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Part No. OS1-058 OPERATION MANUAL Second Edition HRS/BAR MIN /BEAT SEC/STEP FRM CLIP CLIP CLIP CLIP CLIP CLIP 00:00:00:00.00 LOC:04 CHORUS 01 MENU/ DOWN/ MARK AUTO RECALL VARI- CANCEL INPUT SYNC SPEED CYCLE EDIT AUTO UNDO/ AUTO FUNC PUNCH PLAY REDO CURS L CURS R...
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CAUTION To prevent fire or shock hazard: Do not expose this unit to rain or moisture. Do not remove panels (unless instructed to do so). There are no user-serviceable parts inside. Refer servicing to qualified service personnel. PLEASE READ THROUGH THE SAFETY INSTRUCTIONS ON THE NEXT PAGE. Edition 2 (Printed in Japan)
R A D A R O P E R A T I O N M A N U A L SAFETY INSTRUCTIONS Read Instructions All safety and operating instructions should be read before operation. Retain Instructions The safety and operating instructions should be retained for future reference.
COMMUNICATION WITH OTARI FOR SERVICE INFORMATION AND PARTS All Otari products are manufactured under strict quality control. Each unit is carefully inspected and tested prior to shipment. If, however, some adjustment or technical support becomes necessary, replacement parts are required, or technical questions arise, please contact your Otari dealer or contact Otari at: Otari, Inc.
Shielded cables and I/O cords must be used with this equipment to comply with the relevant FCC regulations. Changes or modifications not expressly approved in writing by Otari, Inc. may void the user’s authority to operate this equipment. CANADIAN STANDARDS ASSOCIATION...
W A R R A N T Y LIMITED WARRANTY The RADAR system and RE-8 session controller are warranted from the date of purchase to the original purchaser to be free from defects in material or workmanship for a period of one (1) year.
In order for Otari to maintain contact with you regarding new system features for your RADAR machine and to provide you with the best service possible, we ask that you take a moment to fill out the form below and return it to us as soon as possible.
TO ALLOW US TO SERVE YOU WITH THE BEST CUSTOMER SUPPORT POSSIBLE, PLEASE TAKE THE TIME TO FILL OUT AND RETURN THE USER INFORMATION FORM ON THE REVERSE SIDE OF THIS PAGE. THANK YOU !
Section 1 Welcome to RADAR! Welcome to RADAR!!! Each section of this manual begins with its own table of contents to help you find information fast. In addition, there is a quick index at the end of the manual. This section includes the following subsections.
RADAR has been designed to provide you with a fast, reliable, and feature-rich environment with which to record and edit audio material. All of us at Otari hope that you enjoy your system and that RADAR becomes an integral part of your day to day audio production needs.
(sample) of the analog signal forty-four (or forty-eight) thousand times a second and transforms it into a number. This number is represented as a word in binary form eg. 1010110010100101. RADAR is a 16- bit system meaning that the data word has 65,536 different levels of resolution per sample.
The standards used by different countries fall in either of two ranges—100 to 120 volts at 50/60 Hz or 220 to 240 volts at 50 Hz. A switch on the back panel of RADAR determines which of these is to be used to provide power.
R A D A R ! 1.5.2 Audio Inputs & Outputs RADAR has 24 audio input and 24 output female connectors on the rear panel. They will accept a two or three conductor male phone plug depending on whether your system is balanced or unbalanced. The jacks are high quality, quarter inch phone-type connectors that use a minimum amount of space.
S E C T I O N 1.5.4 Grounding The analog audio circuitry in RADAR operates with a separate ground, which is not connected to the AC power ground. This allows the user to determine the grounding scheme that best suits their studio’s requirements.
W E L C O M E R A D A R ! 1.6 CONTROLS & INDICATORS Please Note: This information is provided to familiarize you with your RADAR. Complete installation instructions appear in Appendix A. 1.6.1 Rear Panel Connectors LEVEL AUDIO...
IMPORTANT! SYSTEM BOOT SOFTWARE IS ALREADY INSTALLED ON THE RADAR HARD DRIVE; THEREFORE IT IS NOT NECESSARY TO PUT THE SUPPLIED SYSTEM SOFTWARE DISKETTE IN THE DISK DRIVE. DO, HOWEVER, KEEP THE SYSTEM DISKETTE HANDY SHOULD IT BE NEEDED IN THE FUTURE.
Do not power up RADAR before checking that the AC power setting is correct for your area! This is preset at the factory for the shipping destination but it may still be incorrect. The switch is located at the lower left corner of the RADAR by the fan outlet vent.
2.1 GENERAL This section provides information on how to get started quickly and trouble-free on RADAR. This section divides into subsections which describe some helpful RADAR features, and provides some basic operation. For convenience, a brief installation overview is provided here; however Appendix A provides complete system installation instructions.
The input could be set to +4 dBu and the outputs could be at -10 dBV. This may be useful in the situation where a +4 dBu microphone preamp is connected directly to one of RADAR’s inputs and you are using an -10 dBV unbalanced mixing console.
AES/EBU uses one balanced, XLR cable per pair; S/PDIF uses one unbalanced RCA cable per pair. RADAR can record stereo digitally on any two track pairs, and can output digitally from any two adjacent track pairs (that share the same disk drive).
Please Note: Turn the backup device’s power on before turning on RADAR. Press the power switch located on the left side of the front panel of RADAR to the On position. RADAR will take a few moments to go through its power-...
(i.e. non-clipping) level using the console, etc. IMPORTANT NOTE: The maximum recording level allowable before digital clip is +22 dBu. This level corresponds to 0 dB on RADAR’s meter display. Clip Indicator LEDs: The red clip LED located at the top of each individual meter indicates that the input signal has clipped.
S T A R T E D ! 2.7 LOCATING IN THE RECORDED AUDIO RADAR provides a number of methods for locating the transport—you may use the transport controls or Jog/Shuttle features, you may enter the desired time and locate there, or you may set and recall autolocate points.
S E C T I O N 2.7.2.2 Entering Shuttle Mode Press SHUTTLE (located below JOG) at any time to engage Shuttle mode: Shuttle produces playback at variable speeds like Jog with one difference; when you stop turning the wheel, playback continues at the current speed until you move the wheel again or press a transport key.
2.9 NAVIGATING RADAR’S MENUS 2.9.1 Menus Overview RADAR provides a set of menus on the LCD for access to features that are used less often and do not require a dedicated key. The menu system consists of layers of topics ranging from general categories (five) to more specific functions; many of these end in what we call a “dialog”, which is a menu that needs your input.
Or, you may press the MENU/CANCEL key on the front panel. Use the UP and DOWN keys (front panel) or the jog wheel (RE-8) to scroll through these listings. Please Note: For a detailed description of all RADAR menu items, please refer to Section 4. SYSTEM MENU...
However, RADAR provides many important features that are only possible because of the random-access nature of hard disk digital recording. RADAR supports up to 99 different projects, each of which is a playlist that has its own recorded material, locate points, sampling rate, sync offset, and start time.
To copy a project: 1. Change to the project to be copied. (If not there already.) 2. Select COPY PROJECT from the Project menu. RADAR will then copy the current project to the first unused Project location, append the project name with the suffix “V 2”, then change to that project.
Reclaim Space feature will release the space. The “reclaim space” feature processes all projects on the system to determine what audio is not being referenced by any project. Once finished with the processing, RADAR erases the unused audio data, reclaiming the space for future use. IMPORTANT: Audio deleted using Reclaim Space is NOT recoverable! Also, the process may take up to five minutes to complete, depending on the number of projects on...
In tape editing, after you cut a piece for use elsewhere, you might hang it over your shoulder if it is short, or wind it onto an edit reel if it is longer. RADAR uses a “clipboard” for storing cut or copied pieces. Once audio is on the clipboard, it may be auditioned for content, and used elsewhere as needed.
Section 3 Recording & Transport Operation This section describes RADAR’s transport features, and the extensive control menus used for recording and editing, including installation and basic operations. This section includes the following subsections. 3.1 GENERAL ........... 3-3 3.2 ARMING TRACKS FOR RECORD...
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S E C T I O N SECTION 3—CONTENTS, CONTINUED 3.12 LOCATING IN THE RECORDED MATERIAL ....3-14 3.12.1 Cueing with Fast-Forward and Rewind .
3.2 ARMING TRACKS FOR RECORD There are 24 keys on the front panel of RADAR (and the RE-8) used to place tracks in Record Ready mode. (These are referred to in this manual as Track Arm keys.) The keys are momentary type with an LED in the center to indicate...
0 dB down to -55 dB. 3.3.1 Peak Hold Feature RADAR uses peak program ballistics with peak hold for input and output metering. This type of metering most accurately allows you to assess transient peaks that could overload RADAR and cause distortion.
For instance, if you have a stereo rhythm track recorded on DAT at 48 kHz sampling rate and you want to transfer it to RADAR to build up a piece of music, RADAR’s sampling rate must match that of the DAT recording at 48 kHz.
Standard Audible Punch Out: RADAR is a truly random-access recorder. Since the act of punching out of record is, as far as RADAR can tell, a purely random action, it cannot always have the underlying program material immediately available for playback.
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T R A N S P O R T O P E R A T I O N Please Note: On RADAR, the audio is always recorded seamlessly; it is only the playback monitoring that takes a moment to return after the punch.
You may even do this while the transport is already in Play! 3.6.3 Playback to Timecode RADAR will play back while synced to an external timecode source, enabling frame-accurate lock to almost any external source. This feature is described in §5.3.3.
O P E R A T I O N 3.7 TRACK SOLO FEATURE (RE-8 ONLY) RADAR provides a Track Solo feature for auditioning individual or multiple tracks on playback, while muting the remaining tracks. Track Solo is also useful as a stereo-in-place solo function if your mixing desk is not capable of this.
RADAR’s Varispeed can be adjusted in terms of the percent of deviation from normal speed or cents (hundredths of a semitone) deviation from A440 Hz. The range is variable from minus 15% or 241 cents to a maximum of plus 15% depending on the sample rate you use for your recording.
Press AUTO INPUT to engage and disengage Auto Input. The LED will light indicating automatic input monitoring is enabled. This function defaults to On when RADAR powers up and, in most re cording circumstances, may be left On. Edition 2 (Printed in Japan)
The Auto Punch function is useful when you need to punch in and out at precisely timed location points. To get the absolute best performance of a single word or note, for example, RADAR can handle the punching while you can concentrate exclusively on monitoring the performance.
§3.12.2. 3.11 UNDO/REDO FUNCTIONS Probably one of the most useful features of RADAR is the ability to undo a previous recording action or audio edit. You may undo a recording operation even after you use the transport controls to locate, play and rewind. The new take becomes permanent as soon as a you enter Record again.
FFWD to cue to the next transition of audio. Or... Press RECALL LOC followed by RWD to locate to the previous transition. If you are currently in a silent section, RADAR locates to the head (or tail) of the silent section.
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LCD to enter a numeric value, and also as a means of scrolling through RADAR’s menus. When used as an input device, turning the wheel to the right increases the value, and turning it to the left decreases the value.
S E C T I O N 3.13 AUTO LOCATION Because RADAR is a hard disk recorder, you can instantly cue to a location without having to wait for rewind or fast forward. In this way, the program material is more like a phonograph record than a tape machine because you can drop the needle at the precise moment from which you want to start playback.
3. Press ENTER to process the locate. 3.13.4 Auto Play after Locate RADAR begins playback automatically after a locate if Auto Play is enabled. This is useful for quickly auditioning certain sections of a performance using Recall Loc without having to press PLAY every time. This is also useful when you are recording;...
3-18 S E C T I O N 3.13.5 Editing a Locate, Mark In or Mark Out Point Using the Edit Loc function, you can change the name and SMPTE time of any locate point or change the time of any Mark In or Mark Out point. You can also enter new location points directly or delete them.
R E C O R D I N G & T R A N S P O R T O P E R A T I O N 3-19 From the Front Panel: This is essentially identical in operation as the RE-8 except for the following: 1.
SEC/STEP FRM 01:32:51:12.24 00:00:00:04.00 3. Press ENTER to accept the new SMPTE location. RADAR will cue to the new location and return to Ready mode. +/- Shortcut: You may simply press the keypad + or – key followed by a numeric entry—this will add (or subtract) the entered value from the...
3-22 S E C T I O N 3.16 PRE/POST ROLL Preroll allows you to cue to a user definable time previous to any recalled location point. It is useful when you need to hear the audio leading up to the location point for Punch Ins and do not want to add any more location points.
(However, RADAR tracks patched to digital outputs are still routed to the corresponding analog outputs.) • RADAR’s user interface permits you to select a track number of 0—this signifies that no track will be patched to the digital channel.
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3-24 S E C T I O N Routing Selection from the Front Panel: 1. Press MENU/CANCEL to display the Main menu. Using the up/down keys, scroll to the SYSTEM item (if not already displayed), then press ENTER. The system will respond with: MAIN MENU: SYSTEM MENU 2.
O P E R A T I O N 4.1 GENERAL RADAR provides a set of menus on the LCD for access to features that are used less often and do not require their own dedicated keys. This section provides a description of general menu operation, and a complete description of each item in the menu structure.
S E C T I O N Front Panel Menu Operation: In order to provide menu access and navigation from RADAR’s front panel with a minimum of extra keys, the transport keys have two functions. The FFWD, RWD and STOP keys from the transport group each perform an alternate function while in Menu mode.
R A D A R M E N U O P E R A T I O N 4.2.4 Entering/Exiting the Menu From the RE-8: 1. Press MENU/PREV to enter the menu. The system responds with: MAIN MENU: SYSTEM MENU 2.
field. The following diagram provides an example of the LCD menu operation—in this case, these are the submenu items under the System menu: MAIN MENU: MAIN/SYS MENU: RADAR OPERATING SYSTEM MENU SYSTEM VERSION SYSTEM VER: 1.xx MAIN/SYS MENU:...
S E C T I O N 4.3.1.5 Set Time & Date This menu item enables you to set the time and date on RADAR’s internal clock. This date/time information is used for time stamping backup tapes, etc. Upon selecting this menu item, the system will respond with:...
This item is used to re-name a RADAR project, and is described in §2.10.4. NAME PROJ: COASTER2 4.3.2.5 Copy Project This item is used to copy (or duplicate) an entire RADAR project into a new project number. This feature is described in §2.10.5. COPY: 04 TO 06 COASTER2 4.3.2.6 Delete Project...
NO YES 4.3.2.12 Erase All Disks This item erases all audio and all projects from RADAR. Use this item if you have backed up your disks and want to return to a “fresh” system with the full amount of recording time.
(Cut/Copy/Paste/Move/Erase/Loop/Slide/Reverse) These features are described in Section 7, RADAR Editing Features. 4.3.3.4 Listen The Listen function plays the clip currently on RADAR’s clipboard. This feature is described in §7.2. 4.3.3.5 Mute Tracks Mute Tracks is used to temporarily turn off disk tracks that are not in use.
S E C T I O N 4.3.3.6 Import *.WAV Files This feature enables you to import any valid .WAV sound file from RADAR’s floppy disk drive into the RADAR editing clipboard; from there the sound file may be placed into any RADAR project.
ENTER. 4.3.4.2 SMPTE Lock Speed This item allows you to select the behavior of RADAR’s SMPTE timecode lock. A setting of Fast allows for fast, accurate tracking of the incoming SMPTE timecode. A setting of Slow allows for smoother tracking, especially of jittery timecode sources—this is at the expense of longer timecode lock time.
These submenu dialogs operate as follows: • RECORD (Record Key Combination): The RECORD submenu provides two choices for how RADAR is placed into record: REC plus PLAY, or REC only. Make your selection as desired, then press ENTER to return to Ready mode.
The double-press speed is 3x faster than the regular speed. 4.3.4.8 Peak Hold Time (Input/Playback Metering) This menu item enables you to set how long RADAR’s meters will hold a peak level indication. This duration is specified in seconds, with a top limit of 999...
PLAYLIST ERRORS REALTIME ERRORS 4.3.5.1 Scan SCSI Bus This item scans RADAR’s SCSI bus for SCSI devices, then posts them to the LCD, where you may scroll through them to read device names and SCSI ID numbers. 4.3.5.2 Mount / Unmount This item mounts and unmounts RADAR’s file system—this function should...
O P E R A T I O N 4-17 4.3.6 Shutdown RADAR This item saves the current RADAR state, and enables safe, trouble-free power- down. After you select this item, the system will prompt you for confirmation via the LCD, then will say:...
Section 5 External Synchronization Features This section describes RADAR’s external synchronization features, including SMPTE timecode sync, external house sync, and digital word clock sync features. This section includes the following subsections. 5.1 GENERAL ........... 5-2 5.1.1 Synchronization Overview...
SMPTE timecode is measured in terms of hours, minutes, seconds, frames (24 to 30 frames per second) and, in the case of RADAR, subframes which is one hundredth of one frame. There are a number of different frame rates that correspond to motion picture film, black and white video, color video, and the...
However, as a true timecode slave, RADAR continually checks the incoming SMPTE code and modulates its internal sample rate accordingly. This ensures that RADAR stays locked in perfect sync for the duration of the program material. 5.1.2.3 Recording to Timecode...
This clock signal enables RADAR to maintain a stable lock to any time code generated in the facility. And, when using RADAR in conjunction with high-end video equipment (such as D2 and Digital Betacam), RADAR’s house...
SYNC REFERENCE IN and OUT connectors. Generally, termination is required if RADAR is the last device (or only device) in the sync chain, and if there is no downstream device connected to SYNC REFERENCE OUT.
3. Use the up/down keys (or the jog wheel) to select a rate from one of the provided options, then press ENTER. 4. Press CHASE to enable RADAR to chase lock to incoming timecode. Press again to disable. The CHASE LED will blink indicating that RADAR is waiting for timecode.
1. Press CHASE (RE-8) or EXT SYNC (front panel) to enable timecode chase. 2. Start the timecode source. RADAR begins to chase in a second or so. 3. Enter Record using the transport keys. (Record to timecode functions exactly like standard recording; this is described in §3.5.) 4.
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(While the nature of these signals vary slightly depending on the needs of the facility, the basic function is the same as far as RADAR is concerned.) House Sync enables RADAR to maintain a stable lock to any time code generated in the facility.
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If you select INTERNAL for positional source, the system will use its internal clock. If you select SMPTE, RADAR uses the incoming timecode—if you select MIDI, MTC from the MIDI port is used. In any of these cases, the actual timing is derived from the incoming video sync.
Section 6 RE-8 Session Controller Features This section describes the features and functions of RADAR’s optional RE-8 session controller, including installation and basic operation. This section includes the following subsections. 6.1 INTRODUCTION ..........6-2 6.2 A TOUR OF THE RE-8 SESSION CONTROLLER...
S E C T I O N 6.1 INTRODUCTION The RE-8 session controller provides remote control of basic RADAR functions as well as providing the necessary functions and a jog wheel for the editing of audio data. The RE-8 also has input jacks for foot switches to allow hands-free control of selected transport functions.
The text entry area is used as a fast way to enter names for location points and backups. This area provides the alphabet in QWERTY format; and since naming functions on RADAR do not require them, the shift, numeric or control keys do not appear.
Please Note: The entered number of frames must be less than the current frame rate (e.g. if RADAR is set to 30 frames per second, and you enter “+31”, the system will respond with: INVALID SMPTE, PRESS ANY BUTTON. If you make a mistake, simply press either the + or –...
field rather than the frames field) on the Preferences menu, as described in §4.3.4. 6.2.6 Transport Keys The transport keys on the RE-8 are identical to those on RADAR’s front panel, as described in Section 3: Recording & Transport Operation. 6.2.7 Cursor Keys The cursor keys on the RE-8 have several functions, depending on the particular menu you are operating within.
PREV 6.2.8 Utility Keys This group of RE-8 keys contains functions that are broken out from within the RADAR menu system. Most have been described elsewhere in this manual; cross references to the appropriate manual sections are provided. VARI- DIGITAL...
Please Note: The jog wheel may also be used as a convenient control device when scrolling through RADAR’s menus. When used as an input device, turning the wheel to the right increases the value on screen, and turning it to the left decreases the value.
S E C T I O N 6.2.10.2 Entering Shuttle Mode Press the SHUTTLE key (located below the JOG key) at any time to engage Shuttle mode: Shuttle produces playback at variable speeds like Jog with one difference; when you stop turning the wheel, playback continues at the current speed until you move the wheel again or press a transport key.
6.3 FOOT SWITCH FEATURES RADAR’s RE-8 provides external contact closure control of several transport functions—these are typically foot-switches, but could be any type of switch. The back panel of the RE-8 has three 1/4-inch input jacks. To these you may connect three momentary contact foot switches.
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Section 7 RADAR Editing Features This section describes RADAR’s powerful Audio Editing features, including a description of the editing clipboard, looping, and single-track crossfade editing. This section includes the following subsections. 7.1 INTRODUCTION ..........7-2 7.1.1 RADAR v1.1 Editing Functions...
RADAR is a word processor for sound, not words! 7.1.1 RADAR v1.1 Editing Functions Below is a list of the RADAR v1.1 editing functions and paragraph references: Undo/Redo (§7.3): Enables repeated Undo/Redo on any RADAR edit operation.
F E A T U R E S 7.1.2 About the Clipboard... Many RADAR editing functions make use of RADAR’s clipboard, which is a temporary storage place for audio material while editing. Clipboard material does not take up additional disk space, and is not stored after a system shutdown.
Out points is described in §6.12. Please Note: Both a Mark In and a Mark Out point are required for many RADAR edits. If one or the other is not present at the time the editing function is selected, the system will respond with:...
The display will read: UNDO PASTE? NO YES Please Note: RADAR shows the last operation by name in the Undo or Redo menu. Thus, if the last action was an Erase, the menu would read: UNDO ERASE? 2. Press ENTER. RADAR will undo the previous operation. Press CANCEL if you want to abort.
(If you selected TRACK ARM:) Select the track(s) you require using the track arm keys (on either the RE-8 or front panel). Press ENTER. RADAR will perform the Cut operation and return to Ready mode. The sections of audio at the Mark In and Out points (on the selected tracks) will be joined together.
(on either the RE-8 or front panel). COPY: TRACKS TRACK ARM 5. Press ENTER. RADAR performs the Copy and return to Ready mode. The clip is now on the clipboard ready for your next operation. Edition 2 (Printed in Japan)
"RADAR" "DIGITAL" "DIGITAL" Please Note: RADAR uses single-track digital crossfade to minimize or eliminate the “click” or “pop” when rejoining dissimilar audio levels. The crossfade length defaults to 5 milliseconds—normally a quite sufficient length. However, this crossfade length is adjustable—refer to §7.11, Modify Edit, for further information.
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MARK IN or OUT again. Repeat this as needed (the LCD shows the number of Pastes RADAR will do) then press ENTER to process the Pastes. You may also change the Paste To time simply by playing and marking with the transport in motion.
TRACKS TRACK ARM RADAR will perform the Erase operation and return to Ready mode. Audio material on the selected tracks(s) is now erased from the project, and HAS NOT BEEN PLACED ON THE CLIPBOARD!!! Undo will restore the audio to its original location.
Move To position in the same way as Paste. Please Note: The moved clip is NOT placed on the clipboard (and does not displace any audio currently on the clipboard). MARK IN MARK OUT MOVE Before "RADAR" "DIGITAL" "RECORDER" MOVE TO MOVE w/MARK IN After "RADAR"...
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MOVE OVERWRITE After "RECORDER" "DIGITAL" 9. RADAR responds with the Move To dialog (below). Use the jog wheel, transport, numeric keypad, Enter Time, or Recall Loc features to cue to where you want the move point to be. MOVE: 01:19:58:24.47 Please Note: If you move with only a Mark Out set, the system will back-time the clipboard material so that it ends at the Mark Out point.
(or frame) increments. Please Note: When a clip slides in time, it overwrites any audio that was there previously. MARK IN MARK OUT SLIDE Before "RADAR" "DIGITAL" "RECORDER" SLIDE After "RADAR" "DIGITAL" "RECORDER"...
Looping in a positive direction causes the clip to repeat starting at the Mark Out point while looping in a negative direction causes the clip to repeat previous to (and ending at) the Mark Out point. MARK IN MARK OUT LOOP Before "RADAR" "DIGITAL" "RECORDER" LOOP After "RADAR" "DIGITAL"...
R A D A R E D I T I N G F E A T U R E S 7-15 7.11 MODIFY EDIT The Modify Edit function allows you to change any or all parameters of the preceding edit. It is a more convenient way of modifying an edit without the need to undo and re-enter new values when you need to make a change.
If the material was a human breathing, and a typical workstation user looped it, the listener would hear: “inhale/inhale/inhale/inhale.” RADAR’s Reverse feature enables you to loop audio in forward and in reverse—this masks the “repeated loop” characteristic, making for a more natural sound.
7-17 7.13 MUTE TRACKS FEATURE RADAR’s Mute Tracks feature enables you to free up disk bandwidth to enable seamless punch out monitoring. This feature is not the same thing as track on/off or track solo—track solos are monitor functions, and do not affect the amount of disk activity.
RADAR includes a built-in translator for WAV-format sound files. These files are commonly used with PC-based sound hardware, samplers and workstations. The entry point for these files is RADAR’s floppy disk drive; file(s) read from floppy disk are translated, then posted to RADAR’s clipboard for use.
Section 8 Backup & Restore Operation This section describes RADAR’s data backup and restore features, using the optional 8mm data cartridge drive. This section includes the following subsections. 8.1 BACKUP/RESTORE OVERVIEW ....... 8-2 8.2 EXABYTE DRIVE INSTALLATION/HOOKUP...
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The RADAR system is available optionally with an Exabyte 8505 drive. This device uses 8 millimeter tape to store all of RADAR’s audio data. This tape drive was selected for its high speed and the low price of the recording media.
Including hard disks, tape units and the computer, the total number of external devices that may be connected to a twenty four track RADAR is four. (A sixteen track RADAR may access five SCSI devices, and an eight track RADAR may access six.) This is because RADAR claims one SCSI device for...
SCSI terminator is correctly connected. 5. Press CANCEL to exit and return to Ready mode. 8.3 BACKUP PROCEDURE Ensure that the SCSI cable between RADAR and the backup device is connected as described in §8.2. THIS MUST BE DONE BEFORE POWERING UP.
PLAY to begin any of the popular display diagnostics procedures. Multi-Tape Backups: A RADAR fitted with internal and external disk drives contains a lot of audio data, potentially more than can fit on one 8 mm tape. In these cases, the system ejects the first tape, and displays the message:...
S E C T I O N 8.4 RESTORE OPERATION 1. Load the desired RADAR backup tape into the drive. 2. Select, from the Main menu, the Projects menu. 3. Under the Project menu, select the RESTORE item (scroll down to it using the cursor keys, or simply press “R”...
B A C K U P & R E S T O R E O P E R A T I O N Reviewing Tape Contents with Restore Selected Feature: You may use the Restore Selected option to simply check the contents of a tape! 1.
Please Note: If this message appears, you should clean the tape drive as soon as possible. The tape drive will still function; the message is a reminder. To clean the tape head and path, an Otari-approved cleaning cassette MUST be used.
O P E R A T I O N 8.7 BACKUP/RESTORE ERROR MESSAGES Should there ever be a problem with backup/restore operation, one of the following error messages may be presented. Contact Otari Technical Support for more information. NO BACKUP DEVICE: SCSI cable not connected correctly.
A.2.4 Rough Handling If RADAR is to be used in a “mobile” environment, it is likely to be bounced in transit. Therefore, the chassis should be mounted in an aircraft-type flight case with a proper shock-resistant inner shell. RADAR’s internal components are very sturdy but may fail if subjected to extreme shocks.
AC power ground. This allows the user to determine the grounding scheme that best suits their studio’s requirements. There are two terminals on the back panel of RADAR where these grounds are broken out. The chassis ground (CHS GND) is connected directly to the metal chassis and the ground wire of the incoming AC power line.
SCSI SCSI ID# SCSI SCSI FOOTSWITCH INPUTS TO RADAR MOUSE [1] Audio Inputs: Analog audio inputs, balanced (tip/ring/sleeve) or unbalanced (tip/sleeve). 1/4-inch, TRS phone jack x24. [2] Audio Outputs: Analog audio outputs, balanced (tip/ring/sleeve) or unbalanced (tip/sleeve). 1/4-inch, TRS phone jack x24.
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AC mains voltage. [13] External SCSI Port: Connects to external SCSI unit(s) supported by RADAR, such as backup unit or external disk drive bays. If no external devices are connected, the SCSI Terminator (item 16, below) must be installed! Centronics 50-pin (f ) x1.
(§7.13) uses this drive as an input device. IMPORTANT! System boot software is already installed on the RADAR hard drive; therefore it is not necessary to keep the supplied system software diskette in the disk drive. Do, however, keep the diskette handy should it be needed in the future.
A.4 ELECTRICAL INSTALLATION A.4.1 Audio Inputs & Outputs Overview RADAR has 24 audio input and 24 output female connectors on the rear panel. They will accept a two or three conductor male phone plug depending on whether your system is balanced or unbalanced. The jacks are high quality, quarter inch phone-type connectors that use a minimum amount of space.
The input could be set to +4 dBu and the outputs could be at -10 dBm. This may be useful in the situation where a +4 dBu microphone preamp is connected directly to one of RADAR’s inputs and you are using an -10 dBm unbalanced mixing console.
75Ω termination resistor may be inserted using the switch between the Sync Reference connectors. Generally, termination is required if RADAR is the last device (or only device) in the sync chain, and if there is no downstream device connected to Sync Reference Out.
This ID is normally preset at the factory to SCSI ID#6; however you should confirm that is any number other than zero, one, two or seven. (Seven is claimed by RADAR as the SCSI controller and zero, one, and two are IDs of the three drives used in a 24 track RADAR.
In a system with three internal SCSI disks, three external SCSI disks, and a backup unit, the ID numbers should be set according to the ID map below. If assistance is required, please contact Otari Technical Support.
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If you are downgrading, the menu will say so, and will provide the actual version numbers. Running Software from Floppy Disk: You may elect to run RADAR from the software on the floppy disk, without installing it to the hard disk. To do so, simply select NO on the Upgrade? confirmation, then respond with YES to the...
TURN OFF POWER & BOOT UPGRADE S/W 6. Shut down RADAR, if not already off. Insert the floppy disk containing RADAR software into the floppy disk drive, then turn the system on. Continue from Step 2 in the installation procedure provided in §A.5.1.
Appendix B Diagnostics This section describes RADAR’s on-board Diagnostics utilities, which provide a variety of functions for fast troubleshooting of system difficulties, etc. This section includes the following subsections. B.1 GENERAL ........... . B-2 B.1.1 Diagnostics Introduction...
Diagnostics software is misused! B.1.1 Diagnostics Introduction RADAR is a robust, reliable product, with years of development behind it to make it’s hardware and software rugged enough for strenuous daily studio use. However, problems can happen now and again, and it’s important to have a good set of tools on hand.
D I A G N O S T I C S B.2 RADAR DIAGNOSTICS OPERATION B.2.1 Scan SCSI Bus This item scans RADAR’s SCSI bus for SCSI devices, then posts them to the LCD, where you may scroll through them to read device names and SCSI ID numbers.
Originally, “Mount” meant to thread a computer tape (of the open-reel variety) and make its data available to the computer’s central processor. In RADAR, “mounting the operating system” means the same thing: you are making the software and audio available to the CPU.
CPU is in the middle of writing data to the disks.) If a soft error occurs in critical data, then RADAR cannot write further data there; and while the system is self-correcting as much as possible, there are problems that it is not prepared to deal with.
file system, you should attempt to re- install the same version operating system software from the floppy disk supplied by Otari. (This is helpful in ruling out a software file system problem.) If this does not repair the problem, contact Otari Technical Support.
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D I A G N O S T I C S Repair Disk Procedure: 1. Unmount RADAR’s operating system (described in §B.2.2), if you have not already done so. 2. From the Diagnostics menu, select REPAIR DISK. The system will...
WHEN is Init Disk effective? — Init Disk removes the operating system and formatting information from the selected disk. This action is sometimes necessary if the disk has soft errors that cannot be repaired with RADAR’s Repair Disk procedure. This action is also necessary when installing new SCSI disks into RADAR.
D I A G N O S T I C S B.2.4 Show Free RAM This menu item displays the amount of free RAM available on RADAR. Why show free RAM? — If there is a problem with the RAM allocation on the system, or a problem with the RAM hardware, this test will probably pick it up;...
Technical Support. B.2.7 Save Debug RADAR enables you to save the contents of the capture buffer to a DOS- formatted floppy disk, for later use by technical support personnel. This data is written to a text file for later review using any text-processor software.
Two error logging modes are provided: • Playlist Errors • Realtime Errors Information from these modes may be useful to Otari Technical Support when troubleshooting. B.2.8.1 Playlist Errors These errors indicate an overall number of errors detected in the system’s current projects (playlists), and also break the errors down on a track-by-track basis.
If there seems to be a discrepancy between the drawing herein and your model, contact Otari; we assume no liability for improper servicing due to changes and improvements which we may make that subsequently render certain of these documents obsolete.the following...
A P P E N D I X C.2 RADAR (FRONT) Description Part No. Note Panel, Outer Front Panel, Inner Front PCB Assembly, Front Panel Display 1710-0006 Panel, Side and Bottom Lid, Top Panel Bracket, Floppy Drive 3154-0016 3.5 inch, 1.44 MB Floppy Drive...
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E X P L O D E D V I E W D R A W I N G S A N D P A R T S L I S T S Edition 2 (Printed in Japan)
A P P E N D I X C.3 RADAR (REAR) Description Part No. Note Panel, Back 3154-4010 Cover, Rear Panel PCB Assembly, Mother 2007-0386 Bracket, MF3 PCB PCB Assembly, MF3 Serial Interface and Floppy Controller 1710- 0014 Bracket, Blank PCB...
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E X P L O D E D V I E W D R A W I N G S A N D P A R T S L I S T S Edition 2 (Printed in Japan)
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I n d e x A, B, C Installation, — Physical, A AC Power, — Electrical, A — Software, A Additive Solo mode, Arming Tracks, Interlock Solo mode, Arrow Keys (Cursor Keys), Jog mode, Auto Input, — Entering Jog mode, Auto Location, Jog/Shuttle Wheel, Auto Play after Locate,...
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INDEX-2 Punch In/Punch Out: Standard Audible Punch Out Monitoring, Seamless Punch Out Monitoring, RE-8, Section 6 REC SAFE, Recall Loc, Record, Reference Levels, Restore, Reverse Playback, Sampling Rate, Saving State, SCSI, Slide, SMPTE, — OFFSET, Synchronization, tape backup drive, Text Entry, Track Arming, Track Solo, U, V, W, X, Y, Z...
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