General Configuration - Polyend Tracker Instructions Of Use

General configuration:

Pattern Divider – highlights each chosen step, to give better visual feedback in
the pattern > from 1 to 16,
Radio Region – adjusts radio frequencies to the chosen region > Europe, US,
Australia,
Display Brightness – high, medium, low,
Pads Brightness – high, medium, low,
Record options – set what information is stored when recording > Only notes –
quantized notes only, Microtiming- notes with microtiming, Velocity- quantized
notes with velocity, Microtiming + Velocity – or notes with microtiming and
velocity. For recording notes from external MIDI devices. External MIDI recording
velocity 0-127 is scaled to V step fx with values from 1 to 50,
Performance presets – store Perform presets > Global – globally (same settings
for all projects), Project – locally (each project has its own presets),
Pads Scale filter – see appendix for the list. All scales use equal temperament
tuning. Use the chromatic scale for the pads to use all twelve semitones. This
gives four full octaves with the base note in the first column of each line.
Pads Root Note – from C2 to C4 > determines which note is played by the lowest
leftmost pad in the pads grid,
Pads Layout – from 1 to 12 > sets how many semitones higher should the pad
right above the root note pad be. The root note pad is the lowest leftmost pad in
the grid, eg. in layout 1 the pad above the root pad will play the 2nd note of the
chosen scale. In layout 4 the pad above the root pad will play the 5th note of the
chosen scale,
Anti-aliasing – On, Off > disabling anti-aliasing gives the vintage feeling, samples
are harsher when detuned heavily,
Limiter mode – Subtle, Extreme > determines how the attack and release of the
limiter are treated. Subtle limiting gives a more transparent sound bit will not be
able to catch very sudden changes in amplitude. Extreme limiting reacts much
faster which colors the sound.
Sends mode – Pre-fader, Post-fader > Pre-fader sends are independent of the
instrument volume. This allows the wet signal to be louder than the dry signal.
Post-fader sends are proportional to the instrument volume. This gives a more
consistent sound when the volume is modulated,
Hexadecimal numbers – On, Off > enable the throwback hex goodness: pattern