Korg CONCERT C-900 Reference Manual
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Korg CONCERT C-900 Reference Manual

Korg CONCERT C-900 Reference Manual

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KORG DIGITAL PIANO
GENERAL
INSTRUMENT
2
AI
Synthesis System
E
2

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Summary of Contents for Korg CONCERT C-900

  • Page 1 KORG DIGITAL PIANO GENERAL INSTRUMENT Synthesis System...

  • Page 2: Table Of Contents

    Table of Contents Table of Contents Arrangement Play Mode ........... .1 Arrangement Play mode functions .
  • Page 3 Table of Contents Effects ..............45 The Effects Pages.

  • Page 4: Arrangement Play Mode

    Arrangement Play Mode Arrangement Arrangement Play mode functions Play Mode ARR.PLAY This table lists the functions of Arrangement Play In this mode you can select the arrangement that you mode, and gives the title of each page and its main con- wish to play.

  • Page 5: Arrangement Play

    Arrangement Play Mode Transpose setting Page 1 Arrangement Play If you need to transpose the key in which you play, use When you press the ARR PLAY key and PIANO/ the TRANSPOSE +1 and –1 keys. E.PIANO key, the following display will appear. ＋ ...

  • Page 6: Changing The Tempo

    Arrangement Play Mode PROGRAM UP: Each time you press the foot Changing the tempo switch, the program of the next higher number will be selected. You can adjust the playback tempo of the arrangement PROGRAM DOWN: Each time you press the foot over the range of = 40–240.

  • Page 7: Style Display

    Arrangement Play Mode SPLIT: Split Point Page 2 Style Display This indicates the currently set split point. The split To select this page, use the PAGE+ or PAGE– keys, or point and higher notes are referred to as the UPPER the ARR PLAY key and PIPE ORGAN/ORGAN key.

  • Page 8: Metronome

    Arrangement Play Mode Page 3 Metronome Page 4 Track Sound To select this page, use the PAGE+ or PAGE– keys, or To select this page, use the PAGE+ or PAGE– keys, or the ARR PLAY key and REED/WIND key. the ARR PLAY key and BRASS/STRINGS key. This display lets you adjust the tempo, time signature, In this page you can specify the program (sound) that and volume of the metronome that sounds when you...

  • Page 9: Track Setting

    Arrangement Play Mode Pan: Page 5 Track Setting [OFF, L15…L01, CENT, R01…R15, PROG] Adjust the stereo position (pan) of each track. This To select this page, use the PAGE+ or PAGE– keys, or adjusts the levels of channels A and B (☞ “Effects the ARR PLAY key and VOCAL/AIR/PLUCKED key.
  • Page 10 Arrangement Play Mode BOTH... . The track will be played on the Damper (Keyboard Track only) [DIS, ENA] internal tone generator of the piano, and the musical data will also be transmitted from MIDI OUT and TO HOST.

  • Page 11: Other

    Arrangement Play Mode next (or previous) number will be selected after each Page 6 Other fill-in. For example if Fill 1 is set to UP, and you insert this fill-in while playing variation 1, variation 2 will To select this page, use the PAGE+ or PAGE– keys, or be selected after the fill-in ends.

  • Page 12: Effects

    Arrangement Play Mode Page 7 Effects Page 8 Rename Arrangement To select this page, use the PAGE+ or PAGE– keys, or To select this page, use the PAGE+ or PAGE– keys, or the ARR PLAY key and SYNTH/PAD key. the ARR PLAY key and BELL/MALLET/S.E. key. Page 7 contains settings related to the effect selection.

  • Page 13: Write Arrangement

    Arrangement Play Mode Page 9 Write Arrangement Volume/Mute To select this page, use the PAGE+ or PAGE– keys, or Here you can change volume and muting (temporarily the ARR PLAY key and POP 1/POP 2 key. silencing) settings for the program assigned to each track.
  • Page 14 Arrangement Play Mode Track Activity [– – – –, (UPPER/LOWER/PLAY)] Each time you simultaneously press the VOLUME ▲ and ▼ keys of a track, that track will alternate between muted (silent) and un-muted. When a track is not muted, the display will indicate PLAY (or in the case of the KB1 track or KB2 track, respectively UPPER or LOWER).
  • Page 15 Arrangement Play Mode...

  • Page 16: Backing Sequence Mode

    Backing Sequence Mode Backing < If you wish to record a piano solo > If you do not need an accompaniment, such as when recording a piano composition, turn the PIANO Sequence MODE key ON. When this key is turned on, •...

  • Page 17: Always Save Your Data

    Backing Sequence Mode Always SAVE your Data! This piano is able to hold up to 10 different backing sequences, for a total of 40,000 steps of data. Each backing sequence track can contain a maximum of approximately 16,000 steps of data. When you turn off the power, the contents of the sequence memory will be erased.

  • Page 18: Functions In The Backing Sequence Mode

    Backing Sequence Mode Functions in the Backing Sequence mode This table shows how Backing Sequence mode is organized. For each page, it gives the title, the main contents, and the reference page of this manual. Display Page Ref. Guide Page Arrangement display P.17 Volume/Mute...
  • Page 19 Backing Sequence Mode ★ Use realtime recording to record your < To record only what you play on the piano keyboard without automatic accompaniment > performance → Press the PIANO MODE key. Backing Sequence Number and Title Measure Number An arrangement entitled ACC MUTE will be BSQ0:BSequence0 M001 selected, and you will be able to record without =120 C6...

  • Page 20: Playback/Realtime Recording

    Backing Sequence Mode Page 1 Playback/Realtime M (Measure Number) [1…999] Recording This indicates the measure at which recording or play- back will begin (the measure pointer). A maximum of To select this page, use the PAGE+ or PAGE– keys, or 999 measures can be recorded in each track of a back- the BACKING SEQ key and PIANO/E.PIANO key.

  • Page 21: Volume/Mute

    Backing Sequence Mode Volume/Mute Track Volume [000…127] Here you can adjust the volume and mute settings of Each time you press the VOLUME ▲ key for a track, its the sound program assigned to each track. volume will increase by 1 step. If you continue press- When Page 1 is displayed, pressing any one of the eight ing, the volume will continue to increase.

  • Page 22: Track Quantize Settings

    Backing Sequence Mode Track quantize settings The chord track will record the chord data that was specified by the chord scanning function. After making initial settings in Page 1 of Backing KBTr/CTRL/CHRD: Sequence mode, press the BACKING SEQ REC key to If data exists in these tracks, the track name will be dis- access the page in which you can select the track to be played (KBTr: keyboard track, CTRL: control track,...
  • Page 23 Backing Sequence Mode Disk/Global mode Assignable Pedal setting or the EC5 Q. (Recording Quantize) external controller setting. Then you can press the pedal to specify the beginning of recording, and press [HI, , , ] it once again to specify the end of recording. (Disk/ Global mode ☞p.63, p.64 The quantize parameter specifies the accuracy to which the timing of the recorded data will be adjusted.

  • Page 24: Step Recording

    Backing Sequence Mode < Controlling tempo from an external clock > Page 2 Step Recording If the Disk/Global mode Clock Source parameter is set to either HOST or MIDI, the tempo display will To select this page, use the PAGE+ or PAGE– keys, or appear as EXT.
  • Page 25 Backing Sequence Mode ★ Let’s try using step recording to input 6. When you finish recording, press the START/ STOP key once again. musical data → This will end step recording. If you will be using step recording to input a song that can be STEP RECORDING played normally on a piano, you can first specify the length and loudness of the notes, and then play notes on the piano keyboard...
  • Page 26 Backing Sequence Mode 4. Use the CHORD HOLD/√ key and SOUND HOLD/® key to specify the measure and location of the chord that you wish to enter. 5. There are two ways to specify the chord. a. Press a chord in the area of the keyboard in which chord scanning is active.

  • Page 27: Recording Onto A Keyboard Track Or Extra Track

    Backing Sequence Mode Recording onto a keyboard track Step (Keyboard Track, Extra Track only) or extra track [ , , , , , Measure Number Note Data Location Specify the length of the step by which the location will advance each time you enter data. STEP C5 M001 1:00 The step is displayed as a note symbol.

  • Page 28: Recording The Control Track

    Backing Sequence Mode Recording the control track * About arrangements and programs When specifying arrangement or program values, refer Event (only for control track) to the tables in appendix D. When entering an arrangement, the LCD will show only the number within the group of the selected Measure Number Location arrangement.

  • Page 29: Recording The Chord Track

    Backing Sequence Mode Recording the chord track Page 3 Erase Backing Sequence Measure Number Location Erase Backing Sequence STEP REC M001 1:00 To select this page, use the PAGE+ or PAGE– keys, or C Maj the BACKING SEQ key and REED/WIND key. Chord Tension Bass Note...

  • Page 30: Copy Backing Sequence

    Backing Sequence Mode Page 4 Copy Backing Sequence Page 5 Edit 1 To select this page, use the PAGE+ or PAGE– keys, or Copy Backing Sequence the BACKING SEQ key and VOCAL/AIR/PLUCKED key. To select this page, use the PAGE+ or PAGE– keys, or the BACKING SEQ key and BRASS/STRINGS key.

  • Page 31: Delete Measure

    Backing Sequence Mode Page 5–1 Delete Measure Page 5–2 Insert Measure Delete Measure Insert Measure This operation deletes measures from the specified This operation inserts measures into the specified loca- track. Measures located after the deleted measures will tion of a track. be moved forward.

  • Page 32: Erase Measure

    Backing Sequence Mode Regardless of whether you select a different time Page 5–3 Erase Measure signature or not, the measures following the inserted area will be moved forward. If you insert measures into only one track, the measures which Erase Measure are moved forward will use the same time signature as the corresponding measures of other tracks, as This operation erases all or part of the data from the...

  • Page 33: Edit 2

    Backing Sequence Mode Page 6 Edit 2 Page 6–1 Copy Measure To select this page, use the PAGE+ or PAGE– keys, or Copy Measure the BACKING SEQ key and GUITAR BASS key. This operation copies measures within a track or between tracks.

  • Page 34: Bounce Track

    Backing Sequence Mode Page 6–2 Bounce Track Page 6–3 Quantize This function lets you adjust the timing of data that has Bounce Track already been recorded. This operation combines (merges) backing sequence Quantize (Yes/No) data of one track with another track. The resulting track will use the program, MIDI channel, and other KBTr 001ø001 ALL HI track settings of the merge destination track.

  • Page 35: Shift Note

    Backing Sequence Mode Page 7 Shift Note Page 8 Event Edit Shift Note Event Edit To select this page, use the PAGE+ or PAGE– keys, or To select this page, use the PAGE+ or PAGE– keys, or the BACKING SEQ key and SYNTH/PAD key. the BACKING SEQ key and BELL/MALLET/S.E.
  • Page 36 Backing Sequence Mode ★ Here’s how to edit an event. In the control track, it is also possible to edit style assign data. This capability is provided in view of 1. Select the track that you wish to edit. the possibility that you may wish to load backing sequence data created on the i1/i2/i3/i4S/ Use the TEMPO/VALUE UP and DOWN keys to XC3000if into the C-900.

  • Page 37: Extra Track

    Backing Sequence Mode < To change the time signature of the measures > Page 9 Extra Track Measure Event To select this page, use the PAGE+ or PAGE– keys, or number number the BACKING SEQ key and POP 1/POP 2 key. EVENT M001#00 BAR 1 4/4 ==...

  • Page 38: Track Sound

    Backing Sequence Mode Page 10 Track Sound Alternatively, you might set several tracks to the same MIDI chan- nel, and assign different types of data to different tracks. For exam- ple it might be convenient to record note data in one track, and To select this page, use the PAGE+ or PAGE–...

  • Page 39: Effects

    Backing Sequence Mode Each channel has a range of 0 to 9 (maximum). With a Page 12 Next Backing Sequence setting of P, the effect send level setting of the program itself will be used without change. Next Backing Sequence Depending on the placement of the two stereo effect processors in the effect system and their output routing, there are four different possible methods of output: Serial, Parallel 1, Parallel 2, and Paral-...

  • Page 40: Rename Backing Sequence

    PB: BANK Bank numbers will be added to program changes. Use this setting when the Standard MIDI File will be played back on the C-900 or on a Korg i-series or X- series instrument. PB: NUM Bank numbers will not be added to program changes.
  • Page 41 Backing Sequence Mode The C-900 assigns the DRUM, PERC, BASS, ACC1, ACC2 and ACC3 tracks to the channels that are specified in Disk/Global mode Page 4 and 5. Extra tracks are assigned to the channels that are specified in Backing Sequence display Page 9. KBD1 data is assigned to the channel that is specified in the Disk/ Global mode Page 4.

  • Page 42: Song Play Mode

    PROGRAM filter setting allows you to select ＋  how MIDI output will be processed. ☞p.62 When connecting a Korg device, select “o”. If a MIDI device of another manufacturer is con- nected and playback is not correct, change this setting to “s”...

  • Page 43: Basic Settings

    Song Play Mode If you now select YES, the backing sequence data will be erased, Basic Settings and song playback will begin. If you do not wish to erase the data, save the backing sequence data to disk. For details on saving backing sequence data, refer to p.57 of this manual.

  • Page 44: Channel Sound

    SONG PLAY LED will light, allowing you to select channels 9–16. Press the SONG PLAY key once When playing back a song file created on the Korg ‘i’ series or ‘X’ series, the way in which the two effect processors are arranged again and you will again be able to select channels 1–8.

  • Page 45: Transpose Position

    Song Play Mode With a setting of ALL/INT, notes will be transposed Page 3 Transpose Position immediately before they enter the tone generator. This means that the sound which you hear will be trans- posed, but notes transmitted from MIDI OUT will not be transposed.

  • Page 46: Effects

    Song Play Mode Page 4 Effects Volume/Mute To select this page, use the PAGE+ or PAGE– keys, or You can change volume and mute settings for the pro- the SONG PLAY key and BRASS/STRINGS key. gram which is assigned to each channel. Page 4 contains settings related to effect selection.
  • Page 47 Song Play Mode Channel Activity [– – –, PLAY] Each time you simultaneously press the VOLUME ▲ and ▼ keys for a channel, that channel will alternate between muted (silent) and un-muted (normal). When not muted, the display will indicate PLAY. When muted, the display will indicate –...

  • Page 48: Effects

    Effects Effects The Effects Pages This chapter will explain the details of each effect type. There are a total of 48 effects available with the C-900, categorized into the following 25-types. The arrangement, backing sequence and song modes all have their respective pages to set the effects parame- Effect Type Effect Number ters.

  • Page 49: Dynamic Modulation

    The C-900 comes with two independent effect types for The effects can be controlled using a foot pedal by con- selection. necting an optional pedal controller, Korg XVP-10 or EXP-2 to the ASSIGN PDL/SW jack. The effect parame- Dry/Wet (Effect level) ters that can be controlled include the balance between [00…99, FX]...

  • Page 50: Details Of Each Effect Type

    Effects Details of Each Effect Type 06: Live Stage The following details the 25-types of effects available. This produces sound like you would hear in a gymna- sium, and is useful for recreating the sound of a live No Effect rock band.

  • Page 51: Stereo Delay

    Effects for music production using electronic music instru- Stereo Delay ments. It is commonly used with strings, voice, chorus, synthesizer-pads etc. Chorus adds width to a sound, This effect is used to create echo patterns. but it may create a flat sound that lacks expression. Therefore, it is important that the player selects this effect according to the musical style.

  • Page 52: Chorus

    Effects Symphonic Ensemble Exciter The symphonic ensemble effect works on the same The exciter effect adds harmonics which emphasize a basic principle as the chorus effect described in the pre- certain frequency of the sound, giving it greater defini- ceding sections. tion and presence.

  • Page 53: Phaser

    Effects Phaser Equalizer Whereas chorus and flanger effects modulate delays, phasers modulate the phase of the input signal itself, 37: Equalizer creating an even clearer modulation effect. Phasers are formally called phase shifters. They are effective for This is used to adjust and emphasize the audio fre- electric pianos and guitars.

  • Page 54: Delay & Distortion

    Effects Delay & Flanger Piano effects This combines a mono delay and a mono flanger in a parallel routing. 48: Pedal Simulation This effect allows a simulation of the resonance of an 43: Delay/Flanger acoustic piano to be added to the piano sound. When this effect is selected as EFFECT2, reverb will be deeper This combines a mono delay and a mono flanger in a when the damper pedal is pressed.

  • Page 55: Effects Placement (Output Channels)

    Effects Effects Placement (Output Chan- Parallel 3 nels) L/MONO The output channels, including effects, of the C-900 Effect 1 Send Arrangement vary depending on the effect arrangement. Send Effect 2 Each channel can be set with the following four output channels.

  • Page 56: Disk/Global Mode

    Disk/Global Mode Disk/Global Functions in Disk/Global mode Mode The table below shows the layout of the C-900 Disk/ In Disk/Global mode you can change the following Global mode. For each display page we list the major settings which affect the functionality of the entire contents of the page and the number of the correspond- C-900.

  • Page 57: Data Saved On Disk

    If you wish to use data created by the C-900 on a ment (ARR), backing sequence (BSQ), program (PRG), different Korg i-series instrument, you must set and drum kit (DRUM). the data mode to “CMP” in the Data Dump dis- play of Page 13.

  • Page 58: Prog (=Program)

    Disk/Global Mode Page 1–1–1 Load All PROG (=PROGRAM) This function loads a file containing data for all 64 user Before using any of the functions in this display, programs and the two user drum programs Dr 19 and insert a disk into the disk drive. Dr 20.
  • Page 59 Disk/Global Mode In some cases, a loaded user drum program will require user kit settings that are different than those which are currently in use. Load One Arrangement After loading a drum program, you must also use the DRUM Load function (described in the following pages) to load the appropriate ---------- user drum kit.

  • Page 60: Save

    (extension PCG) will be saved with the filename that you input. If you wish to use the saved data on another Korg i-series instrument, you must use the Data Dump display of Page 13 to set the data mode to “CMP”...

  • Page 61: Utilities

    Disk/Global Mode Page 1–3 Utilities FORMAT (Format Disk) Before using a new disk on the C-900, this function must be used to format (initialize) the disk. This func- tion can also be used to erase unwanted data from an Utility (Yes/No) old disk, and re-format the disk.

  • Page 62: Basic Parameters

    Disk/Global Mode and note data from the sequencer will not be trans- Basic Parameters posed. [PRE-OSC] With this setting, the transposition will apply to the Page 2 contains the master tune parameter which tone generator. adjusts the tuning of the C-900, and also parameters which specify the stage at which transpose processing MIDI IN will be performed.

  • Page 63: Midi Parameters (Read This If You Are Connecting Other Midi Devices)

    Disk/Global Mode Clock Source MIDI parameters (read [INT, MIDI, HOST] this if you are connecting This parameter synchronizes the C-900 to another MIDI sequencer. other MIDI devices) When this parameter is set to INT, the C-900 will use the tempo of its own internal clock. Also in modes which use a sequence, MIDI Clock messages will Pages 3, 4, 5, and 6 contain parameters which will have always be transmitted from MIDI OUT, allowing other...

  • Page 64: Midi Channel [Global, Kbd1, Kbd2, Chord]

    Disk/Global Mode Page 4 MIDI Channel KB1 (KBD1) (Keyboard 1) [1…16] [GLOBAL, KBD1, KBD2, In Arrangement Play mode when the keyboard assign CHORD] mode is single, layer, or manual drum, this parameter specifies the MIDI transmission channel of the piano keyboard.

  • Page 65: Midi Channel [Drum, Perc, Bass, Acc1, Acc2, Acc3]

    Disk/Global Mode Page 5 MIDI Channel Page 6 MIDI Filter [DRUM, PERC, BASS, To select this page, use the PAGE+ or PAGE– keys, or ACC1, ACC2, ACC3] the DISK/GLOBAL key and GUITAR/BASS key. This page contains four settings which allow transmis- To select this page, use the PAGE+ or PAGE–...

  • Page 66: Pedal Parameters

    Assignable Pedal setting determines its function. If you wish to control functions listed in the table of expression pedal functions, please use a Korg XVP–10 or EXP-2. (Pedals made by other manufacturers will not work correctly.)

  • Page 67: Ec5 Ext Controller A

    Functions The EC5 external controller is an optional control device consisting Basic volume of the program or selected of five foot switches, and was designed by Korg for use with the i- KB VOLUME track series. Before setting the parameters in this display, be sure to con- nect an EC5 to the EC5 connector.

  • Page 68: Sound Hold/Velocity Curve

    Disk/Global Mode – When accompaniment is playing – Page 9 Sound Hold/Velocity The BASS will play the automatic accompaniment pat- Curve tern. With a setting of BASS To select this page, use the PAGE+ or PAGE– keys, or • The SOUND HOLD key will not function if chord the DISK/GLOBAL key and POP 1/POP 2 key.

  • Page 69: Scales

    Disk/Global Mode Scales (127) The items in Page 10, 11 and 12 specify the basic scale (90) of the C-900’s internal tone generator. You can assign Velocity different scales to the main and sub scales, and switch between these using a separately sold foot switch or EC5 external controller, or via MIDI.

  • Page 70: User Scale

    Disk/Global Mode EQUAL TEMPERAMENT 2 [C…B] This introduces a slight degree of irregularity to the equal temperament pitches. It is suitable for simulat- When scales other than EQUAL TEMPERAMENT, ing acoustic instruments whose pitch is naturally EQUAL TEMPERAMENT 2 or USER SCALE are used, unstable.

  • Page 71: Midi Data Dump

    CMP ... . . The data saved to disk or dumped receive data dumps at any time as long as the above- can be used by a Korg i-series mentioned Exclusive Filter setting is set to ‘o’.

  • Page 72: Pitch Bend Switch

    Disk/Global Mode Page 14 Pitch Bend Switch Page 15 Pedal Initialize To select this page, use the PAGE+ or PAGE– keys, or To select this page, use the PAGE+ or PAGE– keys, or the DISK/GLOBAL key and WALTZ/TRAD key. the DISK/GLOBAL key and DANCE 1/DANCE 2 key. These settings let you specify whether or not the pitch This function resets the pedal position (depth) at which bend wheel of a MIDI keyboard etc.
  • Page 73 Disk/Global Mode...

  • Page 74: Appendix A Error Messages

    Appendix A Error Messages Appendix A Error Messages Various types of displays appear on the C-900’ LCD, which include settings and the status of certain modes. Pop-up displays also show for several seconds when changing a program, volume or transposition setting. Prompt messages also appear.

  • Page 75: Song Play Mode Troubleshooting

    Otherwise, when you turn ON the C-900, the arrangement, program, user styles and other data in the user bank may be lost. Contact your local Korg dealer or an authorized Korg service center. Never attempt to replace the battery yourself.

  • Page 76: Disk Troubleshooting Messages

    Appendix A Error Messages Disk Troubleshooting Messages The command has been completed. Now, you can start the next operation. Completed. There is no floppy disk in the floppy disk drive. Insert a disk into the drive and No disk in drive. continue.
  • Page 77 Appendix A Error Messages If there is data on the C-900 that you do not want to lose, it is advised that you save that data on a disk using the Save All B. Sequence function in the sub page of the Disk/Global mode’s disk page. ☞p.57 “Saving Backing Sequence Data”...

  • Page 78: Appendix B Troubleshooting

    The power cannot be turned on. Is the C-900 power switch ON? Contact your local Korg dealer if the above remedies will not correct the problem. If you are using a sound system, check to see that the amp and mixers are connected prop- erly.

  • Page 79: List Of Detected Chords

    Appendix C Appendix C List of detected chords Each of the chords pictured below are shown in root position with a root note of C. In order for the C-900 to correctly recognize major 6th and minor 6th chords, they must be played in root position as pictured. This is because these chords consist of the same notes as the minor 7th and minor 7th flatted 5th of the relative minor key.
  • Page 80 Appendix C Dominant 7th Sus 4 "C " 7sus4 4-note 3-note Minor "C " Minor 6th "C " 3-note 2-note 4-note Minor 7th "C " Minor-Major 7th "C " 3-note 4-note 3-note 4-note Diminished "C " Diminished Major 7th "C "...

  • Page 81: Drum Map Tables

    Appendix C Drum Map Tables These tables show how the specified drum sounds are changed when you select the drum maps. Drum sounds unaf- fected by the drum maps do not appear here. For this reason, drum map 5 is not listed, as all of the drum sounds remain unaffected when using this map.
  • Page 82 Appendix C Drum Map 6 (snare and ride) Original note data Re-mapped to: Original note data Re-mapped to: Ride 1 (D#3) Closed Hi-hat Closed Hi-hat (F#2) Ride 1 Accent Hi-hat (F#1) Ride 2 Ride 2 (B3) Accent Hi-hat Open Hi-hat (A#2) Ride Bell Ride Bell (F3) Open Hi-hat...

  • Page 83: Midi Implementation Chart

    *3: Includes Inquiry, GM Mode On, Master Balance, and Master Volume messages. Mode 1:OMNI ON, POLY Mode 2:OMNI ON, MONO O: Yes Mode 3:OMNI OFF, POLY Mode 4:OMNI OFF, MONO X: No Consult your local Korg distributor for more infomation on MIDI IMPLEMENTATION.
  • Page 84 Appendix D S: Split mode Arrangement List L: Layer mode Unless otherwise stated: Single mode POP 1 LATIN POP Arrangement Program Effect Placement Arrangement Program Effect Placement Pf05 BigBandPno Br02 Bright Trp 8 Beat 1 Parallel 1 Latin Parallel 1 Vo09 AirVoxDbl Pa01 Analog2Pad Sy00 SquareWave...
  • Page 85 JAZZ BALLROOM LATIN Arrangement Program Effect Placement Arrangement Program Effect Placement Gt07 HollowBody Br16 Brass Band Fast Swing Parallel 1 ChaCha Parallel 1 Pf03 Piano 8' Pa01 Analog2Pad Wi05 Alto Sax2 Br06 BrightTrmb Mid Swing Parallel 1 SlowChaCha Parallel 1 St00 i3 Strings St00 i3 Strings Gt07 HollowBody...
  • Page 86 DANCE 1 ROCK Arrangement Program Effect Placement Arrangement Program Effect Placement St00 i3 Strings Sy11 PowerSynth Disco 1 Parallel 1 PopRock 1 Parallel 1 Br21 SynBrass 3 Sy10 PropheZia Be22 Bell Synth Gt22 StereoDist Disco 2 Parallel 1 PopRock 2 Parallel 1 Vo09 AirVoxDbl Sy08 Fresh Air...
  • Page 87 Arrangement List (AMERICA) Arrangement Program Effect Arrangement Program Effect Us00 Mick&Keith Gt19 DistGuitar Parallel1 Us32 Boston Boy Us39 PowerSynth Parallel1 Sy09 Lead Stab EP09 Midi Piano Us01 Prog. Rock Parallel1 Us33 Night Jams Parallel1 Us39 PowerSynth Ba21 Euro Bass Us55 MonoLead Us02 Shufflin’...
  • Page 88 Arrangement List (GERMANY) Arrangement Program Effect Arrangement Program Effect Us55 Trp&Akkor Us16 Rock Organ Us00 Polka 1 Parallel1 Us32 Open Rock Parallel1 Re00 Akordeon 1 Or06 Perc&Rotor Us48 MusetteAkk Us03 MIDI Pno.1 Us01 Polka 2 Parallel1 Us33 Top40 Rock Parallel1 Re00 Akordeon 1 Or02 BX-3 Organ Us27 Trp.Ensbl...
  • Page 89 Arrangement List (ITALY_I5) Arrangement Program Effect Arrangement Program Effect Us30 Barnum Sax Us02 RetroRoads Us00 Valzer 1 Parallel1 Us32 8 Beat 6 Parallel1 Pa17 GP Pad Pf02 Piano Us17 MicroFisa Gt06 JazzGuitar Us01 Valzer 2 Parallel1 Us33 8 Beat 7 Parallel1 Pa02 AnalogPad2 Gt24 Darc Pick...
  • Page 90 Arrangement List (JAPAN) Arrangement Program Effect Arrangement Program Effect Us00 Mick&Keith Gt19 DistGuitar Parallel 1 Us32 Refrain St03 Marcato Parallel 1 Sy09 Lead Stab Us01 Prog. Rock Parallel 1 Us33 Anytime Sy08 Fresh Air Parallel 1 Us39 PowerSynth Us02 Shufflin’ Or06 Perc&Rotor Parallel 1 Us34 My Wrist...
  • Page 91 Arrangement List (UK) Arrangement Program Effect Arrangement Program Effect Gt25 New Tines Us00 Just Billy Parallel1 Us32 COUNT MeIn Us24 AltoBreath Parallel1 EP05 Digi Piano Gt22 StereoDist Us01 Survive ? Pf02 Piano Parallel1 Us33 Carl Vain Serial Gt16 Dirty Funk Pf02 Piano Us24 AltoBreath Us02 SlowWaltz1...
  • Page 92 Drumsample Fat Kick Syn Rim 74 Mute Conga 111 Kalimba 2 148 Tri Roll Rock Kick VocalSnr 1 75 Baya 1 112 Marimba 1 149 JingleBell Ambi.Kick VocalSnr 2 76 Baya 2 113 Marimba 2 150 Whistle S Crisp Kick Crash Cym 77 Tabla 1 114 Marimba 3...
  • Page 93 Drum Kit Dr00: GM Kit Dr01: Power Kit Dr02: Analog Kit Dr03: Jazz Kit Inst Excl Inst Excl Inst Excl Inst Excl #00 008:ProcesKick #00 009:Metal Kick #00 010:Syn Kick 1 #00 001:Rock Kick #01 036:Side Stick #01 036:Side Stick #01 037:Syn Rim #01 036:Side Stick #02 026:Rock Snare...
  • Page 94 Dr04: Brush Kit Dr05: Perc Kit Dr06: Dance Kit Dr07: Orch Kit Inst Excl Inst Excl Inst Excl Inst Excl #00 001:Rock Kick #00 069:Claves #00 006:Dance Kick #00 013:Orch B.Drm #01 036:Side Stick #01 092:WoodBlock2 C#2 #01 036:Side Stick #01 036:Side Stick #02 035:Brush Tap #02 086:Cowbell...
  • Page 95 Dr08: Funky Kit Dr09: House Kit Dr10: Rave Kit Dr11: GP Kit Inst Excl Inst Excl Inst Excl Inst Excl #00 002:Ambi.Kick #00 010:Syn Kick 1 #00 010:Syn Kick 1 #00 005:Real Kick #01 036:Side Stick #01 108:FingerSnap #01 002:Ambi.Kick #01 036:Side Stick #02 020:LightSnare #02 030:SynSnare 2...
  • Page 96 Dr12: Latin Kit Dr13: Perc Kit 2 Dr19: Dance Kit Dr20: Orch Kit (User Drum Kit) (User Drum Kit) Inst Excl Inst Excl Inst Excl Inst Excl #00 008:ProcesKick #00 069:Claves #00 006:Dance Kick #00 013:Orch B.Drm #01 036:Side Stick #01 092:WoodBlock2 C#2 #01 036:Side Stick #01 036:Side Stick...
  • Page 97 Style P11 Open Rock U1 User style1 Dr20: DK WS2 Dr20: PowerKitr 2 (User Drum Kit) (User Drum Kit) P12 Pop Rock2 U2 User style2 Inst Excl Inst Excl P13 Hard Rock U3 User style3 #00 002:Ambi.Kick #00 009:Metal Kick #01 028:PowerSnare C#2 #01 036:Side Stick P14 RockShuffl...

  • Page 98: Program List

    Program List Piano Organ Program Bank Number Program Number Program Bank Number Program Number ◯ Pf00 GrandPiano Or00 Full Organ Pf01 GrandPian2 ◯ Or01 Perc Organ ◯ ◯ Pf02 Piano Or02 BX-3 Organ Pf03 Piano 8’ Or03 60’s Organ ◯ Pf04 BritePiano Or04...
  • Page 99 Wind Strings Program Bank Number Program Number Program Bank Number Program Number ◯ Wi00 SopranoSax St00 i3 Strings ◯ Wi01 Alto Sax St01 BigStrihgs ◯ Wi02 Tenor Sax St02 Arco Str. ◯ ◯ Wi03 Bari Sax St03 Marcato Wi04 SopranoSx2 ◯...
  • Page 100 Plucked Bass Progaram Bank Number Program Number Program Bank Number Program Number ◯ Pl00 Harp Ba00 WoodBass ◯ Pl01 Sitar ◯ Ba01 Jazz Bass ◯ ◯ Pl02 Banjo Ba02 Deep Bass Pl03 New Banjo ◯ Ba03 Pick Bass ◯ Pl04 Santur Ba04 PickBass 2...
  • Page 101 ◯: Used by GM programs Be21 PrettyBell ☆ :User drum kit area Be22 Bell Synth When a Korg IFD series disk is loaded, special drum kits Be23 C-900Vibes used by the arrangements in the disk will be loaded into this area.
  • Page 102 USER: (CFD-01P: AMERICA) USER:(CFD-01P: GERMANY) USER: (CFD-01P: ITALY_I5) Us00 Piano 8' Us32 Poppin’Pad Us00 Piano 1 Us32 SoloViolin Us00 Piano 8' Us32 Poppin’Pad Us01 MaxiTine Us33 TheStrings Us01 Piano 2 Us33 Mantovani Us01 MaxiTine Us33 TheStrings Us02 Tap EP Us34 AnaSyn Us02 SalsaPiano Us34 StringEns.
  • Page 103 USER: (CFD-01P: JAPAN) USER: (CFD-01P: UK) USER DRUM KIT Us00 Piano 8' Us32 Poppin’Pad Us00 Piano 8' Us32 Poppin’Pad Dr19 Dance Kit (CFD-01P: AMERICAN / JAPAN) Orch Kit Us01 MaxiTine Us33 TheStrings Us01 MaxiTine Us33 TheStrings (CFD-01P: GERMANY) Dr20 PowerKit 2 Us02 Tap EP Us34 AnaSyn Us02 WX Rhodx...
  • Page 104 Internal Demo Songs (Sound Demo) PIANO F.Chopin/Scherzo No.2 Bb-minor Op.31 E.PIANO KORG Original/The Harp of Wind PIPE ORGAN J.S.Bach/Italian Concert BWV971 ORGAN N.RIMSKY-Korsakov/The Flight of The Bumble Bee REED F.Mendelssohn/Wedding March WIND J.S.Bach/Air on the G string BRASS L.v.Beethoven/For Elise STRINGS F.Mendelssohn/Springs Song Op.62-6 VOCAL/AIR F.Chopin/Valse No.6 Db-major Op.64-1 PLUCKED W.A.Mozart/Sonate K.331 GUITAR F.Burgmuller/La chevaleresque Op.100-25 BASS A.Ellmenreich/Spinng Song SYNTH G.Gershwin /Rhapsody in Blue F.Chopin/Polonaise A-major Op.40-1 BELL/MALLET F.Liszt/A Dream of Love S.E. M.Moussorgsky/Pictures at an Exhibition ˜ Promenade Internal Demo Songs (Style Demo) POP1 0 8 Beat 1...
  • Page 105 . These products are w arranted by the K ORG distrib utor only in each country . Any KORG product not sold with a w arranty card or carrying a serial number disqualif ies the product sold from the manuf acturer’ s/distrib utor’ s warranty and liability .

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