Tascam 112 MKII Specifications page 2

112 II
MK
Stereo VU Meters & Input/Output
Dials Ensure Optimal Sound Levels
The input dials on the 112
dent, allowing you to dial in stereo VU calibration with
one dial. Or, for channel-specific calibration, hold one
dial still while adjusting the other. Either way, you get
consistent, cleaner, more dynamic mixes.
Dolby HX Pro For Highest
Quality Without Distortion
For maximum high-range clarity and reproduction
precision, the 112 II is equipped with the Dolby HX
MK
Pro headroom extension system. HX pro is an active
biasing system that minimizes the effect of high fre-
quency music signals on the deck's bias signal,
achieving up to 6 dB greater headroom at the higher
music frequencies. What's more, HX Pro is a record-
only process, so tapes recorded with HX Pro can be
played back on any other cassette deck.
The 112 II also utilizes your choice of popular
MK
Dolby B or C noise reduction when recording, to
further position your tape for best results from other
playback decks.
3-Point Memory Features
Speed Editing/Review
When editing program material or engaging in
critical listening, the 112
buttons (LOC 1 and LOC 2) and a MEMO IN control.
Rear Panel-112 II
MK
II are gear-interdepen-
MK
II offers two Autolocator
MK
INPUTS OUTPUTS
L L
R R
STEREO CASSETTE DECK
These intuitive controls allow editors to select two
points on any tape for one button forward/reverse to
wherever the action is. Once the two points are set,
the REPEAT button allows you to loop between the
two points with one-touch convenience.
Additionally, Return-to-Zero (RTZ) quickly spools
the tape back to 0000 on the 112
index tape counter.
Easy Integration Into Personal,
Project & Production Studios
The 112 II features rear-mounted RCA input
MK
and output jacks for easy connection to audiophile-
quality sources.
Optional Balanced Connector Kit
If your input requirements include balanced or
unbalanced XLR connectors, the optional LA-112
connector kit will provide the additional inputs. After
a simple installation procedure that requires no
special tools, both balanced and unbalanced line
inputs and outputs will be available, selectable with
the flip of a back-panel switch.
Parallel Port For External Control
For hands-off mastering in professional recording
environments, you'll find a 25-pin D sub connector
on the 112 II back panel. This link connects the
MK
tape deck to the optional RC-134 remote control unit
or for fader start from any mixer that also uses the
25-pin D sub protocol.
REMOTE CONTROL
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II's four-digit
MK