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4-7 Multi-Source recording / playback
The Multi-Source function allows you to record a source other than the source currently playing or to output its signal to the
MULT! SOURCE
output terminal.
DISPLAY
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DISPLAY
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[MULT]TONE 8P-A 6P-6/PHONO
CO TUNER VOP/TV VCRIZ_ VAUX OTAPEl
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1, Select the source to be output to the recording or MULT!
SOURCE
output terminal.
MULTI
Multi-source and multi-zone playback:
By connecting another pre-main amplifier, etc., to the MULTI SOURCE
jacks, you can listen to a source other than
the one in the main room in other room. To connect the video signal, use a 75 Q/ohms cable designed specifically for
video signals. Using an. improper cable can result in a drop in sound
quality.
2.Turn on the "MULTI"
indicator.
3.The selected source is indicated.
%XTo cancell the multi-source mode and recording source
selection
'
Press
the
MULTI
SOURCE
button
repeatedly
until
"Source"
appears on the display.
The VIDEO MONITOR output is automatically switched to
V.AUX/GAME,
when
the
input
source
is AUDIO
and
V.AUX/GAME
is selected by Multi Source.
MULTI = ]
SOURCE
4-8 Using the surround function
This unit is equipped with a high precision D.S.P. (Digital Signal Processor) for processing signals digitally to simulate sound
fields. Select the surround mode according to the playback source and adjust the parameters according to the conditions in
the listening room to achieve a realistic, powerful sound.
Types of surround modes and their characteristics
Dolby Pro Logic | Use this when playing program sources recorded in Dolby Surround.
Wide Screen
Use this to enjoy program sources, recorded in Dolby Surround with the atmosphere of a
movie theater.
Live Surround
Use this to enjoy program sources, recorded in Dolby Surround with the atmosphere of a live
performance.
Super Stadium
Use this to enjoy program sources such as football or baseball games with the atmosphere of
a stadium.
Mono
Movie
in this mode, a sense of expansion
is added to monaura!
audio sources.
This mode is best suited for playing old movies or movie tapes recorded in monaural.
Rock Arena
The powerful
reverberations
of this mode
produce
a sound
field which
recreates
the
excitement of live concerts.
This mode
is effective for rock, popular music, etc.
Jazz Club
This mode creates the sound field of a live house with a low ceiling and hard reverberations.
The result is that the artist seems to be performing right before your eyes.
Classic Concert
This mode creates a sound field simulating a targe concert hall, rich in reverberation.
This mode is characterized by composed acoustics, and is perfect for playing classical music,
ete.
Use this to enjoy stereo music sources with rich reverberations.
eBefore using the surround function
Make the following adjustments before using the surround
function.
4.Set the Dolby Pro Logic mode.
DOLBY
PAO LOGIC_
————
MODE
Wy
SY
2,Select the center mode.
Select the center mode according to the
center speaker.
CENTER 2 y,
MODE
5. Adjust the center and rear levels to set
the. volume of the speakers to the same
level.
3.Emit the test tone.
T.TONE
4.Select the auto sequence
mode.
6.Turn the test tone off.
ey
,
7, Adjust the delay time and seating posi-
tion as necessary.
—
=
2
6% oly
Center Mode
Set the center mode as described'below, according to the type
of center speaker being used.
T.TONE
PARAMETER
Front left
Normal mode: This mode is suited for an arrangement in
which the center channel speaker is smaller than the left and
right speakers. Signals below 100 Hz which have almost no
effect on directional orientation are distributed to the left and
right channels,
whereas
the center channel
output signals
greater than 100 Hz. As a result, the bass of the left and right
channels
increases the apparent deepness of the sound.
20 feet (6 m)
Rear left
15 feet (4.5 m)
Wide mode: This mode is suited for an arrangement in which
the center channel speaker is of the same grade as the left and
right speakers, The entire sound band from low region to high
ta 40
is output to the center channel to provide an exciting sound
field for your enjoyment.
e 105
Phantom mode: Use this mode when center channel speaker
y
is not used. A directional
emphasis
circuit provides signal
gz
9
reproduction which is electrically oriented to the center and
&
this provides an exciting sound
field for your enjoyment.
ee
75
i
Delay Time
F
:
The optimum delay time will differ depending on the tistening
©
as
position. Referring to the chart at left, set the optimum delay
wi
time for your room's space and seating position. For example,
2
3
when the distance from the front speakers to the listening
=
position is 6 m (20 feet) and that from the rear speakers to the
a
15
listening position is 4.5 m (15 feet}, the optimum delay time
will be 20 ms.
0
The variable range of the delay time differs depending on the
©
5
10
15
20
2
30
35
40 (FEET)
Mode.
0
15
3
45
6
75
9
DISTANCE FROM FRONT SPEAKERS
USABLE SPEAKER PLACEMENT RANGE WITH
DELAY TIME
10.5 12.0(m)
fj PREFERRED
LNoT RECOMMENDED
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