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WAVES
KRAMER MPX MASTER TAPE
USER GUIDE

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Summary of Contents for Waves KRAMER MPX MASTER TAPE

  • Page 1 WAVES KRAMER MPX MASTER TAPE USER GUIDE...
  • Page 2: Table Of Contents

    CHAPTER 4 – THE WAVESYSTEM ................13 4.1 T ................... 13 YSTEM OOLBAR 4.2 P ....................13 RESET ANDLING 4.3 I ..................... 15 NTERFACE ONTROLS 4.4 W ) .............. 17 AVES REFERENCES OOLS ONLY CHAPTER 5 – APPENDIX ..................... 18 Waves Kramer MPX User Guide...
  • Page 3: Chapter 1 - Introduction

    Chapter 1 – Introduction 1.1 Welcome Thank you for choosing Waves! In order to get the most out of your Waves processor, please take the time to read through this manual. In conjunction, we also suggest that you become familiar with www.wavesupport.net.
  • Page 4: Concepts And Terminology

    For this reason, the MPX Master Tape plugin offers both nominal bias as well as overbias, which represents 3dB over the recommendation, a setting Waves Kramer MPX User Guide...
  • Page 5 “proper” tape sound. When running hot signals, the needle may stick to the right side (≥ +3 dBVU). If you are achieving the desired sound, but would like to see some meter action, you can calibrate the meter to your desired Waves Kramer MPX User Guide...
  • Page 6 1ms to 500 ms, with settings for 7.5 ips (266 ms) and 15 ips (133 ms), emulating the natural slap heard when monitoring the incoming and reproduced signals at the indicated speeds. Waves Kramer MPX User Guide...
  • Page 7: Components

    1.4 Components The Kramer MPX Master Tape consists of two components: Kramer MPX Mono Kramer MPX Stereo Kramer MPX Mono Kramer MPX Stereo Waves Kramer MPX User Guide...
  • Page 8: Chapter 2 - Quick Start Guide

    If needed, unlink the Record Level and Playback level and adjust levels individually. Please note: Since input levels have a significant impact on the sound of the plugin, we recommend experimenting in order to find your optimal settings. Waves Kramer MPX User Guide...
  • Page 9: Chapter 3 - Interface And Controls

    Chapter 3 – Interface and Controls 3.1 Interface Waves Kramer MPX User Guide...
  • Page 10: Controls

    351, before it goes to tape, prior to the pre-emphasis and de- emphasis filters. BIAS controls the level of the ultrasonic bias signal. Range: Nominal, Over Default: Over VU METER displays input or output level, depending on your selection. Range: -20 dBVU – +3 dBVU Waves Kramer MPX User Guide...
  • Page 11 Range: Off – 100 Default: Off LOWPASS controls the LP cutoff frequency on the delay path. Range: 200 Hz – 16 kHz Default: 3.5 kHz RECORD LEVEL controls the input level. Range: +/- 18 dB Default: 0 dB Waves Kramer MPX User Guide...
  • Page 12 Default: 50 (as modeled from the original) NOISE controls the level of added modeled noise including noise modulations and signal additive noise. Range: Off / -40 dB to 0 (0 as modeled from the original) Default: Off Waves Kramer MPX User Guide...
  • Page 13: Chapter 4 - The Wavesystem

    All Waves plugins feature the WaveSystem toolbar which takes care of most administrative functions you will encounter while working with your Waves software. The features of the WaveSystem toolbar are the same on practically all Waves plugins, so familiarity with its features will be helpful whichever plugin you are using.
  • Page 14 You will be prompted to give this preset a name. User Presets are stored in the plugin’s preference file. Please note: Special characters (such as: !, @, #, %, ^, etc.) are not supported in preset names. Waves Kramer MPX User Guide...
  • Page 15: Interface Controls

    (bypass, solo, or monitoring toggles) illuminate when the control is active. Some plugins have link buttons between a pair of toggle buttons, allowing click-and- drag adjustment while retaining the offset between the controls. Waves Kramer MPX User Guide...
  • Page 16 Shift while clicking the mouse on any control you wish to link. This method is useful when you want to select two or more controls that are not adjacent to one another. TAB Functions TAB moves the ‘selected’ status to the next control, with shift-TAB moving in the reverse direction. Waves Kramer MPX User Guide...
  • Page 17: Waves Preferences (Pro Tools Only)

    Hitting Esc or Return will return the 'focus' to the DAW application. 4.4 Waves Preferences (Pro Tools only) When launching Pro Tools, hold Shift to view the Waves plugin Preferences window. The following options are available: •...
  • Page 18: Chapter 5 - Appendix

    Kramer Olympic chain was going to be the hardest. Waves discovered (along with the guidance of some of their Beta team) that they were missing a number of things, each one extremely complicated by itself, and in total representing a huge challenge.
  • Page 19 As they could only develop for one platform at a time, Waves chose to do their initial development for the Macintosh, at which time Bob took a back seat and John Haeny made it a full-time job by becoming a co-developer of this product.
  • Page 20 The amount of bias current applied is critical to the frequency response and distortion characteristics of an analog recording. Waves modeled and have provided you with two bias settings. “Normal Bias” (this is the Ampex recommendation for bias adjustment, straight out of the original Operator’s Manual for the 351).
  • Page 21 Flux Control on Kramer MPX is calibrated in nWb/m, here is a quick reference guide for comparison (Source Quantegy): -2dB = 150 nWb/m 0dB = 185 nWb/m (Ampex Standard Operating Level) +3dB = 250 nWb/m +5dB = 320 nWb/m +6dB = 370 nWb/m +9dB = 520 nWb/m Waves Kramer MPX User Guide...
  • Page 22 Since 3M Scotch 207 was rated at between 185 nWb/m or 250 nWb/m (opinions vary about the ‘ideal’ level for Scotch 207, Waves have chosen the more conservative level of 185 nWb/m for the MPX default, although they modeled a wide range of flux levels to be able to accurately create the variable flux control)), you will find that this plug will be especially sensitive to settings above the recommended level of the tape sampled.
  • Page 23 Delay Time control in the delay section. It is NOT affected by the running speed of the transport. If you need to ask why Waves included this bonus function, the answer is quite simple. because they could!
  • Page 24 Even as digital recording has come of age, and with hindsight 20/20, what many considered to be a limitation of analogue tape recording, has in fact become desirable. Digital has been criticized by many as being clinical and cold sounding, while analogue technology has been touted as Waves Kramer MPX User Guide...
  • Page 25 MPX is the result of almost two years of failures and triumphs and contains the heart and soul of many contributors. Waves’ sincerest hope is that you will enjoy MPX and that it will become an invaluable component in your sonic toolkit.

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