Behringer 2600 Manual page 5

12 2600
2600 Controls
Mixer/Reverb Section
The Mixer section accepts two inputs that are balanced via the two sliders and
then summed into a single signal. After being summed, the combined signal can
then be panned before going to the stereo outputs. The Mixer section is pre-
wired with inputs from the VCF and VCA.
NOTE: 2600 uses a digital reverb, while BLUE MARVIN features a real,
on-board spring reverb.
 AUDIO – Use these two inputs to route audio signals into the Mixer via
cables with 3.5 mm connectors. Inserting 3.5 mm connectors into these
jacks will disable the pre-wired VCF and VCA connections.

POST-ATTENUATOR OUTPUTS – These two outputs allow you to send
signals out immediately following the attenuator sliders, which means the
sliders can be used to attenuate audio or control voltage signals for use
elsewhere.

POST-MIXER OUTPUT – This input breaks the signal connection from the
Mixer to the PAN slider when a 3.5 mm connector is inserted. Use this input
to route in an outside signal for use by the PAN slider. The Mixer output still
goes to the Reverb circuit via a pre-wired connection.

PAN – Use this slider to place the summed Mixer signal where desired in
the left-right stereo eld before nal output.

MIXER OUT – This output is an additional Mixer output that taps the pre-
wired Mixer connection which feeds into the Reverb circuit.

REVERB OUT – This output taps the right Reverb signal for use elsewhere.

LEFT INPUT – Use this input to add an additional signal to the Reverb
circuit's left output. The additional signal will be summed with the left
Reverb output and panned hard left in the stereo eld.

RIGHT INPUT – Use this input to add an additional signal to the Reverb
circuit's right output. The additional signal will be summed with the right
Reverb output and panned hard right in the stereo eld.
 L OUTPUT/R OUTPUT – The nal stereo left-right outputs each have
matching parallel pairs of ¼" and 3.5 mm connections. The ¼" outputs
can be used to send the nal mix to external ampli ers, speakers or other
processing equipment. The parallel 3.5 mm jacks can be used to send the
left and right outputs to other synth circuits for further processing.
Keyboard/Portamento Section
The Keyboard section determines how the built-in Low Frequency Oscillator (LFO)
unit works with an external keyboard.
The keyboard control voltage is available as a pre-wired connection wherever
you see this label:






TRIG OUT – Use this output to send out a trigger control voltage for use
elsewhere via a cable with a 3.5 mm connector.

GATE OUT – This output can be used to send out a gate control voltage via
a cable with a 3.5 mm connector.

UPPER VOICE – This output sends out a control voltage based on the
highest note being played on the keyboard while in DUO voice mode.
 KYBD CV – This output sends out the complete keyboard control voltage
signal for use elsewhere.

VOICE MODE(MONO/DUO) – Use this sliding switch to determine
whether the keyboard plays one voice at a time (MONO) or two voices
simultaneously (DUO).
 REPEAT (KYBD/OFF/AUTO) – Use this sliding switch to control how
the keyboard sends trigger signals. When the switch is set to the KYBD
position, the keyboard will send out repeating trigger pulses as long a key
is held down. In the AUTO setting, the keyboard will send out a stream of
trigger pulses based on the synthesizer's LFO setting. When the switch
is in the center OFF position, the keyboard will generate only one trigger
pulse per key press (i.e., the keyboard will revert to "normal" keyboard
functionality).
 TRIG MODE (SINGLE/MULT) – When this switch is set to SINGLE, the
keyboard will only generate a trigger pulse when a key is played while no
other keys are being played. In MULT mode, the keyboard will generate
a trigger pulse every time any key is pressed down, even if previously
pressed keys are held down.
The Portamento function allows one pitch to change gradually to a second pitch
a predetermined rate.