Korg EXB-RADIAS for M3 Owner's Manual
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Korg EXB-RADIAS for M3 Owner's Manual

Korg EXB-RADIAS for M3 Owner's Manual

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  • Page 2 About this manual About the EXB-RADIAS for M3 operating manual This EXB-RADIAS for M3 operating manual explains the RADIAS program functions and parameters that are available when the EXB-RADIAS synthesizer board is installed in the M3 music workstation/sampler. For details about basic operation of the M3 and on the functions and parameters not related to the EXB-RADIAS, refer to the M3 operation guide and parameter guide.

  • Page 3: Table Of Contents

    Table of contents Introduction ...................1 Overview ........................1 Program structure ....................... 1 Synth programs ..........................1 Vocoder program ..........................3 Combination structure ....................4 Song structure (Sequencer mode) ................4 Quick Start ..................5 Selecting and playing programs ................5 Synth programs ..........................5 Selecting and playing ........................................5 Using controllers to vary the sound ..................................5 Vocoder programs ..........................
  • Page 4 Table of contents Editing a vocoder program......................12 Vocoder on/off ..........................................12 Carrier Input ............................................ 12 Modulator, Out Mix (modulator and vocoder output settings) ........................12 Filter settings ........................................... 13 Formant Motion function ......................................13 Creating your own program......................14 Saving a program..........................
  • Page 5 PROG P2: OSC/Pitch ....................30 2–1: OSC Basic ........................... 30 2–1a: OSC1 ............................................30 2–1b: OSC2 ............................................32 2–1c: Mixer ............................................33 2–2: OSC1 Pitch ..........................33 2–2a: Pitch ............................................33 2–2b: Portamento .......................................... 33 PROG P3: Filter ......................34 3–1: Filter ............................
  • Page 6 Table of contents Combination mode ..................47 Combi Page Select ..................... 47 COMBI P0: Play ......................47 0–1: Program T01–08, 0–2: Program T09–16.................. 47 0–3: Mixer T01–08, 0–4: Mixer T09–16 .................... 47 0–5: KARMA GE..........................48 0–6: KARMA RTC ..........................48 0–7: Sampling/Audio In ........................
  • Page 7 Sequencer mode ..................57 SEQ Page Select ......................57 SEQ P0: Play ........................ 58 SEQ P0–1: Play/REC ....................58 SEQ P0–2: Play/REC ....................58 0–2–1: KARMA GE..........................58 0–2–2: KARMA RTC..........................58 0–2–8: Control Surface ........................58 Tone Adjust............................59 0–2–8g: Tone Adjust ........................................59 SEQ P1: DT/XY/Ctrls ....................
  • Page 8 Table of contents Global mode ....................65 Menu Command ......................65 Load Preload/Demo Data ........................ 65 Set Program User–Bank Type ......................66 Media mode ....................67 Menu Command ......................67 Load selected............................ 67 Appendices ..................69 EXB-RADIAS Specifications ..................69 viii...

  • Page 9: Introduction

    The EXB-RADIAS is a synthesizer/vocoder option board RADIAS programs can be either synth programs that are that uses Korg MMT (Multiple Modeling Technology) to based on MMT synthesis, or vocoder programs that use the provide a wide range of tonal variety and 24 voices of vocoder function.
  • Page 10 Introduction The noise generator (NOISE) generates white noise. You can to back, etc. - providing movement and complexity to the use this for a variety of sound shaping situations, such as sound. The value can change abruptly at each step, or it can adding breath noise for a wind instrument sound, or as part smoothly transition from value to value.

  • Page 11: Vocoder Program

    Program structure Vocoder program Vocoder program A vocoder applies the spectral character of the “modulator” (e.g., a signal received from the AUDIO INPUT 2 jack) to the “carrier” (e.g., a signal received from the AUDIO INPUT 1 jack). The most popular way to use this is to input your voice from a mic connected to the AUDIO INPUT 2 jack, creating the impression that an instrumental sound is “talking.”...

  • Page 12: Combination Structure

    Introduction Combination structure Song structure (Sequencer mode) In Combination mode, you can combine RADIAS programs and EDS programs to create more complex sounds. In Sequencer mode, up to four tracks of a song be assigned Up to four timbres in a combination can be assigned RADIAS programs simultaneously.

  • Page 13: Quick Start

    Quick Start Selecting and playing programs For details on connecting external devices and setting up, Press the CONTROL ASSIGN TONE ADJUST switch refer to “M3 operation guide.” (the LED will light). You can control the sound parameters that are assigned to the sliders and switches.

  • Page 14: Vocoder Programs

    Quick Start Vocoder programs Let’s select a vocoder program and try out the vocoder function. You’ll need to connect a mic to the AUDIO INPUT 2 jack. Before you connect the mic, set the AUDIO INPUT LEVEL knob to MIN. Selecting and playing 1.

  • Page 15: Operation

    Operation Editing a program In the PROG P0: Play page, you can select and play RADIAS 5. Use “Number of Voices” to specify the number of programs, use the control surface to perform quick editing, voices that you want to sound simultaneously. and adjust the KARMA settings in the same way as for EDS 6.

  • Page 16: Filter

    Operation OSC2 (Oscillator 2) Filter 1. Use the “Waveform” to select the waveform of oscillator 2. The filters allows you to diminish or emphasize specified You can choose one of four different waveforms. The most frequency regions of the sound. The tone of the sound will common way to use this is to select the same waveform as depend significantly on the filter settings.

  • Page 17: Amp

    Editing a program Amp filter in the negative direction (i.e., if the filter type is LPF, the sound will become darker). Note: EG1 envelope settings are made in the PROG P5: EG/ LFO/SEQ page. (☞p.38 “5–1: EG1 (Filter), 5–2: EG2 (Amp), Amp is where you specify drive and wave shape, adjust the 5–3: EG3”) volume, and set the pan.

  • Page 18: Eg (Envelope Generator)

    Operation 3. Use “Decay/Release Time Velocity Intensity” to specify EG (Envelope Generator) how velocity will affect decay time and release time. Higher values will allow velocity to affect the EG time An EG (envelope generator) applies time-varying change to settings more greatly. a parameter of the sound.

  • Page 19: Lfo

    Editing a program LFO Virtual Patch These are the parameters for the LFOs (Low Frequency These are the parameters for the Virtual Patch function. Oscillators). An LFO can apply cyclic change to the sound. Virtual Patch is a function that lets you assign modulation LFO1 is internally connected as the modulation source for sources such as EG or LFO to a variety of parameters.

  • Page 20: Modulation Sequencers

    Operation Modulation Sequencers Editing a vocoder program The Modulation Sequencers let you apply time-varying Here’s how to adjust the settings for the vocoder’s carrier, change to sound parameters in a way similar to analog modulator, and output. sequencers of the past. A modulation sequencer stores a These settings are made in the PROG P6–1: Carrier/ discreet value for each of sixteen individual steps, and Modulator page.

  • Page 21: Filter Settings

    Editing a program Editing a vocoder program 5. Use “Gate Sens” to adjust the gate sensitivity. Adjust Formant Motion function this so that the output of the vocoder is not interrupted in an unnatural way. The formant motion function lets you use data such as a 6.

  • Page 22: Creating Your Own Program

    Operation Writing formant motion data Creating your own program Here’s how the formant motion data you recorded can be written into internal memory. The internal memory can hold You can create original sounds by editing a preloaded sixteen sets of formant motion data. program or by editing an initialized program from scratch.

  • Page 23: Editing A Combination (Combination Mode)

    Editing a combination (Combination mode) Timbre settings Editing a combination (Combination mode) You can assign RADIAS programs to the timbres of a • COMBI P3–5(6)c: Pitch Transpose, Detune (Use BPM combination, and create combinations that use them Adjust in Menu) (☞p.54) together with the EDS programs.

  • Page 24: Editing A Song (Sequencer Mode)

    Operation Editing a song (Sequencer mode) You can assign RADIAS programs to MIDI tracks of a song. As with combinations, up to four RADIAS programs can be used in one song. The maximum polyphony of all RADIAS programs will be 24 voices. MIDI track settings The way to adjust the parameter settings, the operation of the parameters, and the points of caution are the same as for...

  • Page 25: Restoring The Factory Settings (Global Mode)

    Restoring the factory settings (Global mode) Restoring the RADIAS program data to the factory-set state Restoring the factory settings (Global mode) Here’s how to restore the RADIAS programs and the Restoring the formant motion RADIAS formant motion data to the state it was in when the EXB-RADIAS was installed.
  • Page 26 Operation...

  • Page 27: Parameter Guide

    Parameter guide Program mode Page Select PROG P0: Play For details on how to select each page, refer to the “M3 In this page you can select and play programs. Here you can operation guide.” also perform simple editing of the drum track, EQ, and KARMA function, make settings for the audio inputs and resampling, and view the control surface.

  • Page 28: 0-7: Sampling/Audio In

    Parameter guide 0–7: Sampling/Audio In OSC Mix Here you can adjust the settings for the analog/digital audio In OSC Mix you can switch the Play/Mute and Solo On/Off inputs (Analog, S/P DIF), and adjust the parameter settings status of the RADIAS oscillators and the drum track. for sampling in Program mode.

  • Page 29: 0-8D: Radias Volume

    PROG P0: Play Tone Adjust The Solo On/Off setting is not saved when you write the Tone Adjust program. Exclusive Solo menu parameter The menu’s Exclusive Solo parameter also affects the way that Solo works. When Exclusive Solo is Off (unchecked), you can solo RADIAS oscillator, Drum Track, and audio inputs at once.

  • Page 30: Common Tone Adjust Parameters

    Parameter guide set a virtual patch source (Src) to EG3, and set the Common Tone Adjust Parameters destination (Dst) to Pitch. Pitch LFO1 Intensity. (–99...+99, CC#77) Unless otherwise noted, all of the Common Tone Adjust This scales the effect of LFO1 on the Pitch. parameters are Relative.

  • Page 31: Radias Tone Adjust Parameters

    PROG P0: Play Tone Adjust OSC2 Semitone (–24…+24, Absolute): RADIAS Tone Adjust Parameters Controls the amount of detune (semitone units) relative to oscillator 1. OSC1 Waveform (Saw/Square/Tri/Sine/Formant/Noise/ OSC2 Tune (–63…+63, Absolute): DWGS/AudioIn, Absolute): Controls the amount of detune relative to oscillator 1. Selects the waveform for oscillator 1.

  • Page 32: Tone Adjust Default Settings

    Parameter guide MSEQ Resolution ( 3… , Absolute): Controls the playback speed of the modulation sequence as a timing resolution relative to the tempo. Tone Adjust Default Settings Tone Adjust provides an elegant physical interface to the parameters. Most of the factory sounds use the default layout, as shown above.

  • Page 33: Prog P1: Basic/Dt/Ctrls

    PROG P1: Basic/DT/Ctrls 1–1: Program Basic PROG P1: Basic/DT/Ctrls Here you can make basic settings for RADIAS program. Priority [Low, High, Last] Here you can: Priority is available when the Voice Assign Mode is set to • Select the voice assign mode. Mono.

  • Page 34: 1-1C: Audioin (Osc&Vocoder) Source

    Parameter guide User Octave Scale: The scale you created in the User Octave If the RADIAS oscillator output passes through the Scale (Global P3: 3–1a). insert effects and is sent both to the AUX buses and the FX Control Bus, a feedback loop will be created by these Key (Scale Key) [C…B] settings and the effects listed below, potentially...
  • Page 35 PROG P1: Basic/DT/Ctrls 1–1: Program Basic RADIAS program Audio In (OSC&Vocoder) Source Audio Inputs (Send to RADIAS) Audio Input Source Audio Input Source AUX Bus (Send to RADIAS) Vocoder Carrier/ Modulator AUX Bus = 1/2 AUX Bus Source Source Insert Effects Level Analog Input 1/2...

  • Page 36: 1-2: Virtual Patch

    Parameter guide Dst (Destination) [Pitch…LFO2 Freq.] 1–2: Virtual Patch Selects the parameter that will be the modulation destination. These are the parameters for the Virtual Patch function. Pitch: The pitch of the entire timbre will be modulated. Virtual Patch is a function that lets you assign modulation OSC2 Pitch: The P2: OSC Basic page OSC2 Tune parameter sources such as EG or LFO to a variety of parameters.

  • Page 37: 1-3: Drumtrk Pattern (Drum Track Pattern)

    PROG P1: Basic/DT/Ctrls 1–3: DrumTrk Pattern (Drum Track Pattern) 1–3: DrumTrk Pattern (Drum Track Pattern) Here you can select a drum track pattern and specify how it will sound. For details on the available parameters and menu commands, please see “1–3: DrumTrk Pattern (DrumTrack Pattern)”...

  • Page 38: Prog P2: Osc/Pitch

    Parameter guide PROG P2: OSC/Pitch These pages control the first and most basic elements of brightness. RADIAS program’s sounds: the waveform that the DWGS: This provides various DWGS waveforms taken oscillators play, the pitch, and output level at which it plays from acoustic instruments and digital synthesizers.
  • Page 39 PROG P2: OSC/Pitch 2–1: OSC Basic VPM (Variable Phase modulation): VPM (Variable Phase When Waveform: Saw/Square/Tri/Sine, Modulation) uses a sine wave at a harmonic (integer) OSC Mod: Cross multiple of the oscillator 1 fundamental to modulate the When you’re using cross modulation, the waveform selected phase of oscillator 1, producing metallic-sounding by Waveform will be the carrier.

  • Page 40: 2-1B: Osc2

    Parameter guide Control2: Formant Offset [–63…+63] allow the input audio to be handled in stereo. In this case, please note the following points. Moves the entire formant frequency spectrum upward or • Regardless of the Balance (Control 2) setting, the signal downward.

  • Page 41: 2-1C: Mixer

    PROG P2: OSC/Pitch 2–2: OSC1 Pitch Tune[cents] [–50…+50] Adjusts the pitch produced by the oscillators in steps of one OSC2 Output OSC2 Wave cent. You can adjust this in a range of –50 – +50 cents. Sync Analog Tune [000…127] OSC1 Output OSC1 Wave By adding a slight randomness to the pitch of each note as it...

  • Page 42: Prog P3: Filter

    Parameter guide PROG P3: Filter These are the filter related parameters. Here you can: OSC1 • Specify the filter routing, select the filter type, and set the cutoff frequency and resonance. OSC2 • Specify filter modulation by keyboard tracking, velocity, and EG1.

  • Page 43: 3-1C: Filter B

    PROG P3: Filter 3–1: Filter Keyboard Track [–2.00…+2.00] High Pass (–12dB/oct) Specifies how keyboard tracking (location on the keyboard) will modulate the cutoff frequency. With a setting of 0, keyboard tracking will have no effect. Positive (+) settings will cause the cutoff frequency to rise as you play above the C4 key, or fall as you play below the C4 key.

  • Page 44: Prog P4: Amp/Eq

    Parameter guide PROG P4: Amp/EQ This page controls the settings for the Drive/Wave Shape, Wave Shape Type [Decimator…Level Boost] Amp, 3 band EQ section. Here, you can: Selects the type of wave shape. This is shown and can be • Specify drive or wave shaping. edited if Drive/WS is set to Wave Shape.

  • Page 45: 4-1B: Amp Level

    PROG P4: Amp/EQ 4–8: EQ Pickup: This simulates an electromagnetic pickup. Depth 4–8: EQ adjusts the depth. Here you can adjust the Mid sweep EQ settings. Depth: 000 Depth: 064 Depth: 127 For details on the available parameters and menu commands, please see “4–8: EQ”...

  • Page 46: Prog P5: Eg/Lfo/Mseq

    Parameter guide PROG P5: EG/LFO/MSEQ These parameters let you adjust the EG (Envelope Curve [LogHard…Expo] Generator) settings to produce time-varying change in the Selects the curve for the decay and release segments of the oscillator pitch, filter, and amp, adjust the LFO settings to envelope.

  • Page 47: 5-4: Lfo1, 5-5: Lfo2

    PROG P5: EG/LFO/MSEQ 5–4: LFO1, 5–5: LFO2 5–4(5)a: LFO 1, LFO2 5–4: LFO1, Waveform 5–5: LFO2 [Saw, Square, Square+, Triangle, Sine, S&H] These are the LFO (Low Frequency Oscillator) related Selects the LFO waveform. parameters. For LFO1 you can choose from Saw, Square, Triangle, and S/ LFO1 is internally connected as the oscillator 1 Control 1 modulation source.

  • Page 48: 5-4(5)B: Frequency Midi/Tempo Sync

    Parameter guide 1st Note: The phase of the LFO will be reset at the first note- 5–6: MOD SEQ1, on that occurs when no other keys are being pressed, and will continue to affect all the notes played by that timbre in 5–7: MOD SEQ2, the same way, until once again no keys are being held down.

  • Page 49: 5-6(7)(8)B: Seq1, Seq2, Seq3

    PROG P5: EG/LFO/MSEQ 5–6: MOD SEQ1, 5–7: MOD SEQ2, 5–8: MOD SEQ3 Run Mode [One Shot, Loop] 5–6(7)(8)b: SEQ1, SEQ2, SEQ3 Specifies the loop setting for playback. Destination Param (Destination Parameter) One Shot: The sequence will play for only one cycle, and will maintain the value of the last step.

  • Page 50: Prog P6: Vocoder

    Parameter guide PROG P6: Vocoder The EXB-RADIAS features a sophisticated vocoder that can 6–1b: Carrier Input be used not just to simulate the classic vocoder sounds of the past, but also to take advantage of advanced possibilities These are the parameters that relate to the vocoder carrier such as shifting the filter frequencies of each band or signal.

  • Page 51: 6-1D: Out Mix

    PROG P6: Vocoder 6–1: Carrier/Modulator AUX Send L: The signal of AUX bus 1 or 3. you’re using a guitar connected to the AUDIO INPUT 1 jack as the carrier, you can use this setting so that the vocoder AUX Send R: The signal of AUX bus 2 or 4. will be applied at all times even when you’re not playing the Gate Sens (Gate Sensitivity) [000…127]...

  • Page 52: 6-2: Vocoder

    Parameter guide 6–2: Vocoder Here you can edit the parameters for all the band pass filters of the carrier, and the envelope follower of the modulator. Frequency Cutoff (range in which BPF 8 will change) 6–2 Formant Shift:+2 6–2a Frequency Cutoff (range in which BPF 8 will change) 6–2b Mod Source (Fc Modulation Source)

  • Page 53: Prog P7: Karma

    PROG P7: KARMA Initialize MOD SEQ PROG P7: KARMA Menu Command Here you can adjust the KARMA related settings for the The menu commands explained here are those that are RADIAS program. displayed and available only if the EXB-RADIAS is installed.

  • Page 54: Copy Mod Seq

    Parameter guide • Receive a MIDI dump of the corresponding data from Copy MOD SEQ an external connected device. This command copies modulation sequence settings from another RADIAS program to the currently selected RADIAS Copy Vocoder program. This command copies the vocoder setting from the specified 1.

  • Page 55: Combination Mode

    Combi Page Select 0–1: Program T01–08, 0–2: Program T09–16 Combination mode Combi Page Select COMBI P0: Play For details on how to select each page, refer to the “M3 In this page you can select and play combinations. operation guide.” In Combination mode, you can use up to four RADIAS programs.

  • Page 56: 0-5: Karma Ge

    Parameter guide and Sequencer mode, you can use this switch to alternate 0–5: KARMA GE between timbres or tracks 1–8 and 9–16.) MIXER (Mixer Input): The control surface will control the Here you can adjust the KARMA function settings for the audio input volume, Play/Mute and Solo On/Off status of Combination mode.

  • Page 57: Tone Adjust

    COMBI P1: DT/XY/Ctrls Tone Adjust COMBI P1: DT/XY/Ctrls Tone Adjust Here you can select a pattern and adjust the drum track settings, as well as select the parameters for the X–Y control function, and set the parameters for pads 1–8. For details on the available parameters and menu commands, please see “COMBI P1: DT/XY/Ctrls”...

  • Page 58: Combi P2: Eq/Option

    Parameter guide COMBI P2: EQ/Option If you used a timbre bank/program change to switch to a RADIAS program from something other than a RADIAS program, the RADIAS program will not sound if this setting is off for the corresponding timbre. You must turn this on beforehand for timbres in which you 2–1: EQ Trim T01–08, intend to use a RADIAS program.
  • Page 59 COMBI P2: EQ/Option 2–5: RADIAS T01–08, 2–6: RADIAS T09–16 Combination Audio In (OSC&Vocoder) Source An example of using the AUX bus to input an EDS program into the RADIAS vocoder: • The RADIAS program of timbre 1 is input to the carrier of the vocoder. •...

  • Page 60: 2-7: Radias Vocoder1

    Parameter guide 2–7c: Modulator 2–7: RADIAS Vocoder1 Modulator (Modulator Select) Here you can make vocoder-related settings for the [Audio, Formant Motion] combination. Source (Audio Source) Only one instance of the vocoder function can be used in each combination. It can be used on only one timbre. [Audio In2, AUX Send L+R, AUX Send L, AUX Send Even if you’ve selected a RADIAS vocoder program in four timbres, it is not the case that all four vocoders will...

  • Page 61: 2-8: Radias Vocoder2

    COMBI P2: EQ/Option 2–8: RADIAS Vocoder2 2–8: RADIAS Vocoder2 2–8 2–8a 2–8b 2–8a: Filter Formant Shift [–2…+2] Resonance [000…127] Env. Follower Sens (Envelope Follower Sensitivity) [000…127] Frequency Offset [–63…+63] Mod Source (Fc Modulation Source) [EG1…X–Y –Y Mod:#88] Mod Intensity (Fc Modulation Intensity) [–63…+63] For details on these parameters, please see “6–2a: Filter”...

  • Page 62: Combi P3: Timbre Parameters

    Parameter guide COMBI P3: Timbre Parameters PRG: Portamento will be applied as specified by the 3–1: MIDI T01–08, program settings. Off: Portamento will be off, even if the original program 3–2: MIDI T09–16 settings specified for it to be on. 001…127: Portamento will be applied with the portamento Here you can set the MIDI parameters for each timbres 1–8 time you specify here, even if it is turned off by the program...

  • Page 63: 3-7: Other T01-08, 3-8: Other T09-16

    COMBI P4: Zone/Delay 3–7: Other T01–08, 3–8: Other T09–16 The actual pitch sounded by the program is determined by If you select a scale that cannot be specified for a adding this value to the Tune (cents) setting (Program 2–2a) RADIAS program, such as Stretch, User All Notes Scale, of the RADIAS program used by the timbre.

  • Page 64: Menu Command

    Parameter guide Menu Command The menu commands explained here are the commands that are displayed and available if the EXB-RADIAS option is installed. For details on other commands, refer to the “M3 parameter guide.” Copy from Program This command copies settings from a specified program to the currently selected combination.

  • Page 65: Sequencer Mode

    SEQ Page Select Sequencer mode For details on how to select each page, refer to the “M3 Page Main content operation guide.” Oscillator output bus and master effect send P8–1: IFX Route 1/ level settings. 1–5 Insert effect routing, selection, and settings. (☞M3 PG p.257) SEQ Page Select Bus settings for oscillator output.

  • Page 66: Seq P0: Play

    Parameter guide SEQ P0: Play SEQ P0–1: Play/REC SEQ P0–2: Play/REC Here you can set the parameters for MIDI track recording and playing back in the song, and can select the program that will be used by each track. 0–2–1: KARMA GE In Sequencer mode, you can use up to four RADIAS programs.

  • Page 67: Tone Adjust

    SEQ P1: DT/XY/Ctrls Tone Adjust SEQ P1: DT/XY/Ctrls KARMA: Use the sliders and switches to control the KARMA function. You can freely change back and forth between the different Here you can select a pattern and adjust the drum track functions, without losing any of your edits.

  • Page 68: Seq P2: Eq/Option

    Parameter guide SEQ P2: EQ/Option 2–5(6)b: Audio In (OSC&Vocoder) Source 2–1: EQ Trim T01–08, Audio Inputs (Send to RADIAS) 2–2: EQ Trim T09–16 [Off, S/PDIF L/R, FireWire L/R] Here you can set the signal level that enters the EQ of tracks AUX Bus (Send to RADIAS) 1–8 and 9–16.

  • Page 69: 2-7C: Modulator

    SEQ P2: EQ/Option 2–8: RADIAS Vocoder2 2–7c: Modulator 2–8: RADIAS Vocoder2 Modulator (Modulator Select) [Audio, Formant Motion] Source (Audio Source) [Audio In2, AUX Send L+R, AUX Send L, AUX Send 2–8a Gate Sens (Gate Sensitivity) [000…127] Threshold [000…127] 2–8b Select (Formant Motion Select) [Formant Motion 00…Formant Motion 16] Play Mode (Formant Motion Play Mode) [Free Run, Trigger Reset]...

  • Page 70: Seq P3: Track Parameters

    Parameter guide SEQ P3: Track Parameters 3–1: MIDI T01–08, 3–5: Pitch T01–08, 3–2: MIDI T09–16 3–6: Pitch T09–16 Here you can make MIDI-related settings for each MIDI Here you can make pitch-related settings for each MIDI track. track 1–16. For details on the available parameters and menu commands, please see “3–1: MIDI ch T01–08, 3–2: MIDI ch T09–16”...

  • Page 71: 3-7: Other T01-08, 3-8: Other T09-16

    SEQ P4: Zone/Delay 3–7: Other T01–08, 3–8: Other T09–16 SEQ P4: Zone/Delay Track 02...08, 09...16 (Track Number): Here you can make pitch-related settings for each MIDI track 2–16. The settings are the same as for track 1. See Here you can specify the key range and velocity range for “Track 01 (Track Number)”:.

  • Page 72: Seq P10: Pattern/Rppr

    Parameter guide SEQ P10: Pattern/RPPR Menu Command Here you can record patterns, edit them, assign them to song The menu commands explained here are the commands that tracks, and make RPPR (Realtime Pattern Play/Recording) are displayed and available if the EXB-RADIAS option is settings installed.

  • Page 73: Global Mode

    Menu Command Load Preload/Demo Data Global mode Here we will explain only the menu commands “Load Loading formant motion data Preload/Demo Data” and “Set Program User–Bank Type.” In the “Kind” field, select RADIAS Formant Motion Data. If For details on the other parameters and menu commands, you specify All as the range of data to be loaded, all formant refer to “Global mode”...

  • Page 74: Set Program User-Bank Type

    Parameter guide Set Program User–Bank Type This specifies the bank type for Program mode program banks USER–A through G. If you’ve set the bank type to RADIAS, the RADIAS programs you create can be saved in the corresponding user bank. As an example, here’s how to set the USER–F bank type to RADIAS.

  • Page 75: Media Mode

    Menu Command Load selected Media mode Here we will explain only the menu commands “Load RADIAS Formant Motions” and “Load a RADIAS Formant Motion.” For details on the other parameters and menu commands, refer to “Media mode” in the M3 parameter guide. (☞M3 parameter guide p.389) Menu Command Load selected...
  • Page 76 Parameter guide...

  • Page 77: Appendices

    Appendices EXB-RADIAS Specifications EXB-RADIAS (RADIAS synthesizer board) System MMT (Multiple Modeling Technology) 24 voices Polyphony *The actual maximum polyphony will depend on the settings of the parameters that make up the sound. 2 oscillators + noise generator Oscillator 1: eight basic waveforms (Saw/Square/Tri/Sine/Formant/ Noise/DWGS/Audio In) Oscillator Four types of modulation (Waveform/Cross/Unison/VPM)
  • Page 78 Please also retain your receipt as proof of purchase otherwise your product may be disqualified from the manufacturer’s or distributor’s warranty. 4015-2 Yanokuchi, Inagi-city, Tokyo 206-0812 Japan  2007 KORG INC.

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