: alto@altoproaudio.com Fax: 886-4-22346757 All rights reserved to ALTO. All features and content might be changed without prior notice. Any photocopy, translation, or reproduction of part of this manual without written permission is forbidden.
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