Yamaha DX11 Operating Manual page 17

FACTORY-SET
PERFORMANCE
DATA
When
the
DX1
1
is
shipped, the performance memories
contain the following
data.
1.
BRASS
N01! A03
Sy, Brass
1
doubled,
2.
Tight
BASS
A1
6 Synth bass doubled,
B28
electric
bass doubled.
3.
Glocken Glocken
with
pitch
shift
delay
effect, rising in
perfect 4ths,
4.
Analog
Str
Press
down
on
the
keyboard
to
move
the stereo image.
5.
Hit
1
Key!
A
four-note chord
for
each
note,
in
two
banks- --one using
the chord
effect,
and
the other
using note
shift.
6.
Power Rap
Noisy
drums
arranged across the keyboard.
7.
EP/Flute
Electric
piano {6-notes)
and
flute
(2-notes),
split at
G3.
8.
Wind Band
This uses
alternate
assign
mode.
Various
wind
instruments
alternate.
9.
PROGRESSIV
Horn and
synth
strings (octave
down)
10.
Syn Lead
Single voice layered
for
solos.
Uses
short delay
effect.
11. LyricSplit Classic guitar
and oboe
split at
G3,
12.
Church
Two
pipe organs
layered.
13.
Rotary
Str
Strings with pan
effect.
14.
Sax
Solo
Two
types
of sax,
two
of
each
layered
on each
key.
2-note polyphonic.
15. Floating?
Pan
effect.
Nice
for
sequencer
arpeggios.
16.
Brastrings Brass and
strings.
17.
Rich
Str
Smooth
strings.
18.
Orchestra
"Orchestra
hit"
with brass, strings
and
timpani. Single-note
only.
19.
FolkGuitar Dual acoustic
guitars.
20.
Synth
BASS
Two
types of
synth
bass, four of
each on
every note.
Single-note
only.
21.
Latin
Perc Various
latin
percussion arranged over the keyboard.
22.
Rich
Horns
Stacked and detuned
horns.
23,
Magic Slam
Delay
effect.
Try the aftertouch.
24.
Tension
Chord
effect,
with high tension chord.
25.
Honky Tonk
Alternate assign
to
mistune
alternate notes.
26.
B(R)ASS
Brass or Bass?
27. "Fantasy"
Synth
strings
with white noise as
you
raise the
modulation wheel.
28.
Power
Solo
Short delay
effect.
2-note polyphonic.
29.
HeavyBrass
Stacked
voices
for
depth.
30.
Blues
Time
C1 -F2 has normally tuned
bass.
White
keys
G2-C6
play the blues
scale.
Black keys above
F2
play
a
jazzy chord C,F,G.
31. Brass
Band
Trumpet and trombone.
32, I'm
ZOMBI
Sound
effects
and
percussion arranged across the keyboard.
UJ
O
z
<
cc
s
cc
111
a.
TRANSMIT CHANNEL/RECEIVE
CHANNEL
Each of
the
up
to eight
instruments
in
ti
performance can
have
its
own
Receive
Channel
1
16.
(see
p.
1
6).
Thus,
messages
coming
into
MIDI
IN on
eight different channels
can control
each instrument independently.
In the
same
way,
the
keyboard
built
into the
DXll
has
its
own
Transmit
Channel
(see p. 18),
and
in
Performance mode,
will
control
only the
instruments
that
have
a
matching Receive Channel.
See the
diagram
at right.
The DXII's
built-in keyboard
pill
III II III
II
III
II III
MIDI
OUT
Transmit channel
External
keyboards
or sequencers
MIDI
I
The DX1
1
s
built-m tone
generators (separate Receive
Channel
^or
each voice)
15