FujiFilm FUJICHROME VELVIA RVP100 Product Information Bulletin

FUJICHROME Velvia 100 Professional [ RVP100 ]
1. FEATURES AND USES
FUJICHROME Velvia 100 Professional [RVP 100] is a
daylight-type high-image-quality color reversal film
with an ISO speed rating of 100. In addition to the world's
highest level of color saturation, this film boasts an RMS
granularity of 8, making it suitable for scenery, nature
photography and other subjects that demand precisely
modulated, vibrant color reproduction and high image
quality.
Features
• ISO 100 Speed .............
Easy-to-use ISO 100 rating
with the world's highest level
of color saturation.
• Ultrahigh-saturation ...
Attainment of the world's
Color Reproduction
highest color saturation level
equal to that of Velvia (ISO50)
through the incorporation of
new cyan, magenta and
yellow couplers.
• Super-fine Grain ..........
RMS granularity of 8, one of
the finest level.
• Color Image Storage ...
Color image storage
Permanence
permanence (anti-fading
characteristics) equal to that
of RVP 100F as a result of
new couplers.
• Superb Push/Pull .........
Minimum variation in color and
Processing
gradation during push/pull
Suitability
processing over a range from
–1/2 to +1 stop, providing an
expanded range of photo-
taking opportunities, as well
as facilitating fine adjustments
in exposure and density during
processing and allowing an
increase in speed of up to +2
stops (equal to EI 400),
depending on the scene.
* RMS stands for "Root Mean Square", a widely used standard
method for measuring the degree of grain in photographic film.
The lower the RMS number, the smaller the apparent grain.
2. SPEED
Light Source Speed
Daylight ISO 100/21
Tungsten Lamps
ISO 32/16 *
(3200K)
* Indicates the effective speed resulting from designated filter use.
** Wratten Filter
***Fuji Light Balancing Filter (not available in certain markets.)
3.
• Rolls*
135 ... 36-exp.
35mm
120 ... 12-exp.
220 ... 24-exp. (5-roll pack)
• Sheets*
4
8
QuickLoad 4 5 in. .. 20 sheets
* Some sizes are not available in certain markets.
4.
Use a meter to determine the exposure setting. If a
meter is not available, refer to the following table.
Light
Conditions
Lens
Aperture
NOTES
• The settings are for 2 hours after sunrise and 2 hours before
sunset.
• Provide a lens opening 1/2-stop smaller during the summer
and 1/2-stop larger during the winter (except for snow scenes).
• Excessively bright (or dark) or backlighted subjects may require
plus (or minus) 1-stop lens opening adjustments.
5.
Daylight
Under usual daylight conditions, color balancing filters
are not necessary. For the following exposure condi-
Color Balancing Filter
tions, however, the indicated filters are recommended.
• A UV filter No. 2C* (SC-39 or SC-40)** or other ap-
None
propriate ultraviolet absorbing filter is recommended
No. 80A**
(LBB-12***) for scenes that are receiving strong ultraviolet
light from the sun, such as seaside locations, snow
scenes, and bright distant views.
– 1 –
COLOR REVERSAL FILMS
FILM SIZES, EMULSION NUMBER, BASE
MATERIAL AND THICKNESS
Emulsion
Sizes
Number
... 36-exp. (5-roll pack)
20-roll pack)
30.5 (100 ft.)
... 12-exp. (5-roll pack)
#460 –
5 in. (10.2 12.7 cm)
... 10 sheets and 50 sheets
10 in. (20.3 25.4 cm)
... 10 sheets
EXPOSURE GUIDE
Seashore or Bright
Snow Scenes Sunlight
under Bright
Sun
f/16 f/11
(Exposure time: 1/250 sec.)
EXPOSURE FOR VARIOUS LIGHT
CONDITIONS
AF3-202E
Base Base
Material Thickness
127 m
Cellulose
Triacetate
98 m
Polyester 175 m
Hazy Cloudy Cloudy
Sunlight Bright Day or
Open
Shade
f/8 f/5.6 f/4