Leica SL3-S Instruction Manual
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Leica SL3-S Instruction Manual

Leica SL3-S Instruction Manual

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LEICA SL3-S
INSTRUCTION MANUAL

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  • Page 1 LEICA SL3-S INSTRUCTION MANUAL...

  • Page 2: Foreword

    – Leica SL3-S full scope of functions your camera has to offer. You can – Lithium-ion rechargeable battery Leica BP-SCL6 find all information about the Leica SL3-S whenever you – USB-C cable need it at https://leica-camera.com. – Camera bayonet cover –...

  • Page 3: Replacement Parts / Accessories

    Leica replacement parts/accessories: https://leica-camera.com/en-US/photography/accessories Only the accessories specified and described in this manual or by Leica Camera AG must be used with the camera (battery, charger, mains plug, mains cable, etc.). These accessories must only be used with this product.

  • Page 4: Legal Information

    AVC Standard within the scope of personal consideration the interests of Leica Camera AG. To that use and/or which the consumer has received from the extent, Leica Camera AG reserves the right to changes provider, who is in possession of a license to offer and errors.

  • Page 5: Regulatory Information

    The date format is year/month/day. Declaration of Conformity (DoC) COUNTRY-SPECIFIC LICENSES “Leica Camera AG” hereby declares that this product is in compliance with the basic requirements and other relevant provisions of Directive 2014/53/EU. Specific regional approvals for this device can be found...
  • Page 6 WLAN devices. • Leica Camera AG shall not accept liability for dam- ages arising from the use of the camera for purposes other than as a WLAN device.

  • Page 7: Safety Remarks

    SAFETY REMARKS • Use a cotton or linen cloth instead of a microfiber cloth from an optician's (synthetic) when cleaning the contacts. Make sure to discharge any electrostatic GENERAL INFORMATION charge by deliberately touching a heating or water pipe (conductive, grounded material). Dirt deposits •...

  • Page 8: Rechargeable Battery

    • The use of other chargers not approved by Leica • Do not open the cover/remove the memory card or Camera AG can cause damage to the batteries – and the battery from the camera while the status LED is lit, in extreme cases –...

  • Page 9: Carry Strap

    You might injure yourself or others, and the camera could suffer damage. FLASH • The use of incompatible flash units with your Leica SL3-S may result in irreparable damage to the camera and/or the flash unit.

  • Page 10: General Information

    Please contact your • Never store the camera bayonet cover or the lens back dealer, the Leica representative in your region or Leica cover in a pants pocket, as they will attract lint and Camera AG if the problem persists.
  • Page 11 MEMORY CARD fore removing the card. • The range of available SD/SDHC/SDXC cards on the market is too extensive for Leica Camera AG to SENSOR test for compatibility and quality. Generally, any type of memory card may be used without any damage •...

  • Page 12: Firmware Update

    Leica releas- es so-called firmware updates at irregular intervals. Cameras are always supplied ex works with the latest firmware installed or you can download the latest version from our website yourself and transfer it to your camera.
  • Page 13 WARRANTY TERMS LEICA CAMERA AG...

  • Page 14: Warranty Terms Leica Camera Ag

    You have purchased a Leica product that has been manufactured according to special quality guidelines We require a copy of the proof of purchase of your Leica and tested by experienced specialists during the various product from a LEICA-authorized dealer (“Authorized stages of production.
  • Page 15 Leica SL3-S comes with splash water and dust protection. The camera was tested under controlled laboratory conditions and is classed as IP54 in accordance with DIN EN 60529. Please note: The splash water and dust protection coating is not permanent and will diminish over time.

  • Page 16: Table Of Contents

    SAFETY REMARKS ........... 7 CONTROL ELEMENTS ............ 58 GENERAL INFORMATION ......10 MENU SECTIONS ............59 WARRANTY TERMS LEICA CAMERA AG ..14 SETTINGS IN PHOTO AND VIDEO MODE ......... 60 SWITCHING MENU SECTIONS .............61 TABLE OF CONTENTS ........16 CONTROL CENTER .............
  • Page 17 HISTOGRAM ..................113 MONOCHROME PROFILE ............92 TEMPORARY ACTIVATION/DEACTIVATION OF CUSTOMIZING PHOTO PROFILES ..........93 INDIVIDUAL FUNCTIONS..........114 LEICA LOOKS ..............93 ENHANCED LIVE VIEW ..........114 AUTOMATIC OPTIMIZATION ........94 MF ASSIST FUNCTIONS ..........115 NOISE REDUCTION ............94 AF ASSIST LAMP .............115 NOISE REDUCTION FUNCTION FOR LONG-TERM EXPOSURE ..94...
  • Page 18 AUTOFOCUS MODES .............117 EXPOSURE ..............138 SHUTTER TYPE ..............139 INTELLIGENT AF (iAF) ..............117 AFs (single) ..................117 USE ....................139 AFc (continuous) ................117 EXPOSURE METERING METHODS .......140 AUTOFOCUS METERING METHODS ......118 EXPOSURE MODES ............141 MULTI-FIELD METERING ............... 118 SELECTING A MODE..............
  • Page 19 FLASH PHOTOGRAPHY..........164 SETTING THE VIDEO FORMAT ........187 COMPATIBLE FLASH UNITS...........164 VIDEO STYLE .............188 FLASH EXPOSURE METERING (TTL METERING) ..165 IMAGE PROPERTIES ............188 SETTINGS ON THE FLASH UNIT ........165 VIDEO PROFILES ............189 FLASH MODES ...............166 COLOR PROFILE ................189 AUTOMATIC FLASH ACTIVATION ..........
  • Page 20 EV INCREMENT ............208 SUPPRESSING CONTINUOUS FOCUSING ......230 AUTOFOCUS METERING METHODS ......231 AUDIO OUTPUT ............209 TRACKING ..............232 SETTING THE OUTPUT LEVEL ........209 PERSON DETECTION (FACE DETECTION) ......233 HDMI OUTPUT WITH/WITHOUT SOUND ..... 209 AF SETTINGS..............235 AUXILIARY DISPLAYS ..........210 FOCUS LIMIT ..............
  • Page 21 DIRECT ACCESS IN PLAYBACK MODE ......265 TECHNICAL DATA ......... 312 CONTROL ELEMENTS ON THE LCD PANEL ....265 STARTING/EXITING PLAYBACK MODE ....266 LEICA CUSTOMER CARE ......318 SELECTING/SCROLLING THROUGH IMAGES ..267 LEICA AKADEMIE ........319 STORAGE LOCATIONS..........268 INFO DISPLAYS IN PLAYBACK MODE .....

  • Page 22: Part Designations

    PART DESIGNATIONS *Optional accessories: Multifunction handgrip SL, Leica USB-C DC coupler DC-SCL6 PART DESIGNATIONS...
  • Page 23 LEICA SL3-S Battery release lever Battery compartment Shutter button Handgrip-integrated battery compartment Right dial Handgrip lock Function button Timecode connection Function button Left dial Top display Accessory shoe MULTIFUNCTION HANDGRIP HG-SCL7 Microphone Speaker Shutter button Function button Right dial Function button...

  • Page 24: Connector Block

    CONNECTOR BLOCK Microphone Remote shutter release Headphone HDMI USB-C **42 USB-C cable USB-C DC COUPLER DC-SCL6 Contacts **43 USB-C cable socket (transport protection) **44 **44 **43 **42 Not included in the delivery package. Representative image. Technical designs may vary depending on included features. PART DESIGNATIONS / CONNECTOR BLOCK...
  • Page 25 LENS* Contact strip Alignment points for lens replacement Focus ring poss. zoom ring Alignment point for lens hood mounting Male bayonet for lens hood Internal thread for filters Bayonet cover Lens cap Lens hood PART DESIGNATIONS / CONNECTOR BLOCK...

  • Page 26: Displays

    DISPLAYS IN REVIEW MODE All displays/values refer to the displayed image. The images displayed on the LCD panel and in the view- finder are identical. PHOTO CONTROL CENTER ACTIVATED Capture Assistants IN SHOOTING MODE All displays/values refer to the actual settings. 16 17 DISPLAYS / PHOTO...
  • Page 27 Remaining storage capacity Icon for marked picture Focal length Delete User profile File number of the image shown Wi-Fi/Bluetooth (Leica FOTOS) Date and time of shot ® Geotagging Histogram Automatic storage of the shooting location (Exif data) Grid lines Battery capacity...

  • Page 28: Video/Cine

    VIDEO/CINE IN PLAYBACK MODE All displays/values refer to the displayed image. CONTROL CENTER 40 41 IN RECORDING MODE All displays/values refer to the actual settings. DISPLAYS / VIDEO/CINE...
  • Page 29 Remaining storage capacity Delete Focal length Exiting video playback User profile File name of the displayed video recording Wi-Fi/Bluetooth (Leica FOTOS) Playback status bar ® Geotagging Current playback time Automatic storage of the shooting location (Exif data) Length of video recording...

  • Page 30: Displays In The Top Display

    DISPLAYS IN THE TOP DISPLAY Camera name Operating mode Home screen Light balance Battery capacity Aperture value Shutter speed : shutter angle) Cine ISO Sensitivity : ASA indication) Cine Exposure compensation value End of focus range Current focus range Start of focus range DEFAULT VIEW DISPLAYS / DISPLAYS IN THE TOP DISPLAY...

  • Page 31: Charge Status Indicator On The Lcd Panel

    CHARGE STATUS INDICATOR ON THE LCD PANEL The charge level of the rechargeable battery is displayed in the Control Center and in the header line at the top right. Display Charge status Approx. 80 – 100% Approx. 60 – 79% Approx.

  • Page 32: Preparation

    PREPARATION PREPARING THE CHARGER (optional accessory) ATTACHING THE CARRY STRAP Use the mains cable with the matching regional plug to connect the charger to mains electricity. Note • The charger will automatically adapt to local mains voltage. Attention • Once you have attached the carry strap, please make sure that the clips are mounted correctly to prevent the camera from falling.

  • Page 33: Charging The Battery

    CHARGING THE BATTERY CHARGE STATUS INDICATORS ON THE CHARGER The camera is powered by a lithium-ion battery. INSERTING THE BATTERY IN THE CHARGER The status LED indicates a correct charging process. Display Charge status Charge time* →Slide the battery into the charger with the groove fac- ing up until the contacts meet Battery is charging ●...

  • Page 34: Charging Via Usb

    USB cable. INSERTION Notes • The SL3-S can be charged while it is switched on. This requires a USB PD-capable power supply unit with an output of min. 9 V/3 A (27 W). Where a power supply unit with an output of less than 27 W is used, the cam-...
  • Page 35 REMOVAL →Turn the battery release lever • Battery is pushing out slightly. →Press down on the battery lightly • The battery unlocks and pushes out fully. →Remove the battery Important • Removing the battery while the camera is switched on may result in the loss of custom settings or damage to the memory card.

  • Page 36: Inserting/Removing The Memory Card

    OPENING THE COVER OVER THE MEMORY CARD SLOT MEMORY CARD Leica SL3-S offers slots for two memory cards. There are various options for use, see p. 98. The camera will save exposures to an SD (Secure Digital), SDHC (Secure Digital High Capacity), or SDXC (Secure Digital eXtended Capacity) card, and to a Cfexpress (Compactflash express) Type B.
  • Page 37 INSERTION REMOVAL “click” →Push the memory card into the slot until you hear and →Push down on the card until you hear a click feel it clicking into place • The card pushes out slightly. • The beveled corner of the SD card must be at the →Remove the memory card top left.

  • Page 38: Lenses

    Leica M/R L adapters. using a non-system compatible flash unit. L-MOUNT LENSES In addition to Leica SL lenses, the Leica SL3-S can also accommodate Leica TL lenses with full functionality via the L bayonet. The camera will automatically switch to the APS-C format when a TL lens is attached.
  • Page 39 LEICA M AND R LENSES Sorting the lens type lists Leica M and R lenses can be attached via Leica M or R →Select in the main menu Camera Settings L adapters. There are lens profiles stored in the camera, →Select...

  • Page 40: Changing The Lens

    CHANGING THE LENS DETACHING THE LENS Important • Make sure to always have a lens or the camera bay- onet cover attached to prevent dust or other foreign bodies penetrating the camera. • That is why you should always replace lenses quickly and in a dust-free environment.

  • Page 41: Attaching The Adapter

    OTHER LENSES DETACHING THE ADAPTER (e.g. Leica M lenses) Other lenses can be used by inserting an adapter for L bayonets (e.g. Leica-M adapter L). ATTACHING THE ADAPTER →Ensure that the camera is switched OFF →Detach the lens →Press and hold the release button on the camera housing →Turn the adapter counter-clockwise until the alignment...
  • Page 42 ATTACHING THE LENS TO THE ADAPTER DETACHING THE LENS FROM THE ADAPTER →Ensure that the camera is switched OFF →Ensure that the camera is switched OFF (see p. 59) →Hold the lens by the fixed ring →Hold the lens by the fixed ring →Press and hold the release button on the adapter →Position the alignment point on the lens opposite the alignment point on the adapter...

  • Page 43: Diopter Settings

    DIOPTER SETTINGS The viewfinder has a diopter setting function with a range between -4 and +2 diopter to allow glasses wear- ers the use of the camera without eyeglasses (diopter compensation). →Look through the viewfinder →Aiming at and focusing on an object →Turn the diopter setting ring until you see the image in the viewfinder and the displays in perfect focus PREPARATION / DIOPTER SETTINGS...

  • Page 44: Multifunction Handgrip Hg-Scl7

    MULTIFUNCTION HANDGRIP HG-SCL7 PHOTOGRAPHY WITH THE HANDGRIP (optional accessory) The operating elements of the handgrip are positioned in such a way as to be in easy reach when using the camera The Multifunction Handgrip SL is an optional accessory for portrait photography. and comes with additional operating elements posi- tioned to specifically facilitate vertical format photogra- phy (shutter button, joystick, thumbwheel, and right dial).

  • Page 45: Attaching The Handgrip

    ATTACHING THE HANDGRIP →Squeeze the contact cover of the handgrip on the two sides marked with triangles and lift it off →Store the contact cover in its designated compartment in the handgrip Locking toggle →Remove the contact cover in the base of the camera housing Tripod thread →Store the contact cover in its designated compartment...
  • Page 46 DETACHING THE HANDGRIP →Turn the handgrip lock to the left to unlock the connection • Make sure to hold the camera and the handgrip securely while doing so. →Replace both cover caps over the connections Important • Make sure that the contact covers are securely in place on the camera and on the handgrip whenever the handgrip is not attached to the camera.

  • Page 47: Changing The Battery

    MOUNTING THE WRIST LOOP/CARRY CHANGING THE BATTERY STRAP ON THE MULTIFUNCTION The multifunction handgrip offers space for a second HANDGRIP rechargeable battery. This will significantly increase op- erating time. The high quality wrist loop is available as an optional ergonomic accessory for the handgrip to ensure more stability for the camera.

  • Page 48: Removing The Battery

    REMOVING THE BATTERY INSERTING THE BATTERY →Push down the ejector pin →Insert the battery into the slot with the groove pointing towards until you hear and feel it clicking into place • Battery is pushing out slightly. →Press down on the battery lightly CLOSE THE BATTERY COMPARTMENT •...
  • Page 49 PREPARATION / MULTIFUNCTION HANDGRIP HG-SCL7 (optional accessory)

  • Page 50: Camera Operation

    CAMERA OPERATION Notes • Once switched on, the camera will be ready to use after approx. 1 s. CONTROL ELEMENTS • The main switch LED lights up briefly and the displays appear in the viewfinder. MAIN SWITCH • The function (see p. 82) deactivates Auto Power Off The main switch switches the camera on, off, or to the camera automatically if no operation occurs within...

  • Page 51: Main Switch Led

    MAIN SWITCH LED Function Behavior Color Notes The main switch LED indicates various operating states. Camera is OFF It will light within 1 s of the main switch being pressed. Camera The LED can be set to automatically dim depending on Standby ambient brightness.

  • Page 52: Shutter Button

    SHUTTER BUTTON 2. Press down fully – Shutter release • The data is then transferred to the memory card. – Starting a video shooting – Starting a preselected self-timer delay time – Starting a continuous shooting or interval shooting Notes •...

  • Page 53: Left Dial

    LEFT DIAL RIGHT DIAL – In shooting mode: Setting ISO values – Menu navigation – Setting the shutter speeds – Exposure compensation value selection – Enlarging/reducing viewed images CAMERA OPERATION / CONTROL ELEMENTS...

  • Page 54: Thumbwheel

    THUMBWHEEL JOYSTICK – Menu navigation – Menu navigation – Accessing the submenu – Accessing the submenu – Applying menu settings – Applying menu settings – Setting selected menu items/functions – Setting selected menu items/functions – Setting the aperture value – Scrolling through the gallery –...

  • Page 55: Play Button/Menu Button

    PLAY BUTTON/MENU BUTTON PLAY BUTTON – Activation and deactivation of the (continuous) review mode – Return to full-screen display MENU BUTTON – Accessing the menu (incl. Control Center) – Accessing the Play menu – Exiting the currently displayed (sub) menu CAMERA OPERATION / CONTROL ELEMENTS...

  • Page 56: Function Buttons

    FUNCTION BUTTONS FACTORY SETTINGS In shooting mode In review mode button Toggle info profiles Function button LCD panel/EVF switchover Function button Mode change Delete image (photo/video) Function button – Photo: Marking/rating a image – Video: – (Cine: Function button – Photo: Magnification –...

  • Page 57: Lcd Panel (Touch Screen)

    LCD PANEL (TOUCH SCREEN) TOUCH CONTROL* In shooting In review mode Menu Control Center mode “tap” Shifting the Selecting images Confirm/Select AF frame and focusing (while Touch AF is activated) “double tap” Resetting the AF Enlarging/re- frame ducing viewed images (while Touch AF is activated) “swipe”...

  • Page 58: Top Display

    MENU CONTROL TOP DISPLAY CONTROL ELEMENTS The following elements are used for menu control. – Display of the active mode – Display of image data – Display of camera information Joystick Right dial button Thumbwheel MENU CAMERA OPERATION / MENU CONTROL...

  • Page 59: Menu Sections

    MENU SECTIONS CONTROL CENTER Two menu areas are available: Control Center and Main Photo Video Menu. Control Center: – quick access to the most important settings Main menu: – offers access to all menu items – contains various submenus The currently active operating mode (Photo or Video) is highlighted in color in all menu areas.

  • Page 60: Settings In Photo And Video Mode

    SETTINGS IN PHOTO AND VIDEO MODE Settings and functions with global effect are: – Storage Management The available settings depend on the operating mode – (Photo or Video) currently in use. L eica FOTOS – All menu items and their sub items available in –...

  • Page 61: Switching Menu Sections

    SWITCHING MENU SECTIONS The Control Center will always be displayed as the first menu section. The top level of the menu is organized into “pages”, which are displayed in the header: Control Center and several sections of the Main Menu. You can switch between menu sections by scrolling through the pages.

  • Page 62: Control Center

    CONTROL CENTER CUSTOMIZING THE CONTROL CENTER You can customize the Control Center to reflect your The Control Center offers an overview of key data relat- personal preferences. A number of functions can be ing to the current camera status and active settings. selected.
  • Page 63 SETTINGS ACCESSING A STANDARD SUBMENU These menus behave as if they were accessed from within There are a variety of options for changing settings from the main menu (see p. 65). Touch control is therefore within the Control Center. The setting types vary from unavailable.

  • Page 64: Main Menu

    MAIN MENU SUBMENU The main menu offers access to all settings. Most of these There are various types of submenus available. The fol- are organized in submenus. lowing pages describe their operation. Current menu item Submenu item Menu section: Main Menu References to other submenus Menu item name Scrollbar...

  • Page 65: Menu Navigation

    MENU NAVIGATION LINE BY LINE NAVIGATION (Function/function option selection) SCREEN BY SCREEN NAVIGATION →Press the joystick up/down Scrolling forward →Turn the thumbwheel →Press the button (repeatedly if needed) MENU (to the right = down, to the left = up) • Once the last menu item has been reached scrolling →Turn the right dial in clockwise direction up or down, the display will automatically jump •...

  • Page 66: Exiting The Menu

    SHOW SUBMENU GO BACK ONE STEP (Return to the superordinate menu item) →Press the joystick/thumbwheel →Press the joystick to the left • This option is only available for list-type submenus. →Press the joystick to the right →Swipe to the right →Tap the menu item CONFIRM SELECTION GO BACK TO TOP MENU LEVEL...

  • Page 67: Submenu

    SUBMENU SELECTING A BUTTON (ICON/FUNCTION BUTTON) KEYBOARD/NUMBER PAD Using button control →Press the joystick in the relevant direction • The currently active button will be highlighted. →Press the joystick/thumbwheel →Turn the thumbwheel • The currently active button will be highlighted. •...

  • Page 68: Menu Bar

    MENU BAR SCALE MENU Using button control Using button control →Press the joystick left/right →Press the joystick left/right →Turn the thumbwheel →Turn the thumbwheel Using touch control Using touch control →Select the desired function directly or swipe →Select the desired setting directly or swipe Notes Notes •...

  • Page 69: Date/Time Menu

    DATE/TIME MENU COMBI MENU (AF PROFILES) The setting of the individual menu items is done via a Moving to the next settings field setting bar in the lower display area. →Press the joystick left/right Accessing individual menu items →Press the joystick in the relevant direction →Turn the thumbwheel Setting values →Turn the thumbwheel...

  • Page 70: Combi Menu (Image Properties)

    COMBI MENU (IMAGE PROPERTIES) “Back” button (Exit without saving) Menu item “Contrast” Menu item “Highlight” Menu item “Shadow” Menu item “Sharpness” Menu item “Saturation” “Confirm” button (Save and exit) The operation is slightly different, depending on whether the settings are done via key control or touch control. The screen image will remains visible continuously while settings are being adjusted.
  • Page 71 Using button control Using touch control →Tap the desired button Navigating between buttons • All available options are displayed for the buttons →Press the joystick left/right “Parameter” and “Setting”. • An active button is indicated by a red frame. • The “Parameter” button displays the currently set value for each of the parameter options.

  • Page 72: User-Defined Operation

    USER-DEFINED OPERATION ACCESSING THE ASSIGNED MENU FUNCTION →Briefly press and release the desired function button DIRECT ACCESS TO MENU FUNCTIONS • The assigned function is accessed, or a submenu appears on screen. You can assign specific menu functions to the function buttons for extra quick direct access to menu items in Notes shooting mode.

  • Page 73: Dial Assignments

    DIAL ASSIGNMENTS Selecting the desired exposure mode (IN SHOOTING MODE) →Press the joystick up/down • Currently available assignment options are highlight- The function of the two dials depends on the active ed in red. exposure mode. Wheel assignments can be specified independently for photo and video mode and for every Assigning a function to the thumbwheel exposure mode.

  • Page 74: When Using Af Lenses

    WHEN USING AF LENSES Video mode The available functions are listed in the tables below (the Thumbwheel Right dial factory setting is highlighted in bold). Microphone Gain Microphone Gain Exposure Exposure compensation Photo mode Compensation Thumbwheel Right dial Exposure Exposure compensation Program shift Program shift Compensation...

  • Page 75: When Using Mf Lenses

    ROTATION DIRECTION OF THE DIALS WHEN USING MF LENSES The available functions are listed in the tables below (the You can specify any rotation direction for exposure factory setting is highlighted in bold). settings via the dials. You specify the rotation direction, which will result in an exposure reduction (shorter shutter speeds/smaller aperture).

  • Page 76: Joystick Functions

    JOYSTICK FUNCTIONS LOCKING THE OPERATING ELEMENTS Various operating elements can optionally be locked in (IN SHOOTING MODE) shooting mode. You can assign various functions to the joystick in photo Note mode. The settings for AF and MF mode are done sepa- •...

  • Page 77: User Profiles

    USER PROFILES CREATING PROFILES Saving settings/creating a profile. This camera allows the permanent storage of any menu settings, to e.g. access them quickly and easily for re- →Create custom settings for the desired functions via curring conditions/image objects. Six memory slots are menu control provided to store custom settings, plus the factory setting, →Select...

  • Page 78: Renaming Profiles

    RENAMING PROFILES APPLYING/ACTIVATING PROFILES Factory setting: Default Profile →Select in the main menu User Profile →Select in the main menu →Select User Profile Manage Profiles • A list of profile names is displayed. →Select Rename Profiles →Select a profile →Select a profile •...

  • Page 79: Exporting/Importing Profiles To/From The Memory Card

    EXPORTING/IMPORTING PROFILES TO/FROM THE MEMORY CARD →Select in the main menu User Profile →Select Manage Profiles →Select Export Profiles Import Profiles →Confirm the selection Notes • When importing and exporting, all profile slots are transferred to the card, i.e. including any empty slots. Any existing profiles stored in the camera will be over- written, during the profile import.

  • Page 80: Camera Basic Settings

    You can choose one of 3 options for the display time, after a reset to factory settings (see p. 278), or af- ter a firmware update. Additionally, you have the option sequence. to have the Leica FOTOS app set up the camera’s Date & →Select in the main menu Camera Settings (including Time Zone and Daylight Saving Time).

  • Page 81: Daylight Saving Time

    DISTANCE UNIT TIME ZONE The distance can be displayed in meters or in feet (see →Select in the main menu Camera Settings p. 117). →Select Date & Time Factory setting: Meter (m) →Select Time Zone →Select in the main menu Camera Settings →Select your time zone/current location →Select Distance Unit...

  • Page 82: Power Save Mode (Standby Mode)

    POWER SAVE MODE LCD PANEL/VIEWFINDER SETTINGS (STANDBY MODE) The camera comes equipped with a 3” liquid crystal color panel, which is protected by a glass cover made of The camera will switch to the power-saving standby extremely hard and scratch-resistant glass. mode after a preset time to extend battery life if this func- The following functions can be configured and used tion is activated.

  • Page 83: Lcd Panel/Evf Use

    LCD PANEL/EVF USE →Select in the main menu Display Settings →Select EVF <> LCD You can preset the situations in which EVF and LCD pan- el should be used. The displays appearing on screen and →Select the desired setting in the electronic viewfinder are identical. Note The setting toggles to automatically when the screen...

  • Page 84: Brightness

    BRIGHTNESS COLOR RENDERING You can adjust brightness for best visibility in various light- Color rendering can also be adjusted. Brightness is ing conditions. Brightness is set individually for the LCD set individually for the LCD panel and the viewfinder. panel and the viewfinder. Selection occurs via key control Selection occurs via key control or touch control.

  • Page 85: Automatic Lcd Panel And Evf Shutdown

    AUTOMATIC LCD PANEL AND EVF AUTOMATIC ROTATION OF THE INFO BAR SHUTDOWN The info bar can be automatically rotated for shoots in vertical position. The content and sequence of the dis- The LCD panel and EVF deactivate automatically to save played data will not change.

  • Page 86: Acoustic Signals

    ACOUSTIC SIGNALS ELECTRONIC SHUTTER SOUND Factory setting: Some functions can be acknowledged with acoustic sig- nals. The following special functions can be configured →Select in the main menu Camera Settings separately: →Select Acoustic Signal – Electronic shutter sound →Select Electronic Shutter Sound –...
  • Page 87 CAMERA BASIC SETTINGS / ACOUSTIC SIGNALS...

  • Page 88: Still Image Settings

    STILL IMAGE SETTINGS SENSOR FORMAT The image data of the entire 35 mm sensor can be used Full-frame (35 mm) or only a cropped section, which corresponds to the APS-C format. This can be helpful, e.g. when only limited APS-C storage capacity remains or a lens developed specifically Crop factor 1:1.6 for APS-C is used.

  • Page 89: File Format

    FILE FORMAT →Select in the main menu File Format →Select a format Choose the JPG format or the standardized raw DNG + JPG data format (= digital negative). Both can be used individually or simultaneously. Notes • The standardized DNG format is used for the storage When creating JPGs, an initial processing occurs in the of raw image data.

  • Page 90: Aspect Ratio

    Images made in JPG format are saved The Leica SL3-S offers two functions for the adjustment of with the relevant aspect ratio. DNG images will always JPG format frames: user-defined...

  • Page 91: Film Style

    FILM STYLE HIGHLIGHT/SHADOW Depending on the exposure selected and the dynamic The image properties of JPG files can be changes slightly scope of the object, some details in brighter or darker using several parameters. These are summarized in areas may no longer be clearly visible. The parame- pre-configured profiles.

  • Page 92: Color Profile

    COLOR PROFILE MONOCHROME PROFILE 3 pre-configured color profiles are available: Two pre-configured monochrome profiles are available: Factory setting: – Standard Monochrome – – Standard Monochrome High Contrast – Vivid →Select in the main menu JPG Settings – Natural →Select Film Style →Select in the main menu JPG Settings...

  • Page 93: Customizing Photo Profiles

    Satura →Select a memory slot tion →Select the desired level Selecting a memory slot Leica Looks can be easily downloaded to the camera via →Confirm Leica FOTOS. →Connecting to Leica FOTOS →Follow the instructions provided by the Leica FOTOS Note •...

  • Page 94: Automatic Optimization

    AUTOMATIC OPTIMIZATION Under certain conditions, noise reduction will always be active as long as the function is enabled. That includes shots taken with the T function, as well as long-term expo- NOISE REDUCTION sure frames with shutter speeds of ≥ +8 s. NOISE REDUCTION FUNCTION FOR LONG- In all other cases, noise reduction depends on a combi- TERM EXPOSURE...

  • Page 95: Noise Reduction In Jpg Images

    IMAGE STABILIZATION NOISE REDUCTION IN JPG IMAGES Except when high sensitivities are used, noise is luckily The less favorable the lighting conditions during shooting, negligible. Nevertheless, noise reduction is a component the slower will be the required shutter speeds for correct of data processing when JPG files are generated.

  • Page 96: Setting The Stabilization Direction

    Note • Some lenses may not support all settings offered in the For camera pans it can be useful to only correct camera camera. Please contact Leica Customer Care if you shake in specific directions. have any questions (see p. 316).

  • Page 97: Dark Area Optimization (Idr)

    DARK AREA OPTIMIZATION (IDR) Without iDR With iDR DYNAMIC RANGE The contrast range of an object comprises all levels of brightness from the brightest to the darkest point in the image. All levels of brightness can be captured by the sensor, provided the contrast range of the object is lower than the dynamic range of the camera.

  • Page 98: Data Management

    DATA MANAGEMENT An icon in the Control Center denotes the selected setting. Factory setting: STORAGE OPTIONS DNG+JPG first on CFe →Select in the main menu Storage Management There are a number of options for saving data when two →Select Storage Options memory cards are inserted.

  • Page 99: Formatting A Memory Card

    →Select Format CFe Card Format SD Card • Contact your retailer or Leica Customer Care for assis- →Confirm the selection tance if the memory card cannot be formatted/over- written (see p. 316). • The status LED will flash during the process.

  • Page 100: External Data Medium

    EXTERNAL DATA MEDIUM DATA STRUCTURE The use of an external SSD data medium may be a FOLDER STRUCTURE good solution for storing large data volumes. Photos and The files (= photos) on the memory cards are saved in videos can then be recorded directly onto a suitable SSD automatically generated folders.

  • Page 101: Edit File Names

    EDIT FILE NAMES CREATING A NEW FOLDER →Select in the main menu Camera Settings →Select Reset Image Numbering • A relevant prompt is displayed. →Confirm the creation of a new folder ( ) or cancel the new folder ( Note •...

  • Page 102: Content Credentials

    Location information can be sourced from a mobile device in connection with the Leica FOTOS app. Current They contain information about the identity of the creator, location information will then be written to the Exif data as well as data in compliance with the C2PA standard re- of the images (geotagging).

  • Page 103: Data Transfer

    Location information will be continuously updated as – allows a data transfer to computers using MacOS long as the camera is connected to Leica FOTOS. The or Windows with PTP-capable programs, as well as Bluetooth function of the camera and the mobile device...

  • Page 104: Practical Default Settings

    PRACTICAL DEFAULT SETTINGS Positioning the AF frame →Tap the LCD panel in the desired position TOUCH AF Touch AF allows a direct placement of the AF frame. 1/8000 12500 Factory setting: Touch AF →Select in the main menu Focus Settings →Select Touch AF 12MP...

  • Page 105: Touch Af + Shutter Button

    TOUCH AF + SHUTTER BUTTON TOUCH AF IN EVF MODE The combination allows a direct Touch AF is deactivated by default when EVF is in use Touch AF + Release placement of the AF frame for immediate recording. to prevent any inadvertent altering of the AF frame. AF Quick Setting (see p. 235) continues to be accessible.

  • Page 106: Personalized Lens Settings

    PERSONALIZED LENS SETTINGS EV INCREMENT The total angle of rotation of the lens used for focus- You can choose between 1⁄2 EV or 1⁄3 EV graduations. ing can be individually adjusted. The setting selected This will allow you to choose between stronger or more indicates the angle of rotation required to change the subtle effects for your relevant settings.

  • Page 107: Auxiliary Displays

    AUXILIARY DISPLAYS INFO PROFILES Up to 4 independent profiles can be used. The desired The Leica SL3-S has 4 independent info profiles, which function can be selected and adjusted individually for contain differing combinations of the available auxiliary each profile. During operation, the switch between info displays.

  • Page 108: Changing The Info Profiles

    CHANGING THE INFO PROFILES DEACTIVATING INDIVIDUAL INFO PROFILES You can limit the number of info profiles by activating/ →Press the function button with the Toggle Info Levels deactivating individual profiles. At least one profile must assignment always be active, but that can be an “empty” profile. •...

  • Page 109: Customizing The Info Profiles

    SHOW AVAILABLE CUSTOMIZING THE INFO PROFILES →Select in the main menu Capture Assistants INFO BARS →Select a profile The icons displayed represent currently active settings →Select Settings and exposure values. See chapter “Displays” for a full list →Select the desired function of the various displays (see p. 26).

  • Page 110: Grid Lines

    GRID LINES CLIPPING The grids divide the image frame into multiple fields. The Clipping display marks very bright image areas. This They facilitate pictorial composition and an exact camera function is a very easy and exact tool for checking the orientation.

  • Page 111: Focus Peaking

    FOCUS PEAKING SENSITIVITY Factory setting: Medium This assist function highlights the edges of in focus subject elements in color. The color can be user-specified. The →Select in the main menu Capture Assistants sensitivity can be additionally adjusted. →Select a profile →Select Settings →Select...

  • Page 112: Level Gauge

    LEVEL GAUGE The integrated sensors of the camera show its orientation. These indicators ensure exact camera orientation along the longitudinal and transverse axes of critical objects, e.g. architecture. Deviations in relation to the longitudinal axis (i.e. when the camera is tilted up or down in the direction of view) are indicated by a short line in the center of the image ).

  • Page 113: Histogram

    HISTOGRAM Notes • The histogram is always based on the brightness Histogram represents the brightness distribution in the displayed; depending on the settings used, it may not image. The horizontal axis shows the graduated values represent the final exposure. from black (left) through gray to white (right). The vertical •...

  • Page 114: Temporary Activation/Deactivation Of Individual Functions

    ENHANCED LIVE VIEW TEMPORARY ACTIVATION/DEACTIVATION OF INDIVIDUAL FUNCTIONS Image composition is often difficult in very dark environ- The following assist functions can be activated/deactivat- ments (e.g. at night), as the objects are barely visible. ed temporarily: The function will assist the image Enhanced Live View composition in such situations.

  • Page 115: Mf Assist Functions

    MF ASSIST FUNCTIONS ACOUSTIC AF CONFIRMATION You can set an acoustic confirmation signal for successful AF ASSIST LAMP focus metering in AF mode. Factory setting: The integrated AF assist lamp allows operation of the AF system in unfavorable lighting conditions. This lamp comes on while metering is performed, provided the →Select in the main menu...

  • Page 116: Photography

    Number of Frames generally refer to the exposure of individual shots. In (see p. 155) Interval between the shootings addition to single frame shooting, the Leica SL3-S offers Interval a number of other exposure modes. Please read the Delay time (...

  • Page 117: Focusing

    FOCUSING AUTOFOCUS MODES The following AF modes are available: Your Leica SL3-S allows automatic as well as manual . The currently selected AF mode is Intelligent AF focusing. There are 3 operating modes and 7 metering shown in the header line.

  • Page 118: Autofocus Metering Methods

    AUTOFOCUS METERING METHODS MULTI-FIELD METERING Several focus area are detected automatically. This func- The AF mode offers various metering methods for focus- tion is particularly useful for snapshots. ing. A successful focus setting is identified by a green frame, an unsuccessful one is shown in red. SPOT/FIELD METERING Factory setting: Field...

  • Page 119: Zone

    ZONE TRACKING With this metering method, subject sections are recorded This field metering variant helps in the capture of moving with a coherent group comprising 5 x 5 fields. This func- objects. The focus on the object in the focus frame is con- tion combines some security for snapshots with the option tinuously adjusted, once it is detected.

  • Page 120: Person Detection (Face Detection)

    START POSITION FOR TRACKING PERSON DETECTION (FACE DETECTION) Factory setting: Center Person detection is an expansion of the face detection You can specify the starting point for tracking. feature. In addition to biometric patterns of faces, the camera also detects body patterns and uses them for Center of the screen Center focusing.

  • Page 121: Animal Detection

    AF SETTINGS When face detection detects an eye, the focus will be on that eye. Should more than one eye be detected, then AF PROFILES the user can choose the eye to focus on. The currently selected eye will be highlighted. Factory setting: Children / Pets Additionally, the desired face can be easily selected if...

  • Page 122: Changing The Active Profile

    ACCESSING THE ACTIVE PROFILE Each of these profiles contains three parameters: Depth Sensitivity Field Movement Shift in Direction →Select in the main menu Focus Settings →Select AF Setup Higher values: Lower values: →Select AF Profiles Depth Sensitivity CHANGING THE ACTIVE PROFILE Changes in the distance The adjustment is de- to the object are tracked...

  • Page 123: Pre Focus

    ADJUSTING THE ACTIVE PROFILE PRE FOCUS When the function is active, the camera carries out a →Accessing the active profile continuous depth mapping in realtime before the actual →Select desired parameter focusing. That allows a pre-identification of possible fo- →Press the joystick/thumbwheel cus points in a scene.

  • Page 124: Focus Limit

    • This function is not available for specific lenses: Body Detection Animal Detection (Beta) – lenses mounted via an adapter (e.g. Leica M lenses with L adapter M) – This function is available only for specific lenses. • In all other AF modes, the...

  • Page 125: Adjusting The Af Frame Size

    MF ASSIST FUNCTIONS ADJUSTING THE AF FRAME SIZE Field Zone Eye/Face/Body Detection Animal Detection ENLARGEMENT IN AF MODE only) (Beta) →Turn the thumbwheel You can access the enlargement function independent of focusing for a better assessment of the settings. function must be assigned to one of Magnification →Two-finger pinch/spread the function buttons to use this feature (see p. 73).

  • Page 126: Af Assist Lamp

    Adjusting the enlargement function AF ASSIST LAMP →Turn the thumbwheel The integrated AF assist lamp allows operation of the AF system in unfavorable lighting conditions. This lamp • The image section toggles between magnification comes on while metering is performed, provided the factors.

  • Page 127: Shifting The Af Frame

    SHIFTING THE AF FRAME MANUAL FOCUSING (MF) All AF metering methods permit shifting the AF frame Focusing manually may in some situations be a better before focusing. choice than autofocus. – the same setting is used for several shoots →Press the joystick in the relevant direction –...

  • Page 128: Mf Assist Functions

    MF ASSIST FUNCTIONS ENLARGEMENT IN MF MODE The larger the details of the object are shown, the better The following assist functions are available in MF mode. you can assess their sharpness and the more accurately FOCUS PEAKING you can focus. This assist function highlights the edges of in focus subject This function can be automatically activated during man- ual focusing or can be accessed independently.
  • Page 129 Adjusting the enlargement function ACCESS VIA THE FUNCTION BUTTON You can access the enlargement function independent of →Turn the thumbwheel/right dial focusing for a better assessment of the settings. • The image section toggles between magnification function must be assigned to one of Magnification factors.

  • Page 130: Distance Display

    DISTANCE DISPLAY USING AUTOFOCUS IN MF MODE The joystick can be used as needed for automatic focus- Distance information is shown in the top display during ing. The AF modes AFs and AFc are available. manual focusing. You can also concurrently carry out exposure metering –...

  • Page 131: Iso Sensitivity

    ISO SENSITIVITY FIXED ISO VALUES Values between ISO 50 and ISO 100,000 can be selected The ISO setting covers a range between ISO 50 and in 34 levels. Manual ISO settings are initially done in ISO 100 000, allowing you to adapt to the relevant situa- 1/3 EV steps.

  • Page 132: Automatic Setting

    AUTOMATIC SETTING Using the dial This function can be assigned to a setting dial. The camera automatically adjusts the sensitivity to ambi- Factory setting: Left Dial ent brightness and/or to the configured shutter-speed/ aperture combination. In conjunction with aperture-pri- Assigning a function to a setting dial ority mode, this function extends the range for automatic →See p. 73 exposure control.

  • Page 133: Limiting Setting Ranges

    LIMITING SETTING RANGES LIMITING SHUTTER SPEED RANGES Factory setting: Auto A max. ISO value can be set, which will then limit the automatic setting ( ). A max. exposure time Maximum ISO →Select in the main menu Auto ISO Settings can also optionally be configured.

  • Page 134: Dynamic Iso Setting

    DYNAMIC ISO SETTING FLOATING ISO The thumbwheel can be configured to allow manual ISO This function complements Auto ISO. Light strength settings in real time (see p. 73). The settings will cycle changes with many zoom lenses when the focal length is through all values available in the menu.

  • Page 135: White Balance

    WHITE BALANCE AUTOMATIC CONTROL/FIXED SETTINGS – : for automatic control, which delivers neutral re- Auto In digital photography, White Balance ensures neutral sults in most situations color rendering in any light. White Balance relies on the – Various fixed presets for most frequently encountered setting made in the camera, which light color is to be light sources: rendered as 'white'.

  • Page 136: Manual Setting Via Metering

    MANUAL SETTING VIA METERING GRAY CARD (PIPETTE) This metering variant captures only the color hue metered Gray Card Gray Card (pipette) within the metering field and calculates the mean gray This metering variant captures all color hues in the value from it. metering field and uses these to calculate a mean gray →Select in the main menu...

  • Page 137: Gray Card

    DIRECT SETTING OF THE COLOR GRAY CARD TEMPERATURE This metering variant captures all color hues in the meter- ing field and uses these to calculate a mean gray value. Values between 2000 and 11500 K (Kelvin) can be set →Select in the main menu directly.

  • Page 138: Exposure

    EXPOSURE →Tap the desired control panel • The active control panel is highlighted in red. The exposure setting is done dynamically via the two di- • A setting band appears instead of the light balance. als. As a rule, the thumbwheel controls the aperture and A dot marks the current setting.

  • Page 139: Shutter Type

    SHUTTER TYPE The classic shutter sound of the mechanical shutter con- The Leica SL3-S comes equipped with a mechanical veys an auditive feedback. It is well suited for long-term shutter and a purely electronic shutter function. The exposures, as well as for shots of moving objects.

  • Page 140: Exposure Metering Methods

    EXPOSURE METERING METHODS SPOT This metering method is concentrated exclusively on a The following exposure metering methods are selectable. small area in the center of the image. The metering fields Factory setting: Multi-Field are joined together when the exposure metering meth- is combined with the AF metering methods Spot Spot...

  • Page 141: Exposure Modes

    EXPOSURE MODES HIGHLIGHT-WEIGHTED This method considers the entire image field. The ex- There are four exposure modes available to adjust the posure value will, however, be adjusted to very bright rendering of the object or to create the desired pictorial subject elements.

  • Page 142: Selecting A Mode

    SELECTING A MODE Applying the selected mode immediately →Press the joystick/thumbwheel Via the thumbwheel →Press the thumbwheel →Tap the shutter button • The currently selected mode is shown in the top display. The currently selected mode is marked in Via the Control Center red on screen.

  • Page 143: Fully Automatic Exposure Setting - P

    →Adjusting the automatically set value pair (Program shift) Note • When using a lens with an aperture ring (e.g. Leica M lenses), only the exposure modes A (aperture-priority) and M (manual setting) will be available. Where that is the case, is displayed as the aperture value.

  • Page 144: Changing The Preset Shutter Speed And Aperture Combinations (Shift)

    SEMI-AUTOMATIC EXPOSURE SETTING CHANGING THE PRESET SHUTTER SPEED AND APERTURE COMBINATIONS (SHIFT) – A/S Changing the preset values using the Shift function APERTURE-PRIORITY MODE- A combines the reliability and speed of fully automatic exposure control with the opportunity to vary the speed/ Aperture-priority mode sets the exposure automatically aperture combination selected by the camera at any time according to the manually selected aperture.

  • Page 145: Shutter-Priority Mode - S

    MANUAL EXPOSURE SETTING – M SHUTTER-PRIORITY MODE – S Shutter-priority mode will set exposure automatically The following manual settings for shutter speed and ap- according to the manually selected shutter speed. It is erture are a good choice: therefore particularly suitable for pictures of moving ob- –...

  • Page 146: Long-Term Exposure

    Displays on the light balance: Correct exposure FIXED SHUTTER SPEEDS Your Leica SL3-S allows shutter speeds up to 2 minutes in modes S and M (depending on the selected ISO Underexposure or overexposure by the setting). The remaining exposure time after shutter release...

  • Page 147: B Function

    B FUNCTION Notes • Image noise becomes more apparent when using Using the Bulb setting in M mode will leave the shutter higher sensitivities, particularly on uniform dark areas. open as long as the shutter button remains pressed (max. Long exposure times may cause severe image noise. 30 min;...

  • Page 148: Noise Reduction

    NOISE REDUCTION Under certain conditions, noise reduction will always be active as long as the function is enabled. That includes Image noise becomes more apparent when using higher shots taken with the T function, as well as long-term expo- sensitivities, particularly on uniform dark areas. Long ex- sure frames with shutter speeds of ≥ +8 s.

  • Page 149: Exposure Control

    EXPOSURE CONTROL EXPOSURE LOCK We often want to arrange important subject elements EXPOSURE PREVIEW outside the center of the image for reasons of pictorial The brightness of the screen image mirrors the effects composition and these elements may sometimes be very of the selected exposure settings when pressing and bright or very dark.
  • Page 150 AE-L (AUTO EXPOSURE LOCK) EXPOSURE LOCK IN AF MODE The metering functions are distributed as follows while the The camera stores the exposure value. The focus can joystick is pressed and held: therefore be set on another object, no matter which ex- posure value is selected.

  • Page 151: Exposure Compensation

    EXPOSURE LOCK IN MF MODE EXPOSURE COMPENSATION In MF mode, only the exposure can be locked via the Exposure meters are calibrated for a medium gray scale shutter button. This function can also be assigned to the value, which matches a standard, i.e. average image joystick.
  • Page 152 Notes Using dial controls • While setting the value, you can see the effect on the This function is assigned to one of the dials in the three screen image, which becomes darker or lighter. (semi) automatic exposure modes, making it easily accessible.

  • Page 153: Depth Of Field Check

    DEPTH OF FIELD CHECK When the exposure information is visible, a green eye symbol next to the values for aperture and shutter This function simulates the effects of the current aperture speed will display the active depth of field/exposure pre- and shutter speed settings.

  • Page 154: Shooting Modes

    SHOOTING MODES Notes • We recommend deactivating the preview mode ( Auto ) when using this function. Review CONTINUOUS SHOOTING • Regardless of how many frames were taken in a series, The camera is set to single shots by default ( Single the last image in the series or the last image saved on Series of shots can also be created to e.g.

  • Page 155: Interval Shooting

    INTERVAL SHOOTING Getting started This camera allows you to automatically capture motion sequences over extended periods of time using the inter- val shooting function. You specify the number of frames, the intervals between shots, and the start time of the series.

  • Page 156: Exposure Bracketing

    EXPOSURE BRACKETING Notes • The use of autofocus in interval shooting may result Many attractive objects are rich in contrast, which means in not all exposures having their focus on the same they have very bright and very dark areas. The image ef- object.
  • Page 157 Notes You can select the desired number of frames (3 or 5). The exposure difference, which can be set via , can • appears on the LCD panel if the bracketing func- EV Steps be up to 3 EV. tion is activated. You can watch the effect of the func- tion on screen during shooting (brighter or darker).

  • Page 158: Multishot

    MULTISHOT FINE TUNING Various fine-tuning settings are available as part of the In multishot mode, up to 8 individual images are taken Multishot mode to ensure optimal results. with a very small offset. To do so, the sensor is moved minimally between the individual shooting (by less than a →Select in the main menu...

  • Page 159: Self-Timer

    SPECIAL SHOOTING MODES SELF-TIMER The self-timer function allows shoot with a preset time PERSPECTIVE CONTROL delay. We recommend that the camera is placed on a tripod. This assist function displays a frame showing the expect- ed cropped section of the image after a correction of the perspective of vertical falling lines.

  • Page 160: Active Perspective Control

    ACTIVE PERSPECTIVE CONTROL This function can only be used in Live View mode. →You may have to activate Live View →Select in the main menu Perspective Control →Select DETECTED PERSPECTIVE IN LIVE VIEW MODE CORRECTED PERSPECTIVE IN REVIEW MODE PHOTOGRAPHY / SPECIAL SHOOTING MODES...

  • Page 161: Jpg Format Images

    JPG FORMAT IMAGES PERSPECTIVE CONTROL IN ADOBE LIGHTROOM AND ADOBE PHOTOSHOP ® ® For JPG format images, the correction occurs directly in the camera and only the corrected image is stored. Any Perspective Control can be done as part of the post-ed- image content outside the frame will be lost.

  • Page 162: Image Overlay

    IMAGE OVERLAY TRANSPARENCY The transparency of the overlay image can be adjusted Leica SL3-S allows a transparent overlay over previous in line with e.g. lighting conditions. shots as an image composition tool. That way, objects can be recorded from the exact same position at different →Select...

  • Page 163: Activating The Function

    Browsing through the images ACTIVATING THE FUNCTION →Press the joystick left/right →Select in the main menu Image Overlay →Select Use Image Overlay →Select →Turn the thumbwheel →Swipe to the left or right Selecting a recorded image →Press the joystick/thumbwheel →Directly select the control element “Confirm” Resetting the function when switching off the camera The function settings can optionally be reset when switch-...

  • Page 164: Flash Photography

    DETACHING THE FLASH UNIT manual, including TTL flash exposure is available only in conjunction with Leica system flash units like the SF 40, or →Switch off the camera and flash unit devices by Profoto. Other flash units, which only have a →Release the lock as needed...

  • Page 165: Flash Exposure Metering (Ttl Metering)

    FLASH EXPOSURE METERING SETTINGS ON THE FLASH UNIT (TTL METERING) Operating mode The camera-controlled, fully automatic flash mode is available in this camera in conjunction with system-com- Automatic control by the camera patible flash units (see p. 164), and in both exposure SF 40, SF 60: modes (Aperture-priority Mode and Manual).

  • Page 166: Flash Modes

    FLASH MODES AUTOMATIC FLASH ACTIVATION AT SLOWER SHUTTER SPEEDS (LONG-TERM Select one of the three available operating modes. SYNCHRONIZATION) – Automatic This mode ensures appropriately exposed, brighter dark – Manual backgrounds and bright foreground. – Long-term exposure The shutter speed is not extended beyond 1⁄30 s in the other flash modes to minimize the risk of blurring.

  • Page 167: Flash Control

    FLASH CONTROL A flash is usually fired at the start of exposure ( Start of ). This may result in apparent contradictions, e.g. Exposure The settings and functions described in the following sec- the image of a vehicle being overtaken by its own light tions only apply to settings and functions available in this trail.

  • Page 168: Flash Range

    FLASH RANGE FLASH EXPOSURE COMPENSATION The usable flash range depends on the aperture and This function can be used to selectively reduce or en- sensitivity values set manually or calculated by the cam- hance flash exposure regardless of ambient light, e.g. era.
  • Page 169 (e.g. an HSS flash is fired. Leica SF 58 or Leica SF 60). A compensation value set →Tap the shutter button before each flash exposure to on the camera would in that case have no effect.

  • Page 170: Review Mode

    REVIEW MODE CONTROL ELEMENTS IN REVIEW MODE There are two completely independent review functions available: CONTROL ELEMENTS ON THE CAMERA – short-term rendering directly after shooting ( Auto Review – normal review mode, in which the stored mages can be viewed and managed for any length of time The switchover between shooting and review mode, as well as most other actions can be completed using ges- ture or key control.

  • Page 171: Direct Access In Review Mode

    DIRECT ACCESS IN REVIEW MODE CONTROL ELEMENTS ON THE LCD PANEL The function buttons can have individual assignments in On-screen control elements generally function by intuitive- review mode as well. ly by touch. Many can also be selected by pressing one of the three buttons to the right of the LCD panel ( In factory settings, the function buttons have the following PLAY...

  • Page 172: Starting/Exiting Review Mode

    STARTING/EXITING REVIEW MODE Using button control →Press the button PLAY • The last captured image appears on the screen. Using touch control • The following message appears if the inserted mem- →Swipe down ory card does not contain any image data: No valid picture to play Shooting...

  • Page 173: Selecting/Scrolling Through Images

    SELECTING/SCROLLING THROUGH CONTINUOUS IMAGES →Swipe to the left or right and hold the finger on the edge of the screen The images are visually arranged in a horizontal reel. The • The subsequent shots will move past continuously. sorting will be strictly chronological. When the end of an image series is reached, the display automatically jumps back to the first image in the series.

  • Page 174: Storage Locations

    STORAGE LOCATIONS Switching the displayed storage location →Reduce the view as much as possible (see p. 75) The Leica SL3-S offers two separate internal storage locations plus the option to utilize external storage media • The storage location selection view appears.

  • Page 175: Info Displays In Review Mode

    INFO DISPLAYS IN REVIEW MODE The same info profiles are available in review mode as in shooting mode. The actual info profile currently in use, however, is saved separately. It is therefore possible to use an empty info profile completely without assist function icons in review mode, without having to set them again when switching to shooting mode.

  • Page 176: Picture Series Review

    PICTURE SERIES REVIEW UNINTERRUPTED PLAYBACK OF THE PICTURE SERIES Serial and interval shootings often produce a large num- The images in a group can be played back from start to ber of individual images. It would be very difficult to find finish without interruption.

  • Page 177: Save As A Video

    SCROLLING THROUGH THE INDIVIDUAL SAVE AS A VIDEO PICTURES OF A SERIES The frame series can additionally be saved as a video. The images in a picture series can also be viewed individ- →Starting and stopping review ually. Switch to the manual scrolling function to do so. →Press the button MENU...

  • Page 178: Cropped Section Zoom

    CROPPED SECTION ZOOM You can zoom in to any section of an image for closer inspection. You have a five-step zoom factor available via the thumbwheel, while zooming is stepless if you use touch control. Using touch control →Move the position of an enlarged cropped section by swiping •...

  • Page 179: Displaying Multiple Images At Once

    DISPLAYING MULTIPLE IMAGES AT Using button control ONCE →Turn the right dial (in clockwise direction: increase magnification, an- The camera offers an overview function in which several ti-clockwise: decrease magnification) thumbnail images can be viewed on one screen, which makes it easier to find a specific image. Choose to dis- play 9 or 16 thumbnails for your overview.
  • Page 180 Viewing other images Navigating between images →Swipe up or down →Press the joystick in the relevant direction Using button control →Turn the thumbwheel →Turn the right dial in anti-clockwise direction • An overview with 9 thumbnails is displayed. Another Displaying the image in full size turn on the dial increases the number of displayed thumbnails to 16.

  • Page 181: Tagging/Rating Of Images

    TAGGING/RATING OF IMAGES DELETING IMAGES Images can be marked as favorites to find them quick- There are several methods available to delete images: er or to simplify the later deletion of multiple images. – deleting individual images Tagging can be done in regular view mode or in the –...

  • Page 182: Deleting Individual Images

    DELETING INDIVIDUAL IMAGES Cancelling a deletion and returning to normal review mode →Press the button PLAY Note • The Delete screen can be called up only by pressing button when in overview mode, because the MENU menu function of the “Play menu” is not avail- Delete able in this context.

  • Page 183: Deleting Multiple Images

    DELETING MULTIPLE IMAGES Any number of images can be selected in this view. You can highlight multiple images in a Delete overview Selecting images for deletion with twelve thumbnails for simultaneous deletion. →Select an image →Press the joystick/thumbwheel →Tap the desired image •...

  • Page 184: Deleting All Unrated Images

    DELETING ALL UNRATED IMAGES DELETING PICTURE SERIES Picture series can be displayed in groups for quick dele- →Press the button MENU tion. The pictures will have to be displayed in groups. Delete All without ★ →Select →Select in the main menu Play Mode Setup →Select Group Display Mode...

  • Page 185: Preview Of Latest Image

    PREVIEW OF LATEST IMAGE Photos can be displayed automatically directly after they are taken to e.g. check the success of the shots quickly and easily. A duration for the automatic display can be configured. →Select in the main menu Auto Review →Select Setting →Select the desired function or duration in the submenu...

  • Page 186: Video Settings

    VIDEO SETTINGS FILE FORMAT Video can be recorded in the file formats MOV, MP4 and SENSOR FORMAT RAW. Various combinations of resolution and frame rate can The image data of the entire 35 mm sensor can be used be configured depending on the file format chosen. The or only that of a cropped section, which corresponds to settings are done separately.

  • Page 187: Video Format

    VIDEO FORMAT Profile editing The following combinations of resolution and frame rate are available: See the chapter “Technical Data” for a comprehensive list of all available combinations. SETTING THE VIDEO FORMAT Via the Control Center →Select in the main menu Video Profiles →Select a profile →Select a format...

  • Page 188: Video Style

    VIDEO STYLE HIGHLIGHT/SHADOW Depending on the exposure selected and the dynamic IMAGE PROPERTIES scope of the object, some details in brighter or darker areas may no longer be clearly visible. The parame- The image properties of video recordings can be chang- ters allow differentiated control Highlight...

  • Page 189: Video Profiles

    VIDEO PROFILES CUSTOMIZING VIDEO PROFILES These parameters can be adjusted for all available pro- COLOR PROFILE files ( only for color profiles). See p. 70 for Saturation 3 pre-configured color profiles are available: details on menu operation. – Standard →Select in the main menu Video Style –...

  • Page 190: Audio Settings

    AUDIO SETTINGS Notes • The Autofocus function and manual focusing adjust- ments generate noise that may be picked up in the MICROPHONE recording. The sensitivity of the integrated microphone can be set. • There will be no audio recorded if this setting is .

  • Page 191: Wind Noise Reduction

    TIMECODE WIND NOISE REDUCTION Wind noise reduction can be adjusted individually for the The timecode is a data record that is generated and internal and the external microphone. recorded alongside the image and audio data. It ensures the correct time assignment of frame and audio signals after cutting or after later separate processing.

  • Page 192: Timecode Mode

    TIMECODE MODE START TIME Time information is written to the recorded video file if the The start time can be reset manually or can be set to a timecode setting is activated. specific value if multiple cameras are used for recording. Alternatively, the current time set in the camera can be Factory setting: specified as the timecode.

  • Page 193: Tc Synchronization

    VIDEO GAMMA TC SYNCHRONIZATION There is a choice of two methods for synching the time- Video gamma can be set to HLG and L-Log or can be code record: The option applies data from a External deactivated altogether. connected timecode generator. It dictates the timecode signal.

  • Page 194: Hlg Settings

    HLG SETTINGS L-LOG SETTINGS Sharpness and saturation can be set. The factory setting The sharpness for L-Log can be adjusted. Additionally, is a median value in both cases. various LUT profiles can be applied as preview when using L-Log. Saved recordings remain unaffected. SHARPNESS Factory setting: →Select...

  • Page 195: Setup/Management Of Lut Profiles

    SETUP/MANAGEMENT OF LUT PROFILES Importing a custom LUT profile →Download or export an LUT profile as a CUBE file You can import custom LUT profiles to the camera to opti- mally meet your LUT preview expectations. →Give the file a meaningful name (file name max. 8 characters, file ending “.cub”) →Select in the main menu...

  • Page 196: Using Lut Profiles

    Freeing a memory slot USING LUT PROFILES →Select a profile CHANGING THE OUTPUT CHANNEL • The “Delete” dialog appears. The user can choose to apply the LUT profile for output →Select via HDMI or in the camera (LCD panel/EVF). Notes •...
  • Page 197 SELECTING THE LUT PROFILE When toggling between the two output channels, the set- ting for the selected memory slot will remain unchanged. In addition to the two pre-configured LUT profiles, three Since it is possible that different profiles are saved on the more memory slots are available for custom LUT profiles.

  • Page 198: Automatic Optimization

    AUTOMATIC OPTIMIZATION DARK AREA OPTIMIZATION (IDR) DYNAMIC RANGE VIDEO STABILIZATION The contrast range of an object comprises all levels With video recording - in addition to optical stabilization of brightness from the brightest to the darkest point in by means of appropriately equipped lenses - a indepen- the image.

  • Page 199: Idr Function

    iDR FUNCTION (Intelligent Dynamic Range) function allows an optimization of the darker areas. Object details become much clearer. Without iDR With iDR →Select in the main menu →Activate the function →Select Settings →Select the desired setting Auto High Standard Note You can specify beforehand if and to what extent you •...

  • Page 200: Data Management

    DATA MANAGEMENT FORMATTING A MEMORY CARD Memory cards that have already been in use with this SEGMENTED RECORDING camera will usually not require formatting. An unformat- ted memory card that is inserted into the camera for the Videos recorded in MOV format can be automatically first time must be formatted.

  • Page 201: External Data Medium

    , slow motion video computer. recordings, continuous shooting, and the Wi-Fi con- • Contact your retailer or Leica Customer Care for assis- nection) may occur, once the rechargeable battery has tance if the memory card cannot be formatted/over- reached a specific discharge threshold.

  • Page 202: Data Structure

    DATA STRUCTURE Notes • When using memory cards that were not formatted FOLDER STRUCTURE with this camera, the file numbering will begin with 0001 again. Should the memory card already contain The files (= shots) on the memory cards are saved in a file with a higher number, then numbering will be automatically generated folders.

  • Page 203: Edit File Names

    EDIT FILE NAMES CREATING A NEW FOLDER →Select in the main menu Storage Management →Select in the main menu Camera Settings →Select Edit File Name →Select Reset Image Numbering • A keyboard submenu is displayed. • A relevant prompt is displayed. •...

  • Page 204: Content Credentials

    Location information will be continuously updated as of your destination country for relevant information long as the camera is connected to Leica FOTOS. The beforehand. Bluetooth function of the camera and the mobile device •...

  • Page 205: Data Transfer

    • We recommend using a card reader for the transfer of Data can be conveniently transferred to mobile devices large files. via Leica FOTOS. Alternatively, a card reader or USB • The USB connection must not be interrupted while data cable can be used for the transfer.

  • Page 206: Practical Default Settings

    PRACTICAL DEFAULT SETTINGS Positioning the AF frame →Tap the LCD panel in the desired position TOUCH AF Touch AF allows a direct placement of the AF frame. 1/8000 12500 Factory setting: Touch AF →Select in the main menu Focusing →Select Touch AF 12MP 8234...

  • Page 207: Touch Af + Shutter Button

    TOUCH AF + SHUTTER BUTTON TOUCH AF IN EVF MODE The combination allows a direct Touch AF is deactivated by default when EVF is in use Touch AF + Release placement of the AF frame for immediate recording. to prevent any inadvertent altering of the AF frame. AF Quick Setting (see p. 115) continues to be accessible.

  • Page 208: Personalized Lens Settings

    PERSONALIZED LENS SETTINGS EV INCREMENT The total angle of rotation of the lens used for focus- You can choose between 1⁄2 EV or 1⁄3 EV graduations. ing can be individually adjusted. The setting selected This will allow you to choose between stronger or more indicates the angle of rotation required to change the subtle effects for your relevant settings.

  • Page 209: Audio Output

    AUDIO OUTPUT HDMI OUTPUT WITH/WITHOUT SOUND HDMI output is available with or without audio. SETTING THE OUTPUT LEVEL Factory setting: The volume level can be set for connected headphones. →Press the function button ( →Select in the main menu HDMI with Audio →Select the desired setting Note •...

  • Page 210: Auxiliary Displays

    AUXILIARY DISPLAYS INFO PROFILES Up to 4 independent profiles can be used for video The Leica SL3-S has 4 independent info profiles, which mode. The desired function can be selected and adjust- contain differing combinations of the available auxiliary ed individually for each profile. During operation, the displays.

  • Page 211: Changing The Info Profiles

    CHANGING THE INFO PROFILES DEACTIVATING INDIVIDUAL INFO PROFILES You can limit the number of info profiles by activating/ →Press the function button with the Toggle Info Levels deactivating individual profiles. At least one profile must assignment always be active, but that can be an “empty” profile. •...

  • Page 212: Customizing The Info Profiles

    CUSTOMIZING THE INFO PROFILES Note • It is advisable to reserve one info profile as “empty”, →Select in the main menu Capture Assistants in which all functions are set to . It allows you to →Select a profile temporarily hide all displays. In effect, you get an un- obstructed view of the full screen image.

  • Page 213: Show Available

    SHOW AVAILABLE GRID LINES The grids divide the image frame into multiple fields. INFO BARS They facilitate pictorial composition and an exact camera The icons displayed represent currently active settings orientation. The grid line distribution can be adjusted to and exposure values. See chapter “Displays” for a full list fit the object.

  • Page 214: Zebra

    ZEBRA FOCUS PEAKING The Zebra display marks very bright image areas. This This assist function highlights the edges of in focus subject function is a very easy and exact tool for checking the elements in color. The color can be user-specified. The correct exposure setting.
  • Page 215 SENSITIVITY Factory setting: Medium →Select in the main menu Capture Assistants →Select a profile →Select Settings →Select Focus Peaking →Select Sensitivity →Select the desired setting Medium High Note • Focus peaking is based on subject contrast, i.e. differences between light and dark. As a result, high contrast subject elements could be marked, even if they are not completely in focus.

  • Page 216: Level Gauge

    LEVEL GAUGE The integrated sensors of the camera show its orientation. These indicators ensure exact camera orientation along the longitudinal and transverse axes of critical objects, e.g. architecture. Deviations in relation to the longitudinal axis (i.e. when the camera is tilted up or down in the direction of view) are indicated by a short line in the center of the image ).

  • Page 217: Histogram

    HISTOGRAM Notes • The histogram is always based on the brightness Histogram represents the brightness distribution in the displayed; depending on the settings used, it may not image. The horizontal axis shows the graduated values represent the final exposure. from black (left) through gray to white (right). The vertical •...

  • Page 218: Waveform Monitor (Wfm)

    WAVEFORM MONITOR (WFM) Notes • Waveform Monitor and Histogram cannot be dis- The Waveform Monitor (WFM) allows a quick and safe played at the same time. assessment of the luminance and color distribution within • The Waveform Monitor will not be displayed on the the current scene.

  • Page 219: Adjusting Visualization

    ADJUSTING VISUALIZATION Adjusting the position You can choose any position. The size and position of the Waveform Monitor can be adjusted to current requirements. →Press the joystick in the relevant direction Starting the adjustment →Tap the LCD panel in the desired position →Touch and hold the LCD panel on the Waveform Monitor Completing the adjustment...

  • Page 220: Aspect Ratio Display

    ASPECT RATIO DISPLAY FRAMELINE The actually recorded aspect ratio depends on the set resolution (see p. 224). It is possible, however, to have colored auxiliary lines displayed to show other aspect ratios (e.g. 4:3). Multiple auxiliary lines can be displayed at the same time. No auxiliary lines are displayed in factory settings.

  • Page 221: Video Assist Functions

    VIDEO ASSIST FUNCTIONS OPERATING HINT/AUXILIARY DISPLAYS The test image will always appear regardless of the cur- REFERENCE VALUES rent Info Profile settings. An operating hint is displayed. The info displays can be accessed at any time. A color bar can be displayed and also recorded for cal- ibration purposes.

  • Page 222: Test Sound

    TEST SOUND APPLICATION For HDMI output, the reference values are used for the A test sound with a frequency of 1 kHz will be emitted configuration of the external device. The reference values whenever the color bar is accessed. Der operating hint can be irrespectively recorded at the start of a video for at the top right of the image shows the current volume.

  • Page 223: Rec Frame

    REC FRAME Quick option for hiding/displaying the REC Frame The timecode counter highlighted in red signifies a run- The red dot is part of the info bars and is displayed ning video recording. The option REC Frame offers an or hidden alongside them (via the Info profiles). The even better visualization of the process.

  • Page 224: Mf Assist Functions

    MF ASSIST FUNCTIONS AF ASSIST LAMP The AF assist lamp could be a visible disturbance in vid- eo recordings and is therefore always without function in video mode, no matter the setting for AF Assist Lamp ACOUSTIC AF CONFIRMATION You can set an acoustic confirmation signal for successful focus metering in AF mode.
  • Page 225 PRACTICAL DEFAULT SETTINGS / MF ASSIST FUNCTIONS...

  • Page 226: Recording Video

    In conjunction with suitable lenses, the Cine mode allows 192 GB. Once a recording exceeds this file size, the the Leica SL3-S the use of T-stops to ensure exact same overrun will be automatically stored in a new file. exposure scenarios independent of camera settings.

  • Page 227: Start/Exit Video Mode

    START/EXIT VIDEO MODE Activating Cine Mode The camera will always be in Photo mode at initial acti- vation or after a reset to factory settings. There are two methods for toggling between Photo and Video mode: Using touch control Variant 1 Photo Video →Select...

  • Page 228: Start/End Video Recording

    START/END VIDEO RECORDING DISPLAY AND OPERATION VIA USB-PTP USING EXTERNAL ACCESSORY (LIKE GIMBALS) Leica SL3-S allows connecting an optional Gimbal like DJI Ronin RS2 via USB-PTP. The Gimbal supports blur-free recordings. →Select in the main menu USB-Mode →Select Select on Connection →Connecting the Gimbal to the camera (see Gimbal...

  • Page 229: External Accessory (Like Gimbals)

    FOCUSING AUTOFOCUS MODES The following AF modes are available: Your Leica SL3-S allows automatic as well as manual . The currently selected AF mode is focusing. There are 3 operating modes and 4 metering Intelligent AF shown in the header line.

  • Page 230: Controlling The Autofocus

    CONTROLLING THE AUTOFOCUS AUTOFOCUS METERING METHODS The AF mode offers various metering methods for focus- TOUCH AF ing. A successful focus setting is identified by a green During video recordings, Touch AF facilitates a more frame, an unsuccessful one is shown in red. intuitive focus control, even if the main object moves Factory setting: Field...

  • Page 231: Autofocus Metering Methods

    MULTI-FIELD ZONE Several focus area are detected automatically. With this metering method, subject sections are recorded with a coherent group comprising 5 x 5 fields. SPOT/FIELD Both methods detect only those parts of the object that are within the relevant AF frames. The metering fields are indicated by a small frame (field metering) or a cross (spot metering).

  • Page 232: Tracking

    TRACKING START POSITION FOR TRACKING Factory setting: Center This field metering variant helps in the capture of moving You can specify the starting point for tracking. objects. The focus on the object in the focus frame is con- tinuously adjusted, once it is detected. Ending position of the most recent Last Position →Aim the focus frame at the desired object...

  • Page 233: Person Detection (Face Detection)

    PERSON DETECTION (FACE DETECTION) ANIMAL DETECTION This version of Eye/Face/Body Detection also includes Person detection is an expansion of the face detection the recognition of some typical pet types. feature. In addition to biometric patterns of faces, the camera also detects body patterns and uses them for focusing.

  • Page 234: Af Settings

    AF SETTINGS SPEED Where objects are not as fast-moving, it is advisable to SENSITIVITY set AF Speed to a slightly lower value. This will prevent Specifies the sensitivity of contrast metering. overly abrupt focus changes. For very fast-moving ob- jects, a high setting will guarantee a correct focus. Factory setting: Factory setting: →Select...

  • Page 235: Focus Limit

    Body Detection Animal Detection (Beta) • This function is not available for specific lenses: – lenses mounted via an adapter (e.g. Leica M lenses with L adapter M) – specific Leica SL lenses • In all other AF modes, the...

  • Page 236: Af Quick Setting

    MF ASSIST FUNCTIONS ADJUSTING THE AF FRAME SIZE Field Zone Eye/Face/Body Detection Animal Detection ENLARGEMENT IN AF MODE only) (Beta) You can access the enlargement function independent of →Turn the thumbwheel focusing for a better assessment of the settings. The function must be assigned to one of Magnification →Two-finger pinch/spread...

  • Page 237: Enlargement In Af Mode

    Adjusting the enlargement function AF ASSIST LAMP The AF assist lamp is not active in video mode. →Turn the thumbwheel • The image section toggles between magnification ACOUSTIC AF CONFIRMATION factors. You can set an acoustic confirmation signal for successful Changing the position of the enlarged section focus metering in AF mode (see p. 86).

  • Page 238: Shifting The Af Frame

    SHIFTING THE AF FRAME MANUAL FOCUSING (MF) All AF metering methods permit shifting the AF frame Manual focusing offers more control and is less prone to before focusing. incorrect settings than the AF modes. →Press the joystick in the relevant direction →Select in the main menu Focus Mode...

  • Page 239: Mf Assist Functions

    MF ASSIST FUNCTIONS ENLARGEMENT IN MF MODE The larger the details of the object are shown, the better The following assist functions are available in MF mode. you can assess their sharpness and the more accurately FOCUS PEAKING you can focus. This assist function highlights the edges of in focus subject This function can be automatically activated during man- ual focusing or can be accessed independently.
  • Page 240 Exiting the enlargement function ACCESS VIA THE FUNCTION BUTTON This function can be assigned to an function button. →Tap the shutter button Assigning a function to one of the function buttons →Decrease the enlargement, until the full image is visible again →See p. 72 Notes...
  • Page 241 FOLLOW FOCUS DISTANCE DISPLAY Distance information is shown in the top display during This function facilitates automatic transitions to specified manual focusing. focus settings (focus positions). Up to threes such focus positions can be pre-configured and optionally be set – Focus Mode MF: when the shutter button is pressed to up with a delay time.

  • Page 242: Follow Focus

    FUNCTION BEHAVIOR FOLLOW FOCUS MENU The function continues to run regardless of whether the All operation is done via touch control only. camera is currently recording. All operating procedures described in the following can therefore also occur while actively recording. It is also possible to start and stop a recording during an active focus sequence, or to exit the Follow Focus menu while recording.

  • Page 243: Follow Focus Menu

    PREPARATION The Follow Focus menu can be reduced to essential ele- ments for better visibility. CONFIGURING A FOCUS POSITION →Tap button →Tap the desired focus position • The Follow Focus menu toggles between full and • The delay time settings menu appears. reduced view.

  • Page 244: Configuring A Focus Position

    Setting the distance CHANGING THE FOCUS POSITION →Tap the desired button • The “Edit” button appears. →Select the desired distance • Focusing can be done manually or via AFs (joystick/ →Tap the “Edit” button Touch AF). The shutter button remains locked. •...

  • Page 245: Changing The Focus Position

    ACCESS AS NEEDED The configured focus positions can be accessed any function can be utilized in two ways. Follow Focus number of times. – The pre-configured focus positions are accessed indi- vidually as needed. With delay time: – All configured focus positions are selected automati- –...

  • Page 246: Automatic Sequence

    AUTOMATIC SEQUENCE Initiating the automatic focus sequence directly at the beginning of the recording An automatic sequence of focus positions can be initiated The automatic focus sequence can be initiated directly at if at least two positions have been configured. the beginning of the recording.

  • Page 247: Other Settings

    OTHER SETTINGS SUBSEQUENT FOCUS MODE After exiting, you can switch automatically to a pre-con- SPEED figured focus mode (e.g. ) or to the most recently used The speed at which one focus position transitions to the focus mode. next can be configured. This setting will then apply for all transitions.

  • Page 248: Iso Sensitivity

    ISO SENSITIVITY Via the Control Center (Video mode) The ISO setting covers a range between ISO 50 and ISO 200 000, allowing you to adapt to the current situation. There is more leeway for the use of preferred shut- ter-speed/aperture combinations when choosing an automatic ISO setting.
  • Page 249 AUTOMATIC SETTING Using the function buttons →Press and hold the desired function button The camera automatically adjusts the sensitivity to ambi- ent brightness and/or to the configured shutter-speed/ →Select aperture combination. In conjunction with aperture-pri- →Select the desired setting ority mode, this function extends the range for automatic exposure control.

  • Page 250: Automatic Setting

    LIMITING SETTING RANGES LIMITING SHUTTER SPEED RANGES Factory setting: Auto A max. ISO value can be set, which will then limit the automatic setting range ( ). A max. expo- Max. ISO value →Select in the main menu Auto ISO Settings sure time can also optionally be configured.
  • Page 251 DYNAMIC ISO SETTING FLOATING ISO The thumbwheel and right setting dial can be configured This function complements Auto ISO. Light strength to allow manual ISO settings in real time. That is the fac- changes with many zoom lenses when the focal length is tory setting in the operating modes S, A and M.

  • Page 252: Dynamic Iso Setting

    ASA SENSITIVITY Using the function buttons (Cine-Mode) The sensitivity setting in Cine mode is always done manu- ally. The menu item replaces the menu item . The value is stated in ASA units. Automatic settings ( Auto ISO ) are unavailable. Floating ISO Factory setting: Via the Control Center...
  • Page 253 WHITE BALANCE AUTOMATIC CONTROL/FIXED SETTINGS – : for automatic control, which delivers neutral re- Auto In digital photography, White Balance ensures neutral sults in most situations color rendering in any light. White Balance relies on the – Various fixed presets for most frequently encountered setting made in the camera, which light color is to be light sources: rendered as 'white'.

  • Page 254: White Balance

    MANUAL SETTING VIA METERING GRAY CARD (PIPETTE) This metering variant captures only the color hue metered Gray Card Gray Card (pipette) within the metering field and calculates the mean gray This metering variant captures all color hues in the value from it. metering field and uses these to calculate a mean gray →Select in the main menu...

  • Page 255: Manual Setting Via Metering

    DIRECT SETTING OF THE COLOR GRAY CARD TEMPERATURE This metering variant captures all color hues in the meter- ing field and uses these to calculate a mean gray value. Values between 2000 and 11500 K (Kelvin) can be set →Select in the main menu directly.

  • Page 256: Exposure

    EXPOSURE EXPOSURE METERING METHODS The following exposure metering methods are selectable. The exposure setting is done dynamically via the two assigned dials. Function assignments can be modified, Factory setting: Multi-Field see p. 73. Spot Exposure settings can be done quickly and easily via the Center-weighted Control Center.
  • Page 257 SPOT HIGHLIGHT-WEIGHTED This metering method is concentrated exclusively on This method considers the entire image field. The ex- a small area in the center of the image. The metering posure value will, however, be adjusted to very bright fields are joined together when the exposure metering subject elements.

  • Page 258: Exposure Modes

    • The mode display changes in the top display and Notes on screen. All modes can be reached by turning the • When using a lens with an aperture ring (e.g. Leica M wheel in either direction. lenses), only the exposure modes A (aperture-priority) •...
  • Page 259 FULLY AUTOMATIC EXPOSURE SETTING – P Via the Control Center →Tap the control panel PROGRAM AE MODE – P The exposure is controlled by an automatic shutter speed and aperture setting. The exposure compensation and recording level are con- trolled directly via the setting wheels. →Tap the desired exposure mode →Select the operating mode P (see p. 258) →Set exposure compensation as needed...

  • Page 260: Fully Automatic Exposure Setting - P

    SEMI-AUTOMATIC EXPOSURE SETTING MANUAL EXPOSURE SETTING – M – A/S The following manual settings for shutter speed and ap- erture are a good choice: APERTURE-PRIORITY MODE- A – to maintain constant exposure settings between multi- Aperture-priority mode sets the exposure automatically ple recordings according to the manually selected aperture.

  • Page 261: Exposure Compensation

    EXPOSURE COMPENSATION Notes • This function is assigned to one of the setting wheels in Exposure compensation values can be set in the range the three (semi) automatic exposure modes and there- ±3 EV (EV: Exposure Value). The available values de- fore quickly accessible (see p. 73).

  • Page 262: Playback Mode

    PLAYBACK MODE CONTROL ELEMENTS IN PLAYBACK MODE Playback mode is used to display and manage the stored recordings. The switchover between shooting and play- CONTROL ELEMENTS ON THE CAMERA back mode, as well as most other actions can be com- pleted using gesture or key control.

  • Page 263: Direct Access In Playback Mode

    DIRECT ACCESS IN PLAYBACK MODE CONTROL ELEMENTS ON THE LCD PANEL The function buttons can have individual assignments in On-screen control elements generally function by intuitive- playback mode as well. ly by touch. Many can also be selected by pressing one of the three buttons to the right of the LCD panel ( In factory settings, the function buttons have the following PLAY...

  • Page 264: Playback Mode

    STARTING/EXITING PLAYBACK Using button control MODE →Press the button PLAY • The last image taken appears on the screen. • The following message appears if the inserted mem- Using touch control ory card does not contain any image data: No valid →Swipe down picture to play •...

  • Page 265: Selecting/Scrolling Through Images

    SELECTING/SCROLLING THROUGH CONTINUOUS IMAGES →Swipe to the left or right and hold the finger on the edge of the screen The images are visually arranged in a horizontal reel. The • The subsequent shots will move past continuously. sorting will be strictly chronological. When the end of an image series is reached, the display automatically jumps back to the first image in the series.

  • Page 266: Starting/Exiting Playback Mode

    STORAGE LOCATIONS Switching the displayed storage location →Reduce the view as much as possible (see p. 75) Leica SL3-S offers with two separate storage locations. • The storage location selection view appears. When review mode is accessed, the last captured image will always be displayed first.

  • Page 267: Info Displays In Playback Mode

    INFO DISPLAYS IN PLAYBACK MODE The same info profiles are available in playback mode as in shooting mode. The actual info profile currently in use, however, is saved separately. It is therefore possible to use an empty info profile completely without assist func- tion icons in playback mode, without having to set them again when switching to shooting mode.
  • Page 268 DISPLAYING MULTIPLE IMAGES AT Viewing other images ONCE →Swipe up or down The camera offers an overview function in which several Using button control thumbnail images can be viewed on one screen, which →Turn the right dial in anti-clockwise direction makes it easier to find a specific image.
  • Page 269 Navigating between images Displaying the recording in full size Using touch control →Press the joystick in the relevant direction →Two-finger spread →Turn the thumbwheel →Tap the desired image Using button control →Turn the right dial in clockwise direction →Press joystick, thumbwheel or button PLAY PLAYBACK MODE / DISPLAYING MULTIPLE IMAGES AT ONCE...

  • Page 270: Displaying Multiple Images At Once

    TAGGING/RATING OF DELETING RECORDINGS RECORDINGS There are several methods available to delete recordings: – deleting individual recordings Images can be marked as favorites to find them quick- – deleting multiple recordings er or to simplify the later deletion of multiple images. Tagging can be done in regular view mode or in the –...

  • Page 271: Deleting Individual Recordings

    DELETING INDIVIDUAL RECORDINGS Cancelling a deletion and returning to normal playback mode →Press the button PLAY Notes • The Delete screen can be called up only by pressing button when in overview mode, because the MENU menu function of the “Play menu” is not avail- Delete able in this context.

  • Page 272: Deleting Multiple Recordings

    DELETING MULTIPLE RECORDINGS Any number of recordings can be selected in this view. You can highlight multiple images in a Delete overview Selecting recordings for deletion with twelve thumbnails for simultaneous deletion. →Select an image →Press the joystick/thumbwheel →Tap the desired image •...

  • Page 273: Deleting All Unrated Images

    VIDEO PLAYBACK DELETING ALL UNRATED IMAGES →Press the button appears on screen if you have selected a video file in MENU Delete All without ★ playback mode. →Select • The confirmation prompt Do you really want to delete ALL files without ★? appears.

  • Page 274: Resuming Playback

    ACCESSING THE CONTROL ELEMENTS PAUSE PLAYBACK The control elements can be displayed during playback. →Tap anywhere on the LCD panel Using touch control →Press the joystick/thumbwheel →Tap anywhere on the LCD panel RESUMING PLAYBACK Using touch control While the control elements are visible: →Tap anywhere on the LCD panel 1/8000 12500...

  • Page 275: End Playback

    NAVIGATE TO ANY POINT IN THE FILE END PLAYBACK QUICK JUMP Using touch control While the control elements are visible: Using touch control →Tap the “Go back” icon While the control elements are visible: →Tap the Playback status bar at the desired position 1/8000 12500 1/8000...

  • Page 276: Setting The Volume

    SETTING THE VOLUME VIDEO EDITING Using touch control Using button control While the control elements are visible: →Tap the volume icon 1/8000 12500 →Tap the volume bar at the desired position 1/8000 12500 INFO 12MP 8234 1/8000 12500 INFO 12MP 8234 INFO Using button control...
  • Page 277 ACCESSING THE VIDEO EDITING FUNCTION CUTTING →Press the button →Press the thumbwheel or the joystick to confirm the cuts MENU • The menu appears. →Select Video Trimming Video Trimming • The video cutting screen appears, the left cutting →Select a function from the menu Video Trimming mark is highlighted in red (= active).

  • Page 278: Other Functions

    ) / ( →Confirm or reject the reset of the image numbering →Confirm or reject the reset of the LUT profiles ( →Confirm or reject the reset of the Leica Looks profiles • The message appears. Please Restart the Camera →Switch the camera off and on again...

  • Page 279: Firmware Updates

    Leica offers firmware updates at irregular intervals, which you can download from our website. Leica will notify you of any new updates, once you have registered your camera. Users of Leica FOTOS will also be automatically notified about firmware updates for their Leica cameras.

  • Page 280: Other Functions

    EXECUTING A FIRMWARE UPDATE PREPARATION →Fully charge and insert the rechargeable battery Any interruption of a running firmware update may →Remove the second card (where applicable) from the cause serious and irreparable damage to your camera equipment! →Any stored firmware files on the memory card must be You will therefore have to take particular note of the removed following, when carrying out a firmware update:...

  • Page 281: Updating The Camera Firmware

    →Switch the camera off and on again →Switch the camera off and on again Note • These settings will be applied automatically if the up- date is loaded via Leica FOTOS. OTHER FUNCTIONS / FIRMWARE UPDATES...

  • Page 282: Leica Fotos

    – Loading and transferring Leica Looks A list of available functions and instructions for their use can be found in the Leica FOTOS app. Please read the legal notes on page 4. →Scan the following QR code with the mobile device →The app is available from Apple App Store™/Google...

  • Page 283: Connection Wizard

    Leica FOTOS • The following screen appears. The following screen appears after you have selected the language. →Connect the camera and mobile device via the Leica FOTOS cable Starting the connection wizard →Follow the instructions provided by the Leica FOTOS →Select...

  • Page 284: Leica Fotos

    • Once successfully connected, the Status LED will light briefly, and the camera displays a relevant message. →Select • The following screen appears. →Select I don't have a cable →Select Next →Wait until the QR code appears on the LCD panel LEICA FOTOS / CONNECTIVITY (iPhone users)

  • Page 285: Connectivity (Iphone Users)

    The Leica FOTOS Cable makes connectivity particularly always accessible via the menu item Leica FOTOS easy and quick. IN THE CAMERA →Connect the camera and mobile device via the Leica →Select in the main menu Leica FOTOS FOTOS cable →Select Pairing •...

  • Page 286: Connectivity (Android Users)

    →Select Connect to app Exiting the connection wizard →Tap the icon in the top right corner of the screen Going back one step →Tap the icon in the top left corner of the screen LEICA FOTOS / CONNECTIVITY (Android users)

  • Page 287: Connecting With Paired Devices

    The process adds the device to the list of known devices. • The Bluetooth function is disabled if the connectivity mode is selected (see p. 288). will not be Pairing available, and the relevant menu item will be grayed out. LEICA FOTOS / CONNECTIVITY (Android users)

  • Page 288: Connectivity Modes

    All RF connections deactivated (Factory setting) Performance Mode Eco Mode Bluetooth (Geotagging) Automatic On / Off The connection to the Leica Wi-Fi The Leica FOTOS connec- FOTOS app is established (Data transfer) tion remains active. automatically as needed, (Remote control) and disconnected after ≥ 5 min.

  • Page 289: Performance Mode

    • Do not detach the lens! Bluetooth is permanently activated, allowing anytime Geotagging (where enabled). Camera Wi-Fi will be en- Leica FOTOS will notify you when firmware updates are abled only during the transfer of settings or files, and will available for your Leica cameras.

  • Page 290: Remote Camera Control

    • Only activate this function just before you want to Performance Mode Eco Mode use it. • The camera will scan for known devices and auto- matically establishes a connection. • Disable the function as soon as it is no longer needed. LEICA FOTOS / REMOTE CAMERA CONTROL...
  • Page 291 LEICA FOTOS / REMOTE CAMERA CONTROL...

  • Page 292: Care/Storage

    CARE/STORAGE recommend repeated adjustment and use of all the other operating elements. We recommend the following if the camera will not be • When using your camera in tropical climates, make used for an extended period of time: sure to expose the equipment to daylight and fresh air –...

  • Page 293: Memory Cards

    RECHARGEABLE BATTERY PIXEL MAPPING Defective pixels may appear on the image sensor of digi- • Lithium-ion rechargeable batteries should only be tal cameras over time. The camera compensates for these stored partially charged, i.e. not fully depleted or fully defective pixels automatically by calculating the data charged.
  • Page 294 Problem Possible causes to check Troubleshooting suggestions Battery issues Battery is depleted too quickly Battery too cold Warm the battery (e.g. in pants pocket) and only insert directly before use Battery too hot Allow battery to cool down LCD panel or EVF set too bright Reduce brightness Power save mode deactivated Activate...
  • Page 295 Menus and displays Electronic viewfinder is dark EVF brightness is set too low Set the EVF brightness Display language is not English Select in the menu English Language Electronic viewfinder is dark Switchover between EVF and LCD Select a suitable setting incorrectly set Viewfinder is out of focus Check the diopter setting and adjust as...

  • Page 296: Faq

    The camera won’t release/shutter button is Memory card is full Replace the memory card deactivated/shooting not passible The memory card is not formatted Reformat the memory card (Caution: Loss of data!) The memory card is write protected Deactivate the write protection on the memory card (small lever on the side of the memory card) Dirt on the memory card contacts...
  • Page 297 The image on the LCD panel displays lots Light enhancement function of the LCD Not a fault – image quality will not be of noise panel in dark surroundings impacted Image storage takes a long time Noise reduction is activated for Deactivate the function long-term exposures The memory card inserted is slow...
  • Page 298 File numbering does not start at 1 The memory card contains previously See section “Data Management” stored images The time and date settings are incorrect or The camera has not been in use for an Insert a charged battery and configure are not displayed extended period of time (the battery was the correct settings...
  • Page 299 Images are overexposed Flash is activated in bright surroundings Change the flash mode Strong light source in the image Avoid strong light sources in the image (Half) backlight falling into the lens (also Use the lens hood or change to another from light sources outside the image object range)
  • Page 300 Smartphones/WLAN WLAN connection gets interrupted Camera deactivates when it overheats Allow camera to cool down (safety feature) Cannot pair with a mobile device The camera was already paired with the Delete the camera registration from the mobile device Bluetooth settings in the mobile device and repeat pairing process Mobile device connection/image transfer The mobile device is too far away...

  • Page 302: Menu Overview

    MENU OVERVIEW FUNCTION BUTTONS The following control elements are available for direct access (see p. 72). Function button button Function button Function button Function button Function button LEGEND Factory setting on the function = Accessible via the Control Center = Available for function buttons buttons MENU OVERVIEW...

  • Page 303: Direct Access

    DIRECT ACCESS Function PHOTO VIDEO/CINE Control Function buttons Control Function buttons Center Center Photo <> Video ( 4 ) ( 4 ) Toggle Info Levels ( 25 ) ( 25 ) Magnification ( 9 ) Toggle AF/MF Toggle Focus Point Exposure/DOF Simulation Toggle Video Gamma Audio Levels...

  • Page 304: Menu Overview

    EV Increment Drive Mode Interval Shooting Exposure Bracketing Multi-Shot Self-timer White Balance ( 3 ) Gray card Color Temperature File Format DNG Resolution JPG Settings JPG Resolution Noise Reduction (JPG) Leica Looks Film Style Noise Reduction (long exposure) MENU OVERVIEW...
  • Page 305 Function PHOTO VIDEO/CINE Control Function buttons Control Function buttons Center Center Perspective Control Sensor Format Stabilization Image Stabilization Panning Mode Aspect Ratio Flash Settings Flash Mode Flash Exp. Compensation Flash Sync Customize Control Dials (AF lenses) Dials (MF lenses) Dial Lock Joystick Lock Capture Assistants Image Overlay...
  • Page 306 Function buttons Center Center Shutter Type Auto Review Group Display Mode Live View Settings Exposure Preview Enhanced Live View Leica FOTOS USB Charging USB Mode Wi-Fi User Profile Camera Settings Display Settings EVF <> LCD ( 20 ) ( 20 )
  • Page 307 (Photo & Video)* (Cine)* ( 3 ) ( 3 ) Video Profiles Log Settings HLG Settings L-Log Settings LUT Profile Leica Looks Video Style Cine Mode HDMI with Audio Audio Microphone Gain Wind Noise Reduction Timecode Segmented Video Color Bar REC Frame * Some function are available only via direct access.
  • Page 308 DIRECT ACCESS IN REVIEW MODE Function Review (photo)/Playback (video) Play Menu Function buttons Toggle Info Levels ( 25 ) Rate / Unrate ( 3 ) EVF <> LCD ( 20 ) Magnification ( 10 ) (photos only) Delete Single ( 4 ) Delete Multi ( 9 ) Delete All without ★...

  • Page 310: Technical Data

    TECHNICAL DATA 33.98 mm 38.09 mm 51.7 mm 67.18 mm 141.2 mm 78.32 mm 151.45 mm TECHNICAL DATA...
  • Page 311 LPCM 48 kHz/24 bit Standard 60529 (protection type IP54) H.264 LPCM 48 kHz/24 bit Lens mount Lens mount ProRes LPCM 48 kHz/24 bit Leica L bayonet with contact strip for communication LPCM 48 kHz/24 bit between lens and camera Operating conditions Operating conditions –10 to +40°C TECHNICAL DATA...
  • Page 312 Image resolution Image resolution Video frame rate / bit rate Video frame rate / bit rate 35 mm DNG File Resolution Frame rate  Bit rate YUV/bit Compres- Codec Format sion 6000 x 4000 24 MP 6000 x 4000 24 MP 59.94 fps 100 Mbps 4:2:0 / 10 bit Long GOP H.265 3840 x 2160 50.00 fps...
  • Page 313 Further information can be found in the "L-Log Reference 50.00 fps 200 Mbps 4:2:2 / 10 bit ALL-I H.264 48.00 fps 200 Mbps 4:2:2 / 10 bit ALL-I H.264 Manual" for download on the Leica homepage. 47.95 fps 200 Mbps 4:2:2 / 10 bit ALL-I H.264 29.97 fps 200 Mbps 4:2:2 / 10 bit ALL-I H.264 VIEWFINDER/LCD PANEL 25.00 fps...
  • Page 314 EXPOSURE Continuous shooting: Exposure metering Exposure metering Autofocus mode for TTL (exposure metering through the lens) Setting Shutter type continuous Exposure metering methods Exposure metering methods shooting Spot Center-Weighted Highlight-Weighted Multi-Field 2 fps, 14 bit, AF Exposure modes Exposure modes Mech.
  • Page 315 FLASH EXPOSURE CONTROL Not available everywhere due to country-specific legis- Flash unit connector Flash unit connector lation; can be added via the Leica FOTOS app. Data is Via the accessory shoe written to Exif header of the picture files. Flash sync socket...

  • Page 316: Leica Customer Care

    LEICA CUSTOMER CARE Please contact the Customer Care department of Leica Camera AG for the maintenance of your Leica equipment and for help and advice regarding Leica products and how to order them. You can also contact the Customer Care department or the repair service provided by your regional Leica subsidiary for repairs or warranty claims.

  • Page 317: Leica Akademie

    LEICA AKADEMIE Have a look at our full seminar program with many inter- esting workshops on the topic of photography at: https://leica-camera.com/en-US/leica-akademie LEICA AKADEMIE...
  • Page 318 Leica Camera AG | Am Leitz-Park 5 35578 WETZLAR | GERMANY Telephone: +49(0)6441-2080-0 Fax: +49(0)6441-2080-333 www.leica-camera.com SL3-S/EN/2025/1/1...

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