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Echo Mona Owner's Manual

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MONA
Owner's Manual Version 1.1 for PC
Mona is designed and manufactured in the U.S. by Echo Corporation
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  • Page 1 MONA Owner’s Manual Version 1.1 for PC Mona is designed and manufactured in the U.S. by Echo Corporation...

  • Page 2: Important Safety Instructions

    Important Safety Instructions 1. Read Instructions - Be sure to read all of the safety and operating instructions before operating this product. 2. Retain Instructions - The safety instructions and owner's manual should be retained for future reference. 3. Heed Warnings - All warnings on Mona and in the Owner's Manual should be followed.
  • Page 3 10. Servicing - Do not attempt to service this unit yourself, as opening the case will expose you to hazardous voltage or other dangers. All servicing should be referred to qualified service personnel. 11. Damage Requiring Service - Unplug this unit and refer it to a qualified service technician when any of the following occur: a) Objects have fallen or liquid has spilled into the unit b) The product has been exposed to rain or water...

  • Page 4: Limited Warranty

    Sending in your registration card – or registering online at http://www.echoaudio.com/register.html allows us to register key information so that we may handle problems faster and inform you of advance information on upgrades and other news. Thanks in advance for filling out your registration card and sending it to us.

  • Page 5: Table Of Contents

    Table of Contents Introduction What You Should Have Received in the Mona Box System Requirements Mona Installation System Check System Sounds Installing the Mona Hardware Connecting to Mona’s Rack-mount Interface Installing the Mona Software Drivers Mona Audio Input & Output Devices The Echo Console Console Controls Monitor Controls...
  • Page 6 Table of Contents Installing Cool Edit Pro Special Edition Cool Edit Pro: Assigning Mona’s Inputs & Outputs Cool Edit Pro: Optimizing Multitrack Performance Contacting Customer Service Appendix A: The Echo Reporter Software Appendix B: General Troubleshooting Guide Appendix C: Resolving Interrupt Conflicts Appendix D: DirectSound FAQ Appendix E: Multi-client audio FAQ Appendix F: Audio Software FAQ...

  • Page 7: Introduction

    Introduction Thank you for choosing the Mona 24/96 Digital Studio. We think you’ll find Mona to be an extremely flexible, high-performance tool for your computer-based hard disk recording system. What You Should Have Received in the Mona Box When you opened the Mona box, you should have found the following: A Mona PCI card wrapped in an anti-static cover A Mona rack-mount audio interface box A Mona interface cable...

  • Page 8: Mona Installation

    Mona Installation Complete Mona installation consists of performing a system check, disabling Windows system sounds, installing the Mona PCI card, connecting the rack-mount audio interface to the card, installing the Mona Windows drivers into your system and, if necessary, installing a multitrack audio recording/editing application.

  • Page 9: System Sounds

    like to check it out, then turn now to Appendix A: The Echo reporter Software and follow the directions there. When you are done, return here. System Sounds There is one final step to perform before installing the Mona hardware. We suggest that you turn off your Windows system sounds prior to installing Mona.
  • Page 10 3. Insure that you have fully discharged all static electricity from your body before handling the Mona card. This can be done through the use of a grounding strap or, more simply, by touching your bare hand to the metal casing of the computer’s power supply.
  • Page 11 and place one in each bottom corner of the interface unit. Then be sure to locate the rack-mount box in a secure location. Plug one end of the cable into the 9-pin connector on the Mona card that now protrudes through the back panel of your computer, and secure the cable using the built-in screws located on both sides of the connector.

  • Page 12: Connecting To Mona's Rack-Mount Interface

    Connecting to Mona’s Rack-mount Interface The back panel of Mona’s rack-mount interface contains a wide variety of connections that allow great flexibility in the operation of Mona. To achieve the optimal performance with Mona, it is critical that the appropriate cabling and connectors are used.
  • Page 13 Mona provides 48 volts of phantom power for microphones that require it. To enable phantom power press the button labeled +48V (the LED next to it will light up) and phantom power will be provided to all microphone inputs. Note: Phantom power will not be applied to any line level equipment or guitars plugged in using ¼”...
  • Page 14 Mona’s Guitar Input (1/4” Plug, Impedance: 100K, Trim: 10 – 50 dB) An input impedance of 10K is too low to record non-active guitar pickups so each input also has its own “guitar” switch. When the guitar switch is pushed in (green indicator lit), the input impedance is increased to 107K and the trim knob has a range of 10 to 50 dB.
  • Page 15 Each of Mona’s 6 outputs has one RCA and one XLR connector for your convenience. The RCA jack outputs a –10dBV (unbalanced) signal, while the XLR jack outputs a +4dBu (balanced) signal. Both connectors are active at all times, so the output signal will always go out of both jacks. The Computer Connector Next to the analog inputs and outputs is a connector labeled COMPUTER.
  • Page 16 ADAT/S/PDIF optical I/O Next to the COMPUTER connector is a pair of connectors labeled OPTICAL, IN and OUT. These connectors are used to transmit digital data among digital audio devices via an optical signal. You can use this port for ADAT (8 channels) or for optical S/PDIF (stereo) I/O.
  • Page 17 When connecting devices to the S/PDIF jacks on Mona, the use of standard analog RCA audio cables is not recommended. For reliable S/PDIF operation, 75ohm coaxial (RG59) video cables are recommended. Word Clock Next to the S/PDIF ports are the Word Clock connectors. These connectors allow you to synchronize one Mona to another Mona, Layla or Layla24 or to other digital audio devices.

  • Page 18: Installing The Mona Software Drivers

    Installing the Mona Software Drivers Now that you have completed the hardware installation, you need to install the software drivers that allow Mona to interact properly with Windows 95/98 and your audio recording application. Turn on the power to your computer’s CPU. After Windows 95/98 starts up, it will automatically sense the newly installed Mona card and indicate, via a pop-up Install Wizard window, that new hardware has been found.
  • Page 19 If you are using Windows 98: After you have inserted the Mona CD-ROM disc and clicked next, you’ll see the message, “What do you want Windows to do?” Below that are two radio buttons. If it isn’t already selected, select the one labeled “Search for the best driver for your device (Recommended)”.
  • Page 20 After the drivers are installed, you should verify that Windows recognizes them. You can do this by checking in the Windows Control Panel as follows: Begin by clicking on the Windows Start button. Then select Settings, followed by Control Panel. Now double-click on the icon labeled System. At the top of the System window, you will see a tab labeled Device Manager;...
  • Page 21 If the message does not appear, check Appendices A, B and C for help in isolating the cause of your difficulties. You can now exit back to the Control Panel window to check the Mona audio input and output devices that are available. In the Control Panel window, locate the Multimedia icon and double-click on it.

  • Page 22: Mona Audio Input & Output Devices

    Mona Audio Input & Output Devices The Mona driver installs into your computer as a series of stereo .WAV devices. Pulling down the Preferred Device menu in the Control Panels/Multimedia/Audio Playback section will reveal the available Mona devices. You will be able to select from: Mona 1/2 Analog Playback Mona 3/4 Analog Playback Mona 5/6 Analog Playback...

  • Page 23: The Echo Console

    The Echo Console Included with your Mona is a “virtual control surface” application called the Echo Console. Every time you start Windows you will see it flicker across the screen as it loads. Then it will minimize itself to the taskbar. The Console allows you to control the audio I/O and clocking functions of Mona, and it brings these controls to a single easy-to-use location.

  • Page 24: Console Controls

    The console functions are grouped into three areas: inputs (in the upper left corner), monitors (directly below the inputs that are being monitored), and outputs (on the right hand side). The controls for a particular function/stereo pair are then further grouped into a box that contains selection buttons, faders, and other controls and displays as determined by the function.

  • Page 25: Monitor Controls

    Monitor Controls Below the input channels are the input monitor controls. The input monitor controls allow you to monitor the input signal via any of the available outputs on your Mona. Each input channel pair has a corresponding monitor control pair directly below it on the console. At the top of each monitor pair are radio buttons that allow you to selectively mute (M) or solo (S) each channel.
  • Page 26 input signal will be monitored at each of the outputs, independent of the main output level control. When setting a monitor level, you must first select the input that will be monitored, and then select the output for which you will set the monitor level.

  • Page 27: Output Controls

    Output Controls The right hand side of the console is dedicated to the controls for analog output channels one through six (an output meter pair is included for the two S/PDIF output channels, but these levels are not adjustable). The output controls mirror those found on the monitor controls (Gang, Mute, Solo, &...

  • Page 28: Setting Clock Sources And Destinations

    Setting Clock Sources and Destinations At the very bottom of the Console there are buttons that allow you to select the synchronization clocks that are used by Mona. The console program will detect which input clocking options are available, and automatically disable those that are unavailable.
  • Page 29 For this reason, Mona supports many synchronization modes. Mona can slave to word clock, S/PDIF, and ADAT. In addition, Mona can also generate these synchronization signals and Esync, as well as perform translation of one clock to another, such as transmitting word clock while reading ADAT.
  • Page 30 Esync – Esync is a proprietary from of super clock that is used to synchronize two or more Echo 24-bit products like Mona, Layla24, Gina24, and Darla24. While Gina24 and Darla24 have both input and output connectors on their PCI cards, Mona and Layla24 only have the Esync output connectors.

  • Page 31: Digital Mode Switch

    Digital Mode Switch To the right of the Input clocks is a dropdown menu labeled “Digital Mode Switch.” This menu allows you to select which digital inputs/outputs Mona will use at any given time. The options are S/PDIF RCA, S/PDIF Optical, and ADAT.

  • Page 32: The File Menu

    The “View ADAT Ctrls” checkbox will display this window when checked. The File Menu At the top left of the Console window you will find the File menu. By selecting the File menu, several configuration options become available to you. The first menu option is “Preferences.” The Preferences option brings up the Console “Preferences Page”...

  • Page 33: The Preferences Page

    also shut down the Console application and remove it from the system tray. Don’t worry, if you want to bring the Console back you can do it by disabling, then re-enabling the Show console on taskbar checkbox in the Mona by Echo Properties window (see below under “Additional Configuration Settings”).

  • Page 34: Digital I/O - Selecting The S/Pdif Output Format

    Digital I/O - Selecting the S/PDIF Output Format Mona can transmit digital information in either of two formats, “professional” or “consumer.” The primary difference between the two is in the implementation of the SCMS copy protection bit, which, in the Consumer format, prevents the user from making digital copies of a digital copy.

  • Page 35: General - Sync Wave Devices

    General - Sync Wave Devices This is mainly for developers who are using tools like Visual Basic or Delphi and want the inputs and outputs to be totally independent. Unless you have a good reason to turn it off, you should leave this switch on. If you have a program that is telling you that our hardware isn't full duplex, chances are you can fix this by either disabling this switch or enabling Multi-client audio (see below).

  • Page 36: Sample Rate Lock

    Console Preferences Page and enable the check box labeled “External box warning.” Sample Rate Lock These controls allow you to enable or disable the Sample Rate Lock feature, as well as set the sample rate you want to lock to. While the sample rate is locked, all sample rate change requests from applications will be ignored and the card will remain at that sample rate no matter what.

  • Page 37: Additional Configuration Settings

    Additional Configuration Settings In addition to those settings that can be made using the Echo Console program, there are a number of other configuration options you can access. These are found in the Windows Control Panel. To access these controls, begin by pressing the Windows Start button.

  • Page 38: Show Console On Taskbar

    Show console on taskbar The first selection in the General section of the Settings screen allows you to determine whether the Echo Console program will occupy a space on the Windows taskbar (the “M” in the bottom right-hand corner of the Windows desktop).

  • Page 39: Multi-Client Audio

    Multi-client audio Multi-client audio lets you use different inputs and outputs on Mona with different audio programs at the same time. Otherwise, you would have to use a different soundcard with each audio application. For example, suppose you own both Cubase VST (multitrack audio) and Reality (software synthesizer).

  • Page 40: Directsound Settings

    DirectSound Settings Click on the DirectSound tab. The window will change to look like this: The first checkbox is called “Enable DirectSound.” This allows you to enable or disable the DirectSound driver for Mona. For more information about DirectSound please refer to the appendix: DirectSound FAQ. The second checkbox is labeled “Lock DirectSound format.”...

  • Page 41: Installing Cool Edit Pro Special Edition

    Installing Cool Edit Pro Special Edition Included with your Mona system is a special version of Syntrillium Software’s Cool Edit Pro, a powerful multitrack audio recording and editing application. To install the software: 1. Insert the Mona CD-ROM. 2. Press the Start button, and select Run… from the menu. Now select Browse…...

  • Page 42: Cool Edit Pro: Assigning Mona's Inputs & Outputs

    Cool Edit Pro: Assigning Mona’s Inputs & Outputs Mona’s inputs and outputs are assigned to tracks in two different ways, depending on the view stereo waveform or multitrack in which you are working. In the stereo waveform view, select Options/Settings/Devices; in the window that appears you can define the Waveform Playback and Waveform Record devices.

  • Page 43: Cool Edit Pro: Optimizing Multitrack Performance

    Cool Edit Pro: Optimizing Multitrack Performance Background mixing the process Cool Edit Pro uses to allow a large number of tracks to play simultaneously requires significant processing power from your computer. With larger sessions, your computer may become so occupied with mixing that you experience audio dropouts in multitrack playback.
  • Page 44 output devices vary, so may the settings you’ll need to use to maximize performance. Use the Multitrack Settings shown above as a starting place when adjusting your system to optimize the performance of Cool Edit Pro. Cool Edit Pro will take more time performing background mixing when you have your tracks assigned to multiple sets of Mona’s outputs.

  • Page 45: Contacting Customer Service

    Contacting Customer Service If you experience any trouble with your Mona system please go to the support area of our website at www.echoaudio.com and check out the troubleshooting FAQ’s we have there. If you can’t find a solution to your problem there, please fill out the provided technical support email form.

  • Page 46: Appendix A: The Echo Reporter Software

    Appendix A: The Echo Reporter Software Running the Echo Reporter Software The Reporter is designed to provide you with an analysis of your computer system’s audio capabilities and its ability to work successfully with your Echo card. The program looks at such things as your BIOS version, your interrupt assignments, and your hard disk’s transfer rate.
  • Page 47 After the test is completed you’ll see a results screen. Many of the parameters on the screen are interactive; you can change them to see how your disk performs under different conditions. For example, in the upper right corner of the screen you can see how large your hard disk is and how many minutes of recording time it will provide for a mono track recorded at 44.1kHz with 16-bit resolution.
  • Page 48 You can adjust the parameters on the Hard Disk Performance screen to view your disk’s record and playback capabilities at various sample rates and bit-resolutions. You can also change the Size (bit-resolution), Rate (sample rate), and Number of Tracks fields. Though the original test was performed with default values of 16-bit 44.1kHz, you can easily see your disk’s performance reading and writing, say, 24-bit 48kHz data simply by selecting those values in the appropriate fields.
  • Page 49 Similarly, by lowering the number of playback tracks, you’ll see the number of record tracks increase. The readouts will generally show that you have fewer record tracks available than playback tracks. This is because writing data to a hard disk is a slower process than reading it back (due to the verify routines used when writing to disk).
  • Page 50 The Summary screen tells you if your system can support multitrack audio recording as well as alerting you to potential problems.
  • Page 51 After you run the Reporter program, your summary may contain one or more of the following problem/error messages. Consult the table below for suggestions on interpreting the messages and finding solutions. Message... Problem... What to do... * The Echo line of sound Your computer is using a The Echo Reporter and cards require Windows 95...
  • Page 52 *The Echo Reporter has Your computer has no First, verify that 32-bit disk found that none of the hard physical hard drives that test access is enabled. This is drives that were tested meet at a transfer rate better than done under the heading minimum performance 500Kb/second.

  • Page 53: Appendix B: General Troubleshooting Guide

    Appendix B: General Troubleshooting Guide Problem: After installing Mona, one or more of your peripheral devices no longer functions properly. Solution: During the installation of your Mona, it is possible that an interrupt conflict was created. Please see Appendix C: Resolving Interrupt Conflicts for more information on this topic.
  • Page 54 environments, whereas the consumer mode is commonly implemented on equipment designed for home use in the consumer market. The primary difference between the two modes is in the implementation of the SCMS copy-protection bit, which, in the consumer format, prevents the user from making digital copies of a digital copy.
  • Page 55 Problem: Mona doesn’t seem to recognize the synchronization clock to which it is connected. Solution: Although it may seem obvious, the first thing to check is that there is a physical connection between the device generating the clock and Mona’s rack mount interface. Just because multiple devices are connected to the same computer doesn’t mean they are synchronized.
  • Page 56 Problem: I can’t get Mona to record at 96 kHz. Solution: Set the Digital Mode to one of the S/PDIF options. You can change this setting from the Echo Console. When the Digital Mode is set to ADAT you are limited to the sample rates that are within the ADAT spec (such as 44.1 and 48kHz).

  • Page 57: Appendix C: Resolving Interrupt Conflicts

    Appendix C: Resolving Interrupt Conflicts While Plug-and-Play is often called “Plug-and-Pray,” it actually works quite well most of the time. We estimate that 95% of Mona installations will go without a hitch that Plug-and-Play will properly assign resources to your card without any conflicts. The other 5% of you may experience interrupt problems (mostly caused by non-Plug-and-Play ISA cards or PCI cards that don’t like to share).
  • Page 58 wired to them. Some ISA cards (also called “legacy” cards) have you select which interrupt is used by configuring jumpers on the card. Newer Plug- and-Play ISA cards have their interrupts selected by either the computer’s BIOS (the built-in program that starts the computer) or by Windows 95/98. The newer PCI (Peripheral Connect Interface) bus transfers data faster than ISA and was designed to support Plug-and-Play from the start.
  • Page 59 and use your MIDI card or play back audio via Mona, neither device will function properly. Or, maybe you have a SCSI card that had previously been assigned to IRQ 10. The BIOS may now decide to assign IRQ 10 to Mona, and move the SCSI card to IRQ 9.
  • Page 60 Once you know which interrupt Mona is trying to use, you need to locate which card is potentially causing the conflict. To do this you may need to dig out the manuals for whatever ISA cards are installed and examine the jumper settings to determine which interrupts, if any, are used.
  • Page 61 you will need to enter the BIOS configuration screen when your computer first starts up. This is usually done by pressing the Delete key or F1 key right after the memory test during the boot-up routine. Once you’re in the BIOS control panel, check to see if you are given the option of manually configuring your interrupts.
  • Page 62 Hopefully, your system will now be functioning properly. If not, please refer to the “Contacting Customer Service” section of this manual. We’ll do our best to help you solve your problem. Reconfiguring an IRQ within Windows 95/98 - PCI Now that you have identified the offending card and the IRQ in contention, you will want to try to reconfigure its IRQ setting.

  • Page 63: Appendix D: Directsound Faq

    Appendix D: DirectSound FAQ Q: What is DirectSound? DirectSound is an alternate method for a Windows application to access audio hardware. Previous Echo card drivers (for Layla, Gina & Darla) only supported wave (or multimedia) and ASIO. DirectSound typically provides much lower latencies than wave mode.
  • Page 64 Note that you must do this if you want to use Gigasampler (see the section on Gigasampler in the “Audio Software FAQ” below). Q: Does this mean I can play games through Mona? Sure. The only snag is that many games use CD audio for their background music.

  • Page 65: Appendix E: Multi-Client Audio Faq

    Appendix E: Multi-client audio FAQ Q: What is “Multi-client audio”? Multi-client audio is a feature that lets you use different inputs and outputs on your Echo card with different applications at the same time. This way, you can use several different audio applications with just one Echo card. Otherwise, you would have to use a different soundcard for each audio application.
  • Page 66 Reality is now also coming out at 48 kHz, so all the sounds played out of Reality will sound higher in pitch. If you're planning to use multi-client audio, the best thing you can do is to sit down and plan it out. Make a chart of each input and output on the Echo card and write down what application is going to use what input or output.
  • Page 67 Q: What I really want to do is use a software synthesizer or sampler like Gigasampler, Reality, or Retro AS/1. What's the best way to use this with an audio and MIDI sequencer like Cubase VST or Cakewalk? The best thing you can do is run the synthesizer/sampler application first, then run the sequencer.

  • Page 68: Appendix F: Audio Software Faq

    Appendix F: Audio Software FAQ Cubase VST and ASIO 2.0 Q: Can I use all Echo cards together at the same time in Cubase? Not right now, but we will add this in a future driver update. Right now there are two different Echo ASIO drivers. One is for the Echogals cards (Layla, Gina, Darla &...
  • Page 69 that is also set up to use our hardware. For more information on multi-client mode, please refer to the “Multi-client audio FAQ” in this manual. Q: OK, so how should I deal with this? Cubase VST comes with a program called “Setup MME”. You can find it if you select Start/Programs/Cubase VST.
  • Page 70 Now, before you run Cubase VST, make sure you run Gigasampler first. Then, make sure that Gigasampler is not using outputs 1 and 2 of your card. Cubase will always try to use outputs 1 and 2. If some other program is using these two outputs already, Cubase will not be able to start the ASIO driver and you will get many error messages.
  • Page 71 Gigasampler Q: I'm a Gigasampler user. Anything I should know about? Yes. Unfortunately, Gigasampler does not work with Mona, Layla24 or Gina24 at this time. Nemesys (makers of Gigasampler) will be releasing an update patch soon that will add support for Mona, Layla24 and Gina24. We will also be releasing a driver update at that time.

  • Page 72: Appendix G: An Introduction To Digital Recording

    Appendix G: An Introduction to Digital Recording Converting Sound into Numbers In a digital recording system, sound is represented as a series of numbers, with each number representing the voltage, or amplitude, of a sound wave at a particular moment in time. The numbers are generated by an analog-to- digital converter, or ADC, which converts the signal from an analog audio source (such as a guitar or a microphone) connected to its input into numbers.
  • Page 73 Sample Size The more bits that are used to store the sampled value, the more closely it will represent the source signal. In an 8-bit system, there are 256 possible combinations of zeroes and ones, so 256 different analog voltages can be represented.

  • Page 74: Sample Rate

    Sample Rate The rate at which the ADC generates the numbers is equally important in determining the quality of a digital recording. To get a high level of accuracy when sampling, the sample rate must be greater than twice the frequency being sampled.
  • Page 75 Storing Digital Data Once the waveform has been transformed into digital bits, it must be stored. When sampling in stereo at 48kHz using a 20-bit word size, the system has to accommodate 1,920,000 bits per second. Though this is a lot of data, it is well within the capabilities of personal computers.
  • Page 76 different. A 0 dBV signal has a voltage level of 1.0 volts. A 0 dBu signal has a voltage level of .775 volts. Since .775 is approximately 2 dB less than 1.0, converting dBV levels into dBu levels is as simple as subtracting 2 dB (2.21 to be exact).
  • Page 77 Unbalanced and Balanced Inputs and Outputs An unbalanced signal, commonly used for guitars and consumer electronics, contains two components, a ground signal and a “hot” or active signal. The ground is the barrel of a ¼” connector and the shell of an “RCA” style connector.
  • Page 78 Balanced signals connect with either XLR connectors or TRS (tip, ring sleeve) connectors. Mona uses XLR connectors for connecting microphones and TRS connectors for connecting balanced line level signals. The three sections of a TRS connector are used to transmit the three components of a balanced signal (T = plus, R = minus, S = ground).
  • Page 79 necessary when recording to avoid clipping. The only way that 96 dB would be adequate is if all music were recorded so that the peaks were just under full-scale and no compressing or amplification was going to be applied after recording. Any time recorded music is amplified, so is the noise at the low end.

  • Page 80: Appendix H: Specifications

    Appendix H: Specifications Audio Performance Analog Inputs (x4): !"Frequency Response: 10Hz – 22kHz, 0.25dB ± !"Dynamic Range: 115dB A-weighted !"THD+n: <0.001%, 20Hz–22kHz !"Nominal Input Level: +4dBu !"Maximum Input Level: +22dBu !"Microphone Input Level (balanced XLR): !"EIN: -129dBV !"Input Impedence: 1.5K !"Gain Adjustment: 20 –...
  • Page 81 !"Maximum Output Level: +8dBV Hardware !"Host Interface: PCI bus card !"PCI bus master interface !"Four high quality mic preamps with phantom power (+48v) !"Four universal analog inputs with precision 24-bit 128x oversampling analog-to-digital converters !"Six analog outputs (both XLR & RCA) with high performance 24-bit 128x oversampling digital-to-analog converters !"S/PDIF digital I/O with up to 24-bit resolution !"ADAT optical digital I/O...

  • Page 82: Index

    Index dynamic range · 79 ADAT · 29, 31, 68 adjusting record and playback Echo Console · 23 levels Echo Console controls · 27 · 24 analog resolution Echo Reporter · 73 · 7, 46, 51, 52, 75 analog-to-digital converter Esync ·...
  • Page 83 S/PDIF output setting · 34, 54 S/PDIF recording · 53 · 59, 62 S/PDIF resolution · 73 PCI card, installation · 10 sample rate · 72, 74 PCI slots · 9 sample size · 73 Playback Buffer Size · 43 SAW compatibility mode ·...

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