TC Electronic FirewarX User Manual
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TC Electronic FirewarX User Manual

Studio effects processor
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USERS MANUAL
FireworX
STUDIO EFFECTS PROCESSOR

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  • Page 1 USERS MANUAL FireworX STUDIO EFFECTS PROCESSOR...

  • Page 3: Important Safety Instructions

    IMPORTANT SAFETY INSTRUCTIONS The lightning flash with an arrowhead symbol The exclamation point within an equilateral triangle within an equilateral triangle, is intended to alert is intended to alert the user to the presence of the user to the presence of uninsulated "dan- important operating and maintenance (servicing) gerous voltage"...
  • Page 4 FCC rules. Certificate Of Conformity These limits are designed to provide reasonable protection TC Electronic A/S, Sindalsvej 34, 8240 against harmful interference in residential installations. This Risskov, Denmark, hereby declares on own equipment generates, uses and can radiate radio...

  • Page 5: Table Of Contents

    Presets ....p. 77 Modifier display, ..p. 29 The flow of the Modifiers, . . .p. 29 TC Electronic, Sindalsvej 34, DK-8240 Risskov - tcdk@tcelectronic.com Prod No: 606057022...

  • Page 6: Introduction

    INTRODUCTION Welcome Congratulations on the purchase of your new FireworX. We hope that you have as much pleasure using it as we had making it. The FireworX is a studio multi-effects processor carefully designed to produce ultimate sound effects. The versatile Routing menu provides you with extremely flexible setup possibilities.

  • Page 7: Features

    INTRODUCTION Features The Processing power structure of the FireworX The FireworX is a multi-effects processor with more than 35 different algorithms grouped under the twelve effect block keys on the front panel. Each of these algorithms requires a certain amount of processing power. To be able to allow bigger algorithms that take up large amounts of power when active, the FireworX uses a dynamic processing power allocation structure.
  • Page 8 INTRODUCTION The Front Panel POWER INPUT METERS OVERALL BYPASS Press and hold the Power These meters indicate the The Bypass key in the upper left corner switch for about 3 seconds, level of Left and Right is the overall bypass. With this key you then release to power off.

  • Page 9: The Front Panel

    INTRODUCTION The Front Panel EFFECT MUTE ARROW KEYS ALPHA MOD. The twelve effect keys are In many of the displays you can select The Alpha modulation dedicated to mute/bypass different pages by pressing the Arrow wheel can control a any of the twelve effect keys, e.g.

  • Page 10: Rear Panel

    INTRODUCTION The Rear Panel Main Power Balanced Balanced Digital MIDI External Serial Optional Power Input In/Out In,Thru,Out Control Wordclock Switch Inputs Outputs AES/EBU Input S/PDIF ADAT Notes: Pin 2 is “Hot” on all XLR’s (IEC and AES standards) External control jack can use momentary, alternating and continuous type pedals. The FireworX power supply is capable of operating at any line voltage from 100-240 Volts, 50-60Hz.

  • Page 11: Signal Flow

    INTRODCUTION The Signal Flow Input Output Con/Pro Input Con/Pro Bypass Selector Gain Levels Gain Levels Analog Analog Outputs Inputs [balanced] [balanced] Digital Digital Input Output Gain Gain Digital Digital Output Inputs Channel select Channel select ADAT/OPTICAL ADAT/OPTICAL Modifier Flow INSERT INSERT Send Return...

  • Page 12: Setups

    INTRODUCTION Setups Setup The FireworX can be used in a number of applications. Therefore we present a couple of suggestions on how to connect the FireworX. Send/Return Connect the auxiliary out from your mixing console to the left or right input of the FireworX.

  • Page 13: Basic Operation

    BASIC OPERATION Quick Reference General Control Input/Output Levels General control of the FireworX is accomplished by dialing the When using Analog input, turn the Input/Output knobs in the Parameter wheel to change position of the cursor, and the Value upper left corner of the front panel to adjust the levels of the wheel to change values.

  • Page 14: Display Overview

    BASIC OPERATION Display overview The display pages in the FireworX This overview of the pages in the FireworX shows what functions are located in which displays. Each box refers to a key on the front panel of the FireworX. The text in the upper right corner of the boxes tells you whether the parameters of that display are global or stored with the preset.

  • Page 15: Recall

    BASIC OPERATION Recall Recalling a preset When you want to Recall a Preset, simply use the Value wheel to scroll through the Presets and press the Enter key to Recall. The Recall Display The FireworX contains 200 Factory Presets and has room for a maximum of 200 user Presets, however the actual number depends on the size of your Presets and may be less than 200.
  • Page 16 BASIC OPERATION Recall Exercise 1: Exercise 2: How to Recall a Preset How to search for Presets containing a specific effect In this Exercise we are going to recall a couple of Presets. Press Now we will try to recall a Preset containing a specific effect, in the Recall key (if you’re not already there) and select the this exercise a delay.

  • Page 17: Store

    BASIC OPERATION Store Quick Store with the same name If you want to store an edited Factory Preset with the same name, simply press Store and Enter. The FireworX will automatically store the Preset in the first empty User space. If you want to store an edited User Preset with the same name, simply press Store and Enter.

  • Page 18: Using A Memory Card

    BASIC OPERATION Store The Store page “Store” page selected The Storing space The Name of the Preset Free space indicator The Name page “Name” page selected The New name of the Preset The function of the Alpha Mod. The Letterbox Select “CAP”...
  • Page 19 BASIC OPERATION Store Exercise 3: Exercise 4: How to Store a preset with the existing name How to name a Preset and Alpha Mod. function This exercise shows you how to store a Preset with the existing In this exercise we will try to name or rename a Preset and the name.

  • Page 20: Delete

    BASIC OPERATION Store Exercise 5: How to delete a Preset This Exercise will describe how to delete a single Preset. The FireworX also has the ability to clear the whole User Preset bank instantly (please see the “Reset” page for further instructions). - Press the Store key to access the Store display.

  • Page 21: Effects Setup

    EFFECTS SETUP Effects The Effects display The Effects display contains four pages: Tool - Edit - Routing - Layout. Use the < > Arrow keys to step between the four pages. The Tool page allows you to select different readouts in the blocks, and shows the total amount of DSP power usage. The Edit page allows you to Edit the different blocks inserted.
  • Page 22 EFFECTS SETUP Effects Exercise 6: How to Edit an effect block In this exercise we will edit an effect block. - Press the Effects key (if you are not already there). - Select the Edit page by using the < > Arrow keys. - Double click the Mute key of the block you want to edit (located on the front panel).

  • Page 23: List

    EFFECTS SETUP Effects The Routing page The Routing page is where you set up the order of the effect blocks, the sub-algorithm in each block, the left/right setup of each block and the Mute mode of each block. The full Routing grid can be up to 8 by 8 spaces, and you can place any effect anywhere in the grid, however, the FireworX will not scroll through the last row unless a block is placed closer than two rows away.

  • Page 24: Routing

    EFFECTS SETUP Effects Available blocks The Special Icons Some of the Effects blocks can be inserted more than once. Here There are a couple of different icons in the Routing that do not is a complete list of blocks available: apply to any of the effect blocks.

  • Page 25: Routing Page

    EFFECTS SETUP Effects Exercise 7: Exercise 8: Inserting an Effect How to change a sub-algorithm There are two ways of inserting an effect. Let’s start by setting The Delay that you just inserted is a One-Tap Delay that contains up a Phaser and after that a Delay only one delay time.
  • Page 26 EFFECTS SETUP Effects Exercise 9: Exercise 9: Moving an existing block Moving an existing block This exercise shows you how to move an existing block to a different position in the Routing. Let’s move the Delay block that Select the Routing page we set up in Exercise 7&8 from position 2 1 to position 1 2.
  • Page 27 EFFECTS SETUP Effects The Block I/O page Input Source Mute Mode Out Mode Setting up Left/Right, In/Out in the blocks Each block’s Input and Output can be set up independently. To Here is the description of what the five modes will do when the access the I/O display of a block, place the cursor on the current front panel mute key is pressed: block (in the Routing page) using the Parameter wheel, and press...

  • Page 28: I/O Of The Blocks

    EFFECTS SETUP Effects Exercise 10: Exercise 10: Setting up Left/Right conditions and mute modes in a Setting up Left/Right conditions and mute modes in a block block Each block’s Left and Right Input and Output can be set up separately. In this exercise we will set up a Synth block to pass Select the Routing page only direct signal through the left output and only effect signal through the right output.

  • Page 29: Layout

    EFFECTS SETUP Effects The Mem page “Tool” Selected Select “Tool” and Total amount of press Enter DSP power used The Tool page The Layout page The Tool page offers a number of different readouts and shortcuts The Layout page features a number of functions that all refer to to parameters that can be used in the Edit page on each block.

  • Page 30: Layout Page

    EFFECTS SETUP Effects - Press Enter to insert a new Column Straight out lines indicates that the block is using the “Mix” setting on the current output. - Press the < Arrow left key once to select the Routing display. - Place the cursor in the second position, first Straight through going lines indicates that the block is column and double click the Compressor mute...

  • Page 31: Modifiers

    MODIFIERS Modifier The Modifier Display The Modifier display contains three pages: Matrix - Modifiers - Dials. Use the < > Arrow keys to select between the three pages. The Matrix page features a powerful tool for setting up modulation connections for External or Internal Modifiers. The Modifiers page contains setups of all Internal Modifiers.
  • Page 32 MODIFIERS Modifier The Matrix page Selected External/Internal Modifiers Parameter list Modifier and Parameter connected Transformation active The Link page Link Set lowest value Transformation Set middle value Set highest value Change curve Set reaction time Selected The Dials page Press Enter and dial Value to change Ext.

  • Page 33: Link Page

    MODIFIERS Modifier To connect a Modifier to a parameter, dial the Parameter wheel to NOTE: These same parameters also apply to the other select a parameter, and the Value wheel to select a Modifier. Dial modulation sources, for example Envelope, Low when the input the Value wheel fully counter clockwise to remove a connection.

  • Page 34: Modifier Exercises

    MODIFIERS Modifier Press Enter to change the External controllers simulated by the Exercise 13: two wheels. Use the Parameter wheel to select between Dial 1 or How to use the Link display 2, and press Exit when you have set the desired external This exercise gives an example on how the Link display can be controllers to be simulated.

  • Page 35: Modifiers Page

    MODIFIERS Modifier The Modifiers page Selected The Internal Modifiers Press Enter to enter Modifier parameters The Modifiers Page Press the Mod key and use the < > Arrow keys to select the Modifiers page. The Modifiers page is where you set up the parameters of the Internal Modifiers. Use the Parameter wheel to select the Modifier you want to edit and press Enter to access the parameters of the current Modifier.
  • Page 36 MODIFIERS Modifier Connect the ENV detector to a level parameter to create LFOs 1 & 2 each have two outputs, which means that you can an extra gate. use the same LFO with different phase for different purposes. The parameters available in the Modifier Matrix are marked with an asterisk*.
  • Page 37 MODIFIERS Modifier Out 2 Phase Speed* An LFO phase change causes a small delay in the second Sets the playback speed of the Freeform modifier. The defined waveform starting point. This means that out 1 and 2 start the number of samples will be played back over the amout of time current waveform at two different points.
  • Page 38 MODIFIERS Modifier Restart - Will restart Freeform playback when the control Note to Synth Freq value is above 55%. The “Note to Synth” Type converts control values to notes. This Samples can be used to convert Pitch detector or MIDI note information Sets the number of samples in one Freeform period.
  • Page 39 MODIFIERS Modifier Fine Tune - Shifts the generated frequency in increments of cents. Range: +/- 50 cents. Quantize into semitones - Makes the function approximate to the semitone nearest to the incoming control value. Feed 2 Pitch Bend - Feed 2 of the Function is used as Pitch Bender.

  • Page 40: Alpha Mod

    MODIFIERS Alpha Mod. The Alpha Mod. page Parameteres controlled by Alpha Mod. Alpha Mod. position Press Enter to hyper jump to Link display The Alpha Mod. wheel The Alpha Mod. settings The Alpha Mod. wheel can be used as a realtime modifier and The settings of the Alpha Mod.

  • Page 41: Tempo

    MODIFIERS Tempo The Tempo page Tapped or dialed time Tapped tempo in BPM. Slave to MIDI clock Set default tempo at Preset change Tempo Set the global tempo by tapping the Tempo key. The Tempo display, will read out the tapped BPM (Beats per The global tempo can be used as a common tempo minute) and the tapped time in milliseconds.

  • Page 42: Insert Loop

    MODIFIERS The Insert loop The Insert Loop The Insert loop is a unique feature that makes it possible to insert an external device into the Routing of the FireworX using the pair of I/O connectors not occupied by the FireworX’s main In and Outs. The Insert loop setup Example 2 .

  • Page 43: System And Midi

    SYSTEM & MIDI I/O Setup The I/O Setup display The I/O Setup display contains four pages: MIDI - CTRL - LEVEL- SIGNAL. The four pages contain setups of all the FireworX’s external connections. Use the < > Arrow keys to step between the four pages. The MIDI page contains all global parameters i.e.

  • Page 44: Signal Page

    SYSTEM & MIDI I/O Setup Ch. (Channel) The Signal page The Channel parameter selects which channels the FireworX are In the Signal page, the Input and Output routings are set up. The using for Input. The four possibilities are: Signal page includes the setup of the Insert loop. Use the Left input only (L).

  • Page 45: Level

    SYSTEM & MIDI I/O Setup Mod. wheel. This can come in handy when using the Alpha Mod. Output The FireworX will output signal on all available outputs in combination with a sequencer to avoid MIDI feedback. Program change simultaneously, e.g. when the FireworX is using AES/EBU in, This parameter enables or disables MIDI program changes on the and the Insert is set to Analog, the FireworX will send out on AES/EBU, S/PDIF and Tos link (or ADAT) simultaneously.

  • Page 46: External Controllers

    SYSTEM & MIDI I/O Setup which type the current product is using). will now automatically detect the incoming controller, no If set to disabled, the FireworX will act as a standard MIDI matter if it is connected to MIDI or to the pedal jack. product.
  • Page 47 SYSTEM & MIDI I/O Setup FireworX control Main Vol.- Controls the main output volume of the FireworX. Press the Enter key and move the External controller for auto detection. Tempo - Use this parameter to tap the global tempo via MIDI or the FireworX pedal input.

  • Page 48: Utility

    SYSTEM & MIDI Utility Protect The Utility display Sets the Preset Protect function On/Off. In the Utility display, you can choose between Config. and Card. Use the < > Arrow keys to select between Protect Low limit the two displays. Sets the lower limit of the Preset protect.
  • Page 49 SYSTEM & MIDI Utility Format/Erase Card This function will Format and Erase the PC-card. Press Enter twice to confirm this action. WARNING: This action will overwrite ALL existing Presets on the current Card. User/Card Bank copy This section makes it possible to copy a specified group of Presets to or from a specific space on a Card.

  • Page 50: The Blocks

    THE BLOCKS The Blocks you want the sound to re-enter the signal chain. In the Feedback Return block you will find the following This chapter will go through each of the twelve block’s sub- parameters: algorithms and explain the parameters in them. The required FB level* power percentage for 44.1kHz and 48kHz samplerate is Sets the amount of level returned into Routing.
  • Page 51 THE BLOCKS Threshold Soft Compressor When the input signal falls below the threshold, the A Compressor is meant to reduce the dynamic content of the Expander/Gate starts working. This means that the higher input signal, and thereby keep a more constant level. When threshold the more expansion or gating you will get.
  • Page 52 THE BLOCKS Ratio Threshold The Ratio of the gain reduction. Example: When the Ratio is When the input level exceeds the Threshold, the Compressor set to 4:1 it means that for every 4dB the input level rises, the will be activated. This means that the lower the Threshold, output level increases by only 1dB.

  • Page 53: Filters

    THE BLOCKS Hicut Freq* Filters Sets the frequency of the Hicut Resonance filter. Number of blocks: 1 Range 150Hz-15kHz Processing power: 11-45% per block Lo Resonance* The Filter block contains five sub-algorithms: Resonance, Sets the amount of Resonance on the Locut filter. Bandpass, Phaser, Resonator and Resochord.
  • Page 54 THE BLOCKS triplets of the tapped tempo. 1/4 equals the BPM (tapped First band right freq* The first band’s frequency of the right channel. Tempo). The subdivisions available are, 16/1 (16 bars for performing Range: 20Hz-16kHz. one period), 8/1, 4/1, 2/1, 1/1, and 1/2-1/32 in straight, First band right bandwidth* The bandwidth of the first band’s right filter.
  • Page 55 THE BLOCKS NOTE: The peak of the filters can get very loud and can easily hit the internal ceiling and thereby cause distortion. To prevent that, turn down the input level of the Filter block. Resochord The Resochord is based on the same algorithm as the Resonator.

  • Page 56: Formant

    THE BLOCKS filter is relative to the Frequency of the corresponding Resonator voice The slope of the filter is 12dB/octave. The End point of the curve. Range: 0-100%. Resonance* Levels Voice 1-4* Sets the amount of resonance on the Formant filter. Sets the level of each of the four resonators.

  • Page 57: Vocode

    THE BLOCKS Drive* The Drive parameter simulates the Input gain of a distortion device. The extra Input gain is automatically compensated on the Output level to avoid any clipping internally. Brightness* CRUNCHER Brightness is used to reduce the amount of high frequency content in the distorted signal.
  • Page 58 THE BLOCKS input, Mono out algorithms. They both require a Carrier on Carrier Locut* one input channel and a Control (Vocal) on the other channel Cuts off frequencies lower than the selected frequency on input. the Carrier input. The slope of the filter is 12dB/octave. Range: 10Hz-16kHz.
  • Page 59 THE BLOCKS Ring Mod. Internal This variation of the FireworX Ring Modulator provides an internal carrier sine wave generator with user controllable frequency. That means that the left and right input of the block is summed together and used as control input. The parameters available in the Modifier Matrix are marked with an asterisk*.

  • Page 60: Synth

    THE BLOCKS In Level* Set the “Freq” parameter up to be controlled via Controls the input level of the block. MIDI using one of the Functions in the Modifier Out Level* Matrix, and use this block as a mini synthesizer (See Controls the output level of the Ring Modulator block.

  • Page 61: Pitch

    THE BLOCKS Range: 10Hz-16kHz. Highcut* Cuts off frequencies higher than the selected frequency. The filter is relative to the Frequency of the Chaos generator. The slope of the filter is 12dB/octave. Range: 0-100%. Single/Dual Voice Pitch Mix* Mixes between direct sound and effect. In Level* Controls the input level of the block.

  • Page 62: Chorus

    THE BLOCKS changes blended with the direct sound give you the Chorus minute). sound, while the modulated signal alone will give you a If you select “Ignored” the current parameter will use the Pitch modulator also known as Vibrato. The difference Preset value and will not be affected by the Global Tempo.
  • Page 63 THE BLOCKS Golden Ratio Mod link Sets the Golden Ratio between Speed and Depth On/Off. If Enables you to bypass the internal LFO of the Flanger, and you want to create wild Chorus sounds you may want to turn control the sweep manually through the Modifier Matrix. the Golden Ratio off.
  • Page 64 THE BLOCKS Tempo Mix* The Tempo parameter sets the relationship to the global Mixes between direct sound and effect. In Level* Tempo e.g. if you set it to 1/4T the Flanger will use quarter note triplet of the tapped tempo to perform one cycle. Controls the input level of the block.
  • Page 65 THE BLOCKS The subdivisions available are, 16/1 (16 bars for performing Time 1 one period), 8/1, 4/1, 2/1, 1/1, and 1/2-1/32 in straight, dotted Sets the delay time of the first Delay tap. Maximum delay and triplet notes - 1/4 equals BPM (beats per minute). time is 675 ms.
  • Page 66 THE BLOCKS Highcut 1-2-3* Dual Three Tap Cuts off frequencies higher than the selected frequency. So if The Dual Three Tap Delay is capable of performing three you feel that there is too much treble in your signal, you can delay taps on each of the two delay lines.
  • Page 67 THE BLOCKS NOTE: The sum of the six feedbacks are limited to 100%. Lowcut* Cuts off frequencies lower than the selected. The slope of the Levels 1-6* Sets the level of each of the Six Taps. filter is 12dB/octave. Pan Position 1-6* Highcut* Cuts off frequencies higher than the selected frequency.

  • Page 68: Reverb

    THE BLOCKS The initial room reflections are, depending on the size of the Trig (Start/Stop)* Sets the action carried out when Reverse is triggered via the room, the first 50-200 ms of the Reverb and it is these reflections that contain the information of the size and shape Modifier Matrix.
  • Page 69 THE BLOCKS Room Size Color Factor Sets the size of the room that the initial room reflections Emphasizes or reduces the character set by Color. emulate. Range +/-50. It automatically changes the length of the Predelay (the time Predelay until the first reflection appears) and the Decay start (the time Allows adjustment of the predelay (the time until the first where the Decay tail of the Reverb starts).

  • Page 70: Pan

    THE BLOCKS Decay time Pan/Tremolo Sets the length of the reverb decay from Number of blocks: 2 0.01 - 20.0 seconds Processing power: 4-7% per block Predelay The Pan block contains five sub-algorithms: Simple Tremolo, Allows adjustment of the predelay (the time until the first Advanced Tremolo, Simple Panner, Surround Panner and reflection appears) which is automatically set when choosing Stereo Enhance.
  • Page 71 THE BLOCKS and triplet notes - 1/4 equals BPM (beats per minute). Simple/Surround Panner If you select “Ignored” the current parameter will use the The Panner changes the level of the source signal opposite in Preset value and will not be affected by the Global Tempo. left/right according to the LFO curve, depth and speed.
  • Page 72 THE BLOCKS Example: If LFO phase is set 180º, the Left and Right will be exactly opposite. Number of blocks: 1 Processing power: 19-22% per block The EQ block contains two different sub-algorithms: Fixed five band parametric EQ and modulatable four band parametric EQ.
  • Page 73 THE BLOCKS In Level* Controls the input level of the block. Out Level* Controls the output level of the block. Mod. Parametric The Modulatable EQ The parameters available in the Modifier Matrix are marked with an asterisk*. MODULATABLE EQ Freq 1-4* Use the freq parameter to set the target frequency of the current band.

  • Page 74: Appendix

    APPENDIX The Reset Page The Reset page Enter User Data page Store and load your setup to or from card Reset system parameters Clear all user Presets Test Programs The User data page Type your name here and your phone number system parameters are saved meaning all parameter settings of How to enter the Reset page Utility, I/O Setup (except analog in/out levels), Tempo, Alpha...

  • Page 75: Self Test

    APPENDIX Self Test to a MIDI compatible device and confirm the Prg. changes. PRESS THE BYPASS KEY, WHILE POWERING UP, TO ACCESS THE RESET MENU AND SELECT »RUN TEST Press Exit to leave MIDI I/O test. PROGRAM« Pedal socket test Select Pedal test by pressing Enter.

  • Page 76: Troubleshooting

    APPENDIX Troubleshooting You press Power switch, but there is no reaction. - The power switch on the rear panel is switched off. You cannot turn the power off. - Press and hold the Power switch for 3 seconds, then release to power off No sound through the FireworX.

  • Page 77: Midi Implementation Chart

    APPENDIX MIDI Implementation Chart EFFECTS PROCESSOR FireworX - January, 1998 Version 1.0 Function Transmitted Recognized Remarks Basic Channel Default 1(-16) 1(-16) Changed 1-16 1-16 Mode Default Messages Altered Note Number 1-127 True Voice 1-127 Velocity Note ON Note OFF After Touch Key’s Ch’s Pitch Bend...

  • Page 78: Technical Specifications

    APPENDIX Technical Specifications Analog Inputs Connectors: XLR balanced (pin 2 hot) Impedance: 20 kohm Max. Input Level: +22 dBu (balanced) Min. Input Level (for 0 dBFS): -10 dBu Sensitivity: @ 12 dB headroom: -22 dBu to +10 dBu A to D Conversion: 24 bit (1 bit, 128 times oversampling) A to D Delay: 0.8 ms @ 48 kHz...

  • Page 79: Presets

    PRESETS Factory Presets: Name Description Name Description Ultimator Gives your songs or single tracks a hole new feeling Ring Mod 2 Pedal Very ugly guitar sound Vocode Tracker Generates a robot from your vocal tracks Ring Mod Delay Ring modulator combined with a slap back delay Paranoia Be aware someones after you !!!! Dry Takeaway...

  • Page 80: Factory Presets

    PRESETS Factory Presets: Name Description Name Description Ambience Comes Back A great preset for your final mix Multivibrator Phaser, Ring Modulator and Pitcher Smart Face When you want something special on your tracks Autopanner Turn up the Panner speed with the Mod Wheel Under Water Stick your head in the water 5th Spins Around Me...
  • Page 81 PRESETS Factory Presets: Name Description Name Description ---=<DARKSIDE>=--- Sweep Filters Old School Vox B Minor Fugue Pins Notes Little Dist! More Bad Daze In G LFO Crunch Depth Lift And Separate Electrosqueeze Aggressive>>Impulse<< Pulse Width Reverse Osmosis Diffusion Grating Cousin it’ Spin To Talk Gargle Feedback...
  • Page 82 PRESETS Factory Presets: Name Description Name Description Spining Around Open The Door Fall Away Spining Voices Make It Slimer Simple Reverse Less Walk Around..Walking Position Kiss My Brass Cheese In A Can Dream Space Character Airstream Oxygen Content Bandtune Verbdelay Band Tuner Room Bright>Dark...

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