Mutable Instruments Anushri User Manual page 11

Clock resolution Clock resolution Clock resolution Clock resolution Clock resolution Clock resolution
Hold Hold Hold Hold Hold Hold Hold Hold Hold Hold Hold Hold and press the and press the and press the and press the and press the and press the Drums Drums Drums Drums Drums Drums
24 ppqn is the resolution of the MIDI standard and is the recommended setting - unless you are interfacing 24 ppqn is the resolution of the MIDI standard and is the recommended setting - unless you are interfacing 24 ppqn is the resolution of the MIDI standard and is the recommended setting - unless you are interfacing 24 ppqn is the resolution of the MIDI standard and is the recommended setting - unless you are interfacing 24 ppqn is the resolution of the MIDI standard and is the recommended setting - unless you are interfacing 24 ppqn is the resolution of the MIDI standard and is the recommended setting - unless you are interfacing
through the through the through the through the through the through the Clock in Clock in Clock in Clock in Clock in Clock in and and and and and and Clock out Clock out Clock out Clock out Clock out Clock out
Summary: Hold + key special functions Summary: Hold + key special functions Summary: Hold + key special functions Summary: Hold + key special functions Summary: Hold + key special functions Summary: Hold + key special functions
Hold Hold Hold Hold Hold Hold + Synth: MIDI channel learn. + Synth: MIDI channel learn. + Synth: MIDI channel learn. + Synth: MIDI channel learn. + Synth: MIDI channel learn. + Synth: MIDI channel learn.
Hold Hold Hold Hold Hold Hold + Clk/Kbd: MIDI output filters. + Clk/Kbd: MIDI output filters. + Clk/Kbd: MIDI output filters. + Clk/Kbd: MIDI output filters. + Clk/Kbd: MIDI output filters. + Clk/Kbd: MIDI output filters.
Hold Hold Hold Hold Hold Hold + Drums: Sequencer resolution. + Drums: Sequencer resolution. + Drums: Sequencer resolution. + Drums: Sequencer resolution. + Drums: Sequencer resolution. + Drums: Sequencer resolution.
Hold Hold Hold Hold Hold Hold + Rec: Disable software tuning correction. + Rec: Disable software tuning correction. + Rec: Disable software tuning correction. + Rec: Disable software tuning correction. + Rec: Disable software tuning correction. + Rec: Disable software tuning correction.
Hold Hold Hold Hold Hold Hold + Run/stop: Enable software tuning and tune VCO. + Run/stop: Enable software tuning and tune VCO. + Run/stop: Enable software tuning and tune VCO. + Run/stop: Enable software tuning and tune VCO. + Run/stop: Enable software tuning and tune VCO. + Run/stop: Enable software tuning and tune VCO.
Hold Hold Hold Hold Hold Hold held for a long time: Play drone note and enable scales on lower row of knobs. held for a long time: Play drone note and enable scales on lower row of knobs. held for a long time: Play drone note and enable scales on lower row of knobs. held for a long time: Play drone note and enable scales on lower row of knobs. held for a long time: Play drone note and enable scales on lower row of knobs. held for a long time: Play drone note and enable scales on lower row of knobs.
Hidden MIDI functions Hidden MIDI functions Hidden MIDI functions Hidden MIDI functions Hidden MIDI functions Hidden MIDI functions
Advanced sound editing Advanced sound editing Advanced sound editing Advanced sound editing Advanced sound editing Advanced sound editing
A handful of synth settings unavailable on the front panel can still be edited by CC: A handful of synth settings unavailable on the front panel can still be edited by CC: A handful of synth settings unavailable on the front panel can still be edited by CC: A handful of synth settings unavailable on the front panel can still be edited by CC: A handful of synth settings unavailable on the front panel can still be edited by CC: A handful of synth settings unavailable on the front panel can still be edited by CC:
Simultaneous envelope and LFO modulation on the VCO (CC 16 and 17). Simultaneous envelope and LFO modulation on the VCO (CC 16 and 17). Simultaneous envelope and LFO modulation on the VCO (CC 16 and 17). Simultaneous envelope and LFO modulation on the VCO (CC 16 and 17). Simultaneous envelope and LFO modulation on the VCO (CC 16 and 17). Simultaneous envelope and LFO modulation on the VCO (CC 16 and 17).
Simultaneous envelope and LFO modulation on PWM (CC 18 and 19). Simultaneous envelope and LFO modulation on PWM (CC 18 and 19). Simultaneous envelope and LFO modulation on PWM (CC 18 and 19). Simultaneous envelope and LFO modulation on PWM (CC 18 and 19). Simultaneous envelope and LFO modulation on PWM (CC 18 and 19). Simultaneous envelope and LFO modulation on PWM (CC 18 and 19).
VCF keyboard tracking amount (CC 23). The value 64 gives 1:1 tracking and is the default. VCF keyboard tracking amount (CC 23). The value 64 gives 1:1 tracking and is the default. VCF keyboard tracking amount (CC 23). The value 64 gives 1:1 tracking and is the default. VCF keyboard tracking amount (CC 23). The value 64 gives 1:1 tracking and is the default. VCF keyboard tracking amount (CC 23). The value 64 gives 1:1 tracking and is the default. VCF keyboard tracking amount (CC 23). The value 64 gives 1:1 tracking and is the default.
More importantly, the individual parameters of the drum synth can be edited through CCs 16 to 30 on channel More importantly, the individual parameters of the drum synth can be edited through CCs 16 to 30 on channel More importantly, the individual parameters of the drum synth can be edited through CCs 16 to 30 on channel More importantly, the individual parameters of the drum synth can be edited through CCs 16 to 30 on channel More importantly, the individual parameters of the drum synth can be edited through CCs 16 to 30 on channel More importantly, the individual parameters of the drum synth can be edited through CCs 16 to 30 on channel
10. Please refer to the last column of the 10. Please refer to the last column of the 10. Please refer to the last column of the 10. Please refer to the last column of the 10. Please refer to the last column of the 10. Please refer to the last column of the
Manual triggering of the drum synth Manual triggering of the drum synth Manual triggering of the drum synth Manual triggering of the drum synth Manual triggering of the drum synth Manual triggering of the drum synth
The drum synth responds to MIDI notes 36, 38 and 42 (respectively BD, SD, and closed HH in the General MIDI The drum synth responds to MIDI notes 36, 38 and 42 (respectively BD, SD, and closed HH in the General MIDI The drum synth responds to MIDI notes 36, 38 and 42 (respectively BD, SD, and closed HH in the General MIDI The drum synth responds to MIDI notes 36, 38 and 42 (respectively BD, SD, and closed HH in the General MIDI The drum synth responds to MIDI notes 36, 38 and 42 (respectively BD, SD, and closed HH in the General MIDI The drum synth responds to MIDI notes 36, 38 and 42 (respectively BD, SD, and closed HH in the General MIDI
standard) on channel 10. standard) on channel 10. standard) on channel 10. standard) on channel 10. standard) on channel 10. standard) on channel 10.
x0x-style programming of the drum machine x0x-style programming of the drum machine x0x-style programming of the drum machine x0x-style programming of the drum machine x0x-style programming of the drum machine x0x-style programming of the drum machine
If maps and densities are not your thing, there is still a way of entirely overriding the generative drum machine If maps and densities are not your thing, there is still a way of entirely overriding the generative drum machine If maps and densities are not your thing, there is still a way of entirely overriding the generative drum machine If maps and densities are not your thing, there is still a way of entirely overriding the generative drum machine If maps and densities are not your thing, there is still a way of entirely overriding the generative drum machine If maps and densities are not your thing, there is still a way of entirely overriding the generative drum machine
and program x0x patterns into it! This is done through a MIDI keyboard sending notes on MIDI channel 16. and program x0x patterns into it! This is done through a MIDI keyboard sending notes on MIDI channel 16. and program x0x patterns into it! This is done through a MIDI keyboard sending notes on MIDI channel 16. and program x0x patterns into it! This is done through a MIDI keyboard sending notes on MIDI channel 16. and program x0x patterns into it! This is done through a MIDI keyboard sending notes on MIDI channel 16. and program x0x patterns into it! This is done through a MIDI keyboard sending notes on MIDI channel 16.
The lowest C# key (on a 61 notes keyboard) is used to enable or disable the generative drum machine, with the The lowest C# key (on a 61 notes keyboard) is used to enable or disable the generative drum machine, with the The lowest C# key (on a 61 notes keyboard) is used to enable or disable the generative drum machine, with the The lowest C# key (on a 61 notes keyboard) is used to enable or disable the generative drum machine, with the The lowest C# key (on a 61 notes keyboard) is used to enable or disable the generative drum machine, with the The lowest C# key (on a 61 notes keyboard) is used to enable or disable the generative drum machine, with the
programmed x0x pattern taking over. The D# key clears the pattern programmed for the current instrument. The programmed x0x pattern taking over. The D# key clears the pattern programmed for the current instrument. The programmed x0x pattern taking over. The D# key clears the pattern programmed for the current instrument. The programmed x0x pattern taking over. The D# key clears the pattern programmed for the current instrument. The programmed x0x pattern taking over. The D# key clears the pattern programmed for the current instrument. The programmed x0x pattern taking over. The D# key clears the pattern programmed for the current instrument. The
F# / G# / A# keys select the instrument to program. Finally the white keys are used for activating/deactivating F# / G# / A# keys select the instrument to program. Finally the white keys are used for activating/deactivating F# / G# / A# keys select the instrument to program. Finally the white keys are used for activating/deactivating F# / G# / A# keys select the instrument to program. Finally the white keys are used for activating/deactivating F# / G# / A# keys select the instrument to program. Finally the white keys are used for activating/deactivating F# / G# / A# keys select the instrument to program. Finally the white keys are used for activating/deactivating
notes at each of the 16 steps. notes at each of the 16 steps. notes at each of the 16 steps. notes at each of the 16 steps. notes at each of the 16 steps. notes at each of the 16 steps.
button to change the resolution of Anushri's clock system. button to change the resolution of Anushri's clock system. button to change the resolution of Anushri's clock system. button to change the resolution of Anushri's clock system. button to change the resolution of Anushri's clock system. button to change the resolution of Anushri's clock system.
ports with modular systems which have different resolutions. ports with modular systems which have different resolutions. ports with modular systems which have different resolutions. ports with modular systems which have different resolutions. ports with modular systems which have different resolutions. ports with modular systems which have different resolutions.
CC CC CC CC CC CC Map. Map. Map. Map. Map. Map.