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Figure 2 OVER-DUBBING
*
OUTPUT,
i-a
INPUT
GROJP OUT
i -an
Ad^iaa n» amount
ol reverberation
CjReverbgator |
lie ir©ni»r sgnete
fcr TRACES
1
-
6
.
Aqusfc ll'c
omou «/ (Xi r sp !>clive
ol ihe monrtci
&gnals d
TPfl£K3 1 -6.
Sorda
O
GROJP bus; 6
Ajjjsts ine outpui
lev*! lo 'RACK 0.
0
0
o
o
o
o 1 o 1 o o
O Ol o
o
o
u
Ci
a □ In ci
□
n
n p
3
□
o O
o
o o o o
O O O
0
0
'
o O
o
o o o
•
o o o
3
u
o o
o
o
o o o
O
:, o ! o 1
G
o o o o
O o O
0
o
1 o 1 o
o o o o
o o o
3
Lai
o
1
o j Q I o | o | o
°
o o o
•
.'I
s's
:
o j o j o
o
(.
,
-
III. PING-PONG RECORDING
What does "ping-pong recording" mean?
'Ping-pong recording" is the process of mixnc and recorc-
ing tracks onto somo other completely new :rack(s). This
transferring of traci<s can be Cbno nary tmc3 and thj3. Ihe
gong back and forth of the recording tracks is where its
name comes from. The merits
d
a ping-pong recording lie
h tie fact that the "liberated" tracks car now be used to¬
other purposes, such as <*erdubbinc.
Lock at Figure 3. i his is the conligu'ation tor mixing the pre¬
recorded TRACKS 1 ~6 in the previous examples and png-
pong recording tlxeiri to TRACKS 7 and 8. Reese note that,
because :he recorded TRACKS 7 and 8 can no: be individu¬
ally processed for effects during the mxirg-down stage, the
effects are processed or thG source TRACKS 1 -6 and rout¬
ed almg with the nrigiral signal? to TRACKS 7 and 8.
Firs. Ihe original signals from TRACKS 1-6 d the R8
records are sent through the INPUT FADERS (15) to
GROUP busses 7 and 8 (INPUT SELECTOR (3)-TAPE,
ASSIGN SWITCHES (!1)-7-8) The signals wll be sent to the
GROUP OUT jacks 7/L and
m
(46) Via GHOUP MASIbH
FADERS 7/L, 8.R (17) and recorded to TRACKS 7 ano 8. we
will monitor the outputted signab to TRACKS 7 and 8 by
sending the R6 recorde' output to chenrels 7 and 0 to the
AUX buss (AUX SELECTOR (8)—TAPE). After odjustirg with
I
AUX GAIN (9)
w$
will route ihe signals to LEFT and RIGHT
with me AUX DAN kneos oi channels / and 8, respectivey.
Finally, after an level aejustment with the AUX MASTER LEV¬
EL knob (23), the signals are now ready to be monitored
4
(MONITOR SELECTOR (25)- AUX) with either the MON ICR
LFVFI
knob .26. <y th© PHONES VOLUME <nob (27).
For effect processing done on individual channels we will
use the D.OUT jack i39; to send the signal to the processors)
and he route the processor output to the INPUT jacks (35)
or (36) of channels 7-12. From here, wo will then send
the signals to GROUP busses
7
and 8 (INPUT SELECTOR
(3)—INPUT INPUT ASSIGN SWITCHES (1l)-7-8) with the
respective oerspectve to be determined with the PAN pot
(
12
).
Fq- common effects processmg with channels 1 -G, EFFECT
SENDS 1 one 2 wit bo used. n this example, both wil be
used to send signas to a reverberator. EFFECT SEND 1/2
wil send the signal to reverberator #1/2 2 which will then
return it to the EFFECT RETURN 1/2 SECTION (?8)<29)
From here. Ihe sgnal will be distributed to GROUP busses
7 and 8 for ojtput.
*
Note:
hor this example. DO NOT set the SEND 2 SELECTOR
for enamels 7 and 3 to AUX. nor the input SELECTOR :o
a
TADE since this wil create an nfimte loop and may cause
feedback.
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