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● 0150: Monaural Delay
A delay that provides a long delay time.
No
Parameter
Value
1
Delay Mode
0–1
ms, note
2
Delay Time
0–127
1–2540 ms
3
Delay Time #1
0–21
note
NORMAL,
4
Phase
0–1
INVERSE
5
Feedback
49–89
0–+80%
200–8000 Hz,
6
HF Damp
0–17
Bypass
7
Pan
0–127
L64–63R
8
Low Gain
0–30
-15–+15 dB
9
High Gain
0–30
-15–+15 dB
D100:0W–
10
Balance #2
0–100
D0:100W
11
Level
0–127
0–127
● 0151: Modulation Delay
Adds modulation to the delayed sound.
No
Parameter
Value
1
Delay Left Mode
0–1
ms, note
2
Delay Left
0–127
1–1270 ms
3
Delay Left
0–21
note
Delay Right
4
0–1
ms, note
Mode
5
Delay Right
0–127
1–1270 ms
6
Delay Right
0–21
note
7
Feedback Mode
0–1
Normal, Cross
8
Feedback
49–89
0–+80%
200–8000 Hz,
9
HF Damp
0–17
Bypass
10
Rate Mode
0–1
Hz, note
11
Rate
1–127
0.05–10.00 Hz
12
Rate
0–21
note
13
Depth #1
0–127
0–127
14
Phase
0–90
0–180 deg
15
Low Gain
0–30
-15–+15 dB
16
High Gain
0–30
-15–+15 dB
D100:0W–
17
Balance #2
0–100
D0:100W
18
Level
0–127
0–127
Description
When this is set to "note," the effect is
synchronized with the tempo.
Delay time from when the original
sound is heard to when the delay
sound is heard (Hz)
Delay time from when the original
sound is heard to when the delay
sound is heard (note)
Phase of the delay (NORMAL: non-
inverted, INVERSE: inverted)
Proportion of the delay sound that is to
be returned to the input
Frequency at which the high-
frequency content of the delayed
sound will be cut (Bypass: no cut)
Panning of the delay sound
Amount of boost/cut for the high-
frequency range
Amount of boost/cut for the high-
frequency range
Volume balance of the original sound
(D) and the delay sound (W)
Output volume
Description
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the time until the delay sound
is heard. (Hz)
Adjusts the time until the delay sound
is heard. (note)
Settings of the Delay R
The parameters are the same as for the
Delay L.
Selects the way in which delay sound is
fed back into the effect (See the figures
above.)
Adjusts the amount of the delay sound
that's fed back into the effect.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don't want to filter out any
high frequencies, set this parameter to
Bypass.
When this is set to "note," the effect is
synchronized with the tempo.
Frequency of modulation (Hz)
Frequency of modulation (note)
Depth of modulation
Spatial spread of the sound
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
● 0152: Triple Tap Delay
Produces three delay sounds; center, left and right.
No
Parameter
Value
1
Delay Left Mode
0–1
ms, note
2
Delay Left
0–127
1–2540 ms
3
Delay Left
0–21
note
Delay Right
4
0–1
ms, note
Mode
5
Delay Right
0–127
1–2540 ms
6
Delay Right
0–21
note
Delay Center
7
0–1
ms, note
Mode
8
Delay Center
0–127
1–2540 ms
9
Delay Center
0–21
note
Center
10
49–89
0–+80%
Feedback #1
200–8000 Hz,
11
HF Damp
0–17
Bypass
12
Left Level
0–127
0–127
13
Right Level
0–127
0–127
14
Center Level
0–127
0–127
15
Low Gain
0–30
-15–+15 dB
16
High Gain
0–30
-15–+15 dB
D100:0W–
17
Balance #2
0–100
D0:100W
18
Level
0–127
0–127
● 0157: 3D Delay
This applies a 3D effect to the delay sound. The delay sound will be positioned 90 degrees left and
90 degrees right.
No
Parameter
Value
1
Delay Left Mode
0–1
ms, note
2
Delay Left
0–127
1–2540 ms
3
Delay Left
0–21
note
Delay Right
4
0–1
ms, note
Mode
5
Delay Right
0–127
1–2540 ms
6
Delay Right
0–21
note
Delay Center
7
0–1
ms, note
Mode
8
Delay Center
0–127
1–2540 ms
9
Delay Center
0–21
note
Center
10
49–89
0–+80%
Feedback #1
200–8000 Hz,
11
HF Damp
0–17
Bypass
12
Left Level
0–127
13
Right Level
0–127
0–127
14
Center Level
0–127
Speaker,
15
Output Mode
0–1
Phones
16
Low Gain
0–30
-15–+15 dB
17
High Gain
0–30
-15–+15 dB
D100:0W–
18
Balance #2
0–100
D0:100W
19
Level
0–127
0–127
MIDI Implementation
Description
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the time until the delay sound
is heard. (Hz)
Adjusts the time until the delay sound
is heard. (note)
Settings of the Delay R
The parameters are the same as for the
Delay L.
Settings of the Delay C
The parameters are the same as for the
Delay L.
Adjusts the amount of the delay sound
that's fed back into the effect.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out any
high frequencies, set this parameter to
Bypass.
Volume of each delay
Volume of each delay
Volume of each delay
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
Description
When this is set to "note," the effect is
synchronized with the tempo.
Adjusts the delay time from the direct
sound until the delay sound is heard.
(Hz)
Adjusts the delay time from the direct
sound until the delay sound is heard.
(note)
Settings of the Delay R
The parameters are the same as for the
Delay 1.
Settings of the Delay C
The parameters are the same as for the
Delay 1.
Adjusts the proportion of the delay
sound that is fed back into the effect.
Adjusts the frequency above which
sound fed back to the effect will be cut.
If you do not want to cut the high
frequencies, set this parameter to
Bypass.
Output level of the delay sound
Adjusts the method that will be used to
hear the sound that is output to the
OUTPUT jacks. The optimal 3D effect
will be achieved if you select Speaker
when using speakers, or Phones when
using headphones.
Gain of the low range
Gain of the high range
Volume balance between the direct
sound (D) and the effect sound (W)
Output Level
25
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