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<LowGain>
Low
Gain
15
dB
to
+15
dB
This
sets
the
bass
sound
quality.
A
larger positive
value
results in
greater
emphasis
of the
lower band.
<Hi Gain> High Gain
—
-15
dB
to
+15
dB
This
sets
the
treble
sound
quality.
A
larger positive
value
results in
greater
emphasis
of the
higher band.
<Amp Typo Amp
Type
—
SMALL/BUILT-IN/2-
STACK/3-STACK
This simulates the
characteristics
of a guitar
amp.
SMALL:
This simulates
a
compact amp.
BUILT-IN:
This simulates a
built-in
amp.
2-STACK:
This simulates
a large
two-stack
amp.
3-STACK:
This simulates
a large three-stack
amp.
*<Pan> Output Pan
—
L64
to
to
63R
This
sets
the stereo position
where
the
effect
sound
is
output.
L64
is
leftmost,
is
centered,
and 63R
is
rightmost.
4:
PHASER
This
takes the original
sound and adds
a phase-shifted
sound
to
it
to
make
the
tone
change over
time,
producing undula-
tions in
the
sound.
Phaser
*<Manual> Manual
—
100
Hz
to
8
kHz
This
selects
the frequency
band
to
which
undulations
are
added.
100
to
290 Hz:
300
to
980 Hz:
IktoSkHz:
In 10
Hz
steps
In 20
Hz
steps
In
100
Hz
steps
»<Rate> Phaser Rate
—
0.05
Hz
to 10.0
Hz
This
selects
the cycle
for the
phaser
soimd
undulations.
0.05 to 4.95
Hz:
In 0.05
Hz
steps
5.0 to 6.9
Hz:
In
0.1
Hz
steps
7.0
to 10.0
Hz:
In
0.5
Hz
steps
<Depth>
Phaser
Depth
—
to
127
This
sets
the
depth
of the undulations.
<Res> Resonance
—
to
127
This
sets
the
amount
of
Phaser
feedback.
Larger values pro-
duce
a
more
distinctive
sound.
<Mix> Mix Level—
to
127
This
sets
the
level of
the phase-shifter
effect
sound
with
respect
to
the
original
sound.
<Pan> Output Pan
—
L64
to
to
63R
This
sets
the stereo position
where
the
Phaser
sound
is
out-
put.
L64
is
leftmost,
is
centered,
and 63R
is
rightmost.
<Level>
Output
Level
—
to
127
This
sets
the overall
level for the effect
sound.
5:
SPECTRUM
This
is
a
type
of
filter
that
raises
and
lowers
the
level
of a spe-
cific
frequency
to
change
the
tone.
Spectrum works
like
an
equalizer,
but because
the
frequency
for
each
of the
bands
is
set
at
an
optimal
position
for
adding
distinctiveness,
you
can
create
sounds
with
more
characteris-
tics
than
just
simple compensation.
L
The
sounds
are
set
with
Bands
1
to
6.
<Band
1>
Band
1
Level
—
-15
dB
to
+15
dB
This
sets
the
frequency
at
250 Hz.
<Band
2>
Band
2 Level
—
-15
dB
to
+15
dB
This
sets
the
frequency
at
500 Hz.
<Band
3>
Band
3
Level
15
dB
to
+15
dB
This
sets
the
frequency
at
1000
Hz
(1
kHz).
<Band
4>
Band
4 Level
15
dB
to
+15
dB
This
sets
the
frequency
at
1250
Hz.
<Band
5>
Band
5
Level
15
dB
to
+15
dB
This
sets
the
frequency
at
2000 Hz.
<Band
6>
Band
6
Level
15
dB
to
+15
dB
This
sets
the
frequency
at
3150
Hz.
<Band
7>
Band
7 Level
—
-15
dB
to
+15
dB
This
sets
the
frequency
at
4000 Hz.
<Band
8>
Band
8
Level
—
-15
dB
to
+15
dB
This
sets
the
frequency
at
8000 Hz.
<Width> Bandwidth
—
1 to
5
This
setting,
which
is
common
for
each Band,
sets
the
width
of the
frequency
band which
is
raised
and
lowered by
the
Level
value.
*<Pan> Output Pan
—
L64
to
to
63R
This
sets
the stereo position
where
the
effect
sound
is
output.
L64
is
leftmost,
is
centered,
and 63R
is
rightmost.
»<Level>
Output
Level
—
to
127
This
sets
the overall
level for
the
effect
sound.
6:
ENHANCER
This
controls the freble
harmonic components
to
add
modu-
lation to
the
sound, thus enhancing
it.
Enhancer
^.
EQ
Enhancer
T
rioT-^
85
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