Basic Setting - Yamaha CS-10 Owner's Manual

SEQUENCE
OF OPERATION
BASIC SETTING
1
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SETTING
1
Referring to
"CONNECTION",
set
the
synthesizer.
2
Switch on
the switches of the
synthesizer
as well
as
of
the amplifier and
adjust the
amplifier's
VOLUME
control to
a best suited position,
3
Following switch-on of power,
when
about
30
min-
utes have
past, carried
out
tuning.
SOUND MAKING
1
Prior to playing the synthesizer, you
must
start
by
making your
own
original
sounds.
2
Flowing from
the
left side
of
the
control panel
toward
the
right, signals are controlled
by means
of
the respective
controb.
3
When
a
key
is
depressed, a
signal
corresponding
to the
keyboard's
interval will
be produced
at
the
VCO
block.
To
allow the
original oscillation signal
to
be
fed out
as
it is
(without being given any
"spicing"
by
the
VCF
and
VGA
blocks), the controls of
the
VCF
and
VCA
blocks should be
set as
shown
in
the above
drawing,
4
VCO BLOCK/MIXER BLOCK
•
Select
the sound
source
that
will
be used
as
the
basic
sound by means
of
the
MIXER
controls.
•
When
the
key
is
depressed,
sound
will
be
pro-
duced,
•
By
the use of
the
FEET
switch, determine
the
keyboard
interval range.
5
VCF
block
•
Sets
up
the basic
harmonic
structure. After
selecting
the
fiher with the
HPF, BPF,
or
LPF
switch, the
harmonic
structure
is
produced by
using the
CUT OFF FRQ
and
RESONANCE
controls.
•
Next,
a
timewise
variation
is
given to the har-
monic
structure
by
the use
of
EG-
VCF
(INITIAL
LEVEL,
ATTACK
LEVEL,
ATTACK
TIME,
DECAY
TIME
AND
RELEASE
TIME).
VCA
block
• The volume
for
the
period,
from
the
start
of
the
sound up
to the time
it
fades out,
is
given
a
time-
wise variation
by
the use
of
EG-
VCA
(ATTACK
TIME,
DECAY
TIME,
SUSTAIN
LEVEL
and
RELEASE
TIME).
LFO/EFFECT
•
This functions to
select
the
speed
and wave form
for the
LFO
block.
If
necessary, the
LFO
MOD
of
the
VCO,
VCF
and
VCA
blocks are to be adjusted.
• Performance
is
rendered with
variations
by
using
the
levers for
PORTAMENTO
and
PITCH
BEND
effects.
Steps
5
through 7
constitute
quhe
basic steps
for
sound making.
Actually, to
make
sounds
that
will
fit
those of your image,
it is
necessary to carry
out repeated adjustments of
the respective controls
until a
sound
that best
fits
your image
is
created.
By
recording
on
the
SOUND
MEMO
the
positions
of
the respective controls
of
the original
sound
created
in this
manner,
reproduction
at
any
time
will
be
possible.
®