Adobe 12040118 - After Effects Standard Tutorial page 165

camera's position and another layer. This method allows the focus to follow the other layer automatically.
Set Focus Distance to Layer Sets the value of the Focus Distance property at the current time to the distance at the current time between the
camera and the selected layer.
Online resources about cameras
For a video tutorial that shows how to create and modify a camera and use the Camera tools, see the
Dale Bradshaw provides a script and sample project for automating the rigging of a camera on the
Mark Christiansen provides tips and detailed techniques for working with cameras in the "Virtual Cinematography in After Effects" chapter of
Effects Studio Techniques on the Peachpit Press website. This chapter includes information about matching lens distortion, performing camera
moves, performing camera projection (camera mapping), using rack focus, creating boke blur, using grain, and choosing a frame rate to match
your story-telling.
Trish and Chris Meyer provide a tutorial for using 3D layers, lights, and cameras in a PDF excerpt from their book After Effects Apprentice on the
Focal Press website.
Richard Harrington provides a video tutorial on the
Effects to create a camera move with 3D layers. (This tutorial is the second in a two-part series.
to isolate and create sky in Photoshop for use in After Effects.)
Andrew Kramer provides a two-part video tutorial on his Video Copilot website that demonstrates basic camera mapping and camera projection. In
this tutorial, he shows how to project an image onto 3D layers using lights and light transmission properties.
part 1
part 2
Create a light and change light settings
A light layer can affect the colors of the 3D layers that it shines on, depending on the light's settings and the Material Options properties of the 3D
layers. Each light, by default, points to its point of interest.
Lights can be used to illuminate 3D layers and to cast shadows. You can use lights to match lighting conditions of the scene into which you are
compositing or to create more interesting visual results. For example, you can use light layers to create the appearance of light streaming through a
video layer as if it were made of stained glass.
You can animate all of the settings for a light, except for the light type and the Casts Shadows property.
Light types: Spot (upper-left); Point (upper-right); Parallel (lower-left); Ambient (lower-right)
A. Point of interest B. Light icon
You can specify which 3D layers a light affects by designating the light as an adjustment layer: place the light in the Timeline panel above the
layers on which you want it to shine. Layers that are above a light adjustment layer in the layer stacking order in the Timeline panel do not receive
the light, regardless of the positions of the layers in the Composition panel.
Create a light
Choose Layer > New > Light, or press Ctrl+Alt+Shift+L (Windows) or Command+Option+Shift+L (Mac OS).
Note: By default, new layers begin at the beginning of the composition duration. You can instead choose to have new layers begin at the current
Creative COW website that shows how to use the Camera tools and camera views in After
Adobe website.
Creative Workflow Hacks website.
Part 1 concentrates on working with photographs
After
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