Mackie DLM12 Owner's Manual page 6

Hookup Diagrams continued...
100 - 240V
50 - 60Hz 250W
In this example, a Mackie DLM12S subwoofer and additional DLM loudspeaker have been added to the
mix, giving our sound system a little extra beef. It is a perfect setup for a small club.
Here, the L/R outputs of a Mackie ProFX8 mixer are connected directly to the channel A and B inputs
of a single Mackie DLM12S subwoofer.
The channel A and B high pass outputs of the Mackie DLM12S subwoofer are connected directly to the
channel 1 inputs of each DLM loudspeaker. Be sure the mic/line switch is OUT. Or be ready to be blasted
with an additional 30 dB! Select the DLM12 crossover on the DLM12S for a perfectly matched system
tuning.
DLM loudspeakers are also perfect for using as stage monitors. Simply connect a cable from each aux
send to the channel 1 input of each DLM loudspeaker used as a monitor.
For the output, you will want to set a speaker mode, described in detail on page 13. For this type of
setup, we recommend selecting the PA speaker mode for live sound on your DLM loudspeakers. If using
any DLM loudspeakers as monitors, select the monitor speaker mode.
6
DLM8/12 Powered Loudspeakers
2000W Digital Loudspeaker
AUX BASS +2
TREBLE +2
LEVEL
1 2 SYS MEM
XLR
Line Ch 1
Mic Mix
TRS = Line TRS =
R
L
1 2 THRU
POWER
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES FOR
THE U.S. AND ICES-003, FOR CANADA. OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT
CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST
ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE
THAT MAY CAUSE UNDESIRED OPERATION.
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
RISK OF ELECTRIC SHOCK PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
DO NOT OPEN AVIS: N'OUVREZ PAS LA COUVERTURE. N'EXPOSEZ
AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR PAS CET ÉQUIPEMENT À LA PLUIE OU À L'HUMIDITÉ.
SERIAL NUMBER REVISION
Small Club System
MIC MIC MIC MIC (UNBALANCED)
L
L
TAPE TAPE
IN OUT
R R
PROFESSIONAL MIC/LINE MIXER WITH FX
1 2 3/4 5/6 7/8
LINE LINE
HI-Z HI-Z
(MONO) (MONO) (MONO) (MONO)
BAL / L L L L BAL / L
UNBAL UNBAL
LINE/HI-Z IN 1 LINE IN 2 LINE IN 3 BAL / LINE IN 5 BAL / LINE IN 7 BAL / BAL / BAL /
UNBAL UNBAL UNBAL UNBAL MON SEND UNBAL FOOTSWITCH
R R R R BAL / R
UNBAL
INSERT INSERT LINE IN 4 LINE IN 6 LINE IN 8 ST RETURN FX SEND MAIN OUT PHONES
STEREO GRAPHIC EQ
U U
U
LEVEL LEVEL LEVEL LEVEL
SET SET SET SET 15 15
48V
10 10
U +50 U +50 U +50 U +50 -20 +20 PHANTOM
-20dB +30dB -20dB +30dB 5 5 POWER
GAIN GAIN GAIN GAIN GAIN
0 0
LOW CUT LOW CUT LOW CUT LOW CUT
100 Hz 100 Hz 100 Hz 100Hz
5 5
EQ EQ EQ EQ EQ POWER
U U U U U 10 10
15 15 MAIN
HI HI HI HI HI
12kHz 12kHz 12kHz 12kHz 12kHz METERS
125 250 500 1K 2K 4K 8K
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 0dB=0dBu
U U U U U
OL
MAIN MIX EQ IN
MON BYPASS 15
MID MID MID MID MID
2.5kHz 2.5kHz 2.5kHz 2.5kHz 2.5kHz 10
6
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15
U U U U U 3
USB
0
80Hz LOW 80Hz LOW 80Hz LOW 80Hz LOW 80Hz LOW FX PRESETS 2
01 BRIGHT ROOM
4
-15 +15 -15 +15 -15 +15 -15 +15 -15 +15 02 WARM LOUNGE U
03 SMALL STAGE 7
AUX AUX AUX AUX AUX 04 WARM THEATER 10
U U U U U 05 WARM HALL
06 CONCERT HALL 20
07 PLATE REVERB
MON MON MON MON MON O O +20 30
08 CATHEDRAL
09 CHORUS INPUT LEVEL L R
O O +15 O O +15 O O +15 O O +15 O O +15 10 CHORUS + REV
U U U U U 11 DOUBLER PRESETS
12 TAPE SLAP
FX FX FX FX FX 13 DELAY 1 (300ms) MUTE
14 DELAY 2 (380ms)
15 DELAY 3 (480ms) USB THRU BREAK
O O +15 O O +15 O O +15 O O +15 O O +15 16 REVERB + DLY (250ms)
(MUTES ALL CHANNELS)
PAN PAN PAN PAN PAN U U U
OL
L R L R L R L R L R O O +15 O O +15 O O MAX O O +20
FX MASTER FX TO MON PHONES TAPE LEVEL
MON MAIN
MUTE MUTE MUTE MUTE MUTE MUTE
OL OL OL OL OL OL
1 2 3/4 5/6 7/8 ST RTN FX RTN
dB dB dB dB dB dB dB dB dB
10 10 10 10 10 10 10 10 10
5 5 5 5 5 5 5 5 5
U U U U U U U U U
5 5 5 5 5 5 5 5 5
10 10 10 10 10 10 10 10 10
20 20 20 20 20 20 20 20 20
30 30 30 30 30 30 30 30 30
40 40 40 40 40 40 40 40 40
50 50 50 50 50 50 50 50 50
60 60 60 60 60 60 60 60 60
O O O O O O O O O O O O O O O O O O
2000W Digital Subwoofer
AUX BASS +2
TREBLE +2
LEVEL
1 2 SYS MEM
NORMAL STEREO
INVERT MONO
A A A
B B
INPUTS HIGH PASS FULL RANGE
POWER
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES FOR
THE U.S. AND ICES-003, FOR CANADA. OPERATION IS SUBJECT TO
THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST
ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE
THAT MAY CAUSE UNDESIRED OPERATION.
100 - 240V WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
50 - 60Hz 250W MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
RISK OF ELECTRIC SHOCK AVIS: PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR DO NOT OPEN PAS CET ÉQUIPEMENT À LA PLUIE OU À L'HUMIDITÉ. N'OUVREZ PAS LA COUVERTURE. N'EXPOSEZ
SERIAL NUMBER REVISION
2000W Digital Loudspeaker
AUX BASS +2
TREBLE +2
LEVEL
1 2 SYS MEM
XLR
Line Ch 1
Mic Mix
TRS = Line TRS =
R
L
1 2 THRU
POWER
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES FOR
THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT THE U.S. AND ICES-003, FOR CANADA. OPERATION IS SUBJECT TO
CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST
ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE
THAT MAY CAUSE UNDESIRED OPERATION.
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC
100 - 240V SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
50 - 60Hz 250W MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
RISK OF ELECTRIC SHOCK PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
DO NOT OPEN AVIS: N'OUVREZ PAS LA COUVERTURE. N'EXPOSEZ
AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR PAS CET ÉQUIPEMENT À LA PLUIE OU À L'HUMIDITÉ.
SERIAL NUMBER REVISION