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AFTERTOUCH:
Aftertouch
*
Choose
"SYS-CTRLl"
or
"SYS-CTRL2"
if
there
is
no need
to
use a
different
Controller for
each Performance,
or
if
you
want
to
perform control
with something
other than
the
control
changes
described
here.
Use
the
system
parameter's Control
Assign
1
page
to set the
Controller
(»
p. 68).
*
When
the
switch for Receive
MIDI,
a system
parameter,
is
set
to
"OFF,"
then there
is
no
effect
ivhen
any
Controller
is
used.
*
Tltis
setting
is
ipiored
when
EFX
Source
is
set to 1-9111-16.
• PERFORM
CHORUS
(Performance
Chorus)
<Rat> Chorus
Rate
—
to
127
This
sets
the
speed
for
tine
uiidulations of
tlie
Chorus
sound.
<Dpt>
Choras
Depth
—
to
127
This
sets
the
depth
of the
undulations
of the
Chonis
sound.
<Dly>
Pre
delay
—
to
127
This
sets
the
time
from
the playing of the
original
sound
to
the
playing
of
the
Chorus
sound.
Larger values
result in
broader sounds,
<Fbk>
Chorus Feedback
—
to
127
This
sets
the
amount
of
sound
from Chorus
that
is
returned
(fed
back)
to
Chorus. Larger values
result in
Chorus
effects
of greater complexity.
<Level> Chorus
Level
—
to
127
This
sets
the
volume
of the
Chorus
sound.
<Output> Chorus Output
Assign
—
MIX/REVERB/
MIX+REV
This
setting
determines
how
the
Chorus sound
is
output.
MIX:
This outputs
the
Chorus sound
to
MIX
OUT.
REVERB:
This outputs
the
Chorus sound
to
Reverb.
MIX+REV:
This outputs
the
Chorus sound
to
both
MIX
OUT
and
Reverb.
• PERFORM REVERB
(Performance
Reverb)
<Type>
Reverb
Type
This parameter
selects
the
type
of reverberation.
ROOMl:
Short,
high-density reverb
ROOM2:
Short,
low-density reverb
STAGEl:
Reverb with
many
late
reflections
STAGE2:
Reverb
with strong
initial
reflection
HALLl:
Sparkling reverb
HALL2:
Richly
resoimding
reverb
DELAY:
Standard
delay
PAN-DLY:
A
delay
that
pans
(moves)
tlie
reflections
to
left
and
right.
<Time>
Reverb
Time
—
to
127
For
a
type
from
"ROOMl"
to
"HALL2,"
this sets
the reverb
time
(i.e.,
how
long
the reverb continues).
For
"DELAY"
or
"PAN-DLY,"
this sets
the
delay
time.
Larger values
produce
a feeling
of
gi'eater
space.
<Lev>
Reverb
Level
—
to
127
This
sets
the
volume
of the reverb
sound.
<Fbk>
Delay Feedback
—
to
127
When "DELAY"
or
"PAN-DLY"
has been chosen
as
the
type,
this
sets
the
amount
of
delayed
sound
that
is
returned
(fed
back)
to
the delay.
Larger
values
result in a
delay sustained
for a
longer
time.
<HF Damp>
High-frequency
Damp
—
200/250/315
/400/500/630/800/1000/1250/1600/2000/2500/3150/4000/50
00/6300/8000/BYPASS
This
sets
the
frequency
at
wliich the
high-frequency
compo-
nents
of the
reverb
sound
are cut
off.
A
lower
cutoff
frequency
results in
a
"darker"
sound,
and
a
higher frequency
produces
a
brighter
sound.
When
set to
"BYPASS," no
high-fi-equency
components
are cut
off.
Setting
the
MIDI Channel
for
a
Part
(MIDI)
These
set
the
MIDI
message
receive
switch
and
receive
chan-
nel
for
each
of the
Parts.
• CONTROL
<Channel>
MIDI
Channel
—
1
to
16
|
This
sets
the
MIDI
receive
channel
for
each
Part.
*
Be
careful
when
using
this setting,
because
if
you
set
it
to
the
same
channel
as
"Control Channel," a system
parameter
(«*'
p.
66),
then the
Control
Channel
setting
takes
ftriority
and when
a
program
change message
is
received the
Performance
will
be
sivitched, too.
<Rx>
MIDI
Receive Switch
—
OFF/ON
|
This determines
whether
MIDI
messages
for
each
Part are
received
(ON)
or
not received
(OFF).
•
The
setting
you
make
here
changes automatically
if
you
stvitch
PART SWITCH
[119]
to [8116]
on
or
off
while
in
the
Performance Play mode.
59
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