Yamaha EX5R Data List page 35

Insertion Effect 2
No. Effect Type Remarks
0 thru Turns off the effect.
1 Chorus 1 Conventional chorus effect which gives natural spaciousness to the sound.
2 Chorus 2
3 Chorus 3
4 Chorus 4
5 Chorus 5
6 Celeste 1 A three-phase LFO is used to give modulation and spaciousness to the sound.
7 Celeste 2
8 Celeste 3
9 Celeste 4
10 Flanger 1 An effect reminiscent of a jet airplane taking off and landing.
11 Flanger 2
12 Flanger 3
13 Symphonic A multi-stage version of CELESTE modulation.
14 Delay L,C,R Three delay sounds L, R and C (center).
15 Delay L,R Two delay sounds L and R, with two feedback delays.
16 Echo Two delays L and R, with independent feedback delay for L and R.
17 Cross Delay This effect crosses the feedback of two delays.
18 Rotary Sp 1 Simulation of a rotary speaker. Can be used to control the rotation speed by assigning it to a controller.
19 Rotary Sp 2
20 Tremolo An effect which cyclically modulates the volume.
21 Auto Pan An effect which cyclically moves the sound between left/right and front/back.
22 Ambience An effect which adds spatial breadth by blurring the location of the sound.
23 Phaser 1 Cyclically changes the phase to modulate the sound.
24 Phaser 2
25 Early Ref 1 This effect isolates only the early reflection components of the reverb.
26 Early Ref 2
27 Gate Reverb Simulation of gated reverb.
28 Reverse Gate Simulation of gated reverb played back in reverse.
29 Karaoke 1 Echo for karaoke.
30 Karaoke 2
31 Karaoke 3
32 Auto Wah Cyclically changes the center frequency of a wah filter. Can be used as a pedal wah by assigning it to a controller.
33 Touch Wah Changes the center frequency of a wah filter according to the input level. Can be used as a pedal wah by assigning it to a controller.
34 A.Wah+Dist Applies DISTORTION to the output of AUTO WAH to distort the sound. Can be used as a pedal wah by assigning it to a controller.
35 A.Wah+Overdr Applies OVERDRIVE to the output of AUTO WAH to distort the sound. Can be used as a pedal wah by assigning it to a controller.
36 T.Wah+Dist Applies OVERDRIVE to the output of TOUCH WAH to distort the sound. Can be used as a pedal wah by assigning it to a controller.
37 T.Wah+Overdr Changes the center frequency of a wah filter according to the input level. Can be used as a pedal wah by assigning it to a controller.
38 Distortion Adds distortion with an edge to the sound.
39 Overdrive Adds mild distortion to the sound.
40 AmpSimulator Simulation of a guitar amp.
41 Compressor Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound.
42 Comp Dist Since a compressor is included in the first stage, distortion can be applied evenly, regardless of the input level.
43 Exciter This effect adds new overtones to the input signal to make the sound stand out.
44 Noise Gate Gates the input when the input signal falls below a specified level. Useful for cutting noise from the A/D input, etc.
45 Rev Hall 1 Reverb simulating the acoustics of a hall.
46 Rev Hall 2
47 Rev Room 1 Reverb simulating the acoustics of a room.
48 Rev Room 2
49 Rev Room 3
50 Rev Stage 1 Reverb appropriate for a solo instrument.
51 Rev Stage 2
52 Rev Plate Reverb simulating a metal plate reverb device.
53 PitchChange1 This effect changes the pitch of the input signal.
54 PitchChange2
55 Ensemble Chorus effect without modulation, created by adding a slightly pitch-shifted sound.
56 Voice Cancel Attenuates the vocal part from sources such as CDs.
57 2 Band EQ Stereo EQ with equalization of LOW and HIGH. Ideal for Drum Parts.
58 3 Band EQ Stereo EQ with equalization of LOW, MID and HIGH.
59 Ctrl Delay 1 A delay with controllable delay time.
60 Ctrl Delay 2
Degrades the audio quality of the input signal.
61 DPCM
62 V-Distortion Distortion simulated the vintage tube and fuzz.
63 V-Flanger Simulated analog flanger. Random can be selected for the LFO wave.
64 Talking Mod Adds a vowel sound to the input signal.
65 Modifies the waveform length of the sound in realtime. Use in conjunction with a controller.
Beat Change
66 D.Scratch Adds a scratch sound to the input signal.
67 Auto Synth Processes the input signal into a synthesizer-type sound.
68 Tech Mod Adds a unique feeling of modulation similar to ring modulation.
69 LoResolution Simulates a lowered resolution for the input signal. The phase of the Rch can be inverted.
70 Noisy Adds a feeling of noise to the input signal.
71 Attack LoFi Creates a somewhat LoFi feeling, and emphasizes the attack of the sound. Also has the feel of a flanger.
72 D.Turntable Simulates the noise of an analog record.
73 Jump Cuts apart the input signal and applies extreme modulation to the playback order or speed.
74 Wah+Dist+Dly TOUCH WAH, DISTORTION and DELAY are connected in series.
75 Wah+Odrv+Dly TOUCH WAH, OVERDRIVE and DELAY are connected in series.
76 Cmp+Dist+Dly COMPRESSOR, DISTORTION and DELAY are connected in series.
77 Cmp+Odrv+Dly COMPRESSOR, OVERDRIVE and DELAY are connected in series.
78 Dist + Delay DISTORTION and DELAY are connected in series.
79 Odrv + Delay OVERDRIVE and DELAY are connected in series.
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