Mono Input And Eq - ALLEN & HEATH ML5000 User Manual

A MONO INPUT and EQ
20
GAIN
- 10 10
50
30
20Hz
3k
2kHz
-15
0.6
1k
700
500Hz
-15
0.6
60
45
35Hz
-15
50
20Hz
-15
HIGH PASS FILTER
+10
+5 20Hz
0dB
-5
-10
-15
-20
-25
-30
-35
-40
10 100
22
+48V
PAD
40
20dB
O
60 40
100
200
HPF
400
7kHz
10k
20kHz
HF
+15
1.2
Q
2.5
3kHz
5k
7k
15k
HM
+15
1.2
Q
2.5
180
300
450
1kHz
LM
+15
100Hz
150
200Hz
LF
+15
EQ IN
400Hz
1kHz 10k 30k
A1 +48V. Switches +48VDC to the channel input
XLR for powering microphones or DI boxes that
need phantom power. The power is current limited
through 6800 ohm resistors to pins 2 and 3.
WARNING Do not connect unbalanced
sources or cables to inputs with phantom power
selected. To avoid loud clicks always mute the
channel before switching +48V on or off and
when plugging or unplugging microphones.
A2 GAIN. Adjusts the input sensitivity to match
the connected source to the internal 0dBu operating
level of the channel. Provides a variable 50dB
range from +10 to +60dB gain. The gain should be
set so that the channel meter averages '0' with
loudest moments lighting '+6'. Reduce gain if the
red peak meter lights.
A3 PAD. Attenuates the input signal by 20dB for
connection to high level microphone or line sources.
When pad is selected the gain control adjusts from
–10dB attenuation to +40dB gain.
A4 POLARITY. Reverses the polarity of the
input signal. This is used to correct reverse wired
cables or sources, and can be effective in reducing
phasing problems between microphones or acoustic
feedback between
loudspeakers.
A5 HPF FREQUENCY.
frequency of the high pass filter between 20Hz and
400Hz to reduce low frequency source noise. The
filter attenuates frequencies below cut off by 12dB
per octave.
A6 HPF IN. Switches the high pass filter in or
out. When switched out the response extends to
lower than 10Hz.
Using the Filter
Switch in the filter and adjust the cut off frequency
to clean up sources that do not have much bass
content, for example drum kit overheads (set to
400Hz), reduce proximity popping on vocals (set
around 150Hz), reduce handling noise and stage
rumble, or protect the speakers from very low
frequency energy (set around 30 to 50Hz). Switch
out to preserve full sub energy for low frequency
sounds such as kick drum, bass and special effects.
the microphone and
Adjusts the cut off
ML5000 User Guide