[Pa G E 1] - Yamaha Electone EL-900 Owner's Manual

P ag e/S ectio n
9. Lead
O B O E
10. Upper/Lower
C L A R IN E T
11. Upper/Lower
SA X O PH O N E
12. Upper/Lower
TU TTI
13. Upper/Lower
C H O R U S
14. Upper
H A R M O N IC A
15. Upper/Lower
O R G A N
16. Pedal
O R G A N B A SS
17. Upper/Lower
PIA N O
Downloaded from: http://www.usersmanualguide.com/
P reset
V oice N am e
F eet
Oboe 1 8'
Oboe 2 8'
English Horn 8'
Bassoon 1 U16'/L8'
Bassoon 2 U16'/L8'
Clarinet 1 8'
Clarinet 2 8'
Bass Cla. 8'
Synth. Cla. 1 8'
Synth. Cla. 2 8'
Saxophone 1 U16'/L8'
Saxophone 2 U16'/L8'
Sopra. Sax. 8'
Sax. Ensem. 1 U16'/L8'
Sax. Ens. 2 U16'/L8
Synth. Sax. 8'
Synth. Lead 1 8'
Synth. Lead 2 8'
Synth. Lead 3 4'
Synth. Lead 4 8'
Synth. Lead 5 8'
Tutti 1 8'
Tutti 2 8'
Tutti 3 8'
Tutti 4 8'
Tutti 5 8'
Tutti 6 8'
Tutti 7 8'
Chorus 1 8'
Chorus 2 8'
Chorus 3 8'
Chorus 4 8'
Chorus 5 8'
Vocal 8'
Harmonica 1 8'
Harmonica 2 8'
Organ 1 8'
Organ 2 8'
Organ 3 8'
Organ 4 8'
Jazz Organ 1 16'
Jazz Organ 2 16'
Jazz Organ 3 16'
Jazz Organ 4 16'
Pop Organ 1 8'
Pop Organ 2 8'
Theat. Organ 1 8'
Theat. Organ 2 8'
Accordion 8'
Bandoneon 8'
Organ Bass 1 8'
Organ Bass 2 16'
Organ Bass 3 16'
Organ Bass 4 16'
Piano 1 8'
Piano 2 8'
Honkytonk 8'
Elec. Piano 1 8'
Elec. Piano 2 8'
Elec. Piano 3 8'
Harpsichord 8'
Clavi. 16'
Clavichord 8'
E ffect
- Softer oboe.
- Rounder tone with characteristic tonguing. For fast phrases.
- Cor Anglais.
- For legato playing.
- For staccato playing.
- Standard clarinet.
- Clarinet solo for jazz and contemporary.
- Bass clarinet with fat and resonant sounds.
- Resonant synth. clarinet.
- Synth. reed with a unique attack sound.
- Alto sax.
- Characteristic tenor sax with strong tonguing.
- Standard soprano sax.
- Softer sounds for classicals.
- Saxophone section for bigband.
- Wind synthesizer with thick sounds in the middle and lower range.
- Softer analog synth. reed.
- Clear synth. reed with a sharp attack.
- Hoarse noise reed.
- Digital synth. reed.
- Synth. reed with thick fourth notes.
- Strings unison and wood winds ensemble.
- Strings unison and the brasses.
- The brasses for classicals and bands.
- Big band. Softer playing = sax only. Harder playing = 1 octave higher brasses added.
- Wood winds ensemble. Instruments vary depending on the register played.
- Wood winds quintet.
- Brass ensemble.
- Female "Ah".
- Male "Wh".
- Mixed chorus.
- Mixed chorus with beautiful resonance. Wh.
- Scat type vocal ensemble.
- Accentuated solo vocal, "Ah".
- Standard type with pitch modulated vibrato.
- Solo harmonica with filter and amplitude modulated vibrato.
- Small pipe organ. 8'.
- Big pipe organ with full coupler.
- Nasard stops. 8'+2 2/3'.
- Harmonium.
Chor. For solo playing. 16'+8'+5 1/3'.
Trem. 16'+8'+2'.
Trem. For cluster playing. 16'+1 3/5'+1 1/3'+1'.
Trem. Fat and noisy jazz organ.
Chor. Bright sounds for jazz. 8'+4'+2 2/3'.
Chor. For multi purposes.
Sym. 8'+4' with slower attack.
- 16'+8' with slower attack.
- Slower attack.
- Attack can be controlled by initial touch.
- Combination organ bass.
- Pipe organ bass 1. Standard type.
- For jazz. 16'.
- Pipe organ bass 2. Full coupler.
- For multi purposes.
- Brighter sounds. CP80 type.
- Honky tonk piano.
Cele. DX7 type.
Cele. Old fashioned, full bodied electric piano.
- Electric piano with clearly brilliant but deep sounds.
- Standard cembalo.
- Funky clavi.
- Clavichord with stable and grave sounds.
C o m m en ts
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