Roland VIMA JM-8 Owner's Manual page 163

Level (0~127)—Output level.
62. Band Flanger
A flanger that lets you apply an effect independently to the
low-frequency and high-frequency ranges.
Split Frequency (200~8000Hz)—Frequency at which the low and
high ranges will be divided.
Low Pre Delay (0.0~100.0ms)—Delay time from when the origi-
nal sound is heard to when the low-range flanger sound is
heard.
Low Rate [sync] (Hz, Note)—Use this parameter to specify
whether ("Note") or not ("Hz") the low modulation rate should
be synchronized to the Arranger or Recorder tempo. Depending
on your choice, the setting range of the following parameter
refers to a speed (Hz) or a note value.
Low Rate [Hz] (0.05~10.00Hz)—Rate at which the low-range
flanger sound is modulated.
Low Rate [note] (Musical Notes)—Rate parameters can be set as
a note-value of a tempo if you set the "Sync" parameter above
to "Note". Specify the value of the desired note.
Low Depth (0~127)—Modulation depth for the low-range
flanger sound.
Low Phase (0~180 deg)—Spaciousness of the low-range flanger
sound.
Low Feedback (–98%~0~+98%)—Proportion of the low-range
flanger sound that is to be returned to the input (negative val-
ues invert the phase).
High Pre Delay (0.0~100.0ms)—Delay time from when the origi-
nal sound is heard to when the high-range flanger sound is
heard.
High Rate [sync] (Hz, Note)—Use this parameter to specify
whether ("Note") or not ("Hz") the high modulation rate
should be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the following
parameter refers to a speed (Hz) or a note value.
High Rate [Hz] (0.05~10.00Hz)—Rate at which the high-range
flanger sound is modulated.
High Rate [note] (musical notes)—Rate parameters can be set as
a note-value of a tempo if you set the "Sync" parameter above
to "Note". Specify the value of the desired note.
High Depth (0~127)—Modulation depth for the high-range
flanger sound.
High Phase (0~180 deg)—Spaciousness of the high-range
flanger sound.
High Feedback (–98%~0~+98%)—Proportion of the high-range
flanger sound that is to be returned to the input (negative val-
ues invert the phase).
Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
Level (0~127)—Output level.
63. Band Step Flg
A step flanger that lets you apply an effect independently to
the low-frequency and high-frequency ranges.
Split Frequency (200~8000Hz)—Frequency at which the low and
high ranges will be divided.
Low Pre Delay (0.0~100.0ms)—Delay time from when the origi-
nal sound is heard to when the low-range flanger sound is
heard.
Low Rate [sync] (Hz, Note)—Use this parameter to specify
whether ("Note") or not ("Hz") the low modulation rate should
be synchronized to the Arranger or Recorder tempo. Depending
on your choice, the setting range of the following parameter
refers to a speed (Hz) or a note value.
Low Rate [Hz] (0.05~10.00Hz)—Rate at which the low-range
flanger sound is modulated.
Low Rate [note] (Musical Notes)—Rate parameters can be set as
a note-value of a tempo if you set the "Sync" parameter above
to "Note". Specify the value of the desired note.
Low Depth (0~127)—Modulation depth for the low-range
flanger sound.
Low Phase (0~180 deg)—Spaciousness of the low-range flanger
sound.
Low Feedback (–98%~0~+98%)—Proportion of the low-range
flanger sound that is to be returned to the input (negative val-
ues invert the phase).
Low Step Rate [sync] (Hz, Note)—Use this parameter to specify
whether ("Note") or not ("Hz") the low step rate should be syn-
chronized to the Arranger or Recorder tempo. Depending on
your choice, the setting range of the following parameter refers
to a speed (Hz) or a note value.
Low Step Rate [Hz] (0.10~20.00Hz)—Rate at which the steps will
cycle for the low-range flanger sound.
Low Step Rate [note] (musical notes)—Rate parameters can be
set as a note-value of a tempo if you set the "Sync" parameter
above to "Note". Specify the value of the desired note.
High Pre Delay (0.0~100.0ms)—Delay from when the original
sound is heard to when the high-range flanger sound is heard.
High Rate [sync] (Hz, Note)—Use this parameter to specify
whether ("Note") or not ("Hz") the high modulation rate
should be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the following
parameter refers to a speed (Hz) or a note value.
High Rate [Hz] (0.05~10.00Hz)—Rate at which the high-range
flanger sound is modulated.
High Rate [note] (musical notes)—Rate parameters can be set as
a note-value of a tempo if you set the "Sync" parameter above
to "Note". Specify the value of the desired note.
High Depth (0~127)—Modulation depth for the high-range
flanger sound.
High Phase (0~180 deg)—Spaciousness of the high-range
flanger sound.
High Feedback (–98%~0~+98%)—Proportion of the high-range
flanger sound that is to be returned to the input (negative val-
ues invert the phase).
High Step Rate [sync] (Hz, Note)—Use this parameter to specify
whether ("Note") or not ("Hz") the high step rate should be
synchronized to the Arranger or Recorder tempo. Depending on
your choice, the setting range of the following parameter refers
to a speed (Hz) or a note value.
High Step Rate [Hz] (0.10~20.00Hz)—Rate at which the steps
will cycle for the high-range flanger sound.
High Step Rate (note) musical notes—Rate parameters can be
set as a note-value of a tempo if you set the "Sync" parameter
above to "Note". Specify the value of the desired note.
Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
Level (0~127)—Output level.
64. VS Overdrive
This is an overdrive that provides heavy distortion.
Drive (0~127)—Degree of distortion. Also changes the volume.
Tone (0~127)—Sound quality of the Overdrive effect.
Amplifier Sw (Off, On)—Turns the Amp Simulator on/off.
Amplifier Type (Small, Built-In, 2-Stack, 3-Stack)—Type of guitar
amp. SMALL: small amp, BUILT-IN: single-unit type amp, 2-
STACK: large double stack amp, 3-STACK: large triple stack amp.
EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency
range.
EQ High Gain (–15dB~0~15dB)—Gain of the high frequency
range.
Panpot (L64~0~63R)—Stereo location of the output sound. This
is a mono effect that combines incoming signals. You can, how-
ever, place the processed signal anywhere between the left and
right channels.
Level (0~127)—Output level.
65. VS Distortion
Produces a more intense distortion than the above. The param-
eters are the same as for "64. VS Overdrive".
66. GT Amp Simul
This is an effect that simulates the sound of a guitar amplifier.
Pre Amp Sw (Off, On)—Turns the amp switch on/off.
Pre Amp Type (JC-120, Clean Twin, Match Drive, BG Lead,
MS1959I, MS1959II, MS1959I+II, Sldn Lead, Metal 5150, Metal Lead,
OD-1, OD-2 Turbo, Distortion, Fuzz)—Type of guitar amp
r
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