Yamaha Electone EL-900 Owner's Manual page 36

D et ai l s on E ach V oi ce
P ag e/S ectio n
1. Upper/Lower
ST R IN G S
2
2. Lead
V IO LIN
3. Pedal
C O N T R A B A SS
4. Upper/Lower
B R A S S
5. Lower
H O R N
6. Lead
T R U M PE T
7. Pedal
TU B A
8. Lead
FL U T E
36
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P reset
V oice N am e
F eet
Strings 1 8'
Strings 2 8'
Strings 3 8'
Strings 4 8'
Strings 5 8'
Strings 6 8'
Strings 7 8'
Pizz. Strings 8'
Trem. Strings 8'
Synth. Strings 1 8'
Synth. Strings 2 8'
Synth. Strs. 3 8'
Violin 1 8'
Violin 2 8'
Violin 3 8'
Violin 4 8'
Violin 5 8'
Pizz. Violin 8'
Cello 8'
Kokyu 8'
Contrabass 1 8'
Contrabass 2 8'
Contra Bass 3 8'
Pizz. Bass 8'
Upright Bass 8'
Brass 1 8'
Brass 2 8'
Brass 3 8'
Brass 4 U16'/L8'
Brass 5 8'
Synth. Brass 1 8'
Synth. Brass 2 8'
Synth. Brass 3 8'
Horn 1 8'
Horn 2 8'
Horn 3 8'
Horn 4 8'
Muted Horn 8'
Trumpet 1 8'
Trumpet 2 8'
Trumpet 3 8'
Trumpet 4 8'
Trumpet 5 8'
Trumpet 6 8'
Muted Trp. 8'
Trombone 1 U16'/L8'
Trombone 2 U16'/L8'
Muted Trb. U16'/L8'
Flugel Horn 8'
Euphonium U16/L8
Tuba 16'
Timpani 8'
Timpani Roll 8'
Flute 1 8'
Flute 2 8'
Piccolo 4'
Yokobue 4'
Recorder 4'
Ocarina 4'
Pan Flute 8'
Shakuhachi 8'
Whistle 4'
* U1 6 '/ L8 ' i ndi c at es t hat t he f eet s et t i ngs of eac h v oi c e ar e pr es et t o 1 6 ' on t he upper keyboar d and 8 ' on t he l ow er keyboar d.
E ffect
- Large strings ensemble.
- Relatively small strings ensemble for contemporary music.
- Small strings ensemble.
- Having specific harmonics for layering other voices.
- For legato playing.
- Strings with clarity. Appropriate for the fast passages.
- Expressive full bodied strings with a slow attack.
- Pizzicato strings.
- Tremolo strings.
Cele. Synth. strings with softer attack.
Sym. Bright synth. strings.
- Softer Synth. strings.
- For multi purposes.
- For solo with sharp attack.
- Bright fidle for country music.
- Darker synth. violin with wider dynamic range.
- Violin with deep preset vibrato, also suited for chord playing.
- Pizzicato violin.
- Cello with realistic rubbed string-instrument feel.
- Ancient Chinese fiddle.
- Standard type.
- True-to-life tight contrabass sounding in an octave unison.
- Realistic contrabass solo.
- Pizzicato contrabass for classicals.
- For jazz.
- Trumpet and trombone ensemble for classicals.
- For big band with brighter attack.
- With strong impact. Can be used as orchestra hit.
- Trombone ensemble.
- Tight octave brass for contemporary music.
- Synth. brass with sharp attack. Used for Basic Regist. 5.
- Analog type. Can be used as melody line.
- Fat synth. brass.
- Standard horn for classicals.
- Horn unison solo. Alpenhorn.
- For solo playing.
- Impressive horn ensemble.
- Muted horn.
- Standard trumpet for classicals.
- Jazz trumpet 1 with full-bodied sounds.
- Sweet voice.
- Jazz trumpet 2 with a peculiar attack.
- Comical synth. trumpet.
- Resonant trumpet solo.
- Harmon mute.
- For legato playing.
- Bright trombone solo. For fast phrases.
- Cup mute.
- Flugelhorn.
- Euphonium with softer sounds.
- Accentuated by touch
- Standard timpani.
- Typical timpani roll.
- Standard flute solo.
- For legato playing.
- Standard piccolo.
- Japanese pipe with clear sounds.
- Block floete.
- Ocarina with simple but warm sounds.
- Pan Flute.
- Japanese Shakuhachi with realistic breath noises.
- Whistle.
C o m m en ts