Live Concert With 24-Track Recording - Behringer EURODESK MX9000 User´s Manual

18. LIVE CONCERT WITH 24-TRACK RECORDING

Stereo (quadraphonic) P.A. with sidefills, three infills, two wedge mixes, four FX and simultaneous 24-track
recording.
Channels
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
Tab. 18.1: Channel assignments 24-track (track 24 pre-striped with SMPTE)
None of the tape tracks can be auditioned in this configuration. The channel fader controls the level to tape,
MIX-B adjusts the P.A. level.
The channel inserts (which are pre fader), may be used as virtual direct outs. Hopefully you will be able to set
the input gains (P2) to suit the multitrack on any channel that does not have a massive EQ (i.e. energy) swing
away from 0 dB. The consequent lack of any desk EQ on your tape tracks might even be an advantage when
it comes to remixing the concert back in the studio.
Using this setup, you can even change the P.A. to a quadrophonic system. Positioning takes place by balancing
the main mix (channel fader, PANpot P24) against MIX-B (P20, P21).
46
Source
Kick
Snare
Hi Hat
Tom 1
Tom 2
Tom 3
Tom 4
Cymbals (overheads)
Keyboards L
Keyboards R
Bass DI
Trumpet
Trombone
Sax
BVs 1
BVs 2
BVs 3
Conga L
Conga R
Guitar 1 microphone
Guitar 2 microphone
Lead vocal
Main echo / reverb return
Main echo / reverb return
Tape route Destination
Direct out
Direct out
Direct out
Subgroups 5 and 6 Tracks 5 and 6
Subgroups 5 and 6 Tracks 5 and 6
Subgroups 5 and 6 Tracks 5 and 6
Subgroups 5 and 6 Tracks 5 and 6
Direct out
Direct out
Direct out
Direct out
Direct out
Direct out
Direct out
Direct out
Direct out
Direct out
Direct out
Direct out
Direct out
Direct out
Direct out
(Send = aux 3)
(Send = aux 3)
Track 1
Track 2
Track 3
Track 4
Track 7
Track 8
Track 9
Track 10
Track 11
Track 12
Track 13
Track 14
Track 15
Track 16
Track 17
Track 18
Track 19
Track 20
Track 21
Track 22