Echo Gina3G Owner's Manual

Version 1.0.1 for windows

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Owner's Manual Version 1.0.1 for Windows

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Summary of Contents for Echo Gina3G

  • Page 1 ® LAYLA ® GINA Owner’s Manual Version 1.0.1 for Windows...
  • Page 2: Important Safety Instructions

    Important Safety Instructions 1. Read Instructions - Be sure to read all of the safety and operating instructions before operating this product. 2. Retain Instructions - The safety instructions and owner's manual should be retained for future reference. 3. Heed Warnings - All warnings on your Echo product and in the Owner's Manual should be followed.
  • Page 3: Limited Warranty

    Registering your product online at http://www.echoaudio.com/support/register.php allows us to register key information so that we may handle problems faster and inform you of advance information on upgrades and other news. Thank you in advance for registering. We hope you enjoy your Echo product. Limited Warranty Echo Digital Audio Corporation warrants this product, when purchased at an Authorized Echo Dealer in the United States of America, to be free of defects in materials and manufacturing workmanship for a period of one year from...
  • Page 4 ©2004 by Echo Digital Audio Corporation 6450 Via Real Suite 1 Carpinteria, CA 93013 ® ® ® , Layla , Gina , PureWave™, and SuperChannel™ are trademarks of Echo Digital Audio Corporation. Echo ® ADAT is a registered trademark of Alesis Corporation. Tracktion™...
  • Page 5: Table Of Contents

    INTRODUCTION....................7 ..........7 HOULD ECEIVED IN THE ..................8 YSTEM EQUIREMENTS INSTALLATION ....................9 .................. 9 N AS DMINISTRATOR ..............9 ISABLE INDOWS YSTEM OUNDS PCI C ................10 NSTALLING THE ............. 12 ONNECTING TO THE UDIO NTERFACE ..................18 NSTALLING RACKTION &...
  • Page 6 APPENDIX A: GENERAL TROUBLESHOOTING GUIDE ......41 APPENDIX B: MULTI-CLIENT AUDIO FAQ..........46 APPENDIX C: WINDOWS DRIVER MODEL (WDM) FAQ ...... 49 APPENDIX D: AUDIO SOFTWARE GUIDE ..........52 APPENDIX E: PUREWAVE AND SUPERCHANNEL......... 54 APPENDIX F: SURROUND SOUND............... 64 APPENDIX G: AN INTRODUCTION TO DIGITAL RECORDING...
  • Page 7: Introduction

    Introduction Introduction Thank you for choosing Echo Digital Audio. We think you’ll find your Echo product to be an extremely flexible, high-performance tool for your computer- based hard disk recording system. What You Should Have Received in the Box When you opened the box, you should have found the following: •...
  • Page 8: System Requirements

    Introduction System Requirements In order to use Layla3G or Gina3G you’ll need the following: • A desktop computer with one of the following: • A genuine Intel Pentium III processor (or better) and a motherboard with a genuine Intel chipset OR •...
  • Page 9: Installation

    Installation Installation Complete installation consists of logging in as an administrator, disabling Windows system sounds, installing the Windows drivers into your system, installing the PCI card, connecting the audio interface to the PCI card and to your other audio hardware, and installing Tracktion multitrack audio recording software. Log In as Administrator If you are using Windows 2000 or XP, you must be logged into your computer as an Administrator.
  • Page 10: Installing The Pci Card

    Installation Installing the PCI Card Once you have logged in as an administrator, and disabled the Windows system sounds, it is time to install the Echo3G PCI card into your computer. 1. Install the drivers. You should do this before inserting the PCI card. Insert the Echo Install CD-ROM into your machine.
  • Page 11 Installation slot. Centering the card over the slot and using a gentle rocking motion while pushing downward into the slot generally works well. Be careful not to force the card into the slot, or bend or twist it while it is being inserted, as this could result in the card being damaged.
  • Page 12: Connecting To The Audio Interface

    Connecting to the Audio Interface Connecting to the Audio Interface The Layla3G and Gina3G audio interfaces contain a wide variety of connections that allow great flexibility in operation. For optimal performance, it is critical to use the appropriate cabling and connectors. Analog Inputs and Outputs –...
  • Page 13 Connecting to the Audio Interface Analog Inputs and Outputs – Gina3G Gina3G’s front panel has two universal inputs (#s 1 – 2) with meters and trim knobs, a green phantom power light (+48v), and an amber power indicator light. There is also a ¼” headphone output jack, with a corresponding volume knob, which monitors analog outputs 1 and 2.
  • Page 14 Connecting to the Audio Interface To use a microphone, plug the microphone’s XLR cable into any of the universal inputs. Whenever an XLR cable is connected to a universal input, the microphone preamp is enabled and the gain range of the trim knob is set to range from +10 to +58dB.
  • Page 15 Connecting to the Audio Interface The Computer Connector On the rear panel of the interface box is a connector labeled COMPUTER. It is the point at which the audio interface connects to the Echo3G PCI card inside your computer. An Echo3G connector cable was supplied to you for this purpose. This custom made cable is manufactured to certain specifications;...
  • Page 16 Connecting to the Audio Interface S/PDIF Next to the Optical connectors is a pair of connectors labeled S/PDIF, IN and OUT. These S/PDIF connectors are used to transmit digital audio data between digital audio devices via an electrical signal. When connecting devices to the S/PDIF jacks, the use of standard analog RCA audio cables is not recommended.
  • Page 17 Connecting to the Audio Interface Word Clock (Layla3G only) Next to the S/PDIF ports on Layla3G’s back panel are the Word Clock connectors. These connectors allow you to synchronize one Layla3G to another Layla3G or to other digital audio devices equipped with a Word Clock connector. The Word Clock I/O uses a BNC connector.
  • Page 18: Installing Tracktion

    Installing Tracktion Installing Tracktion Both Layla3G and Gina3G come bundled with the full version of Tracktion, audio multitrack recording, MIDI, editing, and sampling software. Install Tracktion from the Echo3G CDROM To install the software: 1. Insert the Echo3G Install CD-ROM 2.
  • Page 19: Launching Tracktion And Assigning Inputs & Outputs

    Installing Tracktion Launching Tracktion and Assigning Inputs & Outputs Now it’s time to launch the actual program and set a few options: 1. Locate the Tracktion program on the “Start” menu or on the desktop. 2. Select the program from the menu (or double click on the icon) to launch the program.
  • Page 20 Installing Tracktion NOTE 1: If you can’t find some of your Echo product’s inputs or outputs, that means they are currently being used by another software program. You will have to shut down Tracktion, and disable them from the other software program.
  • Page 21: Using Audio Software

    Audio Software Using Audio Software Understanding Wave Devices To audio software the Echo hardware appears initially as a group of stereo wave devices. (Using the SuperChannel feature will change this – for more info see Appendix E: PureWave and SuperChannel.) You can view the list of these devices either from within your audio software or from the Windows control panel.
  • Page 22 Audio Software And for recording: Layla3G Gina3G Layla3G 1/2 Analog In Gina3G 1/2 Analog In Layla3G 3/4 Analog In Gina3G 1/2 Digital In Layla3G 5/6 Analog In Gina3G 3/4 Digital In Layla3G 7/8 Analog In Gina3G 5/6 Digital In Layla3G 1/2 Digital In Gina3G 7/8 Digital In Layla3G 3/4 Digital In Layla3G 5/6 Digital In...
  • Page 23: Digital Mode

    Audio Software Digital Mode Layla3G and Gina3G have a digital mode switch that lets you set how the hardware transmits and receives digital audio signals. The digital mode switch can be set to S/PDIF RCA, S/PDIF optical, or ADAT optical. We’ll use Layla3G for our examples below, but Gina3G works exactly the same.
  • Page 24: Console3

    Console Software Console3 A “virtual control surface” application called Console3 is installed with the driver. The console allows you to control the audio I/O and clocking functions of your Echo product, and it brings these controls to a single easy-to-use location. From the console you can control the output levels, select synchronization clocks, select the digital mode, and adjust input monitoring.
  • Page 25 Console Software that output bus. Audio played through the selected channels by an application, any analog input, and any digital input may be mixed to an output bus. Screenshot of Layla3G Console3 main window – Gina3G will work similarly. Console Software...
  • Page 26: Bus Select

    Console Software Bus Select The output bus select panel is the area outlined in green. Five different output busses are shown here: four analog busses in the top row and one digital bus on the bottom row. Each bus has its own button marked with either an A or D (Analog or Digital) and a channel number pair.
  • Page 27: Analog Inputs

    Console Software The gang button, marked with a “G,” sets the gang mode. If you are in gang mode, the mute buttons and nominal level buttons will work together for the left and right channels; for example, clicking the mute on one channel activates the mute button on the other channel.
  • Page 28: Digital Inputs

    Console Software Below the peak meters are the input monitor controls starting with the monitor pan slider. This control changes how the input channel is monitored between the two channels of the currently selected output bus. Holding down the Ctrl key and clicking on a pan slider will set the slider to the center position.
  • Page 29: Adjusting Playback Volume

    Console Software Adjusting Playback Volume Output volume adjustments are made in the digital domain. When you lower a volume fader below 0dB, you are actually decreasing the number of available bits, thereby taking away from the potential dynamic range of the system. Therefore, we suggest that whenever possible you leave the output faders (Playback &...
  • Page 30: Synchronizing Multiple Devices

    Console Software Synchronizing Multiple Devices Layla3G and Gina3G are designed to work alongside other audio equipment. If you are planning on using Layla3G or Gina3G with other audio equipment, please note the following: The Windows drivers included in this package support multiple Echo products within the same system.
  • Page 31 Console Software S/PDIF – The Sony/Phillips Digital Interchange Format is a serial bit-stream that has a clock signal embedded in the data stream. When recording from an S/PDIF source, whether via optical cables or RCA cables, Layla3G & Gina3G will utilize the synchronization clock that is embedded in the S/PDIF while they decode the bit-stream.
  • Page 32 Console Software the second one via a BNC cable running from Word Clock Out on Layla3G #1 to Word Clock In on Layla3G #2. Now select Word for Layla3G #2’s input sync. The second Layla3G will slave to the first one and your Layla3Gs will now operate in unison.
  • Page 33: Console Settings

    Console Software Console Settings Clicking the Settings button above the playback strips shows a dialog box for altering console settings. The Settings dialog gives you six different tabs to choose from: “Driver,” “Console,” “Digital,” “GSIF,” “Surround,” and “About.” Driver Here you can do two things: lock the sample rate and tell the driver whether or not to synchronize wave devices.
  • Page 34: Locking The Sample Rate

    Console Software Locking the Sample Rate Locking the sample rate can be very important, since Windows will frequently try to set the hardware to the highest rate it supports. Then, Windows sample rate converts between that rate and the rate at which you are playing or recording. For instance, you may be trying to play at 44.1 kHz, but Windows sets the hardware to 96 kHz and converts between the two.
  • Page 35: Console Sessions

    Console Software Console Sessions Console settings can be saved as a console session to be reloaded later. To save a console session, click the “Save” button in the console. To load a previously saved session, press the Load button in the console. The current session can be “fast saved”...
  • Page 36: Digital I/O

    Console Software Digital I/O This lets you set the format of your S/PDIF outputs. Layla3G and Gina3G can transmit digital information in either of two formats: “professional” or “consumer.” The primary difference between the two is in the implementation of the SCMS copy protection bit, which, in the Consumer format, prevents the user from making digital copies of a digital copy.
  • Page 37: Gsif

    Console Software GSIF This window allows you to set the latency of GigaStudio in terms of samples. Select the value here that provides the best tradeoff between performance and reliability. The driver that comes with Layla3G/Gina3G fully supports GigaStudio 3, including support for GSIF 2 audio input and low-latency kernel-level MIDI input.
  • Page 38: Surround

    Console Software Surround Here you can find the controls for surround sound delay management. Please refer to “Appendix F: Surround Sound” under the heading “Delay Management” for more information. Windows XP Service Pack 2 may alter some of these settings. Console Software...
  • Page 39: About

    Console Software About This displays the console version and driver version numbers. We feel that this is the single most exciting feature of the console ☺ Console Hot Keys The console supports several hot key functions: F1 - F12 Selects the output bus Fast-saves the current session Loads a session Saves a session...
  • Page 40: Contacting Echo Customer Service

    Customer Service Contacting Echo Customer Service If you experience any trouble with your Echo hardware please go to the support area of our website at www.echoaudio.com, and check out the “QuickTips” & “Troubleshooting” FAQ’s we have there. If you can’t find a solution to your problem there, please fill out the provided technical support email form.
  • Page 41: Appendix A: General Troubleshooting Guide

    Appendix A: Troubleshooting Guide Appendix A: General Troubleshooting Guide Problem: When you try to install the drivers from the CDROM, Windows gives you an error message. Solution: There are several things that could be causing the driver installation to fail. First, if you are trying to install the drivers on Windows 2000 or XP you must be logged in as an Administrator.
  • Page 42 Appendix A: Troubleshooting Guide Error code 1628 Follow the instructions at the website below: http://consumer.installshield.com/kb.asp?id=Q108464 Other error codes The ones listed above are the most common, but if you get a different error code try looking at this list for help: http://consumer.installshield.com/common.asp?source=all Problem: You installed your Echo product and restarted Windows.
  • Page 43 Appendix A: Troubleshooting Guide Problem: You are running Windows 2000 or XP and your computer spontaneously reboots on you. Solution: You have probably experienced what Microsoft calls a “bug check”, but what everyone else calls the Blue Screen of Death (BSOD). The default setting for the BSOD is not to show the BSOD, but to reboot the computer.
  • Page 44 Appendix A: Troubleshooting Guide equipment, this copy-protection bit can be turned off or on according to the user’s needs. In consumer products, the SCMS bit is always enabled. Unfortunately there is no way for the transmitting device to automatically detect which format the receiving device is able to accept.
  • Page 45 Appendix A: Troubleshooting Guide doesn’t mean they are synchronized. Next, be sure that you have selected the desired input clock source in the Console for your Echo product. Problem: Recordings made using the S/PDIF input contain occasional pops or skips. Solution: When recording with the S/PDIF input, you must manually select the S/PDIF clock as the input clock.
  • Page 46: Appendix B: Multi-Client Audio Faq

    Appendix B: Multi-client audio FAQ Appendix B: Multi-client audio FAQ Q: What is “Multi-client audio”? Multi-client audio is a feature that lets you use different inputs and outputs on your Echo product with different software applications at the same time. This way, you can use several different audio applications with just one Echo product.
  • Page 47 Appendix B: Multi-client audio FAQ You should also turn off your system sounds. Most system sounds tend to be at 11 kHz or 22 kHz. Imagine that you're recording the best guitar solo of your life and someone clicks on something on the screen. The 22 kHz system sound will play out of an unused output and drop the sample rate of the whole system to 22, ruining your take.
  • Page 48 Appendix B: Multi-client audio FAQ Q: What's the downside to all this? The main downside is that your computer may very well have a hard time keeping up! If you fire up three different audio apps at once, your computer is probably going to struggle unless you have a really hot machine.
  • Page 49: Appendix C: Windows Driver Model (Wdm) Faq

    Appendix C: Windows Driver Model (WDM) FAQ Appendix C: Windows Driver Model (WDM) FAQ Q: What is a WDM driver and why should I care? WDM stands for “Windows Driver Model.” A few years ago Microsoft realized they were asking hardware manufacturers to write a lot of different drivers: support for Windows NT, Windows 95, support for the wave API, support for DirectSound, etc.
  • Page 50 Appendix C: Windows Driver Model (WDM) FAQ So you can see that there are several layers of software interposed between our driver and the application. This means we don’t have as much control over the interaction between our hardware and the audio software as we’d like. Unfortunately, this causes some pain;...
  • Page 51 Appendix C: Windows Driver Model (WDM) FAQ http://support.microsoft.com/support/kb/articles/Q242/9/37.ASP?LN=EN- US&SD=gn&FR=0&qry=WDM%20audio&rnk=7&src=DHCS_MSPSS_gn_SRC H&SPR=W98SE Q: Does the WDM driver support the Windows volume control program? Yes. When you run it (Start/All Programs/Accessories/Entertainment/Volume control), you should see a volume slider in the “Line out” section. This is the same as the “Playback”...
  • Page 52: Appendix D: Audio Software Guide

    Appendix D: Audio Software Guide Appendix D: Audio Software Guide You can use your Echo product with any audio software that supports the standard Windows audio APIs, WDM Direct KS, ASIO, and GSIF. That’s a lot of audio software! For most of them, all you need to do is read the software manual to learn how to use them with your Echo product.
  • Page 53 Appendix D: Audio Software Guide 2.0 Direct Monitoring”. This will cause our ASIO driver to reject any Direct Monitoring commands and prevent the mute on startup. Of course, it also means that you can’t use Direct Monitoring. Using SONAR Here are the required settings for using SONAR with our driver: Note: The settings below will need to be reset every time you reconfigure your wave devices.
  • Page 54: Appendix E: Purewave And Superchannel

    Appendix E: PureWave and SuperChannel Appendix E: PureWave and SuperChannel What is PureWave? While the Windows WDM audio architecture is fine for consumer applications such as games and watching DVDs, it is not entirely suitable for professional audio applications. PureWave is an Echo-exclusive feature that gives your audio applications a more direct connection to your Echo hardware, allowing your audio data to pass through unmodified.
  • Page 55 Appendix E: PureWave and SuperChannel PureWave versus WDM With the WDM driver, you can run each wave device in either WDM mode or PureWave mode. Here’s a chart explaining the differences between the two. WDM wave PureWave Audio data may be resampled, Audio data is sent to the hardware dithered, or otherwise modified unchanged...
  • Page 56 Appendix E: PureWave and SuperChannel PureWave application guide The following table lists various professional audio software applications and how best to configure your Echo hardware for these various applications. Software Best mode Acid 3 PureWave Acid 4 or higher PureWave or ASIO Cakewalk Pro Audio PureWave Cool Edit...
  • Page 57 Appendix E: PureWave and SuperChannel Vegas 3 PureWave Wavelab PureWave or ASIO WinAmp PureWave WinDVD This list is far from comprehensive. As a general rule, if your professional audio software offers ASIO or WDM Direct KS (kernel-streaming) modes then you should use those.
  • Page 58 Appendix E: PureWave and SuperChannel What is SuperChannel? SuperChannel is an Echo-exclusive feature that allows you to customize how the various inputs and outputs on your Echo hardware are presented to Windows. When the WDM driver is first installed, the hardware is presented as a list of stereo inputs and outputs.
  • Page 59 Appendix E: PureWave and SuperChannel Now you have only three wave devices – a six channel device addressing the first six analog outputs, a stereo device addressing the next two analog outs, and finally an eight channel device for the eight digital outputs. This is the basic idea of SuperChannel –...
  • Page 60 Appendix E: PureWave and SuperChannel Wave device configuration You can use the “Wave device configuration” window to set up both PureWave and SuperChannel mode. This allows you to customize how your audio hardware is presented to Windows applications. To access the “Wave device configuration” window, open the console, click on the “Settings”...
  • Page 61 Appendix E: PureWave and SuperChannel PureWave buffer size – This box controls the overall latency of the PureWave driver. The lower the value, the lower the latency. You can try different values to find the best possible latency for your system. The controls found in the Outputs and Inputs sections of the Wave device configuration window work identically.
  • Page 62 Appendix E: PureWave and SuperChannel Once you have completed your changes, hit OK or Apply. On Windows 2000 and XP, you will be asked if you want to “Update now”, or “Wait until the computer restarts”. If you choose to “Update now”, your computer will be unresponsive for a period of time after clicking OK while the driver restarts.
  • Page 63: Known Issues

    Appendix E: PureWave and SuperChannel It is not always possible to Update on the fly. If you attempt to update on the fly and it fails you will see this message: In either case, just close down any open applications and restart your computer and everything will work properly.
  • Page 64: Appendix F: Surround Sound

    Appendix F: Surround Sound Appendix F: Surround Sound How to Playback a Surround Sound Mix You can listen to surround sound mixes without special pro audio software with both Layla3G and Gina3G. You can play surround sound Dolby Digital, Windows Media Audio, and DTS encoded data, among others.
  • Page 65 Appendix F: Surround Sound For instructions on using the console please refer to the “Console3” section of this manual. For instructions on how to use the SuperChannel feature, please refer to “Appendix E: PureWave and SuperChannel”. Here we’ve used SuperChannel to create an 8-channel analog output audio device for playback of a 7.1 surround mix.
  • Page 66 Appendix F: Surround Sound Select the Audio tab at the top of the window and select your newly created SuperChannel audio device from the Sound playback Default device dropdown box. In this example our SuperChannel device is called Layla3G 1-8 Analog Out. Click the Apply button.
  • Page 67 Appendix F: Surround Sound This window allows you to select the speaker configuration you’ll be using. Here we’ve selected 7.1 surround sound speakers from the Speaker setup dropdown box. Click the Apply button and then click OK. You’re all done!! Now all you have to do is start up Windows Media Player 9, play a surround sound encoded WMA file, and enjoy! Appendix F: Surround Sound...
  • Page 68 Appendix F: Surround Sound 5.1 Surround Sound Example SuperChannel can also be used to play surround sound Dolby Digital, Windows Media Audio, and DTS encoded data in 5.1 surround sound. Just follow the same steps as above with the following exception: you should create a 6 channel audio device instead of 8, and you should select “5.1 surround sound speakers”...
  • Page 69 Appendix F: Surround Sound Delay Management These controls can be found in the console by clicking the “Settings” button and selecting the “Surround” tab. They allow you to adjust the amount of delay added to the playback for each individual surround sound speaker channel. You can move the sliders anywhere from 0 to 250 ms;...
  • Page 70 Appendix F: Surround Sound Surround Sound over S/PDIF The WDM drivers support transmitting surround sound-encoded data in either Windows Media Audio or Dolby Digital formats via Layla3G and Gina3G’s S/PDIF outputs. The stream will bypass the kernel mixer and will be transmitted with bit-for-bit accuracy.
  • Page 71: Appendix G: An Introduction To Digital Recording

    Appendix G: An Introduction to Digital Recording Appendix G: An Introduction to Digital Recording Converting Sound into Numbers In a digital recording system, sound is represented as a series of numbers, with each number representing the voltage, or amplitude, of a sound wave at a particular moment in time.
  • Page 72 Appendix G: An Introduction to Digital Recording Each digit in the number is called a bit. The binary numbers expressed in figure A are sixteen bits long, and have a maximum value of 65,535. The more bits that are used to store the sampled value, the more closely it will represent the source signal. In a 16-bit system, there are 65,535 possible combinations of zeroes and ones;...
  • Page 73 Appendix G: An Introduction to Digital Recording Also important to the quality of a digital recording is the frequency with which the samples are stored, called the sample rate. In order for a waveform to be faithfully digitized, it must be sampled at a minimum of twice the highest frequency to be stored.
  • Page 74 Appendix G: An Introduction to Digital Recording level of analog audio signals. The most common are dBu and dBV decibels. Both of these represent voltage levels and still double for every increase of 6dB. It is only the reference point, or 0dB level that is different. A 0dBV signal has a voltage level of 1.0 volts.
  • Page 75 Appendix G: An Introduction to Digital Recording Unbalanced and Balanced Inputs and Outputs An unbalanced signal, commonly used for guitars and consumer electronics, contains two components, a ground signal and a “hot” or active signal. The ground is the barrel of a ¼” connector and the shell of an “RCA” style connector. A balanced signal contains two active signals instead of one in addition to the ground.
  • Page 76 Appendix G: An Introduction to Digital Recording Balanced signals connect with either XLR connectors or TRS (tip, ring, sleeve) connectors. Your Echo product uses XLR connectors for microphones and TRS connectors for connecting balanced (or unbalanced) line level signals. The three sections of a TRS connector are used to transmit the three components of a balanced signal (T = plus, R = minus, S = ground).
  • Page 77 Appendix G: An Introduction to Digital Recording In answering the second question, consider the fact that music is often compressed or amplified after it is recorded, and that some headroom is necessary when recording to avoid clipping. The only way that 96dB would be adequate is if all music were recorded so that the peaks were just under full-scale and no compressing or amplification was going to be applied after recording.
  • Page 78: Appendix H: Specifications

    Appendix H: Specifications Appendix H: Specifications Layla3G - Audio Performance Analog Inputs (x2 balanced universal XLR/TRS & x6 balanced TRS): Universal Inputs (x2 balanced XLR/TRS): Frequency Response: 10Hz to 20kHz, 0.1dB ± THD+n: <0.002% A-weighted Microphone Input Level (balanced XLR): EIN: -130dBu Dynamic Range: 112dB A-weighted Input Impedance: 1.5Kohms...
  • Page 79 Appendix H: Specifications Analog Outputs (x8 balanced TRS): Frequency Response: 10Hz to 20kHz, 0.1dB ± Dynamic Range: 114dB A-weighted THD+n: <0.002% A-weighted Linearity: 0.5dB, 0dBFS to 100dBFS ± Crosstalk: <0.0002% @ 1kHz Nominal Output Level: +4dBu or –10dBV Maximum Output Level: +17.5dBu Layla3G - Hardware Host Interface: PCI bus mastering card Two high quality mic preamps with phantom power (+48v)
  • Page 80 Appendix H: Specifications Gina3G - Audio Performance Analog Inputs (x2 balanced universal XLR/TRS): Frequency Response: 10Hz to 20kHz, 0.1dB ± THD+n: <0.002% A-weighted Universal Inputs: Microphone Input Level (balanced XLR): EIN: -130dBu Dynamic Range: 112dB A-weighted Input Impedance: 1.5Kohms Gain Adjustment: +10 to +58dB Maximum Input Level at Minimum Gain: +9dBu Guitar/Line Input Level (balanced TRS): Dynamic Range: 110dB A-weighted...
  • Page 81 Appendix H: Specifications Gina3G - Hardware Host Interface: PCI bus mastering card Two high quality mic preamps with phantom power (+48v) Six balanced ¼” analog outputs with high performance 24-bit 128x oversampling digital-to-analog converters S/PDIF digital I/O with up to 24-bit resolution ADAT optical digital I/O Trim control and level meter for analog inputs Headphone output with volume control...
  • Page 82: Index

    Index Index ADAT........15, 31 microphone preamp .......14 adjusting record and playback levels MIDI ..........16 ........... 29 MIDI time code......16 analog resolution ......72 MTC..........16 analog-to-digital converter.... 71 multi-client audio......46 balanced......... 75 optical ..........15 cd-rom, contents......7 PCI card, installation .....10 consumer mode ......
  • Page 83 Index technical support ......40 WDM ..........49 troubleshooting guide....41 website ...........40 TRS ..........76 Word clock.......17, 30 unbalanced........75 Index...

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