Knob 1; Realtime Control Knobs B-Assign List - Korg TRITON Extreme Manual

Music workstation/sampler
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Knob 1...4 B-Assign
The following functions can be assigned to the REALTIME
CONTROLS [1]–[4] knobs in B-mode.
Set the "Realtime Control Knobs B-Assign" parameters in
each mode to make these assignments.
• Program P1: Controller page (1–4b).
• Combination P4: Controller page (4–4b).
• Sequencer P4: Controller page (4–7b).
Realtime Control Knobs B–Assign List
Off
Knob Mod. 1 (CC#17)
Knob Mod. 2 (CC#19)
Knob Mod. 3 (CC#20)
Knob Mod. 4 (CC#21)
Master Volume
Portamento Time (CC#05)
Volume (CC#07)
Post IFX Pan (CC#08)
Pan (CC#10)
Expression (CC#11)
FX Control 1 (CC#12)
FX Control 2 (CC#13)
LFP Cutoff (CC#74)
Resonance/HPF (CC#71)
Filter EG Int. (CC#79)
F/A Attack (CC#73)
F/A Decay (CC#75)
F/A Sustain (CC#70)
F/A Release (CC#72)
Pitch LFO1 Spd (CC#76)
Pitch LFO1 Dep (CC#77)
Pitch LFO1 Dly (CC#78)
SW 1 Mod. (CC#80)
SW 2 Mod. (CC#81)
Foot Switch (CC#82)
MIDI CC#83 (CC#83)
MFX Send 1 (CC#93)
MFX Send 2 (CC#91)
MIDI CC#00...CC#95
280
No function
General purpose controller. Alternate Modulation or Effect Dynamic Modulation can be controlled. To use this,
select KnobMod1:#17 for "AMS," or KnobM1:#17 for "Dmod Src." Simultaneously, CC#17 will be transmitted.
General purpose controller. Alternate Modulation or Effect Dynamic Modulation can be controlled. To use this,
select KnobMod2:#19 for "AMS," or KnobM2:#19 for "Dmod Src." Simultaneously, CC#19 will be transmitted.
General purpose controller. Alternate Modulation or Effect Dynamic Modulation can be controlled. To use this,
select KnobMod3:#20 for "AMS," or KnobM3:#20 for "Dmod Src." Simultaneously, CC#20 will be transmitted.
General purpose controller. Alternate Modulation or Effect Dynamic Modulation can be controlled. To use this,
select KnobMod4:#21 for "AMS," or KnobM4:#21 for "Dmod Src." Simultaneously, CC#21 will be transmitted.
Control the volume. Simultaneously, the universal system exclusive message Master Volume [F0H, 7FH, nn, 04,
01, vv, mm, F7H] will be transmitted to adjust the volume of all tracks or timbres (while preserving the volume bal-
ance between tracks or timbres).
Control the portamento time. Simultaneously, CC#5 will be transmitted.
Control the volume. Simultaneously, CC#7 will be transmitted.
Control the panning after the insertion effect. Simultaneously, CC#8 will be transmitted. If Valve Force is On and
"Placement" is set to Insert, this controls the panning of the output from Valve Force.
Control the oscillator panning. Simultaneously, CC#10 will be transmitted.
Control the expression. Simultaneously, CC#11 will be transmitted.
Control Effect Dynamic Modulation. When controlling this, set "Dmod Src" to FXCtrl1:#12. Simultaneously, CC#12
will be transmitted.
Control Effect Dynamic Modulation. When controlling this, set "Dmod Src" to FXCtrl2:#13. Simultaneously, CC#13
will be transmitted.
Control the cutoff frequency of the filter (low pass filter). Simultaneously, CC#74 will be transmitted.
Control the resonance of the filter, or the cutoff frequency of the high pass filter. If the program's "Filter Type" is
Low Pass Resonance, the resonance level will be controlled. If it is Low Pass & High Pass, the cutoff frequency
of the high pass filter will be controlled. Simultaneously, CC#71 will be transmitted.
Control the EG intensity of the filter. Simultaneously, CC#79 will be transmitted.
Control the EG attack of the filter and amplifier. Simultaneously, CC#73 will be transmitted.
Control the EG decay time and slope time of the filter and amplifier. Simultaneously, CC#75 will be transmitted.
Control the EG sustain level of the filter and amplifier. Simultaneously, CC#70 will be transmitted.
Control the EG release time of the filter and amplifier. Simultaneously, CC#72 will be transmitted.
Control the frequency of LFO1. Simultaneously, CC#76 will be transmitted.
Control the LFO1 intensity of the pitch. Simultaneously, CC#77 will be transmitted.
Control the delay of LFO1. Simultaneously, CC#78 will be transmitted.
General-purpose controller. Alternate Modulation or Effect Dynamic Modulation can be controlled. To control
these, set "AMS" or "Dmod Src" to SW1:CC#80. Simultaneously, CC#80 will be transmitted.
General-purpose controller. Alternate Modulation or Effect Dynamic Modulation can be controlled. To control
these, set "AMS" or "Dmod Src" to SW2:CC#81. Simultaneously, CC#81 will be transmitted.
General-purpose controller. Alternate Modulation or Effect Dynamic Modulation can be controlled. To control
these, set "AMS" or "Dmod Src" to FootSW:#82. Simultaneously, CC#82 will be transmitted.
General-purpose controller. Alternate Modulation or Effect Dynamic Modulation can be controlled. To control
these, set "AMS" or "Dmod Src" to MIDI:CC#83. Simultaneously, CC#83 will be transmitted.
Control the send level to Master Effect1. Simultaneously, CC#93 will be transmitted.
Control the send level to Master Effect2. Simultaneously, CC#91 will be transmitted.
The specified MIDI control change (CC#) will be transmitted. If the TRITON Extreme is set so as to be controlled
by the control change message, the corresponding control will occur.
• Song Play P2: Controller page (2–1b).
• Sampling P4: Controller page (4–1b).
These settings can be made in Program mode for each
program, in Combination mode for each combination,
and in Sequencer mode for each song. In Song Play
mode and Sampling mode, these settings are made for
the entire mode.

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