J.
Feedback, that is to say the amount of output signal
mixed with the input signal and fed back into the processing
chain. Each quality setting employs a different feedback am-
plitude limiting scheme typical of the medium it emulates –
from clean brickwall-limiting to grungy tape saturation.
K.
Dry/wet balance.
L.
Amount of
Thoreau's cabin, or of a strip-mall spa.
The LED under each of these knobs indicates the amount of
modulation they receive from the assignable CV input (7).
Press the button
tions the CV input
turn the knobs [J],
amount of CV modulation.
8.
Audio output. While the recording buffer can be mono
or stereo, Beads' signal processing chain is always stereo.
If the R output is left unpatched, both L and R signals are
summed together and sent to the L output.
If one of the grains' parameters is randomized, or if
the grains are generated at a random rate, their pan
position will also be randomized.
Hold the button
(or disable) the generation of a grain trigger signal on the R
output. A patch cable will have to be inserted in the R output
for this to work without affecting the L output!
reverb. Modeled on the acoustics of
[M]
to select to which of these 3 destina-
(7)
is assigned. Or hold this button and
[K]
and
[L]
[M]
and press the SEED button
to individually adjust the
[C]
to enable
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