TC-Helicon VoiceLive Rack User Manual

TC-Helicon VoiceLive Rack User Manual

Mic-channel & vocal effects processor
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USER'S MANUAL
v1.0

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Summary of Contents for TC-Helicon VoiceLive Rack

  • Page 1 USER’S MANUAL v1.0...
  • Page 2: Safety

    Safety Safety Instructions Caution 1 Read these instructions. You are cautioned that any change or modifica- tions not expressly approved in this manual could 2 Keep these instructions. void your warranty. 3 Heed all warnings. 4 Follow all instructions. EMC/EMI 5 Do not use this apparatus near water.
  • Page 3: Introduction

    • Mic Control feature allows remote effects con- Thank You trol with included MP-75 mic • 400 user presets Thank you for purchasing VoiceLive Rack, a • USB for audio streaming, updates, and backup complete, programmable mic channel and vo- to computer cal effects processor.
  • Page 4: Table Of Contents

    HIGH GAIN ........18 VoiceLive Rack and Digital Audio ....32 HIGH FREQ .
  • Page 5 Table of Contents THE WIZARD BUTTON . . . . . . . . . . .36 REVERB Tab Overview . . . . . . . . . . . . . . . . . . 45 Overview.
  • Page 6 Table of Contents EDITING . . . . . . . . . . . . . . . . . . .54 SPEED .
  • Page 7 Table of Contents MIDI IMPLEMENTATION . . . . . . . . . .78 V1 to V4 VOICING....... . 69 MAP IN SOURCE / MAP IN NOTE .
  • Page 8: Front Panel

    Front Panel Touch to browse Touch to access input Touch Home to exit presets based on tags gain adjustment screen any menu and set or to load presets on or hold to enter auto screen to show main demand. input gain feature. preset display.
  • Page 9 Front Panel Touch to activate adap- Touch any to engage Touch to activate auto- tive EQ, compression, effects or hold to jump chromatic pitch cor- de-ess and gate or hold directly to the effect’s rection or hold to edit to edit. edit menu.
  • Page 10: Back Panel

    S/PDIF digital input can Connect optional TC-Helicon Connect supplied AC be fed dry to analog mix Switch 3 footswitch here for adaptor here. outs or used as vocal and...
  • Page 11: Quick Start

    Quick Start f a . Connections 1. Turn down your mixer channel or main PA volume. 2. Connect a Mic or Line level input from the mixer to the respective input jack on VoiceLive Rack. 3. Connect the XLR or TRS stereo outputs to your mixer/PA.
  • Page 12: Basic Operation

    VoiceLive Rack. This can be There are over 200 factory programmed presets either: in VoiceLive Rack. Presets are loaded as soon as • A guitar connected to the GUITAR IN the name appears in the LCD window.
  • Page 13: Modifying Presets

    Basic Operation f Changing the global mix 6. Sing while the accompaniment plays. * There are 3 major scales and 3 minor scales; There are 4 global mix levels adjustable with the generally Major 2 and Minor 2 will work for more front panel Mix knobs.
  • Page 14: Phantom, Mono, Midi Etc. - The Setup Menu

    Basic Operation f Phantom, Mono, MIDI etc . - the f Preset chaining with the Step feature Setup menu Each preset can consist of up to 10 steps that you can step through using the Tab/Step arrow Global parameters are adjusted in the Setup buttons or a footswitch.
  • Page 15: Restoring Individual Presets To Factory Settings

    Basic Operation f Restoring individual presets to factory settings To reset a preset to its original settings: 1. Locate the Manage Preset tab in the Store menu. 2. Use Erase User Preset to select the preset to restore and set Confirm to Yes. 3.
  • Page 16: The Tone Button

    All EQ and compression enhancements applied here will f The ADAPTIVE Check Boxes affect the overall sound of VoiceLive Rack includ- These show whether the automatically-adjusting ing Harmony, Doubling, Reverb etc. Adaptive feature is enabled for the SHAPE or The suite of effects that make up Tone are: COMPRESS controls.
  • Page 17: Compress

    The adaptive Shape feature of VoiceLive Rack pression used in a live mic setting. If you have a listens continually to your voice through your mic...
  • Page 18: Gate

    PA. When you aren’t singing, the gate will close and block sounds around you. The Adaptive Gate in VoiceLive Rack works au- tomatically with your singing style to provide the optimum balance between how loud you have to sing to open the gate and how much other noises are reduced.
  • Page 19: Eq Tab Overview

    The Tone Button EQ Tab Overview EQ Tab With ADAPTIVE Off The EQ tab is where you control the tone shap- Turning ADAPTIVE off presents manual paramet- ing of your voice. It is where you can turn the ric EQ controls for users who understand this ADAPTIVE feature on and off for the SHAPE EQ.
  • Page 20: High Freq

    The Tone Button f HIGH FREQ Defines the frequency range for the high shelf with the selection of the lowest frequency above which boosting or cutting is possible. f PARA GAIN Boosts or cuts the band of frequencies centered at the setting of the PARA FREQ control and its associated WIDTH.
  • Page 21: Compress Tab Overview

    RATIO control will occur. The range is 0 dB to -30 dB: 0 dB being the loudest input signal VoiceLive Rack can accept without distortion and -30 dB being a very quiet signal. If you sing con- sistently more quietly than the THRESHOLD, you...
  • Page 22: Gate Tab Overview

    The Tone Button GATE Tab Overview you aren’t singing . The factory default attenua- tion amount of -10 dB should work well in many situations, but you can further reduce the level if The Gate feature can assist in: you still hear harmonized instrumental chattering 1.
  • Page 23: The Pitch Button

    The Pitch Button Pitch Button Overview Pressing the Pitch button activates Auto Chro- matic pitch correction. For most applications, this is all that is required to set this feature. There is no need to set Key or Scale; all notes that you sing in the 12 tone western chromatic scale are corrected to the nearest scale tone.
  • Page 24: The Tap Button

    The Tap Button Tap Button Overview This button provides convenient access to tempo setting for the Delay and Rhythmic effects. You can tap it at any time to synchronize these effect blocks to the beats of a song. The display will temporarily show the BPM (Beats Per Minute) derived from your most recent two taps.
  • Page 25: The Bypass Button

    The Bypass Button Bypass Button Overview Pressing the Bypass button will mute all active ef- fects blocks from the vocal audio path except Tone if it’s active. This is done so that your basic tone remains the same as you address the audience during Bypass.
  • Page 26: Detailed Operation

    Harmony and Hardtune Guided If you hear a buzz from either your guitar amplifi- by a Guitar er or the PA VoiceLive Rack is connected to, press the GND LIFT (ground lift) button to silence it. TC-Helicon’s NaturalPlay algorithm can listen to...
  • Page 27: Midi Hookup And Channel Selection

    Rack’s MIDI IN. Play a note on your keyboard and will sound can be 4 or 8 depending on which check VoiceLive Rack’s display to see if the MIDI preset you load. This in turn is due to whether indicator lights. If it doesn’t, set the MIDI transmit Harmony Doubling is activated in the HARMO- channel of your keyboard to 1 (VoiceLive Rack’s...
  • Page 28 You should be singing with musical backing and stay true to a A=440Hz reference. This could be 5. Note the prompt in VoiceLive Rack’s display a CD or other musicians. Choose a simple song and use the footswitches to input your key.
  • Page 29: Singing To Music Playback

    If this is an issue, you could use a preamp out or effects loop output from the amp. VoiceLive Rack can derive musical information from fully mixed music tracks. For this alternative Alternatively, you can run a MIDI cable from your you’ll need:...
  • Page 30: Steps Overview

    Detailed Operation Steps Overview Next time you load the preset, it will have the “al- ternate personality” you can access quickly with the TAB/STEP arrow buttons. The Step feature allows you to create a series of up to 10 linked effect changes associated with To delete a single step, a preset.
  • Page 31: External Control Overview

    Now you can browse through the presets while singing and pressing the button on the mic. The display will show the factory setting of the MIC- VoiceLive Rack can be controlled by three exter- CONTROL target in each preset. nal sources: •...
  • Page 32: Midi Remote Control

    3. Send a MIDI message such as a preset change message to VoiceLive Rack to confirm MIDI reception is working. If successful, the word “MIDI” will show briefly in the display with...
  • Page 33: The Usb Computer Connection

    1. Connect VoiceLive Rack to your computer via To install VoiceSupport on a PC or Mac: USB. 2. Assign VoiceLive Rack as the audio input and output device in your audio application. 3. Connect your mic and headphones or mixer to VoiceLive Rack and pick a preset you like.
  • Page 34: Digital Input Notes

    2. Set VoiceLive Rack’s I/O tab parameters as Processing recorded vocals: such: You can send a dry vocal track to VoiceLive Rack DIGITAL IN: USB: FULL MIX for effect processing then record a new pro- cessed vocal track in your audio application via DIGITAL OUT: VOCAL &...
  • Page 35: Audio Device Name

    “Analog Connector (n) VoiceLive Rack” or “USB Audio Device”. USB and MIDI Control To use VoiceLive Rack’s MIDI IN jack for harmony, preset change or realtime control while USB is connected, enter the I/O tab in the SETUP menu and set USB CONTROL to OFF.
  • Page 36: The Input Gain Button

    Overview To set input gain automatically: 1. Touch the Bypass button so it flashes. Trimming the input level entering VoiceLive Rack’s 2. Hold the Input Gain button until the SING analog to digital converter is essential for prevent- YOUR LOUDEST prompt is visible in the ing unwanted distortion and minimizing noise.
  • Page 37: The Wizard Button

    The Wizard Button Overview 4. Highlight a preset name with the Data Wheel. 5. Press the Wizard button to load the preset. The Wizard allows you to: 6. Press Home to exit or remain in the Wizard • Search for appropriate presets for your appli- menu to load browse and load further presets.
  • Page 38: The Tag Tab

    The Wizard Button f The TAG tab This tab allows you to assign or remove the assignment of tag criteria for each preset. The Factory presets have been assigned tags but you can change them as you like for easier browsing in the Wizard.
  • Page 39: The Setup Button

    The Setup Button Overview The Setup menu brings together all of the global configuration settings. Changes made in these tabs are automatically stored for the next power up session. If you want to store and recall differ- ent configurations, see the STORE menu descrip- tions.
  • Page 40: The I/O Tab

    VoiceLive Rack. When process- with condenser microphones. ing an analog input such as the MIC and sending to VoiceLive Rack’s digital out, sending a short bit f AUX LEVEL of audio from your recording application to either Digital input will set the sample rate.
  • Page 41: Lead Dly

    The Setup Button f MIC/LINE PHASE or when VoiceLive Rack is being fed by an aux send from a mixer channel where the lead level is Selects between NORMAL and INVERTED to mixed in at the mixing console. help reduce feedback in live performance. This...
  • Page 42: The Midi Tab

    MIDI In/Thru chain with a Sysex editor, each one should have its own ID or they all will be Sets the MIDI channel that VoiceLive Rack uses edited in the same way. for preset change and MIDI harmony control.
  • Page 43: The System Tab

    The Setup Button The SYSTEM Tab f TUNEREF This trims the overall tuning reference for Har- mony and Hardtune with respect to A-440 Hz. f LCD CONTRAST This is used when an accompanying instrument has changed overall pitch such as a piano that is Sets the contrast level of the LCD display.
  • Page 44: Guitar Tab Overview

    These effects are only applicable when the guitar is mixed through the f REVERB LEVEL signal path of VoiceLive Rack and not externally Turn the Mix/Edit knob below this parameter to via the GUITAR THRU jack and on to an ampli- raise and lower the amount of Reverb on your fier.
  • Page 45: Eq Low Gain

    The Setup Button f EQ PARA WIDTH overcome room or undesirable guitar resonances. This smooths the sound and can help overcome Defines how narrow or wide the parametric guitar feedback. band is to be. The ends of the control range are The 3 GAIN controls allow +/- 12 dB of adjust- labelled “NARROW”...
  • Page 46: Reverb Tab Overview

    The Setup Button REVERB Tab Overview nature of Reverb algorithms, a decay time of 4 seconds may sound quiet different from one style to the next, even when the rest of the settings This tab allows you to configure a global Reverb are identical.
  • Page 47: Pre Dly

    The Setup Button f LEAD to REV introduce more discrete echo-like motion to the tail where high values (0 to 25) make the tail Sets the amount of lead level sent into the Re- smoother-sounding. verb block. This and the remaining send and Lead Level parameters are not stored as part of the f PRE DLY styles.
  • Page 48: Mic-Control Tab Overview

    Note that this will also turn on phantom power effect while the button is held. All other functions in VoiceLive Rack if it is not already active. To will remain on or off after tapping the Mic-Con- avoid unexpected audio pops, mute your mixer trol button.
  • Page 49: Switch3 Tab Overview

    Mic- Control button. This edit tab allows you to globally set the target for each of the 3 switches on the TC-Helicon Switch3 footswitch. f GLOBAL Turns global assignment of the footswitches on f SWITCH 1 FUNCTION or off.
  • Page 50: The Store Button

    This allows you to store your preset edit at any of If you don’t want to change the name of the pre- the 400 preset locations in VoiceLive Rack. As you set, press Store again then Home. This completes turn the knob you will see the name of the preset the Store operation.
  • Page 51: Manage Preset Tab

    USB or by the physical MIDI OUT jack This function will periodically run automatically on on the back panel of VoiceLive Rack. When con- VoiceLive Rack when a large number of preset necting with a computer via a USB cable ensure stores have been executed.
  • Page 52: Store Setup Overview

    400 preset loca- tions. This allows you to store your profile at any of the 10 profile locations in VoiceLive Rack. As you turn To store a setup profile: the knob you will see the name of the profile 1.
  • Page 53: Load Setup Tab Overview

    The Store Button LOAD SETUP Tab Overview In this tab you can load a previously stored setup profile. If no user profiles have been stored, load- ing any available EMPTY profile will result in all Setup values going to default values. Ensure that any connected audio system is muted when loading setup profiles because input and output levels can vary dramatically.
  • Page 54: Manage Setup Tab Overview

    The Store Button MANAGE SETUP Tab Overview This menu allows you to erase user setup profiles and restore them to default settings. This opera- tion is not undo-able so back up your setups using VoiceSupport if you want to store them. To erase user setup profiles: You must have stored a user setup profile in order to erase it.
  • Page 55: Editing

    Editing Editing Overview You can rename the preset and store to another location by pressing Store once and changing the values at the bottom of the Store menu. When Basic editing, menu navigation and concepts are you’ve edited the name and found a new place to briefly discussed in the Quick Start and Basic Op- store your edited preset, press Store again.
  • Page 56: The Edit Button

    The Edit Button µMOD Tab Overview f DEPTH-L / DEPTH-R These set the amount of modulation of the delay µMod is short for micro-modulation (“µ” is the time for the left and right delays. If one delay is scientific symbol for micro). The µMod effect is set to 10mS, for example, a setting of 50% will capable of creating many different sounds that vary the delay time between 15mS and 5mS at...
  • Page 57: Wave

    The Edit Button f WAVE This lets you choose the modulation waveform from Square,Triangle or Sine to vary the periodic nature of the modulation effect. f XFB L / XFB R These send cross feedback from the left and right delay lines (XFL L) and from right to left (XFR L).
  • Page 58: Delay Tab Overview

    The Edit Button DELAY Tab Overview TIME: This allows you to set the exact delay time for the left and right delay lines manually with the TIME L and TIME R controls. The delay effect is a configurable echo. You can control how far apart the echoes occur (Delay TAP: This allows you to tap the Tap button when Time), and whether the echoes fade out quickly...
  • Page 59: Feedback L / Feedback R

    The Edit Button f FEEDBACK L / FEEDBACK R f HARM TO DELAY Re-introduces a portion of the audio output Sets the amount of harmony level sent into the signal of the Delay block back to the input to add Delay block.
  • Page 60: Reverb Tab Overview

    The Edit Button REVERB Tab Overview f LO COLOR / HI COLOR These are preset-frequency filters inserted into Reverb is the arguably the most common vocal the Reverb feedback path that tailor the low and effect. It can add a spaciousness that softens the high frequency response and decay of the tails.
  • Page 61: Pre Dly

    The Edit Button f PRE DLY f HARM to REV Pre Delay introduces a short (up to 100 ms) Sets the amount of harmony level sent into the delay between the dry audio signal and the onset Reverb block. Harmonies must be on to feed this of reverb to help simulate larger spaces and to send.
  • Page 62: Hardtune Tab

    HardTune sound, set it to 100% Most pitch correction products require either scale information, offline editing or MIDI perfor- mance to yield correction. VoiceLive Rack goes f HARDTUNE SHIFT one further and allows you to play your guitar or...
  • Page 63: Note & Enabled

    The Edit Button The key that is set in the HARMONY tab will be displayed but not editable when the current pre- set is based on Scale Harmony and HARDTUNE KEY is set to FOLLOW HARMONY f NOTE & ENABLED These are applicable when you wish to edit a custom scale for HARDTUNE.
  • Page 64: Double Tab Overview

    The Edit Button DOUBLE Tab Overview f V1 to V4 LEVEL These settings control the volume of each of the The Double effect uses the same type of Human- voices and are used to set the number of voices ization technology as in the Harmony effect to active for Doubling.
  • Page 65: Lead Level

    The Edit Button f LEAD LEVEL Controls the lead (dry + Tone) voice level when the individual effect is turned on with its respec- tive footswitch. This allows a unique wet/dry mix for individual effects. When multiple effects are active, the lowest LEAD LEVEL value will deter- mine the value.
  • Page 66: Harmony Tab Overview

    0 dB (Full). Typically all voices are set at the same level unless you want to highlight or minimize a particular voicing interval. The Harmony block in VoiceLive Rack produces up to 8 harmony voices and is the home of the Choir effect.
  • Page 67: Humanize Style

    The Edit Button f HUMANIZE AMOUNT activates the style and level set by the CHOIR STYLE and CHOIR LEV parameters respectively. You can vary the amount of humanization for To create a convincing choir performance, it helps the harmony voices. All the styles except for the to sing legato (sustained) phrases as opposed to last one: TIME &...
  • Page 68: Guitar Chords

    The Edit Button required to help soften note to note transitions boards are designed to produce. This tuning unless a robot-like effect is desired. Higher values mode allows you to play and sing in any key offer progressively less correction. Like Portamen- without completely retuning your instrument for to, setting each voice with a unique value of the every chord.
  • Page 69: Naturalplay

    In the case where you have a MIDI sequencer and MIDI pitch bend movement. and guitar into VoiceLive Rack, this will cause it to ignore the MIDI input for harmony control. • MIDI - This forces the current preset to look only to the MIDI IN for musical input.
  • Page 70: Naturalplay Settings And Parameter Changes

    The Edit Button NATURALPLAY Settings and f MAP IN SOURCE / MAP IN NOTE Parameter Changes These allow to customize individual harmony note intervals relative to your input note and cre- Following are the parameters that change when ate a custom scale. A custom scale is not share- able with other presets until the preset is copied the NATURALPLAY mode is set to a value other than AUTO INPUT SENSE, GUITAR, MIDI and...
  • Page 71: Modes

    This feature is most useful when singing to a commercial MIDI file that is controlling the har- mony voices in VoiceLive Rack. Often the MIDI notes used to control harmony cut off where the singer might prefer to hold the notes longer and this makes for a more singer-oriented MIDI performance.
  • Page 72: Transducer Tab Overview

    The Edit Button TRANSDUCER Tab Overview f LOW CUT and HIGH CUT Sets the cut-off frequency for these very steep The Transducer effects block uses distortion low and high shelving filters. TIP: these and the and steep filters to emulate the sound of radios, PRESENCE filters can be used without Distortion phones and devices that generally degrade the effects to apply more radical EQ to your presets.
  • Page 73: Transducer In And Out Gain

    The Edit Button f TRANSDUCER IN and OUT GAIN These act similarly to a guitar distortion pedal or an amplifier with input gain and master level con- trols. IN GAIN boosts or attenuates the amount of distortion for the distortion type selected. When you adjust the IN GAIN parameter, just like a guitar amplifier, the overall level of the effect goes up and down.
  • Page 74: Rhythmic Tab Overview

    The Edit Button RHYTHMIC Tab Overview Turning the effect off then on again clears the previous sample and loops the new segment. Using the Rhythmic features, tap tempo can pro- duce stuttering and panning effects on your lead, MODE = RHYTHM Harmony and Double voices in time with your music.
  • Page 75: Mode = Sample

    The Edit Button f PATH from SQUARE to SAWTOOTH DOWN. The SAMPLE AND HOLD option produces a ran- When this is set to POST, the captured sample dom value on every beat division. Following these will be a composite of all effects that were on are the syncopated one bar patterns.
  • Page 76: Mic-Control Tab Overview

    • PITCH Note that this will also turn on phantom power • BYPASS in VoiceLive Rack if it is not already active. To The MOMENT functions will only activate the avoid unexpected audio pops, mute your mixer effect while the button is held. All other functions first.
  • Page 77: Switch3 Tab Overview

    This edit tab allows you to set the target for each * Harmony Hold is a feature that sustains the last of the 3 switches on the TC-Helicon Switch3 harmony syllable indefinitely as you hold the Mic- footswitch while the current preset is loaded.
  • Page 78: Preset Tab

    The Edit Button PRESET Tab f LEAD LEVEL This allows the overall lead (dry with Tone) voice level to be reduced for the current preset. There are additional LEAD LEVEL parameters in the ef- fect tabs (µMOD, DELAY etc) which may be used to reduce lead level further but only when their respective effect is active.
  • Page 79: Midi Implementation

    MIDI Implementation Parameter Range Comments Effects On/Off Harmony 0-63 off 64-127 on Double “ “ Reverb “ “ HardTune “ “ µMod 0-63 off 64-127 on Delay “ “ Trans “ “ Rhythmic “ “ Block Edits µMod Style 0-24 Level 0-127 Delay...
  • Page 80 MIDI Implementation Parameter Range Comments Gender “ “ 64=Gender off, <64=Male, >64=Female Voice1 Gender “ “ “ “ Voice2 Gender “ “ “ “ Voice3 Gender “ “ “ “ Voice4 Humanize Style Human Lvl 20 maps to 127 Vib Style Vib Amt maps to 127 Vib Style must not be 0...
  • Page 81 MIDI Implementation Parameter Range Comments Delay/Re- “ “ verb Lvl Dry Pan “ “ 127 MIDI values map to 201 pan values, Center = 64 Output “ “ Level Bypass 0-63 off 64-127 on Harmony “ “ Hold Sustain “ “ Active in MIDI Naturalplay and MIDI Notes, MIDI Notes 4 Chan modes.
  • Page 82: Preset List

    Preset List ANOTHER BRICK Showcase DRONE & ECHO KANYE LOCKDOWN OCTAVE CHILD CLOSE UP 3RD CHORALE TWO Harmony TWO HIGH 3RD UP GROUP BRIGHT DOUBLE 3RD UP LADIES NOW HEAR THIS! POP DUO DISTORTO 3RD OCT BELOW BOP-A-LULA BASS & 3RD UP TAP TEMPO 1/4 CLOSE BELOW OCT UP DOUBLE...
  • Page 83 Preset List HARD TUNE DELAY TOE PLASTIC CROONER Character HIGHERCHOIR WET THINNER YOU BIG BOTTM CHOIR POPEYE + OLIVE 3RD UP CHOIR VALKYRIE DUO 4TH DOWN CHOIR DEEPER YOU 6TH DOWN CHOIR OCT DOWN MALE BASSY CHOIR POPEYE LIVES TUNED HARMONY DEEPEST YOU GREGORIAN THINNEST YOU...
  • Page 84 Preset List CLOCK RADIO CHOIR PAN RAND DISTORTED RADIO TWO HIGH PANNER DIRTY SCREAM HARD LR PAN TRASH-IT SALSA HARMONY OCTAVE TRASH FUN FOR HOURS PANNED ANGELS GENDER DOUBLES CHAOS BASIC NOTES 8V Notes Harmony SPIRAL DOWN NOTES 1V FEMALE BOLLYWOOD EASY NOTES 8V VOCALFUZZ...
  • Page 85: Scales Diagram

    Scales Diagram The table at right shows harmony notes in the key of C for the three major and three minor scales. The shades cells indicate harmony intervals that illustrate the differences between scales. The term “nc” means “no change”. This indicates that the harmony note will remain at the previous interval even though the input note has changed from the adjacent upper or lower note.
  • Page 86 Where can I find support for this product? The Mic Control parameter seems to be triggering on its own when I sing, what’s TC-Helicon has a comprehensive support system happening? for our products. Go toand click on the links below either Support by Product or FAQ and A few input devices may cause this.
  • Page 87: Specifications

    Specifications f Analog Inputs Connectors, balanced Mic.: XLR, Line: 1/4” phone jack, Guitar: 1/4” phone jack, Aux: 1/8” stereo mini jack Input Impedance: Bal./Unbal. Mic.: 2.14/1.07 kOhm, Line: 13/6.5 kOhm Mic Input Level @ 0 dBFS -49dBu to +10dBu Line Input Level @ -37 dBu to +22 dBu -37 dBu to +22 dBu EIN @ Max Mic Gain Rg = 150 Ohm -126 dBu...
  • Page 88 Specifications f Environment Operating Temperature 32° F to 122° F (0° C to 50° C) Storage Temperature -22° F to 167° F (-30° C to 70° C) Humidity Max. 90 % non-condensing f Control Interface USB-B MIDI In/Out/Thru: 5 Pin DIN Pedal 1/4”...

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