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CONTENTS

Warranty . . . . . . . . . . . . . . . . . . . . . . . . . 3
Introduction . . . . . . . . . . . . . . . . . . . . . . . 4
Basic Principles of PA Mixing . . . . . . . . . . . . . 5
Installation & Safety Precautions . . . . . . . . . . . 7
Sicherheitshinweise . . . . . . . . . . . . . . . 9
Precautions . . . . . . . . . . . . . . . . . . . 10
Sicurezza . . . . . . . . . . . . . . . . . . . . 11
Precauciones de Seguridad . . . . . . . . . . 12
Connecting It Up. . . . . . . . . . . . . . . . . . . . 13
Wiring It Up . . . . . . . . . . . . . . . . . . . . . . 14
Getting to Know Your Console . . . . . . . . . . . . 18
Mono Inputs . . . . . . . . . . . . . . . . . . . 18
Stereo Inputs . . . . . . . . . . . . . . . . . . 21
Group Section. . . . . . . . . . . . . . . . . . 23
Master Section . . . . . . . . . . . . . . . . . 24
Using Your Spirit Live 4 Console . . . . . . . . . . 26
Applications . . . . . . . . . . . . . . . . . . . . . . 28
Care Of Your Mixer . . . . . . . . . . . . . . . . . . 34
Glossary . . . . . . . . . . . . . . . . . . . . . . . . 34
Typical Specifications. . . . . . . . . . . . . . . . . 36
Dimensions . . . . . . . . . . . . . . . . . . . . . . 37
System Block Diagram . . . . . . . . . . . . . . . . 38
Panel Layout . . . . . . . . . . . . . . . . . . . . . . 39
Mark-up Sheets . . . . . . . . . . . . . . . . . . . . 40
Typical Connecting Leads . . . . . . . . . . . . . . 42
USERS GUIDE
USERS GUIDE
USERS GUIDE
USERS GUIDE
2

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Summary of Contents for SoundCraft SPIRIT LIVE 4 2

  • Page 1 CONTENTS Warranty ......3 Introduction ..... . . 4 Basic Principles of PA Mixing .
  • Page 2 Soundcraft shall not be liable for any loss or damage whatsoever arising from the use of information or any error contained in this manual.
  • Page 3 W W a a r r r r a a n n t t y y...
  • Page 4 I I N N T T R R O O D D U U C C T T I I O O N N...
  • Page 5 B B A A S S I I C C P P R R I I N N C C I I P P L L E E S S O O F F P P A A M M I I X X I I N N G G T T h h e e M M i i x x e e r r Inputs Groups...
  • Page 6 POST Headroom Clipping Clipped Signal Noise If the signal level is too high, clipping distortion may occur. Signal Noise If the signal level is too low it may be masked by the noise.
  • Page 7 S S A A F F E E T T Y Y P P R R E E C C A A U U T T I I O O N N S S For your own safety and to avoid invalidation of the warranty please read this section carefully. The SPIRIT LIVE 4 2 mixer must only be connected through the Power Supply supplied. Earth:...
  • Page 8 C C A A U U T T I I O O N N S S WARNINGS...
  • Page 9 S S I I C C H H E E R R H H E E I I T T S S H H I I N N W W E E I I S S E E Das SPIRIT LIVE 4 2 darf nur an das entsprechend mitgelieferte Netzgerät angeschlossen werden ! Um die Gefahr eines Elektrobrandes zu verhindern, dürfen nur Hauptsicherungen am...
  • Page 10 P P R R E E C C A A U U T T I I O O N N S S La console SPIRIT LIVE 4 2 doit impérativement être connectée avec l’alimentation fournie. Vert/Jaune Bleu Brun Pour éviter tout risque d’incendie, remplacez le fusible uniquement avec un fusible de la valeur correcte indiquée sur l’alimentation.
  • Page 11 S S I I C C U U R R E E Z Z Z Z A A Il mixer SPIRIT LIVE 4 2 deve essere collegato all’alimentatore in dotazione. Terra: Neutro: Vivo: Per evitare il rischio di incendi sostituire il fusibile solo con uno del valore indicato.
  • Page 12 P P R R E E C C A A U U C C I I O O N N E E S S D D E E S S E E G G U U R R I I D D A A D D La consola SPIRIT LIVE 4 2 debe ser conectada únicamente a la fuente de alimentación suministrada.
  • Page 13 C C O O N N N N E E C C T T I I N N G G I I T T U U P P...
  • Page 14 W W I I R R I I N N G G I I T T U U P P M M I I C C I I N N P P U U T T Balanced Mic 2. Hot(+ve) 3.
  • Page 15 S S T T E E R R E E O O I I N N P P U U T T s s , , C C A A S S S S / / C C D D I I N N P P U U T T S S Mix Outputs Group Outputs Matrix Outputs...
  • Page 16 A A U U X X O O U U T T P P U U T T S S , , D D i i r r e e c c t t O O U U T T P P U U T T S S H H E E A A D D P P H H O O N N E E S S P P o o l l a a r r i i t t y y G G r r o o u u n n d d i i n n g g a a n n d d S S h h i i e e l l d d i i n n g g...
  • Page 17 F F a a u u l l t t F F i i n n d d i i n n g g G G u u i i d d e e...
  • Page 18 G G E E T T T T I I N N G G T T O O K K N N O O W W Y Y O O U U R R C C O O N N S S O O L L E E M M O O N N O O I I N N P P U U T T C C H H A A N N N N E E L L + + 4 4 8 8 V V NOTE:...
  • Page 19 H H I I -P P A A S S S S F F I I L L T T E E R R E E Q Q U U A A L L I I S S E E R R E E Q Q S S W W I I T T C C H H A A U U X X I I L L I I A A R R Y Y S S E E N N D D S S before...
  • Page 20 1 1 0 0 F F A A D D E E R R 1 1 1 1 M M U U T T I I N N G G 1 1 2 2 P P F F L L / / P P E E A A K K...
  • Page 21 S S T T E E R R E E O O I I N N P P U U T T S S C C A A S S S S / / C C D D I I N N P P U U T T S S E E C C T T I I O O N N 1 1 3 3 G G A A I I N N 1 1 4 4...
  • Page 22 1 1 9 9 E E Q Q S S W W I I T T C C H H 2 2 0 0 A A U U X X I I L L I I A A R R Y Y S S E E N N D D S S after before after...
  • Page 23 G G R R O O U U P P S S E E C C T T I I O O N N 2 2 6 6 G G R R O O U U P P F F A A D D E E R R S S 2 2 7 7 G G R R O O U U P P S S T T O O M M I I X X , , S S T T E E R R E E O O / / M M O O N N O O 2 2 8 8...
  • Page 24 M M A A S S T T E E R R S S E E C C T T I I O O N N 3 3 1 1 B B A A R R G G R R A A P P H H M M E E T T E E R R S S 3 3 2 2 M M I I X X F F A A D D E E R R S S 3 3 3 3...
  • Page 25 3 3 7 7 A A U U X X I I L L I I A A R R Y Y M M A A S S T T E E R R S S after 3 3 8 8 P P F F L L / / A A F F L L O O N N 3 3 9 9 P P H H O O N N E E S S...
  • Page 26 U U S S I I N N G G Y Y O O U U R R S S P P I I R R I I T T L L I I V V E E 4 4 2 2 C C O O N N S S O O L L E E M M i i c c r r o o p p h h o o n n e e P P l l a a c c e e m m e e n n t t I I n n i i t t i i a a l l S S e e t t U U p p The front panel drawing on page 39 shows typical initial control...
  • Page 27 Note: N N o o t t e e : :...
  • Page 28 A A p p p p l l i i c c a a t t i i o o n n 1 1 - L L I I V V E E S S O O U U N N D D R R E E I I N N F F O O R R C C E E M M E E N N T T...
  • Page 29 A A P P P P L L I I C C A A T T I I O O N N 2 2 - L L I I V V E E S S O O U U N N D D W W I I T T H H C C E E N N T T R R E E C C L L U U S S T T E E R R...
  • Page 30 A A P P P P L L I I C C A A T T I I O O N N 3 3 - A A D D D D I I T T I I O O N N A A L L S S T T E E R R E E O O I I N N P P U U T T S S...
  • Page 31 A A P P P P L L I I C C A A T T I I O O N N 4 4 - T T H H E E A A T T R R E E S S O O U U N N D D...
  • Page 32 A A p p p p l l i i c c a a t t i i o o n n 5 5 - U U s s i i n n g g t t h h e e M M u u t t e e B B u u s s e e s s...
  • Page 33 A A P P P P L L I I C C A A T T I I O O N N 6 6 - L L I I N N K K I I N N G G T T W W O O L L I I V V E E 4 4 2 2 M M I I X X E E R R S S Client Mixer Groups 1-4 out Mix L/R out...
  • Page 34 C C A A R R E E O O F F Y Y O O U U R R M M I I X X E E R R G G e e n n e e r r a a l l P P r r e e c c a a u u t t i i o o n n s s G G l l o o s s s s a a r r y y...
  • Page 35 balanced...
  • Page 36 T T Y Y P P I I C C A A L L S S P P E E C C I I F F I I C C A A T T I I O O N N S S N N O O I I S S E E Measured RMS, 22Hz to 22kHz Bandwidth Line inputs selected at unity gain and terminated 150R...
  • Page 37 D D I I M M E E N N S S I I O O N N S S 87.5 mm (3.44") dim. ’x’ dim. ’y’ Width without end trim (for flight case mounting) Console dim ’x’ dim ’y’ 12 channel 685 mm 601 mm...
  • Page 38 S S Y Y S S T T E E M M B B L L O O C C K K D D I I A A G G R R A A M M...
  • Page 42 T T y y p p i i c c a a l l C C o o n n n n e e c c t t i i n n g g L L e e a a d d s s...
  • Page 44 For further details contact: Harman International Industries Ltd. Cranborne House, Cranborne Road Potters Bar, Hertfordshire, EN6 3JN, UK Tel: +44 (0) 1707 665000 Fax: +44 (0) 1707 660742 e-mail: info@soundcraft.com www.soundcraft.com A Harman International Company Part No: ZM0111...