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ACCESSORIES / ZUBEHÖRGERÄT / ACCESSORIOS / ACCESORIOS
• KONICA Filters
As the KONICA Autoreflex-T3 is of
the TTL type, there is no need to
worry about a filter factor according to
the type of filter used on your camera.
It is advisable to use a filter to boost
photographic effects.
• KONICA-Filter
Da die KONICA Autoreflex-T3 bei
Belichtungsregelung das Licht durch
das Objektiv misst, brauchen Sie nicht,
den Verlängerungsfaktor des benutzten
Filters zu berücksichtigen. Wir empfeh-
len Ihnen, für bessere Aufnahmen ein
geeignetes Filter zu verwenden.
• Filtres KONICA
Le KONICA Autoreflex-T3 étant muni
du système TTL, il n'est pas nécessaire
de prendre en considération le coeffi-
cient de transmission du filtre pour
déterminer
l'exposition.
de filtres pour réaliser des effets spé-
ciaux est toujours recommandée.
•
KONICA Filter
Eftersom
KONICA
tillhör TTL-typen, behöver ni inte ta
hänsyn till någon förlängningsfaktor ni
använder filter på kameran. Vi re-
kommenderar er att använda filter när
ni vill få fram vissa fotografiska effek-
ter.
66
COLOR
Colorless*
Light Yellow
Yellow
Dark Yellow
Orange
Red
Yellowish
Green
Light Gray
Gray
Dark Gray
Light Pink*
L'utilisation
Light Amber
Light Blue
Autoreflex-T3
Blue
Dark Blue
* Filters most commonly used in color photography are marked with an asterisk * above.
NAME
Absorbs ultra-violet. Prevents excess bluishness with color film. No
UV (L39)
change in the overall color rendition. Also used for atmospheric haze.
Y l ( Y 4 4 )
Absorbs blue, violet and ultra-violet. Gives natural rendition in outdoor
Y 2 ( Y 4 8 )
black and w h i t e
sky. For use with B/W f i l m s only.
Y 3 ( Y 5 2 )
Absorbs blue very strongly, also some green. Makes blue skies dark and
dramatic in black and white. For extra contrast in architectural work.
01 (056)
For use with B/W films only.
Absorbs blue and green. Blue skies rendered almost black. Use for
pseudo night shots. Use only for black and white film, or for infrared
R l ( R 6 0 )
film.
In black and white photography, renderes greens better than yellow
P O 0
filter. Also prevents washed-out flesh tones when head is against sky
which is to be darkened. For use with B/W films only.
No effect on rendition in either black and white or color work. Used to
ND 2
reduce light intensity, where highest shutter speed or smallest f/stop
N D 4
used, will still not prevent overexposure. In very bright light permits
N D 8
large opening for selective focus effect.
For color and B/W film. Absorbs ultra-violet and prevents excess
bluishness in color shots of distance scenes. Can also be used with B/W
SKYLIGHT
film.
Reduces color temperature. Adds warmth to shadows in snow, beach
A 2
scenes. Prevents bluishness on cloudy days, in open shade.
Raises color temperature. Suppresses excess redishness in scenes made
B 2
by reddish early morning or late afternoon sunshine.
For use with clear (white) flash bulbs and daylight type color film.
B 8
Prevents excessively reddish rendition.
For use with 3200K studio flood lamps and daylight type color film.
B 12
Prevents reddish rendition.
EFFECTS
shooting. Makes white clouds stand out against a blue
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