Sony PMWF3L/RGB Brochure page 3

Eight technologies
in the service of art.
FZ lens mount
Super 35 imagery
The gateway to a world of lenses,
Here is Super 35 depth of field,
Super 35 angle of view and the native FZ mount accepts the
supplied PL mount adaptor, plus
compatibility with 35mm cine
a wide selection of third-party
lenses. It's all made possible by
adaptors for Canon ® , Nikon
a Sony CMOS sensor designed
expressly for the PMW-F3. two-thirds inch lenses.
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12.5 stops of latitude Uncompressed 10-bit output
Don't be afraid of the dark. Or Compared with 8-bit, 10-bit output
the sun. The F3 has the exposure means higher coding precision,
latitude and 14-bit A/D converter 64 times as many colors and
to pull detail out of the deepest smoother gradations in skin tones
® and shadows and brightest highlights. and sky. It's also better suited to
corrections in post.
10-bit S-Log with LUTs 1080/60p 4:2:2
You want maximum highlight Output 60 Full HD progressive
detail, maximum shadow frames per second, a perfect
detail and maximum range of match for the SR-R1 SRMASTER™
adjustment in post. That's what recorder. Generate beautiful
10-bit S-Log delivers. Formerly slow motion by adjusting the
an option, it's now standard frame rate in post-production.
equipment.
10-bit 4:2:2 & 4:4:4 RGB color 3G-SDI
For the most demanding 10-bit 3G-SDI 4:4:4 output
bluescreen and greenscreen supports up to 3 Gigabits per
compositing, the camera second, enabling one BNC
outputs both 10-bit 4:2:2 and cable to do the work of two.
4:4:4 color sampling. This
supplements the onboard 4:2:0
color of XDCAM EX recording.
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