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6. Set the Master level.
22
MASTER LEVEL (0-100)
(1)
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(2)
Determines the overall volume level for the patch. This is
used to obtain a balanced volume relative to other
patches.
(1) Use <c)EFFECT(> to reach the mode indicated by
MASTER LEVEL in the parameter area. in that mode,
you can use
SS VALUES to adjust the Master
Level.
(2) When setting the volume, you will probably want to
raise the volume of solo parts, while reducing the
volume of the backup, in the interest of achieving a
good overall volume balance.
If There is No Sound/Low Sound
* Are the values of parameters connected with volume set too
low?
Check to make sure that settings for parameters such as
"LEVEL" are not set too low.
7. Decide which effect to control with the expres-
sion_pedal.
The effect's
connect position
(1)
(1) Using <OJ}EFFECT(=>, move through the pedal sec-
tions (immediately to the left of MASTER LEVEL).
(2) You can then
choose the pedal effect with
S]VALUE CES. In addition to being able to select
the effect name shown in the character area (refer to
page 7) of the display's pedal area, you can also select
where the effect is connected, with the position of the
pedal icon shown in the effect area.
* The position of the pedal icon (the effect's connect position)
can be changed only if one of these three is assigned: Volume
Pedal (VOLUME), WAH, or Ring Modulator (RING MOD).
* When WAH is the selected effect, you can set the on/off
conditions to be used when switching patches. You can
switch the wah effect on and off by strongly pressing on the
toe of the expression pedal. When the effect is off, the effect's
icon flashes on and off.
* When you don't need to use the expression pedal for anything
ina song, we recommend that you go ahead and switch it off.
8. Name the sound.
(2)
(3)
(1) Using <JEFFECTC™=, move through the patch name
sections (immediately to the right of MASTER LEVEL).
(2) After pressing <—_JPARAMETER[——> to move the point
that is flashing through the characters,
(3) you can change the characters with SS VALUES.
You'll find it convenient if you name the sound you
have created (using a maximum of six characters) as
something that is easy to associate with that sound.
You can select one of two different guitar icons. This
is convenient for classifying patches by song, how
they sound on the guitar, and so forth.
When you have got the sound you like, save it by carrying out
the write procedure, as follows.
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