PRESONUS StudioLive 16.0.2 Owner's Manual page 14

3.1 Rear-Panel Connections
10
Channels 13/14 and 15/16 have unbalanced RCA connections,
in addition to the balanced TRS connections. Like the TRS
connections, the right RCA input will not be accessible on the
mixer if the channels are not linked.
Talkback Mic Input. The StudioLive does not have an onboard talkback mic; an
external mic must be used. Phantom power is always enabled on this microphone
preamp, so you can use either a dynamic or a condenser microphone.
Warning: Phantom power is only required for condenser microphones and
can severely damage dynamic mics, especially ribbon mics. We recommend
that you consult the documentation that came with your microphone to confirm that
it is safe to use with phantom power before connecting a dynamic microphone to
the Talkback input.
Talkback Mic Trim. This is the trim control for your talkback microphone. It adjusts
the gain of the Talkback input.
Mono Output. This balanced output carries a mono, summed
version of the stereo signal from the main bus.
Mono Output Trim. This knob controls the maximum level of the
Mono Output signal. The signal can be attenuated to -80 dB and boosted
up to +6 dB.
Main Output. The StudioLive features both XLR
and TRS main outputs. These outputs are parallel
to each other and to the mono output.
Power User Tip: All main outputs (XLR Stereo, TRS Stereo,
and XLR Mono) of the StudioLive are active all the time.
Because of this, you can send your main mix to five speakers
at the same time. This can be especially useful when you need to send a mix to
another room or add another set of speakers to accommodate a larger venue.
Main Output Trim. This knob controls the maximum output level of the XLR and
TRS main outputs. The signal can be attenuated to -40 dB and boosted up to 0 dB.
Monitor Output. These are the balanced control-room outputs. The level is
controlled by the Monitor knob in the Monitor section on the top panel.
Aux Outputs. The StudioLive
is equipped with four auxiliary
outputs. In Section 4.4.4 and
4.4.5, we discuss in detail how to
create aux mixes for monitoring
and effects processing. Aux mixes
are routed to these outputs.