Typical Configurations; Foh Mix Setup - Midas PRO SERIES Owner's Manual

Typical configurations

Typical configurations
The following subsections contain actual examples of typical configurations to illustrate
the effects of delay compensation. Please note the following:
• All XLRs are located at stage end, unless FOH is stated.
• INS can mean an internal effect or an external effect with analogue or AES3 I/O at
either FOH or stage positions.
• Abbreviations are: IP = input channel; AS = aux (send) channel, AR = (aux) return
channel; AR (Input) = (aux) return channel set to input mode; MAST = master
channel; MTX = matrix channel; DI (Mix) = direct input set to Mix Time Zone (DI can
be either pre- or post-); and DI (Input) direct input set to System Input Time Zone
(DI can be either pre- or post-).

FOH mix setup

The following table shows the delay compensation settings for this mix.
Option
Master to Matrix Post-processing
Input Channels
Insert
Aux Sends
Monitor Mode (Align with Masters)
Insert
Send-FX-Return
Graphic EQ
Master and Matrix
Insert
Graphic EQ
The following signal path examples all measure the same latency of 780 samples at
96kHz = 8.125ms:
• FOH XLR – IP – MAST – XLR
• XLR – IP – MAST – XLR
• XLR – IP – MTX – XLR
• XLR – IP – AS – MAST – XLR
• XLR – IP – AS – INS – MAST – XLR
• XLR – IP (With INS) – AS (With INS) – INS – AR – MAST (With INS) – XLR
• XLR – IP (With INS) – AS (With INS + GEQ) – INS – AR – MAST (With INS + GEQ) –
XLR
• XLR – IP – AS – INS – MAST DI (Mix)
• XLR – IP – AS – INS – MTX DI (Mix)
• XLR – MAST DI (Input)
• XLR – MTX DI (Input)
• XLR – AS DI – MAST – XLR
• XLR – AR (Input) – MAST – XLR
• XLR – AR (Input) – MTX – XLR
• XLR – IP – MAST – MTX
PRO Series Live Audio Systems
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