Page 1 PUB. DIE-0589-000 Digital Cinema Camera Instruction Manual...
Page 2: Safety Instructions
Safety Instructions Be sure to read these instructions in order to operate the product safely. Follow these instructions to prevent injury or harm to the operator of the product or others. WARNING Denotes the risk of serious injury or death. •...
Page 3 CAUTIONS Follow the cautions below. Otherwise physical injury or property damage may result. • Strap is intended for use on the body only. Hanging the strap with any product attached on a hook or other object may damage the product. Also, do not shake the product or expose the product to strong impacts. This may cause injury or damage to the product.
Page 5: Table Of Contents
Table of Contents Safety Instructions 2 Setting the File Name for Recordings 41 Clips File Names 41 1. Introduction 9 Photo Numbering 42 About this Manual 9 Using the Fan 43 Conventions Used in this Manual 9 Adjusting the Black Balance 44 Supplied Accessories 10 3.
Page 6 Focus Mode on the Lens 78 Recorded 108 Manual Focus 78 Using Metadata 109 One-Shot AF 81 Setting a User Memo Created with Canon XF Continuous AF 81 Utility 109 Changing the AF Frame Type and Position 83 Using News Metadata 110...
Page 7 5. Playback 139 7. Network Functions 163 Playback 139 Network functions and connection types 163 Displaying the Index Screen 139 Using a Wi-Fi Network 164 Playing Back Recordings 140 Using a Wired (Ethernet) Network 165 Onscreen Displays During Clip Playback 142 Configuring Connection Settings 166 Activating a Network Connection 166 Clip Playback Controls 143...
Page 8 8. Additional Information 195 Menu Options 195 Displaying the Status Screens 208 Recording / Output Signal and Detailed Settings 209 Sub Recording Clips 209 Troubleshooting 219 List of Messages 225 Handling Precautions 232 Maintenance/Others 234 Optional Accessories 235 Specifications 236 Compatible Lenses and Functions 242 Reference Tables 244 Approximate Recording Time on a Card 244...
Page 9: Introduction
Introduction About this Manual Thank you for purchasing the Canon EOS C80. Please read this manual carefully before you use the camera and retain it for future reference. Should the camera fail to operate correctly, refer to Troubleshooting (A 219).
Page 10: Supplied Accessories
Supplied Accessories Supplied Accessories The following accessories are supplied with the camera. For accessories sold separately, please refer to Optional Accessories (A 235). Unless indicated otherwise, accessories mentioned in this manual are the ones supplied with the camera. CA-CP300 B Compact Power Adapter CG-A20 Battery Charger BP-A30N Battery Pack Handle Unit...
Page 11: Names Of Parts
Names of Parts Names of Parts Camera 15 16 1 ND FILTER +/– buttons (A 70) 5 Air intake vent (A 43) 2 WB (white balance) button (A 75)/ 6 SDI OUT terminal (A 152) Assignable button Camera 1 (A 123) 7 INPUT 1/INPUT 2 terminals (A 100) 3 Å...
Page 12 Names of Parts 1 Strap mounts 2 Exhaust ventilation outlet (A 43) Insert the end of the SS-1200 Shoulder Strap from 3 Assignable button Camera 10 (A 123) the top of the strap mount and pull it from the 4 Card slots (A 35) exhaust ventilation outlet to attach it to the 5 Card compartment cover (A 35)
Page 13 Names of Parts Lens mount 1 REC (start/stop recording) button (A 45) 3 Front control dial (A 67, 71) 2 Grip belt 4 RF lens mount index (A 28) Adjust the grip belt so that you can reach the REC 5 Monaural microphone (A 98) button with your index finger but still have a 6 Power indicator (green)/Tally lamp (red) (A 45)
Page 14 Names of Parts 1 LCD monitor (A 23) 8 Audio level dials for CH1 (top) and CH2 (bottom) 2 INPUT 1 (top) / INPUT 2 (bottom) switches (A 102) (audio source selection, A 100) 9 Audio level switches for CH1 (top) and CH2 3 Joystick (A 25) (bottom) (A 101) You can push the joystick in 8 directions (up/...
Page 15 Names of Parts 1 Accessory mount with socket for 1/4"-20 7 SLOT SELECT (card selection) button (A 37, mounting screws (7.5 mm (0.29 in.) deep) (A 32) 140) 2 Tape measure hook and focal plane mark 8 SD CARD access indicator: (A 35) Use the hook to accurately measure the distance 9 Power cord clamp (unplugging prevention)
Page 16: Handle Unit
Names of Parts IMPORTANT • Do not use tripods and other accessories with mounting screws exceeding the depth of the screw holes on the camera as this may damage the camera. • Mounting the camera on a tripod using only one of the 1/4"-20 screw holes for tripod reinforcement may damage the camera.
Page 17: Workflow Overview: 4K And Higher
Workflow Overview: 4K and Higher Workflow Overview: 4K and Higher The following illustrates the typical workflow for 6K/4K recording with the camera. Recording Post-production 4K recording Full-quality SDI OUT/ data HDMI OUT External terminal recorder output Primary clips 6K/4.3K recording (RAW), XF-AVC 4K recording (XF-AVC / XF-HEVC S...
Page 18: Color Grading With The Aces Workflow
Input Transform: Refers to the table used for converting color information of the input device to ST2065-1 color space. It can be downloaded from Canon’s website. Output Transform: Refers to the table used for mapping ST2065-1 color space information to the specific color information scheme used by the display device.
Page 19: Preparations
Preparations Preparing the Power Supply You can power the camera using a battery or a power outlet. Even when a battery is attached, if the camera is connected to a power outlet, it will not draw power from the battery. Using a Battery You can power the camera using the included BP-A30N Battery Pack or the optional BP-A60N Battery Pack.
Page 20 Preparing the Power Supply • To prevent equipment breakdowns and excessive heating, do not connect the battery charger or AC adapter to voltage converters for overseas travels or special power sources such as those on aircraft and ships, DC-AC inverters, etc. NOTES •...
Page 21: Using A Power Outlet
Preparing the Power Supply Checking the Remaining Battery Charge You can check the approximate charge level on the battery itself. When the camera is turned on, you can check the approximate remaining battery usage time (in minutes) by looking at any recording/playback screen or the [B System Setup] status screen (A 208).
Page 22 Preparing the Power Supply Preventing the accidental unplugging of the power cord Pass the power cord through the DC cable clamp (recommended) and/or the clamp at the bottom of the camera as shown in the illustration to prevent the accidental unplugging of the DC plug. Checking the Voltage Level of the Power Source The voltage level appears on the screen (A 47).
Page 23: Using The Lcd Screen
Using the LCD Screen Using the LCD Screen This section explains how to adjust the LCD monitor. You can adjust the direction of the screen as shown below, as well as image settings such as brightness or contrast. Additionally, you can use the touch screen to select the subject or perform a variety of settings using direct touch control (A 54).
Page 24: Date, Time And Language Settings
Date, Time and Language Settings Date, Time and Language Settings Setting the Date and Time You will need to set the date and time on the camera the first time you power it on, or after the camera's settings have been reset. The [Date/Time] screen will appear automatically when the camera’s clock is not set. Refer to Using the Menus (A 25) for instructions on how to operate the menus.
Page 25: Using The Menus
Using the Menus Using the Menus Many of the camera’s functions can be adjusted using the menus. In CAMERA mode, you can also register frequently used menu settings in a customized menu (My Menu) for easy access. For details about the available menu options and settings, refer to Menu Options (A 195).
Page 26: Using The Customized Menus (My Menu)
Using the Menus 3 Press the joystick or the SET button to confirm your selected setup menu. • The cursor moves to the first item on the first page of the selected setup menu. • You can also push the joystick down to move the cursor to the list of menu items. •...
Page 27 Using the Menus 3 Select [OK]. • The menu setting you registered will now appear under the currently selected My Menu set. Rearranging Menu Settings 1 Select > [¥ My Menu] > Desired menu page > [Edit] > [Move]. 2 Select the menu setting you want to move. •...
Page 28: Preparing The Camera
Preparing the Camera Preparing the Camera This section details how to prepare the camera for the first time, including how to mount and remove lenses and the handle unit. Examples of Camera Configurations Your camera allows you to build the shooting configuration that best fits your needs and shooting conditions. For details on the optional accessories compatible with this camera, refer to Optional Accessories (A 235) and the Cinema EOS System Expansion User Guide (PDF file).
Page 29 (when the sensor mode is [Super 35mm (Cropped)]). Additionally, you can use autofocus, peripheral illumination correction and chromatic aberration correction. For details on compatible lenses, visit your local Canon website. * Setting the camera's sensor mode to [Full Frame] causes vignetting.
Page 30: In-Camera Lens Correction
You can update the firmware of the lens/mount adapter/power zoom adapter/accessory attached to the camera (only in CAMERA mode). For details about firmware updates, visit your local Canon website. The following example explains how to perform a firmware update for lenses.
Page 31: Attaching The Handle Unit
• If correction data is not available, [Periph. Illum. Corr.] or [Chromatic Aberr. Corr.] will appear grayed out. Visit your local Canon website and check if there is correction data available for the lens you are using. If so, download the necessary update package, update the camera’s firmware version and repeat the procedure from the beginning.
Page 32: Attaching The Microphone Holder
Preparing the Camera Attaching the Microphone Holder To the Right Side of the Handle Unit 1 Attach the microphone holder to the handle unit. 2 Use a commercially available Phillips head (“crosshead”) screwdriver to secure it firmly with the 2 M4 bolts. Checking the Camera’s Inclination You can display the level of the effective inclination compensation of the camera.
Page 33: Attaching An Accessory Compatible With The Multi-Function Shoe
Preparing the Camera Attaching an Accessory Compatible with the Multi-Function Shoe For details on how to attach and use accessories, refer to the instruction manual of the accessory in use. Remove the multi-function shoe cover ( ) and slide the accessory's connecting terminal into the multi-function shoe ( ).
Page 34: Preparing Recording Media
The following types of memory card can be used with this camera. When recording in RAW format, only SDXC memory cards can be used. For the latest information about recording media tested for use with this camera, visit your local Canon website. SD cards...
Page 35: Inserting And Removing An Sd Card
Preparing Recording Media • About SDXC cards: You can use SDXC cards with this camera but these cards are initialized by the camera using the exFAT file system. - When using exFAT-formatted cards with other devices (digital recorders, card readers, etc.), make sure that the external device is compatible with exFAT.
Page 36: Initializing Cards
• The card’s volume label changes when the first clip is recorded on a just initialized card. Options [Canon]: The card’s volume label will be “CANON” regardless of the clip file name settings. [Canon + Metadata]: The card’s volume label will be “CANON”, plus the camera index number and the reel number (A 41).
Page 37: Switching Between Card Slots
Preparing Recording Media Switching Between Card Slots If both slots contain a card, you can switch the card used for recording/playback as necessary. Press the SLOT SELECT button. • The access indicator of the selected SD card slot will illuminate in green.
Page 38: Selecting The Video Recording Method
Selecting the Video Recording Method Selecting the Video Recording Method This camera features various recording modes, as well as video recording methods using two cards. You can also stream the audio/video while recording it on a card (A 182). Below is an overview. For details, refer to each function’s section.
Page 39 Selecting the Video Recording Method Available simultaneous recording configurations Second card recording function Proxy Audio Relay Double Slot Sub Recording Recording Recording Recording Recording Ü Ü Ü Ü Ü Ü Normal Recording Ü Ü Ü – – – Slow & Fast Motion Recording Ü...
Page 40 Selecting the Video Recording Method For proxy clips: select the proxy recording color conversion (A 62) • Changes the gamma and color space settings. Apply the view assistance function to the image displayed (A 156) • Changes the gamma and color space settings.
Page 41: Setting The File Name For Recordings
Setting the File Name for Recordings Setting the File Name for Recordings This section explains how to set the file names for RAW clips, XF-AVC clips, XF-HEVC S clips, XF-AVC S clips and photos. Clips File Names The camera allows you to change several settings that determine the clip file name of recorded clips (only in CAMERA mode).
Page 42: Photo Numbering
Setting the File Name for Recordings To set the reel number or initial clip number 1 Select > [Æ Recording/Media Setup] > [Metadata] > [Reel Number] or [Clip Number] > [Change]. • To return to initial settings, select [Reset] instead. 2 Enter the reel/clip number using the data entry screen (A 27).
Page 43: Using The Fan
Using the Fan Using the Fan The camera uses a cooling fan to lower the camera’s internal temperature. In CAMERA mode, you can change the fan’s operation mode and speed. In MEDIA mode, the fan runs at all times but you can select its speed. Setting the Fan’s Operation in CAMERA Mode 1 Select >...
Page 44: Adjusting The Black Balance
Adjusting the Black Balance Adjusting the Black Balance In CAMERA mode, you can have the camera adjust the black balance automatically when ambient temperature changes considerably or if there is a noticeable change in a true black video signal. 1 Attach the body cap to the lens mount and set the camera to CAMERA mode. •...
Page 45: Recording
Recording Recording Video and Photos This section explains the basics of recording clips* and photos. For details on recording audio, refer to Recording Audio (A 98). * “Clip” refers to a single movie unit recorded with a single recording operation. You can also include metadata with the clip. Recording Power indicator/ Tally lamp...
Page 46 Recording Video and Photos IMPORTANT • Be sure to save your recordings regularly, especially after making important recordings. Canon shall not be liable for any loss or corruption of data. NOTES NOTES • If you record using metadata or News Metadata settings, those settings will be recorded or added to the clip.
Page 47: Onscreen Displays
Recording Video and Photos Onscreen Displays Refer to this section for an explanation of the various screen displays that appear in CAMERA mode. You can use the custom display function ( 200) to turn off individual onscreen displays if they are not required. The menu item that controls each display is given in the following tables (1: indicates a menu item under [Custom Display 1] and 2: indicates a menu item under [Custom Display 2]).
Page 48 Recording Video and Photos Left side of the screen Icon/Display Description Custom Display Network connection status (A 180). 2: [Network Functions] 000.0 m Object distance (numeric). 1: [Object Distance (Numeric)] • Only when an RF lens or certain EF Cinema lenses are attached. Object distance (bar).
Page 49: Video Format
Recording Video and Photos Top of the screen Icon/Display Description Custom Display Recording media status, estimated remaining recording time and recording format 2: [Remaining Rec Time] (in green) : SD card 000 min The card’s status is indicated by the icon’s color: in green – can record; in yellow – card almost full (5 minutes or less);...
Page 50 Recording Video and Photos Right side of the screen Icon/Display Description Custom Display 60(24)fps, Video output (A 123). 2: [Output Terminals 60(30)fps Status] Sensor mode (A 60). 2: [Sensor Mode] 0000x0000 Resolution (A 60). 2: [Resolution/ Color Sampling] YCC000 00 bit Color sampling, bit depth (A 60).
Page 51 Recording Video and Photos Selecting the Onscreen Display Level You can press the DISP button to control de amount of information shown over the image. Repeatedly pressing the DISP button will change the display level: Display level 1 Display level 2 Display level 3 Display level 1.
Page 52 Recording Video and Photos Peripheral Border Display You can apply the peripheral border display to all display levels. With the peripheral border display, the camera’s image is reduced slightly so the onscreen displays are shown mostly around it and not on top of it, partially hiding it.
Page 53: Reviewing A Recording
Recording Video and Photos Onscreen Displays in Portrait Mode When shooting in portrait mode, you can change the orientation of the onscreen displays. Select > [¢ Monitoring Setup] > Desired [OSD Orientation:] setting > 90 Degrees Left] or [ 90 Degrees Right]. NOTES NOTES •...
Page 54: Adjusting Camera And Recording Settings
Adjusting Camera and Recording Settings Adjusting Camera and Recording Settings Using direct touch control, you can perform a variety of settings (camera, recording, assistance functions, etc.) in CAMERA mode. White balance and exposure related settings can also be modified with the direct setting mode, using the FUNC button.
Page 55: Direct Setting Mode (Func Button)
Adjusting Camera and Recording Settings Changing Camera Settings 1 Touch the setting you want to adjust, then select the desired value/ setting. • Once the settings menu is displayed, touch to select the desired value/setting as needed. • When the slider appears, drag the slider left/right or touch the buttons to adjust the desired value.
Page 56 Adjusting Camera and Recording Settings NOTES NOTES • The camera will automatically end the direct setting mode in the following cases. - If no operation was performed for more than 6 seconds. - If the FUNC button is pressed while selecting the shutter speed. - If the menu or a status screen was opened.
Page 57: Video Recording Configuration: Video Format
Video Recording Configuration: Video Format, Sensor Mode, System Frequency, Resolution and Frame Rate Video Recording Configuration: Video Format, Sensor Mode, System Frequency, Resolution and Frame Rate When recording media, you can set the video configuration used for primary clips with the following procedures. Select the sensor mode, main recording format (video format, color sampling, bit depth), primary resolution, frame rate and bit rate settings that best match your creative needs.
Page 58 Video Recording Configuration: Video Format, Sensor Mode, System Frequency, Resolution and Frame Rate XF-AVC System frequency/Frame rate Main recording Main Bit rate 59.94 Hz 50.00 Hz 24.00 Hz format resolution 59.94P 59.94i 29.97P 23.98P 50.00P 50.00i 25.00P 24.00P Ü Ü 600 Mbps Intra-frame –...
Page 59: Selecting The System Frequency
Video Recording Configuration: Video Format, Sensor Mode, System Frequency, Resolution and Frame Rate XF-AVC S System frequency/Frame rate Main recording Main resolution Bit rate 59.94 Hz 50.00 Hz 24.00 Hz format 59.94P 29.97P 23.98P 50.00P 25.00P 24.00P Ü Ü 600 Mbps Intra-frame –...
Page 60: Selecting The Sensor Mode
Video Recording Configuration: Video Format, Sensor Mode, System Frequency, Resolution and Frame Rate Selecting the Sensor Mode You can change the area of the imaging circle covered by the CMOS sensor to produce the recorded image. 1 Select > [Æ Recording/Media Setup] > [Sensor Mode]. •...
Page 61: Sub Recording Clips
Sub Recording Clips Sub Recording Clips While recording a primary clip on SD card A, you can simultaneously record the same scene on SD card B. Recording formats that can be used in conjunction are shown below. Refer to Recording / Output Signal and Detailed Settings (A 209) for more details.
Page 62: Proxy Clips
Proxy Clips Proxy Clips While recording a primary clip on SD card A, you can simultaneously record the same scene as a proxy clip on SD card B. Because proxy clips have smaller files, they are suitable for offline editing. When HDMI RAW is set to [On], the main clip (RAW) will be output from the HDMI OUT terminal, and the proxy clip will be recorded to the card in slot B (A 153).
Page 63 Other Canon 709 CMT 709 • If you select [BT.709 (Canon 709)] or [BT.709 (CMT 709)], proxy clips are recorded after converting the gamma curve and color space. The value set for > [¢ Monitoring Setup] > [Gain for HDR Conv.] (A 157) is applied to the proxy clips as well.
Page 64: Shutter Speed
Shutter Speed Shutter Speed You can set the shutter speed according to the shooting conditions. For example, you may want to set slower shutter speeds in darker environments. The camera offers the following modes. You can also perform this function remotely using Browser Remote on a connected network device (A 184). [Speed]: Allows you to set the shutter speed (in fractions of a second).
Page 65: Recording Under High-Frequency Light Sources
Shutter Speed Recording Under High-Frequency Light Sources Flickering may occur when recording video under a rapidly blinking light source. When you execute [Auto Clear Scan Setting], the camera detects the frequency of the light source (in a range of 50.0 Hz to 2011.2 Hz) and shoots at a shutter speed that matches the blinking cycle, reducing flickering.
Page 66: Iso Speed/Gain
ISO Speed/Gain ISO Speed/Gain You may want to adjust the brightness of the image according to the shooting conditions. You can choose between manual and automatic settings. By choosing manual settings you can change the ISO speed or gain value to adjust the sensitivity of the sensor. You can also set the camera’s base ISO speed by choosing from four modes.
Page 67: Manual Iso Speed/Gain Value
> [v Camera Setup] > [ISO/Gain] Gamma curve [ISO] [Gain] [Canon Log 2] / [Canon Log 3] [Auto Selection], [Base ISO 800], [Base ISO 3200], [Auto Selection], [Base ISO 800 (12 dB)], (Also applies when the main recording [Base ISO 12800]...
Page 68: Automatic Iso Speed/Gain
When the main recording format is RAW, the available base ISO settings are the same as when the gamma curve component of the [Gamma/Color Space] setting in the custom picture file is set to [Canon Log 2] / [Canon Log 3].
Page 69 ISO Speed/Gain NOTES NOTES • You can set the responsiveness of the automatic exposure function with the > [v Camera Setup] > [AE Response] setting*. * Except when using an incompatible lens (A 242). Setting an automatic ISO limit By setting an ISO limit in automatic mode, you can curb the amount of noise and keep a dark ambient. Select >...
Page 70: Nd Filter
ND Filter ND Filter Using the ND filter allows you to open up the aperture to obtain a shallower depth of field even when recording in bright surroundings. You can also use the ND filter to avoid the soft focus caused by diffraction when using small apertures.
Page 71: Aperture
Aperture Aperture You can affect the brightness of your recordings or change the depth of field by adjusting the aperture. Depending on the lens used, the aperture value displayed may differ (F value or T value) and available aperture values will vary as well (A 242). You can select the adjustment increment and even use the smallest iris increment allowed by the lens.
Page 72: Momentary Automatic Aperture - Push Auto Iris
Aperture Using the Control Dial/Control Ring You can also adjust the aperture settings using the control dial (after assigning the [Iris] function) or the control ring of an RF lens/mount adapter. 1 Select > [B System Setup] > [Front Control Dial], [Rear Control dial Control Dial] or [Control Ring] >...
Page 73: Automatic Aperture
Aperture This function is not available when slow & fast motion recording is activated. 1 Select > [ Camera Setup] > [Iris Mode] > [Manual]. 2 When using a lens equipped with aperture settings, set the lens to automatic aperture mode (A 71). 3 Press and hold the PUSH AUTO IRIS button.
Page 74: Light Metering Mode
Aperture NOTES NOTES • If you set an assignable button to [AE Shift +] or [AE Shift –] (A 123), you can press the button to adjust the AE shift level. The exposure bar Optimal exposure AE±0 The Î on top of the exposure bar indicates optimal exposure without any shift (AE±0);...
Page 75: White Balance
White Balance White Balance The camera uses an electronic white balance process to calibrate the picture and produce accurate colors under different lighting conditions. The camera offers the following ways to set the white balance. You can also perform this function remotely using Browser Remote on a connected network device (A 184). Custom white balance: You can use a gray card or white object with no pattern to establish the white balance and set it to one of two custom white balance positions, ÅA or ÅB.
Page 76: Custom White Balance
White Balance Custom White Balance Å Å 1 Select the A or B icon (A 75). • To apply the stored custom white balance setting as is, the rest of the procedure is not necessary. To set a new custom white balance, continue the procedure.
Page 77: Auto White Balance (Awb)
White Balance NOTES NOTES • You can use the > [v Camera Setup] > [C. Temp. Increment] setting to change the units for the color temperature increment to [Mired] (5-mired increments) or [Kelvin] (100-kelvin increments). Even when [Mired] is selected, the color temperature is converted to and displayed in kelvins. Changing this setting may change the white balance setting.
Page 78: Focus
Focus Focus The camera offers the following ways to focus, depending on the lens used. The camera incorporates Dual Pixel CMOS AF technology for advanced autofocus performance with compatible lenses. Refer to the list of compatible lenses and functions that can be used (A 242). You can also adjust the focus remotely using Browser Remote on a connected network device (A 184).
Page 79 Focus Using the RF lens's focus ring - You can change the direction of the adjustment when operating the focus ring with the > [B System Setup] > [Focus Ring Dir.] setting. - You can link the amount of focus adjustment when using the focus ring to either the rotation angle or the rotation speed with the >...
Page 80 Focus Peaking The camera offers two peaking levels. 1 Press the PEAKING button. • The peaking icon (J or K) appears on the left of the screen and outlines (contour lines) in the image that are in focus will be shown highlighted. •...
Page 81: One-Shot Af
Focus • Peaking cannot be displayed under the following conditions. - When [OSD Output: SDI] or [OSD Output: HDMI] is set to [Off (Clean)] or [Off]. One-Shot AF In this focus mode, you will focus manually in most situations but still have the option to have the camera focus automatically only once on the subject inside the AF frame.
Page 82 • You can change the adjustment speed and responsiveness of the autofocus function with the following settings. Visit your local Canon website for the latest information. > [v Camera Setup] > [AF Speed] to set the AF speed (the speed at which the focus is adjusted) to one of 10 levels.
Page 83: Changing The Af Frame Type And Position
Focus AF Lock While using continuous AF, you can lock the focus on a certain subject and then move the camera to change the composition. 1 While the autofocus is active, press the AF LOCK button. • The focus will be locked and @ and the AF frame will turn gray.
Page 84: Subject Detection Function
Focus Subject Detection Function The subject detection function automatically detects the face/head, eyes or body* of a person or animal, according to the menu settings. You can use subject detection with one of the autofocus functions to let the camera focus on the main subject automatically.
Page 85 Focus NOTES NOTES • Typical examples of subjects not correctly detected - Faces extremely small, large, dark or bright in relation to the overall picture. - Faces that are turned to the side, at a diagonal, partially hidden or upside-down. - When the subject is blurred due to weather, the background, etc.
Page 86: Image Stabilization
Image Stabilization Image Stabilization You can use the image stabilizer to compensate for camera shake and achieve steadier shots. The image stabilizer is more effective at wider angles and the effect is reduced the more you approach the telephoto end. 1 Select >...
Page 87 Image Stabilization • The camera's image stabilizer will not work when using lenses with a focal length exceeding 1000 mm. • The camera's image stabilizer will not function in the following cases: - When recording in RAW format - When [HDMI RAW] is set to [On].
Page 88: Zoom
Zoom Zoom You can use the camera to zoom when an EF Cinema lens compatible with zoom operation (A 242), an EF lens integrated with a PZ-E1 Power Zoom Adapter or an RF lens integrated with a PZ-E2 Power Zoom Adapter is attached to the camera.
Page 89: Onscreen Markers, Zebra Patterns And False Color
Onscreen Markers, Zebra Patterns and False Color Onscreen Markers, Zebra Patterns and False Color Using onscreen markers allows you to make sure your subject is correctly framed and is within the appropriate safe area. Zebra patterns help you identify areas that are overexposed. The false color overlay allows you to check if the exposure is correct.
Page 90 Onscreen Markers, Zebra Patterns and False Color 2 For [Center Marker] only: Select > [A Assistance Functions] > [Center Marker Type] > Desired marker shape. Aspect Marker 1 Select > [A Assistance Functions] > [Aspect Marker] > Desired marker color or transparency of the masked area.
Page 91: Displaying Zebra Patterns
Onscreen Markers, Zebra Patterns and False Color Options: [Center Coordinates], [Upper-left Coordinates]: Sets the user marker reference coordinates to the center or the upper-left. [Centering (User Marker 1)], [Centering (User Marker 2)]: Aligns the center with that of a user marker. Available options differ depending on the set user marker.
Page 92: Displaying False Color
Onscreen Markers, Zebra Patterns and False Color Displaying False Color In CAMERA mode, you can display the false color overlay to check the brightness levels as different colors. Select > [ Assistance Functions] > Desired [False Color:] setting > [On]. •...
Page 93: Setting The Time Code
Setting the Time Code Setting the Time Code The camera generates a time code signal and records it with the recorded clips. The time code signal can be output from the TIME CODE terminal, SDI OUT terminal or HDMI OUT terminal. During playback in MEDIA mode, a time code retrieved from the recording media can be output to the SDI OUT terminal or HDMI OUT terminal.
Page 94: Selecting Drop Or Non-Drop Frame
Setting the Time Code Selecting Drop or Non-Drop Frame When the frame rate is set to 59.94P, 59.94i or 29.97P, you can select between a drop frame (DF) or non-drop frame (NDF) time code, depending on how you plan to use your recordings. With all other frame rates, the time code is set to non-drop frame (NDF) and cannot be changed.
Page 95 Setting the Time Code • If you set an assignable button to [Time Code] (A 123), you can press the button to open the [B System Setup] menu page with the time code settings.
Page 96: Synchronizing With An External Device
Synchronizing with an External Device Synchronizing with an External Device You can use the camera’s TIME CODE terminal to synchronize this camera’s time code to an external signal. Using the same external time code signal with multiple cameras allows you to set up a multi-camera recording. You can output the time code signal from this camera to other cameras.
Page 97: Time Code Signal Output
Synchronizing with an External Device • When an external time code signal is received, the DF/NDF selection will follow the external time code signal’s settings. • If an external time code signal is input while pre-recording is activated, there might be a discontinuity in the time code of the pre-recorded clip.
Page 98: Recording Audio
Recording Audio Recording Audio The camera features the following options for audio recording and playback. You can record audio using an external microphone/line-in device (INPUT terminals or MIC terminal), the monaural microphone*, or an accessory compatible with the multi-function shoe. The audio signal will be output with the video signal from the SDI OUT terminal / HDMI OUT terminal.
Page 99: Audio Format For Xf-Hevc S / Xf-Avc S Clips
Recording Audio Menu settings Recorded audio channels/audio sources [Audio Input Selection]* [CH2 Input]* [CH1/CH2] [CH3/CH4] [Multi-Function [INPUT Terminals] – INPUT 1 terminal INPUT 2 terminal Shoe] [Multi-Function [MIC Terminal] – MIC terminal (L) MIC terminal (R) Shoe] [Multi-Function Shoe] [Multi-Function [Monaural Mic] –...
Page 100: Connecting An External Microphone Or External Audio Input Source To The Camera
Recording Audio Connecting an External Microphone or External Audio Input Source to the Camera To each of the INPUT terminals you can attach commercially available microphones or analog line in sources with a Mini XLR connector. To the MIC terminal you can attach commercially available condenser microphones/line-in devices (analog) with a ∅...
Page 101: Selecting The Audio Input Source For Audio Channels
Recording Audio Set the INPUT 1 or INPUT 2 switch to LINE, MIC, or MIC+48V. • When using the INPUT terminals to record to only one channel, use the INPUT 1 terminal. IMPORTANT • When using a microphone that requires phantom power, turn off the camera and set the respective INPUT switch to MIC.
Page 102 Recording Audio Automatic Audio Level Adjustment for CH1, CH2 or CH1/CH2 Set the audio level switch of the desired channel to A (automatic) to let CH1/CH2 audio level switches the camera automatically adjust that channel’s audio level. Manual Audio Level Adjustment for CH1, CH2 or CH1/CH2 You can set the audio level manually from –...
Page 103: Advanced Audio Input Settings
• When the optional the Canon DM-E1D Multi-Function Shoe Directional Stereo Microphone is attached, adjustment with the audio level switch is also possible. In this case, CH1 settings are also applied to CH2.
Page 104: Multi-Function Shoe Audio Input Settings
Recording Audio Multi-Function Shoe Audio Input Settings You can adjust the audio settings for the DM-E1D Directional Stereo Microphone attached to the multi-function shoe. The corresponding adjustment function become available only when the audio input is active. Refer to the DM-E1D instruction manual for more information and details on connections.
Page 105: Colors Bars/Audio Reference Signal
Color bars cannot be displayed in the following cases: - When the gamma curve component of the [Gamma/Color Space] setting in the custom picture is set to an option other than [BT.709 Wide DR], [BT.709 Standard] or [Canon 709]. - When recording in RAW format.
Page 106: Video Scopes
Video Scopes Video Scopes The camera can display a simplified waveform monitor or a vectorscope to check your recordings. The selected video scope is displayed on the LCD monitor and can be output to other monitoring devices as well. Displaying a Video Scope Choose between a waveform monitor or a vectorscope.
Page 107: Changing The Vectorscope Settings
Video Scopes Options for [Type] [Line]: Sets the waveform monitor to line display mode. [Line+Spot]: The waveform of the area in the red frame is displayed in red on top of the [Line] mode waveform. [Select Line]: The selected horizontal line (in red) will be displayed along with its waveform. [RGB]: Shows 3 side-by-side waveforms in an RGB parade.
Page 108: Adding Marks To Clips In Camera Mode
Adding Marks to Clips in CAMERA Mode Adding Marks to Clips in CAMERA Mode When the main recording format is set to XF-AVC, while recording, you can add shot marks (!) to flag an important shot or frame. After recording a clip, you can add an OK mark ($) or check mark (%) to help you identify particular clips.
Page 109: Using Metadata
Setting a User Memo Created with Canon XF Utility Before you can add a user memo, you must first install Canon XF Utility (A 159). Next, create the user memo and then save it to an SD card. Once you insert the SD card in the camera and select the user memo, it will be added to clips you record.
Page 110: Using News Metadata
Using Metadata Using News Metadata When recording, you can add News Metadata* to the recorded clips. Using Content Transfer Professional, you can check and edit News Metadata files. The most recently set News Metadata will be prioritized and added. News Metadata cannot be added to clips when the main recording format is RAW. See the following table for details on News Metadata settings.
Page 111: Entering Slate Information About The Recording
Using Metadata 4 Save the News Metadata to the camera. • News Metadata files transferred from a smartphone will be saved automatically to the camera. • Automatically, > [Æ Recording/Media Setup] > [Metadata] > [Add XML File] will be set to [On], and [XML File Format] will be set to [News Metadata].
Page 112: Special Recording Modes
Special Recording Modes Special Recording Modes The camera features the following special recording modes. - Slow & fast motion recording (A 112). - Pre-recording (A 115). - Continuous recording (A 116). - Frame recording (A 117). - Interval recording (A 117). Slow &...
Page 113 Special Recording Modes Available shooting frame rates (XF-AVC) Shooting frame rate during slow & fast Main recording format Main resolution Frame rate Bit rate motion recording 59.94P 600 Mbps 1 to 60 50.00P 500 Mbps 1 to 60 29.97P 600 Mbps, 450 Mbps 1 to 30 29.97P 300 Mbps...
Page 114 Special Recording Modes Available shooting frame rates (XF-AVC S) Main recording Shooting frame rate during slow & fast Main resolution Frame rate Bit rate format motion recording 59.94P 600 Mbps 1 to 60 50.00P 500 Mbps 1 to 60 29.97P 600 Mbps, 450 Mbps 1 to 30 29.97P...
Page 115: Pre-Recording
Special Recording Modes 5 Press the REC button again to stop recording. • The clip is recorded on the selected SD card. • When [S&F Clip/Audio (WAV)] is selected, audio in WAV format will be recorded on the SD card where video is not being recorded.
Page 116: Continuous Recording
Special Recording Modes 3 Press the REC button again to stop recording. • The clip is recorded. The recorded clip will include a few seconds of video and audio recorded before the REC button was pressed. • The tally lamp changes from red to green (power indicator) and the onscreen display changes back to [PRE STBY].
Page 117: Frame Recording Mode
Special Recording Modes Frame Recording Mode Set the number of frames in advance. We recommend operating the camera remotely or stabilizing the camera, for example, on a tripod. Sound is not recorded in this mode. You can also use direct touch control to perform this function (A 54). 1 Select >...
Page 118 Special Recording Modes 4 Press the REC button to begin recording. • The tally lamp changes from green (power indicator) to red. • [INT STBY] changes to [INT ÜREC] while recording. • The camera automatically records the set number of frames at the specified interval. 5 Press the REC button again to stop recording.
Page 119: Using Anamorphic Lenses
Using Anamorphic Lenses Using Anamorphic Lenses You can attach an anamorphic lens to the camera and set the anamorphic desqueeze ratio used to display the image from the camera on monitoring devices while shooting or during playback. 1 Select > [¢ Monitoring Setup] > Desired [Anamorphic:] setting > [On]. 2 Select >...
Page 120: Web Camera Function
Only video can be recorded while using this function. For more details about supported operative systems or software tested for use with the camera, visit your local Canon website. For more details, refer to the computer’s instruction manual.
Page 121: Using The Rc-V100 Remote Controller
Using the RC-V100 Remote Controller Using the RC-V100 Remote Controller You can connect the RC-V100 Remote Controller to the camera in order to control the camera (including advanced recording functions) from a distance. The remote controller lets you turn the camera on, navigate the menus and remotely control the aperture and shutter speed, change picture-related settings like the knee and sharpness, and more.
Page 122 Using the RC-V100 Remote Controller...
Page 123: Customization
Customization Assignable Buttons The camera offers a number of assignable buttons to which you can assign various function. Assign often-used functions to the buttons you find most convenient to personalize the camera to your needs and preferences. You can find 13 assignable buttons on the camera’s body, and 4 assignable buttons on the RC-V100 Remote Controller, RC-IP100/RC-IP1000 Remote Camera Controller, Remote Camera Control Application, and Multi- Camera Control.
Page 124 Assignable Buttons NOTES • You can check the [ Assignable Buttons] status screens (A 208) to see what functions are currently assigned to each button. • You can reset only the functions assigned to the assignable buttons, without affecting other camera settings, with the >...
Page 125 Assignable Buttons CAMERA MEDIA Function name Description mode mode [Zebra: All], [Zebra: LCD], Ü Turns zebra patterns on/off. – [Zebra: SDI], [Zebra: HDMI] [WFM: All], [WFM: LCD], Ü Ü Turns the selected video scope on/off. [WFM: SDI], [WFM: HDMI] [View Assist: All], [View Assist: LCD], Ü...
Page 126 Assignable Buttons CAMERA MEDIA Function name Description mode mode [Headphones +], Ü Ü Increases/reduces the headphone volume, respectively. [Headphones –] Switches the audio channels output from the × (headphone) terminal and the Ü Ü [Monitor Channels] built-in speaker. Ü Ü [Audio Level Indicator] Turns the audio level meter on/off.
Page 127: Custom Picture Settings
[Canon 709 / BT.709] – dynamic range optimized for playback on BT.709 compliant monitors. These settings use Canon Log 2 gamma and require post- [Canon Log 2 / C2: [Canon Log 2] – production processing. They achieve superior gradation in the C.Gamut]...
Page 128: Editing A Custom Picture File's Settings
- There are also other LUTs available that can be applied for processing in post-production. For the latest information on available LUTs, please visit your local Canon website. About changing custom picture related settings using the RC-V100 Remote Controller - When an RC-V100 Remote Controller is connected to the camera, you can press the remote controller’s...
Page 129: Look Files
Custom Picture Settings Renaming Custom Picture Files 1 Select a custom picture file (A 127). > [/ Custom Picture] > [Edit / File] > [Rename] > [Input]. 2 Select • Enter the desired file name (16 characters long) (A 27). Protecting Custom Picture Files Protecting a custom picture file prevents its settings from being accidentally changed.
Page 130: Saving A Custom Picture File
Custom Picture Settings NOTES About Look files - The camera supports LUT files (3D LUT/.cube format) in 17 grid or 33 grid format created with Blackmagic Design’s DaVinci Resolve. - LUT files with input ranges outside the 0 to 1 range in the header (“LUT_3D_INPUT_RANGE”) are not supported.
Page 131 Custom Picture Settings NOTES • Custom picture files are exclusively compatible for use only with the same camera model. Replacing a File in the Camera with a File on an SD Card 1 Select the custom picture file that you wish to replace (A 127). >...
Page 132: Available Custom Picture Settings
Combination of gamma curve and color space settings that affects the overall look and color space of the image. Gamma curve [Canon Log 2]: Logarithmic gamma curve that obtains a richer color gradation in the dark areas of the image. Requires image processing in post-production. BT.709 Standard [Canon Log 3]: Logarithmic gamma curve that keeps the characteristics of the [Canon Log] setting BT.709 Wide DR...
Page 133 These settings correct the color cast in blacks. These settings are not available when the gamma [Master Black Blue] curve component of the [Gamma/Color Space] setting is set to one of the [Canon Log 2] or [Canon Log 3] options.
Page 134 Custom Picture Settings Menu items Options / Additional information [Saturation] –10 to +10 (±0) [Slope] These settings control the upper part of the gamma curve (highlights of the image). By compressing the highlights, you can prevent parts of the image from being overexposed. [White Level 100%]: Adjusts automatically to keep output at 100% even if [Point] is changed.
Page 135 Determines how the camera handles video signals exceeding 100%. This setting is not available when the gamma curve component of the [Gamma/Color Space] setting is set to one of the [Canon Log 2], [Canon Log 3], [PQ], [HLG] or [Canon 709] options. [Through]: Leave the signal unchanged.
Page 136 Custom Picture Settings • When an RC-V100 Remote Controller is connected to the camera, the following custom picture settings can be changed using the buttons and dials on the remote controller. - [Black] > [Master Pedestal], [Master Black Red], [Master Black Blue] - [Black Gamma] >...
Page 137: Saving And Loading Menu Settings
Saving and Loading Menu Settings Saving and Loading Menu Settings After you adjust settings in the various menus, you can save those settings in the camera or on SD card B. You can load those settings at a later date or on another camera of the same model so that you can use that camera in the same way.
Page 138 Saving and Loading Menu Settings...
Page 139: Playback
Playback Playback This section explains how to play back clips, photos and WAV audio with the camera. For details on playing back recordings using an external monitor, refer to Connecting to an External Monitor or Recorder (A 152). Displaying the Index Screen Press the MEDIA button (A 15) •...
Page 140: Playing Back Recordings
Playback NOTES • If the card contains XF-AVC clips recorded at a system frequency other than the one currently used by the camera, you will not be able to play back the clips and the clip thumbnails will not appear in the index screen. To play back such clips, change the camera’s system frequency (A 59) to match the recordings on the card.
Page 141 Playback • While browsing photos, press the joystick left/right to move to the previous/next photo. Custom picture settings of RAW clips during playback RAW clips are played back using the following custom picture settings. • [Gamma/Color Space]: Same setting used for recording •...
Page 142: Onscreen Displays During Clip Playback
Playback Onscreen Displays During Clip Playback 8 9 10 1 Fan operation (A 43) and temperature warning 8 Frame rate (A 60) (A 221) 9 Custom picture file embedded (A 132) 10 $ mark 2 Output onscreen displays (A 155) /% mark / Proxy clip (A 147, 62) 3 Playback button...
Page 143: Clip Playback Controls
Playback Audio (WAV) playback screen See Onscreen Displays During Clip Playback (A 142) for the description of onscreen displays that are common on all playback screens. 1 Audio file name 3 Audio level meter 2 Sampling frequency and bit depth Clip Playback Controls The following playback types are available using the joystick and the touchs screen.
Page 144: Adjusting The Volume
Playback Adjusting the Volume You can use headphones or the built-in speaker to listen to the audio during × (headphone) normal playback. When you connect headphones to the × (headphone) terminal terminal, the speaker will be muted. The audio signal will also be output from the SDI OUT terminal / HDMI OUT terminal.
Page 145: File Operations
File Operations File Operations You can perform various operations on the file selected in the index screen using the file menu. Available options will depend on the type of recording selected. File Menu Operations 1 Select the desired recording. 2 Press SET. •...
Page 146: Displaying Clip Information
File Operations Displaying Clip Information 1 Select the desired clip in the clip index screen. 2 On the file menu, select [Display Clip Info]. • The [Clip Info] screen will appear. • Push the joystick left/right or touch / on the screen to move to the previous/next clip. Press the CANCEL button to return to the index screen.
Page 147: Adding $ Marks Or % Marks
File Operations Adding $ Marks or % Marks You can add an OK mark ($) or check mark (%) to XF-AVC clips to help you identify particular clips. Since clips with an $ mark cannot be deleted with the camera, you can use this mark also to protect important clips. Adding an $ Mark or % Mark During Playback You can add an $ mark or % mark to a clip during playback or playback pause.
Page 148: Deleting All The Shot Marks From A Clip
File Operations Deleting All the Shot Marks from a Clip 1 Select the desired XF-AVC clip in the index screen. 2 Press SET (file menu) and select [Del. All Shot Marks] > [OK]. • All shot marks in the selected clip are deleted. Deleting Recordings You can delete clips, photos and audio files (WAV).
Page 149: External Connections
External Connections Video Output Configuration The video signal output from the SDI OUT terminal / HDMI OUT terminal, depends on the clip’s video configuration and on various menu settings. Video Output Configuration (Recording/Playback) Video configuration > [B System Setup] SDI OUT terminal HDMI OUT terminal Recording Frame...
Page 150 Video Output Configuration Video configuration > [B System Setup] SDI OUT terminal HDMI OUT terminal Recording Frame [SDI Output [HDMI Output Output Output frame Output Output Resolution format rate Signal] Signal] format rate format frame rate 4096x2160P / 4096x2160P / 4096x2160 / 4096x2160 / Same as...
Page 151 Video Output Configuration During playback (MEDIA mode), [4096x2160P/3840x2160P], [2048 x1080P/1920x1080P] and [1920x1080i(PsF)] can also be selected. Available options depend on the setting values. During playback (MEDIA mode), [4096x2160P/3840x2160P], [1920x1080P] and [1920x1080i] can also be selected. Available options depend on the setting values.
Page 152: Connecting To An External Monitor Or Recorder
Connecting to an External Monitor or Recorder Connecting to an External Monitor or Recorder When you connect the camera to an external device, be it a monitor (to monitor the recording or for playback) or an external video recorder (for recording), adjust the required settings in the menu. For details about output signals, refer to Video Output Configuration (A 149).
Page 153: Using The Hdmi Out Terminal
Connecting to an External Monitor or Recorder Using the HDMI OUT Terminal The digital signal that is output from the HDMI OUT terminal includes the video signal and audio signal. You can output also the time code signal, recording command and various assistance displays (onscreen displays, markers, etc.) in order to check them also on an external monitor.
Page 154: Selecting The Output Range
You can select the output range of video signals (when using log gamma or PQ/HLG HDR) output from the SDI OUT terminal / HDMI OUT terminal to determine how the image levels are mapped to code values. Moreover, you can select the setting independently for Canon Log output and for HDR output. Applied output range settings...
Page 155: Superimposing Onscreen Displays On Video Outputs
Connecting to an External Monitor or Recorder NOTES • During playback, the applied range is determined according to the gamma used at the time of recording. • When [View Assist:] (A 157) are set to [On], output range settings are disabled. Superimposing Onscreen Displays on Video Outputs You can output the camera's onscreen displays along with the video output from the SDI OUT terminal / HDMI OUT terminal to check the onscreen displays on an external monitor.
Page 156: Screen
Available View Assistance options [Gamma/Color Space] [CMT 709] [Canon 709] [HDR Assist. (400%)] [HDR Assist. (1600%)] Ü Ü Ü Ü [Canon Log 2 / C.Gamut] Ü Ü Ü Ü [Canon Log 3 / C.Gamut] Ü Ü Ü Ü [Canon Log 3 / BT.2020] Ü...
Page 157: Adjusting The Gain Difference When Converting Hdr To Sdr
• When the main clip is set to HDR* and a view assistance function that changes the color space to CMT 709 / Canon 709 is applied to the output. • When the main clip is set to HDR* and [Proxy Rec Color Conversion] is set to [BT.709 (Canon 709)] / [BT.709 (CMT 709)].
Page 158: Audio Output Channels
Audio Output Channels Audio Output Channels The camera can output audio from the SDI OUT terminal, HDMI OUT terminal, × (headphone) terminal or speaker. When recording or playing back clips recorded with 4-channel audio, you can select which audio channels are output from the HDMI OUT terminal and headphones. Audio output configuration Recorded audio configuration Audio output during recording/playback...
Page 159: Importing Files To A Computer/Smartphone
Saving Files Use Canon XF Utility to save and organize XF-AVC clips and other recorded files on a computer. You can use the Canon XF plugins to easily use XF-AVC clips directly from Avid non-linear editing (NLE) software. The software and plugins are available as free downloads from your local Canon website.
Page 160: Saving Audio Files (Wav)
DPX, they will be ready for color grading. Alternatively, you can use the Canon RAW Plugin to easily use RAW clips unaltered (in RAW format) directly from major non-linear editing (NLE) applications. The software and plugin are available as free downloads from your local Canon website.
Page 161: Automatically Transferring Recording Data To An Ftp Server
Importing Files to a Computer/Smartphone Automatically Transferring Recording Data to an FTP Server You can use Content Transfer Professional to automatically transfer XF-HEVC S clips, XF-AVC S clips, WAV audio, photos and News Metadata to an FTP server. Install Content Transfer Professional on your smartphone in advance (A 193).
Page 162 Importing Files to a Computer/Smartphone...
Page 163: Network Functions
(Wi-Fi) networks. Canon cannot provide support regarding network configurations. IMPORTANT • Canon shall not be liable for any loss of data or damage resulting from incorrect network configuration or settings. Additionally, Canon shall not be liable for any loss or damage caused by the use of network functions.
Page 164: Using A Wi-Fi Network
Network functions and connection types NOTES • Do not open the card compartment cover while using network Built-in wireless antenna functions. • Do not place cables connected to the camera’s SDI OUT terminal or HDMI OUT terminal, INPUT terminals, MIC terminal or USB terminal near the built-in wireless antenna.
Page 165: Using A Wired (Ethernet) Network
Network functions and connection types Using a Wired (Ethernet) Network Connect a commercially available Ethernet cable to the camera’s (Ethernet) terminal to use a wired network. Use Category 5e, shielded twisted pair (STP) Ethernet cables compatible with Gigabit Ethernet (1000BASE-T) and with good shielding capability.
Page 166: Configuring Connection Settings
Step 2 FTP transfer (A 181) IP streaming (A 182) Browser Remote (A 184) Canon App (A 170) XC Protocol (A 171) CV Protocol (A 171) Activating a Network Connection Activate the desired network connection to use network functions or to configure the connection setting online.
Page 167: Adding A New Connection Setting Using The Wizard
• The communication settings are saved to an [NW] file. • Continue with one the following procedures to configure the selected function’s settings. FTP transfer (A 167), IP streaming (A 168), Browser Remote (A 170), Canon App (A 170), XC Protocol (A 171), CV Protocol (A 171) NOTES •...
Page 168 Configuring Connection Settings 3 Configure the destination FTP server. Select [Server] and [Port No.] > [OK]. • Enter the FTP server’s IP address or host name using the keyboard screen. Enter the port number using the data entry screen (A 27). •...
Page 169 Configuring Connection Settings [RTP+FEC] streaming 3 Configure the receiver’s settings. Select [Destination Server] and [Dest. Port No.] > [OK]. • Enter the receiver’s IP address using the keyboard screen. Enter the port number using the data entry screen (A 27). •...
Page 170 (A 193). For more details, refer to the smartphone’s instruction manual. 1 Select [Create New Func. Setting]. • Once you have added multiple function settings, you can select [Select Existing Setting] to reuse Canon App settings that you saved previously.
Page 171: Other Connection Methods
4 When the confirmation message appears, press SET. • Use the Canon Live Link Plugin for Unreal Engine to send metadata information to applications used for virtual production. For details about using and downloading Live Link Plugin for Unreal Engine refer to the Canon website.
Page 172 Configuring Connection Settings Camera Access Point Connect a network device with the camera’s access point. Two configuration methods are available: easy connection and manual connection. 1 In the [Select a network] screen, select [Camera Access Point Mode]. 2 Select the configuration method. •...
Page 173 Configuring Connection Settings Detected Access Points The camera will automatically detect access points in the vicinity. After you select the desired access point, you only need to enter the selected network’s password to connect the camera. Be sure to activate tethering in advance when using a smartphone as an access point.
Page 174: Other Network Settings
Configuring Connection Settings • When using the wizard to add a new connection setting, make the selection in the [IP Address Settings (IPv4)] screen. • If you select [Automatic Setting], skip to step 4. [Manual Setting] 2 Select [IP Address] and [Subnet Mask] and enter the desired addresses using the data entry screen (A 27). •...
Page 175: Checking And Changing Connection Settings (Set)
Configuring Connection Settings • After reading the authentication files, select [Check Settings] to check their content. Select [Delete Settings] to delete the authentication files in the camera. Giving a Nickname to the Camera You can give the camera a nickname that is used on network connections and network devices to make it easier to identify.
Page 176: Checking And Changing Communication Settings (Nw)/Function Settings (Mode)
Configuring Connection Settings NOTES • A connection setting can have two communication settings (primary/secondary network) and up to two function settings (only for [IP Streaming] and [Browser Remote]). • If both communication settings are deleted, the connection setting itself will be reset and will appear as [Unspecified].
Page 177 Configuring Connection Settings Configuring TCP/IPv6 Settings If in the wizard you selected [Enable] to use IPv6 settings, change the settings as necessary after completing the wizard. 1 After step 3 in the previous procedure, select [TCP/IPv6] > [TCP/IPv6 Settings] > [Enable]. •...
Page 178 Configuring Connection Settings Menu item Setting options and additional information [Destination Folder]* [Dest. Folder Structure] [Default], [Camera] [Overwrite Files] [Skip], [Save As (New Name)], [Overwrite] Determines how to deal with files to be transferred when files with the same name already exists in the destination folder.
Page 179 Configuring Connection Settings To change XC Protocol settings 1 Select > [ Network Settings] > [Advanced Settings] > [XC Protocol Settings]. 2 Change the various settings as necessary. • You can select [Port No. (HTTP)] to change the port number used for connection. Using the default port number (HTTP: 80) is recommended.
Page 180: Checking The Network's Status
Checking the Network’s Status Checking the Network’s Status Unless you selected to configure a connection setting offline (without connecting to the network), immediately after configuring a new connection setting, the camera will connect to the network automatically and the selected function settings will be activated. The icons displayed on the screen will indicate the type of network selected and the connection status.
Page 181: Ftp File Transfer
FTP File Transfer FTP File Transfer In MEDIA mode, you can transfer clips from the camera to another device connected to the network, using the FTP protocol. The following explanations assume that the FTP server is on, ready and correctly configured. Transferring a Single Clip 1 Connect the camera to the desired network and activate the network functions ( 166).
Page 182: Ip Streaming
* This can be a dedicated video transfer device or decoder software on a computer. For details about compatible decoders, please visit your local Canon website. Configuration of video streamed over IP Main recording video configuration...
Page 183 IP Streaming • Depending on the network used and the connection conditions, you may experience lost or delayed IP packets. • After streaming continuously for 24 hours, the camera will stop the IP streaming momentarily and then restart it automatically. •...
Page 184: Browser Remote: Controlling The Camera From A Network Device
Web browser* of any network device** connected to the same network. * A Web browser that supports JavaScript and is enabled to accept cookies is required. ** For details about compatible devices, operating systems, Web browsers, etc., please visit your local Canon website. Preparations on the Camera 1 Connect the camera to the desired network and activate the network functions (A 166).
Page 185 Browser Remote: Controlling the Camera from a Network Device 7 When you have finished using Browser Remote, select [ ] > [Log Out] on the Browser Remote screen to end the application. NOTES • Depending on the network used and the connection performance, you may notice delays in the refreshing of the live view image and other settings.
Page 186: Using Browser Remote
Browser Remote: Controlling the Camera from a Network Device Using Browser Remote NOTES • Browser Remote does not support multi-touch gestures. The Main Remote Operation Screen 10 11 12 13 14 15 17 18 8 Add an $ mark 1 Network connection indicator While Browser Remote is correctly connected to 9 Camera’s nickname (A 175) and lens model the camera, the dots will keep turning on and off...
Page 187 Browser Remote: Controlling the Camera from a Network Device 13 [REC] button 15 [SLOT SELECT] button Touch to select the other card when both card Touch the button to start recording. The recording slots contain a card. operation indicator changes to [ÜREC] and the center of the button turns red.
Page 188 Browser Remote: Controlling the Camera from a Network Device The menu is displayed in detail as follows when Full Controls is selected. If needed, use the [Full Ctrl] switch. 19 Manual zoom slider 41 42 43 Touch to adjust the zoom. 20 Manual focus controls When [Focus] is active, touch [ ], [...
Page 189 Browser Remote: Controlling the Camera from a Network Device 45 [Focus Guide] switch 50 Cancel tracking Touch to display the focus guide (A 79). 51 Extended ND range 46 Lens action if AF is not possible 52 Fine increment 47 AF speed 53 ISO speed/gain extended range 48 AF lock 54 AE shift...
Page 190: Recording Remotely Using An Xc Protocol Compatible Controller/Application
You can also control the camera remotely using Multi-Camera Control on a smartphone connected to the same network as the camera. Available from your local Canon website. Available from the App Store. 1 In CAMERA mode, activate the network functions (A 166) •...
Page 191: Recording Remotely Using The Remote Camera Control Application
Recording Remotely Using an XC Protocol Compatible Controller/Application Recording remotely using the Remote Camera Control Application During recording, you can check the angle of view using Live View and adjust various picture related settings. For details about connection/setup and the Remote Camera Control Application, refer to the Remote Camera Control Application manual.
Page 192: Recording Remotely Using Multi-Camera Control
• For details, refer to the smartphone's instruction manual. 3 Activate the desired network connection (A 166). • Select a connection setting with the [Canon App] function setting. 4 Open Multi-Camera Control on the smartphone. 5 Operate the smartphone to connect to the camera.
Page 193: Transferring Recordings To A Smartphone
• For details, refer to the smartphone’s instruction manual. 3 Activate the desired network connection (A 166). • Select a connection setting with the [Canon App] function setting. 4 As indicated on the screen, open the application on the smartphone.
Page 194 Transferring Recordings to a Smartphone...
Page 195: Additional Information
Additional Information Menu Options For details about how to select an item, refer to Using the Menus (A 25). For details about each function, see the reference page or the explanation accompanying the menu entry. Setting options in boldface indicate default values.
Page 196 Menu Options Menu item Setting options and additional information [AE Response] [High], [Normal], [Low] (A 72) Determines how quickly the exposure (aperture, shutter speed and gain) changes when using the automatic adjustment mode. [Shockless WB] [On], [Off] (A 75) [AWB Response] [High], [Normal], [Low] (A 77) [C.
Page 197 [Protect] [Unprotect], [Protect] [Reset] [Canon 709], [Canon Log 2], [Canon Log 3], [BT.709 Wide DR], [BT.709 Standard], [PQ], [HLG], [EOS Standard], [EOS Neutral], [User (Canon 709)] Detailed custom picture Refer to the tables in the Available Custom Picture Settings section.
Page 198 Frame Rate] settings. (A 61) Audio] [AAC 16 bit 2CH], [LPCM 24 bit 4CH] (A 99) [Proxy Rec Color Conversion] [Conform to Custom Picture], [BT.709 (Canon 709)], [BT.709 (CMT 709)] (A 62) [Metadata] [Camera Index] [A_] to [ZZ] (A 41)
Page 199: Audio Setup Menu
[On], [Off] (A 152) [Photo Numbering] [Reset], [Continuous] (A 42) [Volume Label] [Canon], [Canon + Metadata] (A 36) The default value depends on the country/region of purchase. [¡ Audio Setup] menu Menu item Setting options and additional information [Audio Input Selection]...
Page 200 Menu Options Menu item Setting options and additional information [Headphone Volume] [Off], 1 to 15 (8) (A 144) [Speaker Volume] [Off], 1 to 15 (8) [Monitor Channels] [CH1/CH2], [CH1/CH1], [CH2/CH2], [CH1+2/CH1+2], [CH3/CH4], [CH3/CH3], [CH4/CH4], (A 158) [CH3+4/CH3+4], [CH1/CH3], [CH2/CH4], [CH1+3/CH2+4] [HDMI OUT Channels] [CH1/CH2], [CH3/CH4] [Level Meter Display Color]...
Page 201 90 Degrees Right] [OSD Orientation: HDMI] [View Assist: LCD] [On], [Off] (A 156) [Select View Assist: LCD] [CMT 709], [Canon 709], [HDR Assist. (1600%)], [HDR Assist. (400%)] [View Assist: SDI], [On], [Off] (A 157) [View Assist: HDMI] [Select View Assist: SDI],...
Page 202 Menu Options Menu item Setting options and additional information [During Canon Log Output] [Full Range], [Narrow Range] [During HDR Output] [Full Range], [Narrow Range] [Range: HDMI] (A 154) [During Canon Log Output] [Full Range Priority], [Narrow Range] [During HDR Output] [Full Range Priority], [Narrow Range] The default value depends on the country/region of purchase.
Page 203 Menu Options Menu item Setting options and additional information [Waveform Settings] (A 106) [Size: LCD] [Normal], [2x] Changes the size of the waveform displayed on the screen. [Position] [Right], [Left] [Type] [Line], [Line+Spot], [Select Line], [RGB], [YPbPr] [Vertical Scale for HDR] [IRE], [PQ/HLG] [Select Line] 2160 or higher: 0 to maximum value –2 lines (2-line increments)
Page 204: Network Settings Menu
[Settings Name] File name up to 12 characters [Delete Settings] – [New Conn. Setting (Wizard)] [FTP Transfer], [IP Streaming], [Browser Remote], [Canon App], [XC Protocol], [CV Protocol] (A 167) [Activate IP Streaming] [Enable], [Disable] (A 182) [FTP Transfer All Clips] In MEDIA mode only.
Page 205 Menu Options Menu item Setting options and additional information [FTP Transfer Settings] [Read Root Certificate], [Root Certificate Details], [Delete Root Certificate] 174) [Authentication Method], [User Name/Password], [Port No. (HTTP)], [Port No. (HTTPS)], 171) [XC Protocol Settings] [HTTPS], [Save HTTPS Self-signed Cert] [802.1X Authentication] [Setup Wizard], [Check Settings], [Delete Settings] (A 174)
Page 206 Menu Options Menu item Setting options and additional information [Time Code Mode] [Preset], [Regen.] (A 93) [Time Code Run] [Rec Run], [Free Run] [Time Code DF/NDF] [DF], [NDF] (A 94) [Set Time Code] 59.94 Hz: [00:00:00.00] to [23:59:59.29] (A 93) 50.00 Hz: [23:59:59:24] 24.00 Hz: [23:59:59:23] [TC In/Out]...
Page 207 [USB Mode] [Video Output (UVC)], [Canon App(s) for iPhone], [Canon App(s)/GP-E2] (A 160) Select [Canon App(s)/GP-E2] when connecting the GP-E2 GPS Receiver to the camera using an optional interface cable. [GPS Auto Time] [On], [Off] When this setting is set to [On], the camera automatically adjust its date and time settings according to the information received from the GPS signal.
Page 208: Displaying The Status Screens
Displaying the Status Screens Displaying the Status Screens You can use the status screens to check the camera’s various settings. You can also output the status screens to an external monitor. Portions of the status screens will be displayed in English regardless of the language selected.
Page 209 Recording / Output Signal and Detailed Settings Recording / Output Signal and Detailed Settings (A 61) Sub Recording Clips Main clip: RAW Sub recording clip: XF-AVC, XF-HEVC S Primary clip Sub recording clip configuration Main Sub recording format and resolution/bit rate Main Frame recording...
Page 210 Recording / Output Signal and Detailed Settings Sub recording clip: XF-AVC S Primary clip Sub recording clip configuration Main Sub recording format and resolution/bit rate Main recording Frame rate Bit rate resolution XF-AVC S YCC422 10 bit XF-AVC S YCC420 8 bit format 4096x2160 / 600 Mbps Intra-frame 4096x2160 / 250 Mbps Long GOP...
Page 211 Recording / Output Signal and Detailed Settings Main clip: XF-AVC Sub recording clip: XF-AVC Primary clip Sub recording clip configuration Main Sub recording format and resolution/bit rate Frame recording Main resolution Bit rate rate XF-AVC YCC422 10 bit format 600 Mbps, 2048x1080 / 300 Mbps, 250 Mbps Intra-frame Intra-frame 59.94P,...
Page 212 Recording / Output Signal and Detailed Settings Primary clip Sub recording clip configuration Main Sub recording format and resolution/bit rate Frame recording Main resolution Bit rate rate XF-AVC YCC422 10 bit format 300 Mbps, Intra-frame 2048x1080 / 50 Mbps Long GOP 59.94P, 250 Mbps 50.00P...
Page 213 Recording / Output Signal and Detailed Settings Sub recording clip: XF-AVC S Primary clip Sub recording clip configuration Sub recording format and resolution/bit rate Main Frame recording Main resolution Bit rate XF-AVC S YCC420 rate XF-AVC S YCC422 10 bit format 8 bit 600 Mbps,...
Page 214 Recording / Output Signal and Detailed Settings Primary clip Sub recording clip configuration Sub recording format and resolution/bit rate Main Frame recording Main resolution Bit rate XF-AVC S YCC420 rate XF-AVC S YCC422 10 bit format 8 bit 600 Mbps, 1920x1080 / 300 Mbps, 250 Mbps Intra-frame 1920x1080 / Intra-frame...
Page 215 Recording / Output Signal and Detailed Settings Primary clip Sub recording clip configuration Sub recording format and resolution/bit rate Main Frame recording Main resolution Bit rate XF-AVC S YCC420 rate XF-AVC S YCC422 10 bit format 8 bit 300 Mbps, 1920x1080 / 300 Mbps, 250 Mbps Intra-frame 1920x1080 / Intra-frame...
Page 216 Recording / Output Signal and Detailed Settings Main clip: XF-HEVC S Primary clip Sub recording clip configuration Sub recording format and resolution/bit rate Main recording Main resolution Frame rate Bit rate format XF-HEVC S YCC422 10 bit XF-HEVC S YCC420 10 bit Long 59.94P, 50.00P 225 Mbps 2048x1080 / 50 Mbps Long GOP...
Page 217 Recording / Output Signal and Detailed Settings Main clip: XF-AVC S Primary clip Sub recording clip configuration Main Sub recording format and resolution/bit rate recording Main resolution Frame rate Bit rate XF-AVC S YCC422 10 bit XF-AVC S YCC420 8 bit format 2048x1080 / 600 Mbps,...
Page 218 Recording / Output Signal and Detailed Settings Primary clip Sub recording clip configuration Main Sub recording format and resolution/bit rate recording Main resolution Frame rate Bit rate XF-AVC S YCC422 10 bit XF-AVC S YCC420 8 bit format 300 Mbps, Intra-frame 2048x1080 / 50 Mbps Long GOP 2048x1080 / 35 Mbps Long GOP...
Page 219: Troubleshooting
Troubleshooting Troubleshooting If you have a problem with your camera, refer to this section. Consult your dealer or a Canon Service Center if the problem persists. Power source The camera will not turn on or it turns off by itself.
Page 220 - The camera may become hot after using it continuously for long periods of time; this is not a malfunction. If the camera becomes unusually hot or it becomes hot after using it only for a short while, it may indicate a problem with the camera. Consult a Canon Service Center. Playback...
Page 221: Picture And Sound
The ND filter indicator appears in red or as [- -] on the screen, and the ND filter indicators on the RC-V100 Remote Controller are flashing. - The ND filter mechanism may not be working properly. Consult a Canon Service Center. Picture and Sound There is no picture from an external monitor.
Page 222: Connections With External Devices
Troubleshooting Audio is not recorded. - The audio input source is not correctly selected (A 100) or a microphone is not connected to the selected terminal. - When using the INPUT 1/INPUT 2 terminals, make sure you are using a mini XLR connector. When using the MIC terminal, make sure you are using a condenser microphone with a ∅...
Page 223: Network Functions
- The device, operating system or Web browser used may not be supported. For the latest information about supported systems, visit your local Canon website. - Enable JavaScript and cookies in your Web browser’s settings. For details, refer to the help modules or online documentation of the Web browser used.
Page 224 Troubleshooting Cannot connect the optional XC Protocol compatible RC-IP100/RC-IP1000 Remote Camera Controller, Remote Camera Control Application or Multi-Camera Control. - Make sure to use a connection setting with the [XC Protocol] function setting. - Check that the settings on the optional RC-IP100/RC-IP1000, Remote Camera Control Application or Multi-Camera Control that the camera is trying to connect with are correct.
Page 225: List Of Messages
Troubleshooting List of Messages Refer to this section if a message appears on the screen. The messages in this section appear in alphabetical order. Note that for some messages, an indication of the card involved ([SD Card A], [SD Card B] or [SD Card]) may appear above the message itself.
Page 226 Canon Service Center. * Corrupted file control information cannot be recovered. Cards or XF-AVC clips with corrupted file control information cannot be read by the software (Canon XF Utility or plugins for NLE applications). No clips - There are no clips of the selected video format on the selected card.
Page 227 - You attached a battery pack that is not recommended by Canon for use with this camera. - If you are using a battery pack recommended by Canon for use with this camera, there may be a problem with the battery pack or camera.
Page 228 - The main recording format is set to RAW and the gamma curve component of the [Gamma/Color Space] setting in the custom picture file is set to an option other than [Canon Log 2]/[Canon Log 3]. Under such conditions, there may be more noise on the recorded proxy clips (SD card) and on video output from the various terminals.
Page 229 Troubleshooting Network Functions Along with this list, refer also to the instruction manuals of the access point or other external devices you are using. No response from access point. - Check that the access point is working properly. - Refer to Precautions Regarding Wi-Fi Networks (A 224) and check if there are applicable steps you can take. Unable to connect to access point.
Page 230 Troubleshooting No response from DNS server. - The camera is set to automatic IP address assignment. If the selected network does not use a DNS server, change the camera’s DNS address to [Disable] and configure the IP address (A 173). - Enter the same IP address of the DNS server used in the camera’s network settings.
Page 231 Troubleshooting Wi-Fi authentication unsuccessful - The camera’s authentication mode and/or encryption key are different from those of the access point. Change the settings on the camera to match the access point. Incorrect Wi-Fi password. - Set the correct encryption key on the camera and the access point.
Page 232: Handling Precautions
If any of the above should get into the camera it may damage the camera and/or the lens. Consult a Canon Service Center as soon as possible. • Be careful to avoid dust and dirt particles accumulating on the lens or entering the camera. When you finish using the camera, make sure to attach the body cap to the lens mount and the lens cap and dust cap to the lens.
Page 233: Recording Media
Recording Media • Periodically backing up recordings from the cards used to a computer is recommended. Data may be corrupted or lost due to defects or exposure to static electricity. Canon shall not be liable for lost or corrupted data.
Page 234: Maintenance/Others
Maintenance/Others Maintenance/Others Condensation Moving the camera rapidly between hot and cold temperatures may cause condensation (water droplets) to form on its internal surfaces. Stop using the camera if condensation is detected. Continued use may damage the camera. Condensation may form in the following cases: •...
Page 235: Optional Accessories
This is a class A product. In a domestic environment this product may cause radio interference in which case the user may be required to take adequate measures. For our customers in the USA: Call or visit your local retailer/dealer for genuine Canon video accessories. You can also obtain genuine accessories for your Canon camera by calling: 1-800-828-4040, Canon U.S.A.
Page 236: Specifications
Cinema RAW Light Audio format: Linear PCM, 24 bit, 48 kHz, 4 channels File format: CRM (Canon RAW Movie; Canon proprietary file format) XF-AVC Video compression: MPEG-4 AVC / H.264 Audio format: Linear PCM, 24 bit, 48 kHz, 4 channels...
Page 237 Specifications Color sampling: XF-HEVC S: 4:2:2 10 bit, 4:2:0 10 bit XF-AVC S: 4:2:2 10 bit, 4:2:0 8 bit Frame rate: 59.94P, 50.00P, 29.97P, 25.00P, 24.00P, 23.98P Sub recording clips: XF-AVC Bit rate: 600 Mbps, 500 Mbps, 480 Mbps, 450 Mbps, 375 Mbps, 360 Mbps, 300 Mbps, 250 Mbps, 240 Mbps, 150 Mbps, 125 Mbps, 120 Mbps / Intra-frame, 250 Mbps, 150 Mbps, 50 Mbps, 25 Mbps / Long GOP Resolution:...
Page 238 Canon RF lens mount compatible with Canon RF/EF/PL lenses RF lenses include RF-S lenses and RF Cinema lenses. One of the available Canon EF-EOS R Mount Adapters is required for using EF lenses (including EF-S and EF Cinema lenses). PL lenses can be used when a PL-RF Mount Adapter is attached.
Page 239 Specifications • Wi-Fi Wireless standard: IEEE 802.11b/g/n (2.4 GHz band), IEEE 802.11a/n/ac (5 GHz band) Connection methods: Infrastructure (Wi-Fi Protected Setup (WPS), search for access points, manual), Camera Access Point Authentication methods: Open, shared key, WPA/WPA2/WPA3-Personal, WPA/WPA2/WPA3-Enterprise Encryption methods: WEP-64, WEP-128, TKIP, AES •...
Page 240 Specifications • Multi-Function Shoe Terminal Proprietary Canon connector Power/Others • Power Supply (rated) 14.4 V DC (battery pack), 24 V DC (DC IN) • Power Consumption / Continuous Recording Time (with a BP-A30N) / Continuous Recording Time (with a BP-A60N) The values were measured using normal recording (second card recording function turned off) with an RF50mm F1.8 STM lens attached, LCD luminance set to [Normal], and using the SDI OUT terminal (3G-SDI).
Page 241 Specifications BP-A30N Battery Pack • Battery Type: Rechargeable lithium ion battery, compatible with Intelligent System • Rated Voltage: 14.4 V DC • Rated Battery Capacity: 3,200 mAh / 47 Wh • Operating Temperature: 0 – 40 °C (32 – 104 °F) •...
Page 242 Depending on the lens’s purchase date, you may need to update the lens’s firmware to use these functions. For details, visit your local Canon website or consult a Canon Service Center. PL mount lenses can only be used after attaching the optional PL-RF Mount Adapter. In addition, connection to an external power source is required for lenses equipped with a drive unit.
Page 243 Compatible Lenses and Functions Focus control from the camera Lens Focus guide Continuous Subject Manual One-shot AF Tracking detection AF Ü Ü Ü Ü Ü Ü RF / EF lenses RF / EF Cinema lenses, PL lenses CN7x17 KAS S/E1 CN7x17 KAS T/R1 Ü...
Page 244: Reference Tables
Reference Tables Reference Tables Approximate Recording Time on a Card Approximate times, for reference only, based on a single recording that continues until the card is full. Recording Recording Bit rate 128 GB 512 GB Bit rate 128 GB 512 GB format format 678 Mbps...
Page 245 Appendix: Camera Dimensions Appendix: Camera Dimensions Unless indicated with the " (inch) mark, all units are in mm. represents the depth of a hole or socket. 1/4" Front Lens 15.5 attachment plane Left 25.3 90.7 98.2 61.8 116.0 160.0 Bottom 1/4"...
Page 246 Appendix: Camera Dimensions Camera with handle unit, microphone holder and BP-A30N battery pack 259.9 162.6 75.0 161.7 82.3 90.5 Handle unit 78.0 162.6 41.3 97.8 59.9 26.2 1/4" SCREW...
Page 247 Digital IS ......86 Canon App ..... . .170, 193 Digital tele-converter .
Page 248 EF Cinema lenses ....28, 242 Handle unit ......31 Encryption .
Page 249 ......103 Canon battery packs ....19 Microphone holder .
Page 250 Remote controller ..... .121 Tripod ......12, 15 Remote operation .
Page 251 Trademark Acknowledgements • SD, SDHC and SDXC Logos are trademarks of SD-3C, LLC. • Microsoft and Windows are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. • Apple, macOS, App Store are trademarks of Apple Inc., registered in the U.S. and other countries. •...
Page 252 B. If the Products are defective as a result of leaking batteries, sand, dirt or water damage; C. If defects or damages are caused by the use of parts or supplies (other than those sold by Canon USA) that cause damage to the Products or that cause abnormally frequent service calls or service problems;...
Page 253 B. If the Products are defective as a result of leaking batteries, sand, dirt or water damage; C. If defects or damages are caused by the use of parts or supplies (other than those sold by Canon Canada) that cause damage to the Products or that cause abnormally frequent service calls or service problems;...
Page 254 Canon Inc. 30-2, Shimomaruko 3-chome, Ohta-ku, Tokyo 146-8501, Japan Canon Europa N.V. Bovenkerkerweg 59, 1185 XB Amstelveen, The Netherlands http://www.canon-europe.com The information in this document is verified as of September 2024. Subject to change without notice. Visit your local Canon website to download the latest version.

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