Yamaha CS-80 Instruction Manual page 49

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A
fixed
component
of
the
same
value
was then
built
45
into
the instrument, creating
a
kind
of internal
memory
that
is
recalled
whenever
the
corresponding
preset
patch
is
selected.
You
can always
duplicate
a
preset
patch
by
using the
programmable
panels,
as
is
suggested
by
some
of the
patch
charts
included
in
this
manual.
You may
wish
to
do
so,
and
to
then
vary
one
or
more
controls to obtain
variations
from
the
presets.
Foot Switch
&
Foot
Controller
The
Foot Switch
is
just
that— an
ON-OFF
switch
which
is
housed
in
an assembly designed
for
foot
actuation.
The
switch can be used
to activate the
portamento/glissando
effect
and/or
the
sustain,
depending on
the
setting of
front-panel
assignment
switches.
When
the
Foot
Switch
is
not plugged
into
the synthesizer, the jack automatically
closes the
circuit
so the unit
acts
as
though
the
Foot Switch
were
pressed
down.
The
Foot
Controller contains
more complex
circuitry,
including
a
light
and
a
photosensor.
As
the
pedal
is
rocked back and
forth,
an aperture
varies
the
amount
of
light
reaching the photosensor.
In
turn,
the
sensor
varies
its
resistance,
and hence
varies
the voltage
output from
the
circuit.
Depending
on
the
setting of
the front panel
FOOT PEDAL SELECTOR
buttons,
the voltage
from
the
Foot
Controller
is
applied to
either the
VGA
(in
EXP
mode)
or to the
VCA
and
the
VCF
(in
EXP/WAH
mode).
The
Foot Switch
has
a
standard
(tip/sleeve)
phone
plug,
whereas
the
Foot
Controller,
because
it
contains
more
circuitry,
requires
a
stereo
(tip/ring/sleeve)
phone
plug.
Tremolo/Chorus
The
tremolo/chorus
effect varies
the
volume
of the
output
signal,
and
also
introduces
a
phase
shift.
Together,
these
effects
simulate
a
rotating
speaker
when
used with
a
stereo
sound
system.
The volume
change
is
produced
by
feeding
a
sub
oscillator
output
to
a
pair of
VCA's.
Selecting the
CHORUS
effect
sets
a
sub
oscillator
to
its
very
slow speed
range (about
1/2 to
5Hz), whereas
TREMOLO
sets
the
same
sub
oscillator
to
a
faster
speed range (about 5
to
20Hz);
the
exact speed
is
set
with
the
SPEED
control.
The
phase
shift
is
produced
by
using
an analog delay
line,
changing
the delay
in a
regular
fashion with
a
clocking
circuit,
and mixing
delayed
and non-delayed audio
together.
The amount
of
tremolo
or
chorus
effect
is
set
with
the
DEPTH
control.

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