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Harmony Parameters
10. Lead/Harmony Balance (Lead/Harm)
Range: L63>H (maximum lead level) — L=H (equal level) —
This determines the relative balance of the lead and harmony voices. For most con-
ventional applications, this should be set to "L=H" or a slightly higher lead level
(such as "L10>H" or more).
11. Vibrato Depth
Range: 0 — 127
This determines the depth of the Vibrato effect on the harmony notes and the lead
note. (The lead note is not affected when Lead Gender Type is set to "off.") Higher
values result in a stronger, more pronounced vibrato sound.
12. Vibrato Rate
Range: 0 — 127
This determines the speed of the Vibrato effect on the harmony notes and the lead
note. (The lead note is not affected when Lead Gender Type is set to "off.") Higher
values result in a faster vibrato sound.
13. Vibrato Delay
Range: 0 — 127
This determines the amount of delay in the onset of the Vibrato effect on the harmony
notes and the lead note. (The lead note is not affected when Lead Gender Type is set
to "off.") Singers often employ a delayed vibrato as they hold notes; this parameter is
designed to reproduce that effect, and helps to create a more natural, lifelike sound.
Higher values result in a longer delay time.
14. Ins (Insertion) Part
Settings: off, 1 — 64, AD1 — AD64
This determines the Part to which the Harmony effect is applied. For example, to
apply Harmony to a microphone input through A/D INPUT 1, set this to "AD01".
When set to "off," the Harmony effect is cancelled.
18
L<H63 (maximum harmony level)
(Not selectable from MU128 panel controls.)
(Not selectable from MU128 panel controls.)
(Not selectable from MU128 panel controls.)
• Depending on the particular tone generator or sound card you are using, the actual range of this
parameter may differ from that given above.
• On the VH Editor software, the number of selectable Parts in this parameter exceeds the actual
amount available on the MU128 and the SW1000XG. The software parameter has these values to
accommodate the expanded capacity of other tone generators and boards.
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