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MidCentury Modular Low Pass Gate Quick Start Manual

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Low Pass Gate
INTRODUCTION
Low Pass Gates were first developed in the 1970s by
Don Buchla, and were a crucial part of early West Coast
synthesizers. They have one knob which controls both
amplitude and harmionic content simultaneously.
The key component behind the panel of an LPG is
called a vactrol. A vactrol consists of a light emitting
diode placed next to a light detecting resistor, sealed
inside a light-proof enclosure. Audio is passed through
the LDR while control voltage is used to light the LED.
As CV increases, the LED emits more light which allows
more audio to pass through the LDR.
There is a great amount of variation from one vac-
trol to the next. As a result, no two LPGs sound exact-
ly the same. In addition, vactrols have an imperfect
response to CV. When an LPG is pinged with a quick
trigger, sound is not cut off immediately but instead it
rings out and decays in a natural way. The sound of a
low pass gate has often been compared to a physical
material being struck or plucked.
The MidCentury Modular Low Pass Gate provides
manual and CV control over the cutoff, and a ping in-
put. There are also controls to set the amplitude and
width of ping triggers, as well as an accent CV input.
1

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Summary of Contents for MidCentury Modular Low Pass Gate

  • Page 1 The sound of a low pass gate has often been compared to a physical material being struck or plucked. The MidCentury Modular Low Pass Gate provides manual and CV control over the cutoff, and a ping in- put.
  • Page 2 MODULE OVERVIEW INTRODUCTION...
  • Page 3: Module Overview

    MODULE OVERVIEW Audio enters the module through the audio in- put (6) and comes out through the audio output (10). The Cutoff knob (1) provides manual control over the cutoff frequency and amplitude simultaneously. CV control over these parameters is also available via the Cutoff input (8), and CV can be attenuated with the as- sociated knob (5).
  • Page 4 CALIBRATION To calibrate this LPG, you will need a screwdriver, an LFO, and a sound source. White or pink noise is pre- ferred but a VCO will work too. There are four trimpots and one jumper on the back of the module. You will need to access these while the module is powered.
  • Page 5: Technical Specs

    CALIBRATION Before adjusting T3, set the Cutoff knob to a point where you can hear subtle changes to the cutoff. If using white noise, putting the Cutoff knob near 10:00 works well. Make sure Trig Height is still fully counter clockwise, and then turn the Oomph knob all the way up.