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Konica Autoreflex A3
This camera manual library is for reference and historical purposes, all rights reserved.
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, M. Butkus, NJ.
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FOR SAFETY'S SAKE
Your Konica camera reflects the latest advances in photographic engineering and is designed to give you
dependable, trouble-free use. Operation is probably somewhat different from cameras which you have
previously owned. For this reason, it is strongly recommended that you shoot a "test" roll of film, have this roll
processed, and examine the pictures before exposing additional rolls. The processed "test" roll will verify that
you are using your new equipment correctly, and allow you to make any necessary changes in operating
patterns; additionally, it will confirm that all camera functions are operating perfectly. In the event you are
leaving on a trip (or some equally important events shortly, your Konica dealer can recommend the fastest way

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Summary of Contents for Konica Minolta Autoreflex A3

  • Page 1 Konica Autoreflex A3 This camera manual library is for reference and historical purposes, all rights reserved. This page is copyright by , M. Butkus, NJ. This page may not be sold or distributed without the expressed permission of the producer...
  • Page 2 of having your f ret roll processed ..so that you can be certain that an subsequent rolls win be as good -or better! CONTENTS Using your Konica Autoreflex-A3: Seven Basic Steps ·~ 3 Operating Controls a ....Major Specifications ~ 6 Inserting Batteries a 8 Changing Lenses a ....
  • Page 3: Table Of Contents

    Under/Over-Exposure Safeguards a 204.butkus.org Shutter Speeds and Lens Apertures ....13 Semi-Automatic Operation ..~ 21 Automatic and Non-Automatic Operation ~ .15 Hints for Unusual Exposure Situations · ~ 23 "Control Center" Viewfinder ·. ~ 16 Holding Your Camera. . 24 Using Automatic Exposure Control (AEC) ~ 18 Focusing .
  • Page 4 USING YOUR KONICA AUTOREFLEX-A3: SEVEN BASIC STEPS 1. Insert the two 1.35 Volt mercury photographic batteries supplied with your camera into the compartment at bottom of camera. (This supplies power to the CdS meter.) 2. Load camera. Konica's "Insta-Grip" take-up spool assures trouble-free operation. 3.
  • Page 5 Aperture Control System: Automatically sets correct f/stop (or fractional f/stop) with all Konica Automatic Hexanon lenses Shutter: Metallic, vertical-scanning Copal Square-S Shutter Speeds: Convenient top-mounted selector for all speeds from I second to 1/l000th second plus "B" (for time exposures) Flash Synchronization: Electronic flash synchronization at all speeds to and including 1/125th second.
  • Page 6 Dimensions: With standard lenses: 5.9" wide, 3.9" high, 3.6" deep. Body only: 5.9" wide, 3.9" high, 1.8" deep. Weights: Body: 24 oz. Lenses: 50mm f/1.7: 8.5 oz. 50mm f/1.4: 10.2 oz. 57mm f/1.2: 16.2 oz. INSERTING BATTERIES Open Battery Compartment (37) by turning the cover counter-clockwise as shown. Remove batteries from protective packing (handle them by the edges to keep the surfaces clean).
  • Page 7 CHANGING LENSES To Remove the Lens from your Camera: Grip lens securely in one hand. With the other hand, hold the camera body and press the Lens Lock Release Button (22). Holding this in, turn the lens counterclockwise until the two Red dots (one on the camera body, and one on the lens) line up.
  • Page 8 3. Pull out enough film to reach the Take-Up Spool (31). Insert film end into any slot (32) in the spool. The film will be gripped instantly as you . 4. Advance the Film Transport Lever (11) one full stroke. Make sure that the sprocket holes in the film engage the Sprocket Wheel (30) in your camera.
  • Page 9: Shutter Speeds And Lens Apertures

    SHUTTER SPEEDS AND LENS APERTURE Your Konica Autoreflex-A3 has a metal Copal Square-S focal plane shutter, with the control dial conveniently located on top of the camera. This unique shutter is noted for exceptional accuracy even under extremes of temperature and climate, and is virtually impervious to damage or deterioration in normal use. This shutter, because of its exceptionally fast (7.5 milliseconds) traverse time, permits use of electronic flash at all speeds to and including l/125th second (this speed is marked in red on the shutter speed dial).
  • Page 10: Control Center" Viewfinder

    Automatic Operation: With a Konica Automatic Hexanonlens on your Konica Autoreflex-A3, just check the indicator needle in the viewfinder, which shows the exact aperture the camera is selecting...and shoot! The automatic aperture mechanism sets this lens opening for you at the moment of exposure-and you can concentrate on your subject, instead of your camera.
  • Page 11: Using Automatic Exposure Control (Aec)

    The upper red band (40) also shows you the maximum aperture of the lens in use; in the illustration on the opposite page, an f/1.7 lens is on the camera, so the band rests between f/1.4 and f/2. When you mount a faster or slower lens on the camera, this band will more up or down to show the new maximum aperture (and, simultaneously, the new underexposure zone.) "Your Konica's sensitive through-the-lens meter automatically determines correct exposure over an...
  • Page 12 Full Aperture AEC Operation: The figures in brackets in the chart at under show actual values of the dots between marked numbers on the film speed indicator. 1. Set the Film Speed. Lift the outer collar surrounding the Shutter Speed Dial (15) and turn it until the correct ASA number appears in the Indicator Window (13).
  • Page 13 3. Check Aperture Ring. Make certain the Aperture Control Ring (9) is at the AE (EE) position as shown. If lens is not on AE(EE) position, your picture will be exposed at the opening shown on the aperture ring. irrespective of the f/stop indicated in the viewfinder.
  • Page 14 UNDER/OVER-EXPOSURE SAFEGUARDS If the meter needle goes to the upper red band (shown above for the three standard lenses), choose a slower shutter speed. If, at the slowest shutter speed (1 second), the needle's still in the red zone, there's not enough light to get a perfectly exposed picture.
  • Page 15 SEMI-AUTOMATIC OPERATION WITH UNCOUPLED LENSES/ACCESSORIES Your Konica's through-the-lens metering system works perfectly even with non-automatic lenses and accessories, which do not couple to the camera's automatic exposure mechanism. (Example: Pre-set lenses, mirror lenses, lenses from other cameras used with Konica adapters, even extension rings or bellows.) Here's how to use your Autoreflex-A3 in these situations: 1 Set the Film Speed.
  • Page 16 SEMI-AUTOMATIC OPERATION WITH UNCOUPLED LENSES/ACCESSORIES: REMINDERS When using the stop-down metering system with uncoupled lenses or accessories, keep in mind that the f/stopscale in the viewfinder no longer applies; neither do the under or over-exposure warning bands. If the needle's above the Index Mark (39) as shown (above, left) there's not enough light; ff it's below this mark (above, right)there's too much light.
  • Page 17 Extremely Dark Backgrounds: In the illustration at left, a relatively light subject is being photographed against a very card background. Here again, taking a "close-up" reading, holding or locking that reading, then going back to the desired position and taking the picture, will automatically provide a professional close-up exposure reading and a perfectly-exposed picture.
  • Page 18: Depth-Of-Field Control

    With Microdiaprism Focusing Screen: Turn the Focusing Ring (6) of the lens until the image within the center of the viewfinder (44) is sharpest and clearest. (When you're out of focus, this central area - composed of hundreds of microscopic prisms - appears quite hazy and unsharp.) Under almost all conditions, this precision focusing screen works easily and with great accuracy.
  • Page 19 Using Depth-of-Field Scale on Lens: On the Depth-of-Field Scale, f/stop markings identical to those on the Manual Aperture Scale (7), are repeated to the right and left of the Distance Scale Index Mark (46). The Depth-of-Field for any focused distance will be found between any two identical f/stop markings on the Depth-of-Field Scale.
  • Page 20: Flash Photography

    1. Depress the Film Rewind Button (35). Once it is depressed, the button remains in place. 2. Lift up the Film Rewind Crank (18) and turn it clockwise at moderate speed in a continuous motion. An arrow on the Rewind Crank indicates correct direction toward. 3.
  • Page 21: Filters

    To mount the Konica Accessory Clip 3, unscrew the eyepiece cover, position the Accessory Clip atop the camera, fit the eyepiece cover to the Accessory Clip, and re-attach the eyepiece cover by screwing it on (clockwise). Determining Exposure for Flash Pictures Manual settings are required for flash shooting.
  • Page 22 · Eyecup Large, soft rubber eyecupshields meter, eye from extraneous light, aids concentration. Prevents metal-to-skin contact in cold weather. Eyecup folds down for eyeglass wearers. · Eyesight Correction Lenses Corrects viewfinder optics to prescription requirements; vastly aids viewing/focusing comfort, accuracy. +1, +2, and +3 dioptor lenses for farsighted persons;...
  • Page 23 · Extension Ring Set 3 Six-piece Set allows 14 different extensions from 10mm - 88mm; magnification to 1.88X (almost twice actual size) with standard lens. Supplied with Smm camera and body mounting rings, 8mm, 16mm, and 24mm screw- in extension rings, and 30mm reverse adapter for 55mm - thread lenses. Manual diaphragm control; stop-down (match-needle) metering.
  • Page 24 · Auto Bellows with Double Cable Release Maintains automatic diaphragm operation. Extension Range 47mm - 1 70mm, magnifications from O.9X - 3.5X with standard lens. Entire front standard reverses without accessories, retains automatic diaphragm coupling in reversed position. Geared front and rear focusing controls with positive locks. Main focusing rail permits moving entire assembly over 114mm range for focusing at predetermined magnifications ratios.
  • Page 25 · Standard Bellows 3 Precision extension bellows with geared front focusing, extension range 47mm -1 70mm (0.9X--3.5X magnification with standard lens). Front standard reverse without accessories for optimum resolution at 1:1 and greater ratios. Rear standard with lock permits manual movement. Manual diaphragm control and stop-down (match -needle) metering;...
  • Page 26 · Hard Case A new case for AS users who desire the added convenience and protection of a molded Hard Case complete. · Front Cover of Semi-Hard Case for 135mm Lens Usable even when a 135mm, 100mm or 85mm telephoto lens is mounted on the camera. ·...