MUSIC SYNTHESIZER/REALTIME CONTROL/EXTENDED SYNTHESIS MUSIC SYNTHESIZER/REALTIME CONTROL/EXTENDED SYNTHESIS TONE GENERATOR/REALTIME CONTROL/EXTENDED SYNTHESIS TONE GENERATOR/REALTIME CONTROL/EXTENDED SYNTHESIS DATA LIST DATA LIST DATEN-LISTE DATEN-LISTE LISTE DE DONNÉES LISTE DE DONNÉES EX5/5R Voice List Controller List (Dest. Param: Destination Parameters) Arpeggio List Liste der EX5/5R Voices Liste mit Controllern (Dest Param: Zielparameter) Liste mit den Arpeggio-Typen Liste des voix EX5/5R ............2...
EX5/5R Voice List Liste der EX5/5R Voices Liste des voix EX5/5R Preset 1 (1-64) MSB=63 LSB=0 Effect Controller Voice Name Type Ins-S Type Ins-L Type Reverb Type Chorus Type Natural Grnd 024:3Band EQ 058:3Band EQ 002:Rev Hall 2 001:Chorus 1 COM Cho Send AWM FEG Depth AWM Pitch...
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2”...
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Preset 1 (65-128) MSB=63 LSB=0 Effect Controller Voice Name Type Ins-S Type Ins-L Type Reverb Type Chorus Type Sect 000:THRU 000:THRU 001:Rev Hall 1 001:Chorus 1 AWM LFO1 PMD AWM DCF Freq AWM Pitch Hi Sect 000:THRU 000:THRU 003:Rev Room 1 001:Chorus 1 AWM LFO1 PMD AWM DCF Freq...
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2”...
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Preset 2 (1-64) MSB=63 LSB=1 Effect Controller Voice Name Type Ins-S Type Ins-L Type Reverb Type Chorus Type PW Pad FDSP 024:3Band EQ 022:Ambience 001:Rev Hall 1 016:Delay L,R FDSP LFO Speed AWM LFO1 PMD AWM DCF Freq AWM DCF Freq Warmer 000:THRU 000:THRU...
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2”...
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Preset 2 (65-128) MSB=63 LSB=1 Effect Controller Voice Name Type Ins-S Type Ins-L Type Reverb Type Chorus Type Fingered FDSP 023:EQ 058:3Band EQ 009:Rev White Room 001:Chorus 1 AWM LFO1 PMD AWM DCF Freq AWM Pitch Flatwound 024:3Band EQ 040:AMP Simulator 001:Rev Hall 1 004:Chorus 4 AWM LFO1 PMD...
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2”...
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Internal 1-1 (1-64) MSB=63 LSB=2 Effect Controller Voice Name Type Ins-S Type Ins-L Type Reverb Type Chorus Type BC Rbn Made in USA 001:Chorus 1 055:Ensemble Detune 001:Rev Hall 1 004:Chorus 4 AWM LFO1 PMD AWM DCF Freq AWM Pitch Jazz Grand 000:THRU 058:3Band EQ...
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2”...
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Internal 1-2 (1-64) MSB=63 LSB=2 Effect Controller Voice Name Type Ins-S Type Ins-L Type Reverb Type Chorus Type Rising High 000:THRU 000:THRU 001:Rev Hall 1 001:Chorus 1 AWM LFO1 PMD AWM DCF Freq AWM Pitch Pulse Bass 2 FDSP 024:3Band EQ 017:Cross Delay 001:Rev Hall 1 004:Chorus 4...
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2”...
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Internal 1-3 (1-64) MSB=63 LSB=2 Effect Controller Voice Name Type Ins-S Type Ins-L Type Reverb Type Chorus Type FC BC Rbn For Ballads 003:Chorus 3 058:3Band EQ 001:Rev Hall 1 002:Chorus 2 AWM LFO1 PMD AWM Volume AWM Pitch InsS D/W Bal,COM Cho Send, Jazz Chorus FDSP 016:AMP Simulator 021:Auto Pan...
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2”...
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Internal 1-4 (1-64) MSB=63 LSB=2 Effect Controller Voice Name Type Ins-S Type Ins-L Type Reverb Type Chorus Type Natural Grnd 024:3Band EQ 058:3Band EQ 002:Rev Hall 2 001:Chorus 1 COM Cho Send AWM FEG Depth AWM Pitch Chorus Bell FDSP 023:EQ 055:Ensemble Detune 001:Rev Hall 1...
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2”...
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Internal 1 (65-128) MSB=63 LSB=2 Effect Controller No. Bnk Voice Name Type Ins-S Type Ins-L Type Reverb Type Chorus Type House Piano FDSP 024:3Band EQ 022:Ambience 001:Rev Hall 1 003:Chorus 3 AWM LFO1 PMD InsL EQ H-Gain AWM Pitch Stage Stack 017:Exciter 004:Chorus 4 001:Rev Hall 1...
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2”...
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Internal 2 (1-64) MSB=63 LSB=3 Effect Controller Voice Name Type Ins-S Type Ins-L Type Reverb Type Chorus Type FC BC Equi 1998 AN Layer 023:EQ 000:THRU 001:Rev Hall 1 016:Delay L,R AN FEG DcyTim AN VCF HPF AN Pitch RoboTribeAT 016:AMP Simulator 064:Talking Modulator 011:Rev Basement...
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2”...
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Internal 2 (65-128) MSB=63 LSB=3 Effect Controller No. Bnk Voice Name Type Ins-S Type Ins-L Type Reverb Type Chorus Type RhythmWheels Fx 024:3Band EQ 067:Auto Synth 001:Rev Hall 1 010:Flanger 1 AWM LFO2Speed,AWM LFO2Depth AWM LFO1 PMD InsL AM Speed AWM Pitch Ribbon Slide 005:Celeste 1...
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• The abbreviations “Ins S” and “Ins L” in the “Effect” and “Controller” sections of the Voice Lists refer to “Insertion Effect 1” and “Insertion Effect 2”, respectively. • Nehmen Sie für die Abkürzungen “Ins S” und “Ins L” in den Abschnitten “Effect” und “Controller” der Voice-Liste jeweils auf die Abschnitte “Insertion Effect 1” und “Insertion Effect 2”...
Sample List Liste mit Samples Liste des échantillons Smpl No. Smpl Name Smpl No. Smpl Name Smpl No. Smpl Name Smpl No. Smpl Name Smpl No. Smpl Name Smpl No. Smpl Name Smpl No. Smpl Name Grnd1.1 Rho3.1 JmPrc.1 D5 1/3.A D1 1/3.1 SftTmp.1 SftFlg.3...
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Smpl No. Smpl Name Smpl No. Smpl Name Smpl No. Smpl Name Smpl No. Smpl Name Smpl No. Smpl Name Smpl No. Smpl Name Smpl No. Smpl Name NylnHi.1 StrtF.8 Dist2.7 Precsn.3 Alto.2 Padd.1 1041 Late-L.3 NylnHi.2 StrtF.9 Dist2.8 Precsn.4 Alto.3 ObBrs.1 1042...
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Smpl No. Smpl Name Smpl No. Smpl Name Smpl No. Smpl Name Smpl No. Smpl Name Smpl No. Smpl Name 1121 P10-2.1 1201 Digi05.3 1281 DgVox3.B 1361 BdHby.1 1441 T8Side.1 1122 P10-2.2 1202 Digi05.4 1282 DgVox4.1 1362 Bd2.1 1442 T8Rmst.1 1123 P10-2.3 1203...
EX5/5R Performance List Liste der EX5/5R Performances Liste des performances EX5/5R VL Wave(Element)/ VL-Welle(Elemente)/ OndesVL(Elément) Part 1 Part 2 Perf Name Cat. Voice No. VoiceName Voice No. VoiceName Radioactive Int1-108 Soda Straw Int2-40 Acid Saw Wave No. WaveName Wave No. WaveName Wave No.
Controller List (Dest. Param: Destination Parameters) Liste mit Controllern (Dest Param: Zielparameter) Liste des contrôleurs (Paramètres de destination) Parameter Voice/Element Type Parameter Voice/Element Type Parameter Voice/Element Type Assign Off AWM PEG R1Tim PEG Release1 Rate AWM Element DR DCF Freq DCF1 Fc DRUM Element COM Volume...
FDSP Parameter List FDSP Parameter-Liste Liste des Paramètres FDSP Type1: EP Pickup Type2: EG Pickup Type3: Water Parameter Parameter Parameter pickup type normal,integrate-defferentiate,differentiate pickup type single coil,hum backing pitch coarse -64~+63 drive -64~+63 coarse -24~+24 pitch fine -50~+50 drive kf -64~+63 picking position 0~127...
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Type7: SelfFM Type8: Tornado Type9: RingMod Parameter Parameter Parameter pitch coarse -64~ +63 pre gain 0~ 120 pitch coarse -64~ +63 key follow -32~ +64 pre lowpass 0~ 127 pitch fine -50~ +50 polarity 0~ 1 drive 0~ 127 sub pitch 0~ 127 phase 0~ 127...
Effect Type List Liste mit Effekt-Typen Liste des type d’effets Reverb Effect Type Remarks Turn off the effect. Rev Hall 1 Reverb simulating the acoustics of a hall. Rev Hall 2 Rev Room 1 Reverb simulating the acoustics of a room. Rev Room 2 Rev Room 3 Rev Stage 1...
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Insertion Effect 2 Effect Type Remarks thru Turns off the effect. Chorus 1 Conventional chorus effect which gives natural spaciousness to the sound. Chorus 2 Chorus 3 Chorus 4 Chorus 5 Celeste 1 A three-phase LFO is used to give modulation and spaciousness to the sound. Celeste 2 Celeste 3 Celeste 4...
Effect Parameter List Liste mit Effekt-Parametern Liste des Paramétres d’effets 1. Reverb Block [17] Control Delay(mono) Controller 01. delay time 0.1ms~1486.0ms 02. delay transition rate 1~48 [0] off 03. feedback gain –63~+63 04. feedback high damp 0.1~1.0 [1] HALL1 ~ [8] PLATE Controller 05 ~ 08.
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[20] AUTO WAH Controller [15] DELAY L,R Controller 01. LFO frequency 0.0Hz~39.70Hz 01. delay time L 0.1ms~1486.0ms 02. LFO depth 0~127 02. delay time R 0.1ms~1486.0ms 03. cutoff frequency offset 0~127 03. feedback time 1 0.1ms~1486.0ms 04. resonanse 1~12.0 04. feedback time 2 0.1ms~1486.0ms 05 ~ 08.
Groove Template List Arpeggio List Controll Change List Groove Template-Liste Liste mit den Liste mit Controll Liste des modèles Arpeggio-Typen Change-Daten d’expressions Liste des Liste des changements rythmiques Types arpèges de commande Template Name Template Name Name Control Change 32Quantize 16SlipBeat UpOct1 Bank MSB (off)
About MIDI MIDI Data Format Many MIDI messages listed in the MIDI Data Format section are expressed in hexadecimal or binary numbers. MIDI is an acronym that stands for Musical Instrument Digital Interface, Hexadecimal numbers may include the letter “H” as a suffix. The letter “n” indicates a certain whole number. which allows electronic musical instruments to “communicate”...
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1. NOTE ON/OFF <ATTACK TIME> 49H STATUS: 9nH/8nH Cntrl# parameter Data Range Attack Time 0...127 (0:-64, 64:+0, 127:+63) 2. PROGRAM CHANGE STATUS: CnH Adjusts the envelope attack time. Effective range may be narrower than the available range. 3. PITCH BEND CHANGE <BRIGHTNESS>...
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<MONO> 7EH <BULK DUMP> Cntrl# parameter Data Range F0H,43H,0nH,idH,bhH,blH,ahH,amH,alH,ddH,~,ddH,ccH,F7H Mono 0...16 0n:n=Device Number id:ID=5B,57 Performs the same function as when receiving ALL SOUNDS OFF. If the 3rd byte (mono) is bh:Byte Count High within 0 through 16, the channel will be Mode4(m = 1). bl:Byte Count Low ah:Address High <POLY>...