Mutable Instruments Anushri User Manual page 2

LFO. The brightness of this LED reflects the LFO value. LFO. The brightness of this LED reflects the LFO value. LFO. The brightness of this LED reflects the LFO value. LFO. The brightness of this LED reflects the LFO value. LFO. The brightness of this LED reflects the LFO value. LFO. The brightness of this LED reflects the LFO value. LFO. The brightness of this LED reflects the LFO value. LFO. The brightness of this LED reflects the LFO value.
Gate. This LED is lit when a key is held or when the gate input is high. Gate. This LED is lit when a key is held or when the gate input is high. Gate. This LED is lit when a key is held or when the gate input is high. Gate. This LED is lit when a key is held or when the gate input is high. Gate. This LED is lit when a key is held or when the gate input is high. Gate. This LED is lit when a key is held or when the gate input is high. Gate. This LED is lit when a key is held or when the gate input is high. Gate. This LED is lit when a key is held or when the gate input is high.
Beat. This LED is lit when the steps 1, 5, 9, 13... of the step sequencer are active. Beat. This LED is lit when the steps 1, 5, 9, 13... of the step sequencer are active. Beat. This LED is lit when the steps 1, 5, 9, 13... of the step sequencer are active. Beat. This LED is lit when the steps 1, 5, 9, 13... of the step sequencer are active. Beat. This LED is lit when the steps 1, 5, 9, 13... of the step sequencer are active. Beat. This LED is lit when the steps 1, 5, 9, 13... of the step sequencer are active. Beat. This LED is lit when the steps 1, 5, 9, 13... of the step sequencer are active. Beat. This LED is lit when the steps 1, 5, 9, 13... of the step sequencer are active.
The 3 remaining LEDs indicate the active page, and thus the function of the lower group of knobs. The 3 remaining LEDs indicate the active page, and thus the function of the lower group of knobs. The 3 remaining LEDs indicate the active page, and thus the function of the lower group of knobs. The 3 remaining LEDs indicate the active page, and thus the function of the lower group of knobs. The 3 remaining LEDs indicate the active page, and thus the function of the lower group of knobs. The 3 remaining LEDs indicate the active page, and thus the function of the lower group of knobs. The 3 remaining LEDs indicate the active page, and thus the function of the lower group of knobs. The 3 remaining LEDs indicate the active page, and thus the function of the lower group of knobs.
F. Switches. The first column of 3 switches is used to select the active page. The second column of 3 switches F. Switches. The first column of 3 switches is used to select the active page. The second column of 3 switches F. Switches. The first column of 3 switches is used to select the active page. The second column of 3 switches F. Switches. The first column of 3 switches is used to select the active page. The second column of 3 switches F. Switches. The first column of 3 switches is used to select the active page. The second column of 3 switches F. Switches. The first column of 3 switches is used to select the active page. The second column of 3 switches F. Switches. The first column of 3 switches is used to select the active page. The second column of 3 switches F. Switches. The first column of 3 switches is used to select the active page. The second column of 3 switches
controls the sequencer. The controls the sequencer. The controls the sequencer. The controls the sequencer. The controls the sequencer. The controls the sequencer. The controls the sequencer. The controls the sequencer. The Hold Hold Hold Hold Hold Hold Hold Hold
this will be revealed throughout this documentation. this will be revealed throughout this documentation. this will be revealed throughout this documentation. this will be revealed throughout this documentation. this will be revealed throughout this documentation. this will be revealed throughout this documentation. this will be revealed throughout this documentation. this will be revealed throughout this documentation.
G, H. MIDI in and MIDI out. G, H. MIDI in and MIDI out. G, H. MIDI in and MIDI out. G, H. MIDI in and MIDI out. G, H. MIDI in and MIDI out. G, H. MIDI in and MIDI out. G, H. MIDI in and MIDI out. G, H. MIDI in and MIDI out.
I, J. Audio out and Audio in. The input signal goes through the VCF and VCA. I, J. Audio out and Audio in. The input signal goes through the VCF and VCA. I, J. Audio out and Audio in. The input signal goes through the VCF and VCA. I, J. Audio out and Audio in. The input signal goes through the VCF and VCA. I, J. Audio out and Audio in. The input signal goes through the VCF and VCA. I, J. Audio out and Audio in. The input signal goes through the VCF and VCA. I, J. Audio out and Audio in. The input signal goes through the VCF and VCA. I, J. Audio out and Audio in. The input signal goes through the VCF and VCA.
K. On/Off switch. K. On/Off switch. K. On/Off switch. K. On/Off switch. K. On/Off switch. K. On/Off switch. K. On/Off switch. K. On/Off switch.
L. Power supply connector. A 7.5V or 9V DC supply must be used, with a current rating above 200mA. The L. Power supply connector. A 7.5V or 9V DC supply must be used, with a current rating above 200mA. The L. Power supply connector. A 7.5V or 9V DC supply must be used, with a current rating above 200mA. The L. Power supply connector. A 7.5V or 9V DC supply must be used, with a current rating above 200mA. The L. Power supply connector. A 7.5V or 9V DC supply must be used, with a current rating above 200mA. The L. Power supply connector. A 7.5V or 9V DC supply must be used, with a current rating above 200mA. The L. Power supply connector. A 7.5V or 9V DC supply must be used, with a current rating above 200mA. The L. Power supply connector. A 7.5V or 9V DC supply must be used, with a current rating above 200mA. The
connector has a 2.1mm barrel, with a positive center tip polarity. Most universal power supplies allow the polarity connector has a 2.1mm barrel, with a positive center tip polarity. Most universal power supplies allow the polarity connector has a 2.1mm barrel, with a positive center tip polarity. Most universal power supplies allow the polarity connector has a 2.1mm barrel, with a positive center tip polarity. Most universal power supplies allow the polarity connector has a 2.1mm barrel, with a positive center tip polarity. Most universal power supplies allow the polarity connector has a 2.1mm barrel, with a positive center tip polarity. Most universal power supplies allow the polarity connector has a 2.1mm barrel, with a positive center tip polarity. Most universal power supplies allow the polarity connector has a 2.1mm barrel, with a positive center tip polarity. Most universal power supplies allow the polarity
to be selected — the polarity being often represented by a diagram like this: – (o , or by the indication tip:. to be selected — the polarity being often represented by a diagram like this: – (o , or by the indication tip:. to be selected — the polarity being often represented by a diagram like this: – (o , or by the indication tip:. to be selected — the polarity being often represented by a diagram like this: – (o , or by the indication tip:. to be selected — the polarity being often represented by a diagram like this: – (o , or by the indication tip:. to be selected — the polarity being often represented by a diagram like this: – (o , or by the indication tip:. to be selected — the polarity being often represented by a diagram like this: – (o , or by the indication tip:. to be selected — the polarity being often represented by a diagram like this: – (o , or by the indication tip:.
Anushri's power supply circuitry has a reverse polarity protection and can handle voltages up to 12V. Above this, Anushri's power supply circuitry has a reverse polarity protection and can handle voltages up to 12V. Above this, Anushri's power supply circuitry has a reverse polarity protection and can handle voltages up to 12V. Above this, Anushri's power supply circuitry has a reverse polarity protection and can handle voltages up to 12V. Above this, Anushri's power supply circuitry has a reverse polarity protection and can handle voltages up to 12V. Above this, Anushri's power supply circuitry has a reverse polarity protection and can handle voltages up to 12V. Above this, Anushri's power supply circuitry has a reverse polarity protection and can handle voltages up to 12V. Above this, Anushri's power supply circuitry has a reverse polarity protection and can handle voltages up to 12V. Above this,
one of the chip inside the unit could be destroyed by overvoltage. one of the chip inside the unit could be destroyed by overvoltage. one of the chip inside the unit could be destroyed by overvoltage. one of the chip inside the unit could be destroyed by overvoltage. one of the chip inside the unit could be destroyed by overvoltage. one of the chip inside the unit could be destroyed by overvoltage. one of the chip inside the unit could be destroyed by overvoltage. one of the chip inside the unit could be destroyed by overvoltage.
MONOPHONIC ANALOG SYNTHESIZER MONOPHONIC ANALOG SYNTHESIZER MONOPHONIC ANALOG SYNTHESIZER MONOPHONIC ANALOG SYNTHESIZER MONOPHONIC ANALOG SYNTHESIZER MONOPHONIC ANALOG SYNTHESIZER MONOPHONIC ANALOG SYNTHESIZER MONOPHONIC ANALOG SYNTHESIZER
This section documents Anushri's analog synthesis section. This section documents Anushri's analog synthesis section. This section documents Anushri's analog synthesis section. This section documents Anushri's analog synthesis section. This section documents Anushri's analog synthesis section. This section documents Anushri's analog synthesis section. This section documents Anushri's analog synthesis section. This section documents Anushri's analog synthesis section.
Anushri follows the classic subtractive synthesis scheme: a Anushri follows the classic subtractive synthesis scheme: a Anushri follows the classic subtractive synthesis scheme: a Anushri follows the classic subtractive synthesis scheme: a Anushri follows the classic subtractive synthesis scheme: a Anushri follows the classic subtractive synthesis scheme: a Anushri follows the classic subtractive synthesis scheme: a Anushri follows the classic subtractive synthesis scheme: a
a VCF, and the level of the resulting sound is controlled by a VCA. One particularity of Anushri is that it also a VCF, and the level of the resulting sound is controlled by a VCA. One particularity of Anushri is that it also a VCF, and the level of the resulting sound is controlled by a VCA. One particularity of Anushri is that it also a VCF, and the level of the resulting sound is controlled by a VCA. One particularity of Anushri is that it also a VCF, and the level of the resulting sound is controlled by a VCA. One particularity of Anushri is that it also a VCF, and the level of the resulting sound is controlled by a VCA. One particularity of Anushri is that it also a VCF, and the level of the resulting sound is controlled by a VCA. One particularity of Anushri is that it also a VCF, and the level of the resulting sound is controlled by a VCA. One particularity of Anushri is that it also
includes an additional digital square wave generator. Even if this terminology is inaccurate, it'll be referred to as includes an additional digital square wave generator. Even if this terminology is inaccurate, it'll be referred to as includes an additional digital square wave generator. Even if this terminology is inaccurate, it'll be referred to as includes an additional digital square wave generator. Even if this terminology is inaccurate, it'll be referred to as includes an additional digital square wave generator. Even if this terminology is inaccurate, it'll be referred to as includes an additional digital square wave generator. Even if this terminology is inaccurate, it'll be referred to as includes an additional digital square wave generator. Even if this terminology is inaccurate, it'll be referred to as includes an additional digital square wave generator. Even if this terminology is inaccurate, it'll be referred to as
the the the the the the the the DCO DCO DCO DCO DCO DCO DCO DCO in the rest of the documentation (For the sake of accuracy: the square wave comes from a in the rest of the documentation (For the sake of accuracy: the square wave comes from a in the rest of the documentation (For the sake of accuracy: the square wave comes from a in the rest of the documentation (For the sake of accuracy: the square wave comes from a in the rest of the documentation (For the sake of accuracy: the square wave comes from a in the rest of the documentation (For the sake of accuracy: the square wave comes from a in the rest of the documentation (For the sake of accuracy: the square wave comes from a in the rest of the documentation (For the sake of accuracy: the square wave comes from a
programmable interval timer on the main MCU). This second source can be used to achieve sounds traditionally programmable interval timer on the main MCU). This second source can be used to achieve sounds traditionally programmable interval timer on the main MCU). This second source can be used to achieve sounds traditionally programmable interval timer on the main MCU). This second source can be used to achieve sounds traditionally programmable interval timer on the main MCU). This second source can be used to achieve sounds traditionally programmable interval timer on the main MCU). This second source can be used to achieve sounds traditionally programmable interval timer on the main MCU). This second source can be used to achieve sounds traditionally programmable interval timer on the main MCU). This second source can be used to achieve sounds traditionally
reserved to dual oscillator synthesizers, such as FM, hard-sync, or rich detuned sounds. reserved to dual oscillator synthesizers, such as FM, hard-sync, or rich detuned sounds. reserved to dual oscillator synthesizers, such as FM, hard-sync, or rich detuned sounds. reserved to dual oscillator synthesizers, such as FM, hard-sync, or rich detuned sounds. reserved to dual oscillator synthesizers, such as FM, hard-sync, or rich detuned sounds. reserved to dual oscillator synthesizers, such as FM, hard-sync, or rich detuned sounds. reserved to dual oscillator synthesizers, such as FM, hard-sync, or rich detuned sounds. reserved to dual oscillator synthesizers, such as FM, hard-sync, or rich detuned sounds.
Anushri has 3 envelope generators: an Anushri has 3 envelope generators: an Anushri has 3 envelope generators: an Anushri has 3 envelope generators: an Anushri has 3 envelope generators: an Anushri has 3 envelope generators: an Anushri has 3 envelope generators: an Anushri has 3 envelope generators: an
for VCF control; and an for VCF control; and an for VCF control; and an for VCF control; and an for VCF control; and an for VCF control; and an for VCF control; and an for VCF control; and an ADSR2 ADSR2 ADSR2 ADSR2 ADSR2 ADSR2 ADSR2 ADSR2
individual editing of these envelopes: the individual editing of these envelopes: the individual editing of these envelopes: the individual editing of these envelopes: the individual editing of these envelopes: the individual editing of these envelopes: the individual editing of these envelopes: the individual editing of these envelopes: the
and and and and and and and and ADSR2 ADSR2 ADSR2 ADSR2 ADSR2 ADSR2 ADSR2 ADSR2 is controlled through a morphing parameter which gives it the shape of ADSR1, or an increasingly is controlled through a morphing parameter which gives it the shape of ADSR1, or an increasingly is controlled through a morphing parameter which gives it the shape of ADSR1, or an increasingly is controlled through a morphing parameter which gives it the shape of ADSR1, or an increasingly is controlled through a morphing parameter which gives it the shape of ADSR1, or an increasingly is controlled through a morphing parameter which gives it the shape of ADSR1, or an increasingly is controlled through a morphing parameter which gives it the shape of ADSR1, or an increasingly is controlled through a morphing parameter which gives it the shape of ADSR1, or an increasingly
rigid shape resembling a Gate signal. rigid shape resembling a Gate signal. rigid shape resembling a Gate signal. rigid shape resembling a Gate signal. rigid shape resembling a Gate signal. rigid shape resembling a Gate signal. rigid shape resembling a Gate signal. rigid shape resembling a Gate signal.
Anushri has 2 LFOs: a main LFO, syncable to tempo, with 8 different waveforms; and a vibrato/growl triangle Anushri has 2 LFOs: a main LFO, syncable to tempo, with 8 different waveforms; and a vibrato/growl triangle Anushri has 2 LFOs: a main LFO, syncable to tempo, with 8 different waveforms; and a vibrato/growl triangle Anushri has 2 LFOs: a main LFO, syncable to tempo, with 8 different waveforms; and a vibrato/growl triangle Anushri has 2 LFOs: a main LFO, syncable to tempo, with 8 different waveforms; and a vibrato/growl triangle Anushri has 2 LFOs: a main LFO, syncable to tempo, with 8 different waveforms; and a vibrato/growl triangle Anushri has 2 LFOs: a main LFO, syncable to tempo, with 8 different waveforms; and a vibrato/growl triangle Anushri has 2 LFOs: a main LFO, syncable to tempo, with 8 different waveforms; and a vibrato/growl triangle
LFO, the amplitude of which is controlled by the modulation wheel. LFO, the amplitude of which is controlled by the modulation wheel. LFO, the amplitude of which is controlled by the modulation wheel. LFO, the amplitude of which is controlled by the modulation wheel. LFO, the amplitude of which is controlled by the modulation wheel. LFO, the amplitude of which is controlled by the modulation wheel. LFO, the amplitude of which is controlled by the modulation wheel. LFO, the amplitude of which is controlled by the modulation wheel.
All the synthesis parameters can be accessed from the front panel by pressing the All the synthesis parameters can be accessed from the front panel by pressing the All the synthesis parameters can be accessed from the front panel by pressing the All the synthesis parameters can be accessed from the front panel by pressing the All the synthesis parameters can be accessed from the front panel by pressing the All the synthesis parameters can be accessed from the front panel by pressing the All the synthesis parameters can be accessed from the front panel by pressing the All the synthesis parameters can be accessed from the front panel by pressing the
button serves a few additional functions when held and used as a "shift" key - button serves a few additional functions when held and used as a "shift" key - button serves a few additional functions when held and used as a "shift" key - button serves a few additional functions when held and used as a "shift" key - button serves a few additional functions when held and used as a "shift" key - button serves a few additional functions when held and used as a "shift" key - button serves a few additional functions when held and used as a "shift" key - button serves a few additional functions when held and used as a "shift" key -
VCO VCO VCO VCO VCO VCO VCO VCO
AD AD AD AD AD AD AD AD envelope used for VCO and PWM control; an envelope used for VCO and PWM control; an envelope used for VCO and PWM control; an envelope used for VCO and PWM control; an envelope used for VCO and PWM control; an envelope used for VCO and PWM control; an envelope used for VCO and PWM control; an envelope used for VCO and PWM control; an
envelope used for VCA control. However, the user interface does not allow envelope used for VCA control. However, the user interface does not allow envelope used for VCA control. However, the user interface does not allow envelope used for VCA control. However, the user interface does not allow envelope used for VCA control. However, the user interface does not allow envelope used for VCA control. However, the user interface does not allow envelope used for VCA control. However, the user interface does not allow envelope used for VCA control. However, the user interface does not allow
AD AD AD AD AD AD AD AD and and and and and and and and ADSR1 ADSR1 ADSR1 ADSR1 ADSR1 ADSR1 ADSR1 ADSR1 envelope share the same attack and decay settings; envelope share the same attack and decay settings; envelope share the same attack and decay settings; envelope share the same attack and decay settings; envelope share the same attack and decay settings; envelope share the same attack and decay settings; envelope share the same attack and decay settings; envelope share the same attack and decay settings;
producing a rich waveform is filtered/colored by producing a rich waveform is filtered/colored by producing a rich waveform is filtered/colored by producing a rich waveform is filtered/colored by producing a rich waveform is filtered/colored by producing a rich waveform is filtered/colored by producing a rich waveform is filtered/colored by producing a rich waveform is filtered/colored by
ADSR1 ADSR1 ADSR1 ADSR1 ADSR1 ADSR1 ADSR1 ADSR1
Synth Synth Synth Synth Synth Synth Synth Synth button. button. button. button. button. button. button. button.
envelope used envelope used envelope used envelope used envelope used envelope used envelope used envelope used