Fender Mustang LT50 - Guitar Amplifier Manual

Fender Mustang LT50 - Guitar Amplifier Manual

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Fender Mustang LT50 - Guitar Amplifier Manual

CONTROL PANEL

The Mustang LT50 top control panel consists of an INSTRUMENT INPUT, six CONTROL KNOBS, a DISPLAY WINDOW, an ENCODER wheel, four UTILITY pushbuttons, a FOOTSWITCH INPUT, an AUXILIARY INPUT (1/8"), a HEADPHONE OUTPUT (1/8"), a TAP LIGHT and a USB PORT.
CONTROL PANEL

  1. INPUT: Plug instrument in here.
  2. AUXILIARY INPUT, HEADPHONE OUTPUT: 1/8" auxiliary input for connecting external audio devices, and 1/8" output for headphone use. Headphone output mutes speaker.
  3. GAIN: Affects gain setting in active preset.
  4. VOLUME: Affects individual volume of active preset.
  5. TREBLE: Affects treble tone setting in active preset.
  6. MIDDLE: Affects midrange tone setting in active preset.
  7. BASS: Affects bass tone setting in active preset.
  8. MASTER VOLUME: Controls actual overall volume.
  9. DISPLAY WINDOW: Shows preset in use, preset contents and parameters, and other functions (i.e., tuner and other menu functions).
  10. ENCODER: Rotary control with press-switch function. For viewing, selecting and adjusting Mustang LT50 presets, controls and other functions.
  11. UTILITY BUTTONS
    BACK:
    Returns user to the previous screen or original preset screen.
    SAVE: For saving preset modifications, renaming presets and saving presets to a new location.
    MENU: For accessing tuner, footswitch and other functions.
    TAP: For setting delay times and accessing built-in tuner.
  12. TAP LIGHT: Flashes in time with delay effects.
  13. POWER: Turns amplifier on and off.
  14. USB PORT: Amp connection point for USB audio recording.
  15. IEC POWER INLET (REAR PANEL; NOT SHOWN): Using the included power cord, connect to a grounded outlet in accordance with the input power voltage and frequency specified at the power inlet.
  16. FOOTSWITCH (REAR PANEL; NOT SHOWN): Connect optional four-button footswitch here.
  17. MONO LINE OUT (REAR PANEL; NOT SHOWN): Mono line output for connection to external sound and recording equipment.

PRESET BASICS

Mustang LT50 features 30 sequentially numbered factory presets. It also features 30 empty preset "slots" for presets created by the user and presets dowloaded using the Fender TONE app.
Each preset consists of an amplifier and one or more effects (or, in some cases, no effects). Note that when turning the amplifier on, the default active preset is always preset 01. All 60 presets slots can be customized by the user, and the original 30 factory presets can always be restored if needed by using the "REPLACE" function in the SAVE menu.
To scroll through presets, turn the ENCODER; whichever preset is displayed becomes active:
PRESET BASICS
Mustang LT50's 30 factory presets are:

  1. FENDER CLEAN
  2. SILKY SOLO
  3. CHICAGO BLUES
  4. CLASSIC ROCK
  5. DREAMY
  6. COUNTRY PICKING
  7. SKATE PUNK
  8. SOLO MIDBOOST
  9. JAZZ AMP
  10. BRIT 64 RHYTHM
  1. METAL LEAD
  2. VINTAGE TREMOLO
  3. SUPER DRYCLEAN
  4. THRASH OVERKILL
  5. CLEAN DELAY
  6. OCTOBOT ONE NOTE
  7. LITTLE CHAMP
  8. PHASER SWIRL
  9. 60S FUZZ
  10. MYTHIC CRUNCH
  1. TOUCH WAH
  2. SUPER ROCK
  3. NICE FLANGER
  4. VIBRA DOOM
  5. SURF MUSIC
  6. BLUES LEAD
  7. ROCK A BILLY
  8. GARAGE FUZZ
  9. SPACE TRAVEL
  10. ACOUSTIC SIM

EDITING AND SAVING PRESETS

Presets can be easily edited and, if desired, renamed and saved in place or saved in a different location. The controls of each amplifier type can be adjusted, or an amp model can be replaced with a different one. Similarly, various effects controls can be adjusted, or effects can be removed from or added to a preset.
When a preset is active, the box containing its number is blue, indicating that no edits have been made. Once an edit is made, the box containing the preset number turns red and the preset title screen will read "UNSAVED". When edits are saved, the preset number box returns to blue and the "UNSAVED" title clears.

ACCESSING PRESET CONTENTS

To access the contents of a preset, press the ENCODER. From the top down, the DISPLAY WINDOW will then show the number and name of the preset, the amplifier type in use, and four boxes that organize the effects used for that preset (if any). These effects category boxes are labeled STOMP (stompbox), MOD (modulation), DELAY and REV (reverb). When first accessing preset contents, the preset name and amplifier type are highlighted in blue:
ACCESSING PRESET CONTENTS - Step 1
Select the amp model or one of the effects category boxes by turning and pressing the ENCODER. The active selection is then highlighted in blue:
ACCESSING PRESET CONTENTS - Step 2

EDITING AND SAVING AMPLIFIER CONTROL SETTINGS

To edit and save individual control settings of a preset's amplifier model, first select the amp model by pressing the ENCODER on it. The DISPLAY WINDOW will then show a list of controls for the amp model in use:
EDITING AND SAVING AMPLIFIER CONTROL SETTINGS - Step 1
EDITING AND SAVING AMPLIFIER CONTROL SETTINGS - Step 2
There are two ways to adjust an amp control knob setting. A control parameter that corresponds to an actual physical knob on the control panel can be adjusted simply by turning the physical control knob until the desired value is reached in the DISPLAY WINDOW. In the example below, the amp model's TREBLE setting is adjusted by turning the physical TREBLE control knob on the control panel:
EDITING AND SAVING AMPLIFIER CONTROL SETTINGS - Step 3
Alternately, select a control parameter by turning and pressing the ENCODER; its surrounding box will turn from blue to red:
EDITING AND SAVING AMPLIFIER CONTROL SETTINGS - Step 4
The control can then be adjusted by turning the ENCODER or by turning a corresponding physical control knob on the control panel:
EDITING AND SAVING AMPLIFIER CONTROL SETTINGS - Step 5
At this point, press the ENCODER or the BACK utility button (green arrow) to accept the adjusted control values. Pressing BACK returns the user to the preset contents screen; pressing the ENCODER lets the user continue making controls setting changes, and the box surrounding the control setting will return to blue. When control setting edits are complete, press the SAVE utility button to save the changes to the preset.
EDITING AND SAVING AMPLIFIER CONTROL SETTINGS - Step 6

If edited amp control settings are not saved, the preset will revert to its original amp control settings when returning to the preset after leaving it, or when turning the amplifier off and back on again. To save edited amp control settings, press the SAVE utility button and use the ENCODER to scroll to one of three options—SAVE, SAVE AS or REPLACE. Each is detailed below.
SAVE: Keeps an edited preset in the same location with the same name. To do this, press the SAVE utility button and use the ENCODER to scroll to "SAVE". Press the SAVE utility button again or press the ENCODER. A brief "PRESET SAVED!" screen will then flash before returning to the original preset screen:
EDITING AND SAVING AMPLIFIER CONTROL SETTINGS - Step 7
SAVE AS: Enables saving a preset in a different position, with or without a different name. To do this, press the SAVE utility button and use the ENCODER to scroll to "SAVE AS". Press the ENCODER to access a "CHOOSE SLOT" list of locations where the preset can be moved. Select a new location by turning and pressing the ENCODER:
EDITING AND SAVING AMPLIFIER CONTROL SETTINGS - Step 8
Whether renaming the preset or not when using "SAVE AS", a name must be entered by pressing the ENCODER to activate a cursor, then spelling out the name by turning and pressing the ENCODER to scroll through and select characters. All characters can be cleared by using the ENCODER to scroll to and select "CLEAR ALL". When name entry is completed for the new location, save it by pressing the SAVE utility button or by using the ENCODER to scroll to and select "SAVE". A brief "PRESET SAVED!" screen will then flash before returning to the original preset screen:
EDITING AND SAVING AMPLIFIER CONTROL SETTINGS - Step 9
REPLACE: Any existing preset can be replaced with another by pressing the SAVE utility button, using the ENCODER to scroll to and select "REPLACE" and choosing among the 30 original factory presets. After selecting "REPLACE", use the ENCODER to scroll to any of the 30 presets; each one is automatically "previewed" so the user can hear it before the preset is loaded. Press the ENCODER to select the preset, confirm it by using the ENCODER to scroll to and select "NO CANCEL" or "YES REPLACE" (not shown) and save it in the chosen slot:
EDITING AND SAVING AMPLIFIER CONTROL SETTINGS - Step 10

CHANGING THE AMPLIFIER MODEL IN A PRESET

The amplifier model in a preset can be replaced with another one (see list of Mustang LT50 amplifier models). To do this, acess the contents of a preset by pressing the ENCODER on it; the amp model will automatically be highlighted. Press the ENCODER again to see a list of controls for the amp model in use; the name of the amp model appears at the top of this list.
Press the ENCODER once more to activate the amplifier replacement function; the box surrounding the amp name will turn from blue to red, and white arrows will bracket the amp name. Turn the ENCODER to scroll to a new amp model. Press the ENCODER to accept the amp model change, after which the box surrounding the amp name will return to blue; or press the BACK utility button accept the amp model change and return to the preset contents screen:
CHANGING THE AMPLIFIER MODEL IN A PRESET

If an amplifier replacement is not saved, the preset will revert to its original amp type when returning to the preset after leaving it, or when turning the amplifier off and back on again. To save a preset amp replacement, follow the SAVE, SAVE AS or REPLACE instructions and at the top of this.

MUSTANG LT50 AMPLIFIER MODELS

This table lists the amp models in Mustang LT50. The amp label used in each preset appears in the lefthand column, followed by the amp type and a brief description in the righthand column.

PRESET AMP LABEL AMP TYPE AND DESCRIPTION
SUPER CLEAN Direct-to-mixing-desk studio-preamp purity with clean, uncolored tonal response
CHAMP Based on the '57 Champ ® —the small but mighty late-'50s Fender recording great
DELUXE DIRT Based on a 1957 Deluxe ™ —a medium-power late-'50s Fender tweed classic known for thick, compressed overdrive
50S TWIN Based on a 1957 Twin—an original-era 2x12" Fender tweed classic prized for clean-to-dirty versatility ®
BASSMAN Based on the venerable '59 Bassman —one of Fender's greatest tweed amps, which began life as a bass amp before being adopted by countless guitarists
PRINCETON Based on a 1965 Princeton —a mid-'60s Fender studio favorite with ® the snappy tone of a single 10" speaker
DELUXE CLN Based on the highly popular 1965 Fender Deluxe Reverb —an amp with great tone ® whether clean or dirty, and cranked in countless clubs
TWIN CLEAN Based on the 1965 Fender Twin Reverb —an indispensable mid-'60s stage-and- ® studio favorite prized for producing the Fender clean tone
EXCELSIOR An elegantly eccentric modern-day Fender model with the distinctive thump of a 15" speaker
SMALLTONE Inspired by the garage-classic 1960s Sears Silvertone beloved of retro/alternative players
70S UK CLN Inspired by the original 100-watt Hiwatt DR103, which is the classic cleaner-tone British stack
60S UK CLN Inspired by the Vox AC30, which powered the British Invasion and produced remarkable clean and dirty tone
70S ROCK Inspired by a late-'60s/early-'70s Marshall Super Lead, the amp that powered the dawn of hard rock
80S ROCK Inspired by the Marshall JCM800, which produced quintessential '80s metal tone
DOOM METAL Inspired by the "sludgy" majesty of the Orange OR120
BURN Based on the "burn" channel of the modern Fender Super-Sonic amp, which has two cascading preamp gain stages for pronounced sustain
90S ROCK Based on the Mesa Dual Rectifer, which featured distinctive distortion that shaped the "nu-metal" sound
ALT METAL Based on the distinctive nu-metal-defining distortion of the Mesa Dual Rectifier, gated with a very fast attenuation curve especially ideal for high-gain metal
METAL 2000 Modern high-gain scorch based on the EVH® 5150 III
SUPER HEAVY Modern high-gain scorch based on the EVH® 5150III, gated with a very fast attenuation curve especially ideal for high-gain metal

Champ, Deluxe, Bassman, Princeton, Deluxe Reverb and Twin Reverb are trademarks of FMIC. All other non-FMIC product names and trademarks appearing in this manual are the property of their respective owners and are used solely to identify the products whose tones and sounds were studied during sound model development for this product. The use of these products and trademarks does not imply any affiliation, connection, sponsorship, or approval between FMIC and with or by any third party.

EDITING AND SAVING EFFECTS CONTROL SETTINGS

To edit and save individual control settings of a preset's various effects (if any), first select the effect category box containing the effect to be edited by turning and pressing the ENCODER. There are four effects category boxes that can each contain one effect: STOMP (stompbox), MOD (modulation), DELAY and REV (reverb):
EDITING AND SAVING EFFECTS CONTROL SETTINGS - Step 1
The DISPLAY WINDOW will then show a list of controls for the effect model in use in that category; use the ENCODER to scroll to a particular effect control. Press the ENCODER to select the effect control; its surrounding box will turn from blue to red. Turn the ENCODER to set a new value for the selected control value:
EDITING AND SAVING EFFECTS CONTROL SETTINGS - Step 2
At this point, press the ENCODER to accept the adjusted effect control value and exit edit mode; the surrounding box will then return to blue. Alternately, press the BACK utility button (green arrow) to accept the effect control value change and return to the preset contents screen:
EDITING AND SAVING EFFECTS CONTROL SETTINGS - Step 3

If an edited effect control setting is not saved, the preset will revert to its original effect control settings when returning to the preset after leaving it, or when turning the amplifier off and back on again. To save edited effect control settings, follow the SAVE, SAVE AS or REPLACE instructions.

REPLACING, ADDING AND DELETING EFFECTS

As noted, each of the four effect category boxes can contain one effect. If an effect is present, it can be replaced with another effect in that category, or it can be deleted. If no effect is present, one can be added (see list of Mustang LT50 effects models). The signal path is Instrument—Stompbox—Modulation— Amplifier—Delay—Reverb—Speaker, as illustrated at left below.
Note that effects category boxes that already contain an effect have a solid outline, whereas effects category boxes that do not contain an effect have a dotted outline, as seen in the image at right below:
REPLACING, ADDING AND DELETING EFFECTS - Step 1
REPLACING, ADDING AND DELETING EFFECTS - Step 2
To replace an effect, access the contents of a preset by pressing the ENCODER on it, then use the ENCODER to scroll to one of the four effect category boxes. Press the ENCODER again to see the effect contained in the effect category box; the name of the effect model is highlighted at the top of the DISPLAY WINDOW:
REPLACING, ADDING AND DELETING EFFECTS - Step 3
Press the ENCODER once more to activate the effect replacement function; the box surrounding the effect name will turn from blue to red, and white arrows will bracket the effect name. Turn the ENCODER clockwise to scroll through other effects models in that category. Press the ENCODER to accept a replacement effect and exit edit mode; the surrounding box will return to blue. Alternately, press the BACK utility button (green arrow) to accept the replacement effect and return to the preset contents screen:
REPLACING, ADDING AND DELETING EFFECTS - Step 4
To delete an effect, the steps are very similar to those. As before, access the contents of a preset by pressing the ENCODER on it, then use the ENCODER to scroll to an occupied effect category box. Press the ENCODER again to see the effect contained in the effect category box; the name of the effect model is highlighted at the top of the DISPLAY WINDOW:
REPLACING, ADDING AND DELETING EFFECTS - Step 5
Press the ENCODER once more to activate the effect replacement function; the box surrounding the effect name will turn from blue to red, and white arrows will bracket the effect name. Turn the ENCODER counterlockwise until the red-highlighted effect label at the top of the DISPLAY WINDOW reads "NONE". Press the ENCODER on "NONE" (or press the BACK utility button), after which the user is returned to the preset screen with the previously occupied effect category box now empty:
REPLACING, ADDING AND DELETING EFFECTS - Step 6
To add an effect to an empty effect category box, first access the contents of a preset by pressing the ENCODER on it, then use the ENCODER to scroll to the empty effect category box. Press the ENCODER again to access the empty effect category box; the red-highlighted label "NONE" will appear at the top of the DISPLAY WINDOW:
REPLACING, ADDING AND DELETING EFFECTS - Step 7
Turn the ENCODER clockwise to scroll through effects models in that category. Press the ENCODER on the desired effect, after which the box surrounding the effect name will return to blue and the effect is added— although not yet saved—to that effect category box. Alternately, press the BACK utility button (green arrow) to return to the preset contents screen (see illustrations):
REPLACING, ADDING AND DELETING EFFECTS - Step 8

If an effect is not saved once it has been replaced, deleted or added, the preset will revert to its original effect model(s) when returning to the preset after leaving it, or when turning the amplifier off and back on again. To save a changed, deleted or added effect model, follow the SAVE, SAVE AS or REPLACE instructions.

SETTING DELAY TIMES WITH THE TAP BUTTON

There are three ways to set delay times for effects in Mustang LT50's "DELAY" effects category box. The first way is to use the "Editing and Saving Effects Control Settings" instructions found, using the ENCODER to scroll to, select and adjust individual effect settings, including delay time.
The second way is to use Mustang LT50's TAP utility button (yellow arrow). If a preset includes a delay effect, the TAP LIGHT (green arrow) flashes in time with that effect's default delay time. This time setting can be modified by tapping the TAP utility button two or more times at the desired tempo, regardless of what screen is shown in the DISPLAY WINDOW:
SETTING DELAY TIMES WITH THE TAP BUTTON
The third way to set delay times is to use the four-button footswitch.

If an edited delay time is not saved, the effect will revert to its original delay time when returning to the preset after leaving it, or when turning the amplifier off and back on again. To save an edited delay time, follow the SAVE, SAVE AS or REPLACE instructions.

MUSTANG LT50 EFFECT MODELS

This table lists the effect models in Mustang LT50, organized into the four categories that appear in each preset—STOMP (stompbox), MOD (modulation), DELAY and REV (reverb). The effects labels used in each preset appear in the lefthand column, followed by the effects types and a brief description in the righthand column.

STOMPBOX EFFECTS

OVERDRIVE Versatile Fender overdrive specially designed for Mustang LT50
BLUES DRIVE Overdrive effect inspired by the original late-'70s Ibanez TS808 Tube Screamer
MYTH DRIVE Overdrive effect inspired by the '90s-era Klon Centaur
ROCK DIRT Distortion effect inspired by the Pro Co RAT
FUZZ Versatile Fender fuzz with variable low-end response specially designed for Mustang LT50
BIG FUZZ Distortion effect inspired by the Electro-Harmonix Big Muff
OCTOBOT Synth-like combination of octave-down effect plus octave-up fuzz
COMPRESSOR Compressor effect inspired by the classic MXR Dyna Comp
SUSTAIN Inspired by the MXR M-163 Sustain, a rare 1980s compressor pedal with an especially strong compression effect and short attack time
METAL GATE Noise gate with a very fast attenuation curve especially ideal for high-gain metal
5-BAND EQ Five-band graphic equalizer

MODULATION EFFECTS

CHORUS Distinctive chorus effect that uses a triangle wave for modulation
FLANGER Distinctive flanging effect that uses a triangle wave for modulation
VIBRATONE Classic late-'60s/early-'70s Fender effect with a rotating speaker baffle
TREMOLO Smoothly pulsating tube bias tremolo, as heard in amps such as the Fender Princeton Reverb
PHASER Long-indispensable jetliner "whoosh" heard on countless recordings
STEP FILTER Rhythmically choppy effect that dices notes into distinctly alternating "steps"
TOUCH WAH Wah effect controlled by picking dynamics rather than an expression pedal

All non-FMIC product names and trademarks appearing in this manual are the property of their respective owners and are used solely to identify the products whose tones and sounds were studied during sound model development for this product. The use of these products and trademarks does not imply any affiliation, connection, sponsorship, or approval between FMIC and with or by any third party.

DELAY EFFECTS
Note that the control panel TAP utility button and TAP LIGHT work in connection with effects in this category only.

DELAY Clean, simple and pristine signal repetition
REVERSE Reverses the delayed signal for the classic "backwards guitar" effect
ECHO Tape delay effect based on the analog classic Maestro Echoplex, which had tape imperfections that created distinctive "wow" and "flutter"

REVERB EFFECTS

LARGE HALL Strong, bright reverb simulating the size of, for example, a major performance hall and other large, cavernous spaces
SMALL ROOM Warmer, less echo-y reverb typical of smaller spaces and classic echo chambers
SPRING 65 Fender reverb effect built into classic mid-'60s Fender amps
PLATE The reverb type heard on countless recordings, based on the classic (and pool table-sized) EMT 140
ARENA Simulates the long-trailing reverberation typical of large stadiums and arenas

All non-FMIC product names and trademarks appearing in this manual are the property of their respective owners and are used solely to identify the products whose tones and sounds were studied during sound model development for this product. The use of these products and trademarks does not imply any affiliation, connection, sponsorship, or approval between FMIC and with or by any third party.

Mustang LT50 features five convenient MENU functions—TUNER, FOOTSWITCH, LEVELS, RESTORE and ABOUT—all easily accessed by pressing the MENU utility button. The first function (TUNER) is automatically highlighted; use the ENCODER to scroll to and select any MENU function:
MENU FUNCTIONS
TUNER: Enables use of Mustang LT50's built-in chromatic tuner.
FOOTSWITCH: For configuring the quick-access preset, effects on/off and tuner functions of Mustang LT50's optional four-button footswitch.
LEVELS: Level control with signal-strength meter for use when recording using the USB audio port on the control panel, or when using the rear-panel mono line output to send signal to external sound and recording equipment.
RESTORE: Enables restoration of factory presets and amplifier settings.
ABOUT: Displays the amp's current firmware version.

There are three ways to access Mustang LT50's built-in chromatic tuner. The first way is to press and hold the TAP utility button on the control panel until the tuner screen appears in the DISPLAY WINDOW:
MENU FUNCTION: TUNER - Step 1
The second way is to press the MENU utility button on the control panel; the list of MENU functions will appear in the DISPLAY WINDOW with the TUNER function automatically highlighted atop the list. Press the ENCODER on TUNER to access the tuner screen:
MENU FUNCTION: TUNER - Step 2
To use the TUNER, sound a note; the letter name of the pitch will appear in the box at bottom and the shorter vertical bars on either side of the longer vertical center bar will illuminate red to indicate varying degrees of sharpness (to the right) or flatness (to the left). When a pitch is precisely in tune, the longer vertical center bar and the two shorter vertical bars on either side of it will illuminate green:

Note that speaker output is muted when tuning, and that the volume control on the instrument being tuned must be turned up sufficiently to register a TUNER reading.
The third way to access the tuner is by using the footswitch. To use the footswitch for hands-free chromatic tuning, see the instructions on 20.

Connect the optional four-button MGT-4 footswitch by plugging it into the "FOOTSWITCH" jack on the rear panel; note that Mustang LT50 comes with a magnetic footswitch overlay that provides correct footswitch labeling for the MGT-4 and other compatible four-button Fender footswitches*. The footswitch provides convenient quick-access preset selection, effects on/off switching and delay tap tempo control, and a hands-free tuner function. When the footswitch is connected and the amplifier is on, the footswitch is automatically synched with the active preset, and the red "BANK 1" LED at far left will illuminate. For example, if preset 9 ("Jazz Amp") is active and the footswitch is connected to the amp, the footswitch will synch up with that preset, as indicated by "P09" in the footswitch's own display window:
MENU FUNCTION: FOOTSWITCH

FOOTSWITCH: QUICK ACCESS PRESETS

The four-button footswitch can be configured for hands-free switching among up to eight "quick-access" presets, arranged in two "banks" of four presets each. To do this press the MENU utility button and use the ENCODER to scroll to and select "FOOTSWITCH."
FOOTSWITCH: QUICK ACCESS PRESETS - Step 1
Both quick-access preset banks will appear in the DISPLAY WINDOW below the header "QUICK ACCESS"; the upper bank ("BANK 1") is automatically highlighted in blue. Press the ENCODER on it, and the four preset slots in the first bank appear with their default settings, labeled "A", "B", "C" and "D" to correspond to the "A", "B", "C" and "D" buttons on the footswitch. The first preset slot ("A") will be highlighted in blue:
FOOTSWITCH: QUICK ACCESS PRESETS - Step 2
* Older Fender MS-4 and ULT-4 four-button footswitches are also compatible with Mustang LT50. The magnetic footswitch overlay that comes with Mustang LT50 fits both footswitches.
To assign a different preset to slot "A", for example, press the ENCODER on it. A "CHOOSE SLOT" screen then appears with a numbered list of 30 presets, the first of which is highlighted in red. Use the ENCODER to scroll to and select a new preset for slot "A" (preset 18 in the example here):
FOOTSWITCH: QUICK ACCESS PRESETS - Step 3
The new preset now occupies preset slot "A". Use the same steps to replace the presets in slots "B", "C" and "D" in BANK 1if so desired. To set four more quick-access presets, use the ENCODER to scroll to and select the second bank ("BANK 2"), then follow the same steps:
FOOTSWITCH: QUICK ACCESS PRESETS - Step 4
Once configured, all eight quick-access presets are easily accessible using the footswitch. When the amp is on and the footswitch is connected, BANK 1 is automatically active, and the four presets contained in it are assigned to footswitch buttons "A", "B", "C" and "D".
Simply step on the button corresponding to the desired preset. In the example here, preset 18 has been assigned to slot "B" in BANK 1 (as indicated by the illuminated red BANK 1 LED at far left, illuminated red LED above switch "B" and in the footswitch display window); step on footswitch button "B" to activate it (yellow arrow):
FOOTSWITCH: QUICK ACCESS PRESETS - Step 5
To access the presets in BANK 2, step on buttons "A" and "B" simultaneously. The green "BANK 2" LED at far left will illuminate, indicating that the four presets in BANK 2 have been assigned to footswitch buttons "A", "B", "C" and "D". As before, step on the button corresponding to the desired preset. In the example here, preset 5 has been assigned to slot "A" in BANK 2 (as indicated by the illuminated green BANK 2 LED at far left, illuminated red LED above switch "A" and in the footswitch display window), so step on footswitch button "A" to activate it:
FOOTSWITCH: QUICK ACCESS PRESETS - Step 6

FOOTSWITCH: EFFECTS ON/OFF

Effects in a preset (if any) can be turned on and off using the footswitch. To do this, step on buttons "A" and "B" simultaneously until the amber "EFFECTS" LED illuminates at far left (see illustration below). Footswitch buttons "A", "B", "C" and "D" are also respectively labeled as "STOMP" (A), "MOD" (B), "DELAY" (C) and "REVERB" (D). Since one effect only from each of these four categories can appear in a preset, any effects used in a preset are automatically assigned to the four footswitch buttons.
In the example here, active preset 9 contains one stompbox effect and one reverb effect. Consequently, with the footswitch in "EFFECTS" mode, the stompbox effect is automatically assigned to footswitch button "A" and the reverb effect is automatically assigned to button "D" (the preset has no modulation or delay effects, so footswitch buttons "B" and "C" are inactive). Merely step on these buttons to turn these effects on and off:
FOOTSWITCH: EFFECTS ON/OFF

FOOTSWITCH: TAP TEMPO FOR DELAY EFFECTS

For presets with a delay effect, the footswitch has a tap tempo function for hands-free adjustment of delay rates. To do this, first put the footswitch in BANK 1 or 2 mode as described above. Select a preset with a delay effect; step on the footswitch button corresponding to the current selected preset twice or more at the desired tempo. This changes the delay time in the same manner as tapping the TAP tempo utility button on the amp's control panel.

If delay rate changes are not saved, the preset in use will revert to its original delay rate when returning to the preset after leaving it, or when turning the amplifier off and back on again. To save delay rate changes in a preset, follow the SAVE, SAVE AS or REPLACE instructions.

FOOTSWITCH: TUNER

To use the footswitch for hands-free tuning, step on buttons "C" and "D" simultaneously to activate chromatic tuner mode. Note that putting the footswitch in tuner mode also activates the tuner display on the Mustang LT50 control panel.
The pitch letter closest to the sounded note will appear in the footswitch display window (symbols to the right of each pitch letter denote sharp and flat notes; when tuning to, for example, C sharp or E flat). When sounding a note, the LEDs above footswitch buttons "A" and "B" illuminate red to indicate degrees of flatness; the LEDs above footswitch buttons "C" and "D" illuminate red to indicate degrees of sharpness. When correct pitch is attained, the center LED beneath the footswitch display window will illuminate green.
When tuning is complete, step on any button to exit tuner mode. Note that footswitch tuner use mutes speaker output.
FOOTSWITCH: TUNER - Step 1
To activate the footswitch tuning function, step on buttons "C" and "D" simultaneously (double yellow arrow). In the example above, a "G" note is displayed as being particularly flat, as indicated by the illumination of the red LED above button "A" (green arrow).
FOOTSWITCH: TUNER - Step 2
Here, the "G" note is displayed as slightly sharp, as indicated by the illumination of the red LED above button "C" (green arrow).
FOOTSWITCH: TUNER - Step 3
Here, the "G" note is at correct pitch, as indicated by the illumination of the green center LED (green arrow). When tuning is complete, step on any button to exit footswitch tuner mode.

The third MENU function—LEVELS—features a level control for use when recording using the USB port on the control panel, and for the mono line output when connected to external sound and recording equipment. Note that the MASTER VOLUME control does not control USB and mono line output volume.
To access this option, press the MENU utility button and use the ENCODER to scroll to and select LEVELS. The level control is automatically highlighted:
MENU FUNCTION: LEVELS - Step 1
Turn the ENCODER to set a new "LEVEL" value. Press the ENCODER to accept the new value and exit the menu. Alternately, press the BACK utility button (green arrow) to accept the new value and return to the MENU function screen:
MENU FUNCTION: LEVELS - Step 2
For best sound quality, set the "LEVEL" so that signal stays within the green bars, barely reaches the single yellow bar at right, and does not reach the single longer red clipping bar at far right (all bars shown illuminated in illustration above). Note that changing presets can change individual volume; "LEVEL" readjustment may be necessary when changing presets.

The fourth MENU function—RESTORE—enables restoration of all original factory presets and amplifier settings. To do this, press the MENU utility button, then use the ENCODER to scroll to and select RESTORE:
MENU FUNCTION: RESTORE - Step 1
To initiate restoration use the ENCODER to scroll to and select "YES RESTORE". To cancel restoration, press the ENCODER on "NO CANCEL", or press the BACK utility button. While restoration is in progress, a blue waiting screen with a progress bar will appear. When restoration is complete, the user is returned to the first preset screen:
MENU FUNCTION: RESTORE - Step 2

The fifth MENU function—ABOUT—displays the amp's current firmware version. To do this, press the MENU utility button, then use the ENCODER to scroll to and select ABOUT; the current firmware version will be displayed:
MENU FUNCTION: ABOUT

AUXILIARY INPUT AND HEADPHONE OUTPUT

The Mustang LT50 control panel features two 1/8"-inch jacks: an auxiliary input for connecting external mobile/audio devices and an output for convenient headphone use.
Note that when using the auxiliary input, volume levels for external devices are set using volume controls on the external devices themselves (the amp's volume controls are for overall volume level only and do not affect individual volume of external devices connected to the auxiliary input jack). Also note that speaker output is muted when headphones are plugged in, and that the auxiliary input signal is not sent to the USB port or mono line output.

USB PORT

The Mustang LT50 control panel features a USB port for audio recording and Fender TONE use (see "FENDER TONE" below). Using a micro USB cable (not included), connect a computer with recording software to this port. No external driver is needed to connect to an Apple computer. To connect to a Windows-based computer, the user must download the ASIO driver setup with Fender Mustang device, available at https://support.fender.com/hc/en-us/articles/214343123-How-do-I-know-which-ASIO-Driver-to-use.

Note that although the USB port and the auxiliary input can be used simultaneously, the USB port cannot be used to record a signal from the auxiliary input. Also note that the USB output is in stereo, and that while preset gain, volume and tone controls will affect USB level and tone, the MASTER VOLUME control does not.
When recording using the USB port, a level control is located in the LEVELS menu function.

MONO LINE OUTPUT

Mustang LT50 has a rear-panel 1/4" mono line output for connection to external sound and recording equipment.
When using the rear-panel mono line output, a level control for it is located in the LEVELS menu function.
Note that preset gain, volume and tone controls will affect mono line output level and tone; the MASTER VOLUME control does not affect mono line output level. Also note that a TRS (stereo) cable can be used to reduce or eliminate hum.

FENDER TONE™

Fender Tone—the ultimate desktop companion to Mustang LT amplifiers for Mac and PC—is available as a free download from fender.com/ToneDesktop. With an easy-to-use interface, Tone users can have convenient control over existing Mustang LT50 functions, plus access to additional presets and many other features, including:

  • Firmware updates
  • Dozens of additional Fender presets for auditioning and downloading
  • Preset creation and editing with convenient "undo" feature
  • Preset editing (replacing amp and effect models, and modifying parameters)
  • Preset saving, renaming, moving and clearing
  • Preset backup and restore
  • Effect bypass

Learn more about Fender Tone at fender.com/ToneDesktop, and find support materials at fender.com/ToneSupport.

SPECIFICATIONS

TYPE PR 5674
POWER REQUIREMENTS 110 watts
POWER OUTPUT 50 watts into 8Ω
INPUT IMPEDANCE 1MΩ (instrument) 15kΩ (aux)
SPEAKER One 12" Fender Special Design speaker (8Ω)
FOOTSWITCH Four-button MGT-4 (optional, PN 0994071000)
DIMENSIONS AND WEIGHT Width: 17" (43.1 cm)
Height: 16.5" (41.9 cm)
Depth: 8.5" (21.6 cm)
Weight: 19.8 lbs. (9 kg)


Product specifications subject to change without notice.
Be sure to check fender.com/firmware/support regularly for firmware updates that improve and enhance the Mustang LT50 experience.

Documents / Resources

References

Download manual

Here you can download full pdf version of manual, it may contain additional safety instructions, warranty information, FCC rules, etc.

Download Fender Mustang LT50 - Guitar Amplifier Manual

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