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Yamaha Portatone PSR-5700 Advanced Features

Yamaha Portatone PSR-5700 Advanced Features

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See also: Owner's Manual
OWNER'S MANUAL
Advanced Features
BEDIENUNGSANLEITUNG
Programmieranleitung
MODE D'EMPLOI
Fonctions avancées
MANUAL DE INSTRUCCIONES
Características avanzadas

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Summary of Contents for Yamaha Portatone PSR-5700

  • Page 1 OWNER’S MANUAL Advanced Features BEDIENUNGSANLEITUNG Programmieranleitung MODE D’EMPLOI Fonctions avancées MANUAL DE INSTRUCCIONES Características avanzadas...

  • Page 2: Table Of Contents

    The PSR-5700 Advanced Features manual contains operating instructions for the instrument’s more complex and advanced features. If you are yet familiar with PSR-5700’s basic features and the way it works in general, we recommend that you go through the PSR-5700 Getting Started manual prior to attempting to use the features described in this manual.

  • Page 3: The Sequencer

    The Sequencer The PSR-5700 features an 8-track sequencer that allows you to record and play back original musi- cal creations — along with auto accompaniment if required. You can record the accompaniment and orchestra parts separately or at the same time. If, for example, you record the accompaniment first and then record your own performance while listening to playback of the accompaniment, you’re free to use the entire keyboard for your performance rather than being limited to only the upper keyboard area.
  • Page 4 The Sequencer Recordable Parameters Tracks 1 — 7 Accompaniment Track • Effect control • Note on/off • Chord & root (note on/off in Manual Bass • Harmony on/off and type • Pitch bend mode) • Interactive Accompaniment on/off • Modulation •...

  • Page 5: Deleting Tracks

    The Sequencer Start Recording Recording will start as soon as the [START/RE-START] button is pressed or, if you also press the [SYNCHRO START] button, as soon as any key on the key- SYNCHRO START/ STOP START RE-START board is pressed. If the ACCOMP.

  • Page 6: Playback

    The Sequencer Playback Start Playback Since tracks are automatically set to the PLAY mode once they have been recorded, and tracks containing data are automatically set to the PLAY mode SYNCHRO START/ STOP START RE-START when the sequencer is initially engaged by pressing the [SEQUENCER] button, all you have to do to play back a sequence is to press the [START/RE-START] button.

  • Page 7: Sequence Editing

    The Sequencer Sequence Editing The PSR-5700 sequencer edit mode offers a range of functions that let you modify the re- RECORD DELETE EDIT corded data and the way in which it is recorded in a number of ways. Press the [EDIT] button while the sequencer is engaged to enter the sequencer edit mode. When you’re finished editing press the [EDIT] button again or press the [EXIT] button to return to the sequencer.

  • Page 8: E2 Volume

    The Sequencer Recording Type to begin (In), and the punch-out measure at which record- ing is to end (Out). Use the [<] and [>] buttons to switch between these two display screens, and the associated [-] † `REC TYPE Mode=Replace and [+] buttons to specify the required measure numbers.

  • Page 9: E3 Track Copy/Mix

    The Sequencer TRACK COPY/MIX Procedure: £TRACK COPY/MIX ‡ Use the [<] and [>] buttons to switch between the two Source1=Tr1 Source2=Tr2 display screens, and the left or right [-] and [+] buttons to set – – the first source track (Source1), the second source track (Source2), and the destination track (Dest.).

  • Page 10: E4 Quantize

    The Sequencer QUANTIZE Immediately after execution “Undo” will appear above the ¢QUANTIZE 1/32 ‡ right [-] button, and that button can be used to undo the Track=Tr1 Execute quantize operation if it was executed by mistake. The undo – – function is only available until the next operation is per- formed.

  • Page 11: E5 Delete All Tracks

    The Sequencer DELETE ALL TRACKS Once the top and last measure numbers have been se- DELETE ALL TRACKS ‡ lected, press the [+] button below “Execute” on the right side TopMeas= 4 LastMeas= of the second display screen to actually execute the delete –...

  • Page 12: E6 Insert All Tracks

    The Sequencer INSERT ALL TRACKS Procedure: ⁄INSERT ALL TRACKS ‡ Use the [<] and [>] buttons to switch between the two TopMeas= Size= display screens, and the left or right [-] and [+] buttons in the – – first display screen to specify the number of the measure at which the blank measures are to be inserted (TopMeas) and †...

  • Page 13: E8 Remove Event

    The Sequencer REMOVE EVENT Immediately after execution “Undo” will appear above the ¥REMOVE EVENT ‡ right [-] button, and that button can be used to undo the re- Track=Tr1 Event=PB move event operation if it was executed by mistake. The –...

  • Page 14: E9 Note Shift

    The Sequencer NOTE SHIFT Once the track, shift, and measure numbers have been »NOTE SHIFT ‡ specified, press the [+] button below “Execute” on the right Track=Tr1 Shift=+12 side of the display to actually execute the note shift opera- – –...

  • Page 15: The Custom Accompaniment Programmer

    The Custom Accompaniment Programmer The PSR-5700 CUSTOM ACCOMPANIMENT feature allows you to create and store up to six original accompa- niments — including rhythm, bass, and chords — in addition to 36 internal preset accompaniment styles. You can even create intro, fill-in, and ending patterns that can be saved with your accompaniments. More custom accom- paniments can be created and saved to floppy disk (page 42, 46).
  • Page 16 The Custom Accompaniment Programmer If you want to create a totally new rhythm track, press the RHYTHM track button while holding the [DELETE] button. This cancels all the in- struments in the original rhythm track, leaving only a metronome sound (the metronome sound will not be heard while the rhythm is playing).
  • Page 17 The Custom Accompaniment Programmer Play notes or chords to be added to the existing data, or delete all data on the track (press the track button while holding the [DELETE] button) and start from scratch. The bass and chord tracks must be programmed in the key of C major! RECORD DELETE...

  • Page 18: Using A Custom Accompaniment

    The Custom Accompaniment Programmer Give the Finished Accompa- Use the “4. NAME” function described on page 20 to give your custom niment a Name and Assign it accompaniment an original name, then use the “5. SAVE TO ACCOMP.” to a CUSTOM Number function described on page 20 to assign the accompaniment to a CUSTOM number and exit from the Custom Accompaniment Programmer mode.

  • Page 19: Custom Accompaniment Editing

    The Custom Accompaniment Programmer Custom Accompaniment Editing The PSR-5700 Custom Accompaniment Programmer offers a range of functions that let you modify the recorded data in a number of ways. The various Custom Accompaniment Programmer functions are accessed by using the [s] and [t] buttons, while the various display screens provided by each function are accessed by using the [<] and [>] buttons.

  • Page 20: Fader Select

    The Custom Accompaniment Programmer FADER SELECT Procedure: Use the [<] and [>] buttons to position the cursor at the £FADER SELECT chord track you want to assign (C1 through C6), then use the C1` C2` C3` C4“ C5“ C6“ — left or right [-] and [+] buttons to assign either “1”...

  • Page 21: Quantize

    The Custom Accompaniment Programmer QUANTIZE The Quantize Sizes are: ⁄QUANTIZE 1/32 ‡ 1/4 = 1/4 note Track=Rhythm Execute 1/6 = 1/4 note triplet – – 1/8 = 1/8 note 1/12 = 1/8 note triplet †⁄QUANTIZE Rhythm 1/16 = 1/16 note Size=1/32 Execute 1/24 = 1/16 note triplet...

  • Page 22: Copy

    The Custom Accompaniment Programmer COPY Procedure: ƒCOPY ‡ Use the [<] and [>] buttons to switch between the three Track=Rhythm TopMeas=1 display screens, and the left or right [-] and [+] buttons in the – – various screens to specify the track number (Track), the number of the first measure of the range to be copied (TopMeas), the number of last measure of the range to be †ƒCOPY...

  • Page 23: Remove Event

    The Custom Accompaniment Programmer REMOVE EVENT Immediately after execution “UndoExecute” will appear ¥REMOVE EVENT ‡ above the right [-] button, and that button can be used to Track=Rhythm Event:VOL undo the remove event operation if it was executed by mis- –...

  • Page 24: Creating Intro, Fill-In, & Ending Patterns

    The Custom Accompaniment Programmer CREATING INTRO, FILL-IN, & ENDING PATTERNS The custom accompaniment programmer allows you to create one set of intro, fill-in, and ending patterns that can be saved and later used with custom accompaniments Cus0 … 5 (see “SET INTRO/FILL/ENDING” in step 7 for more details). EDITING A PRESET INTRO, FILL-IN, OR At this point the “SET INTRO/FILL/ENDING”...

  • Page 25: Exiting From The Custom Accompaniment Mode

    The Custom Accompaniment Programmer EDITING A PREVIOUSLY SAVED USER CREATING A NEW INTRO, FILL-IN, OR INTRO, FILL-IN, OR ENDING PATTERN ENDING PATTERN To edit intro, fill-in, and ending patterns that you have After selecting an intro, fill-in, or ending pattern as de- previously created and saved, simply select the custom ac- scribed in step 4, above, use the [DELETE] button to delete companiment to which the user patterns are assigned (Cus0...

  • Page 26: Other Functions

    Other Functions The PSR-5700 [FUNCTION] button selects 6 groups of functions that access single or multiple display “pages” of parameters. Here’s a list of the functions and the manual page numbers on which they are described in detail. Custom Voice Edit ......27 Split Point ........

  • Page 27: [F1] Custom Voice Edit

    [F1] Custom Voice Edit The Custom Voice Edit mode allows you to edit any of the PSR-5700 voices to create new sounds that ideally match your own music style. 100 custom voices — 00 through 99 — can be programmed, each based on the correspondingly-numbered preset voice.

  • Page 28: Common

    [F1] Custom Voice Edit COMMON COMMON includes two display screens covering a range of parameters that affect the entire voice. Use the [<] and [>] buttons to switch between the two display screens, and the [-] and [+] buttons below each parameter to set the required values. Octave (Oct) “COMMON ……Piano 1 ‡...

  • Page 29: Eg Rate

    [F1] Custom Voice Edit EG RATE The attack, decay, sustain, and release parameters provided here let you shape the volume envelope of the voice. Use the [<] and [>] buttons to switch between the two display screens, and the [-] and [+] buttons below each parameter to set the required values. Time Sustain Sets the speed of sustain decay —...

  • Page 30: Tone

    [F1] Custom Voice Edit TONE The brilliance and resonance parameters provided here make it possible to vary the tone of the voice over a wide range. Use the [-] and [+] buttons below each parameter to set the required values. Notes: TONE ……Piano 1...

  • Page 31: Dual Voice

    [F1] Custom Voice Edit DUAL VOICE Procedure: “DUAL VOICE »…SpacePno Use the left and right [-] and [+] buttons to select the de- 00:Piano 1 19:Voyager sired voices. – – Purpose: Notes: Remember that you can only use voices 00 through 89 in a This function allows any two of the PSR-5700’s standard voices (numbers 00 through 89) to be assigned to the dual custom dual voice.

  • Page 32: Dual Pan

    [F1] Custom Voice Edit DUAL PAN Procedure: DUAL PAN »…SpacePno Use the left and right [-] and [+] buttons to set the desired pan positions for voices A and B. The graphic display indi- – – cates the approximate location of the sound between the left and right speakers.

  • Page 33: Drum Voice Edit Functions (Voices 98 And 99)

    [F1] Custom Voice Edit Drum Voice Edit Functions (Voices 98 and 99) The following functions are available when editing voices 98 and 99. Different groups of edit functions are pro- vided for the PSR-5700 normal voices (00 through 89 — page 27) and dual voices (90 and 97 — page 30). PERC.

  • Page 34: Perc. Pan

    [F1] Custom Voice Edit PERC. PAN Notes: £PERC. PAN »¥Drum Kit Use this function to create the required “stereo image” for Prc=Kick1 Pan=L your drum voice. View in the drum kit from the audience – – side, for example, the bass drum is normally in the center, the snare to its right, the tom-toms to the left, and so on.

  • Page 35: [F2] Reverb, Effect

    [F2] Reverb, Effect The PSR-5700 has 23 reverb-based effects and 9 other effects that can be selected via the four pages accessed by this function. The selected reverb and effect types are applied to the sound when the [EFFECT] and [REVERB] buttons are used (see page 37 in the Getting Started manual). REVERB TYPE The Reverb Effects are: `REVERB TYPE No.

  • Page 36: Effect Type

    [F2] Reverb, Effect EFFECT TYPE The Effects are: £EFFECT TYPE No. 4 1. Tremolo Type=Chorus 2. Tremolo 3. Tremolo – – 4. Chorus 5. Chorus Purpose: 6. Flange Selects the effect to be applied when the [EFFECT] button 7. Flange is turned on (see page 37 of the “Getting Started”...

  • Page 37: [F3] Controller & Key Velocity

    [F3] Controller & Key Velocity The [F3] function group includes six functions that affect how the PSR-5700 responds to control via the keyboard, a footswitch plugged into the rear-panel FOOT SW jack, an expression pedal plugged into the rear-panel EXP. PEDAL jack, the [SUSTAIN] button and SUSTAIN footswitch, the PITCH BEND/GLISSANDO wheel, and the MODULATION/EFFECT wheel.

  • Page 38: Exp. Pedal Select

    [F3] Controller & Key Velocity EXP. PEDAL SELECT Procedure: £EXP. PEDAL SELECT ‡ Use the [<] and [>] buttons to switch between the three Effect=OFF MastVol=ON display screens. Use the [-] and [+] buttons below each pa- – – rameter to turn expression control on or off: •...

  • Page 39: Pitch Bend Select

    [F3] Controller & Key Velocity PITCH BEND SELECT Procedure: Use the left [-] and [+] buttons to turn pitch wheel control PITCH BEND SELECT on or off for the orchestra 1 voice, and the right [-] and [+] Orch1=ON Orch2=ON buttons to turn pitch wheel on or off for the orchestra 2 –...

  • Page 40: [F4] Split Point, Interactive Accompaniment

    [F4] Split Point, Interactive Accompaniment, & SPLIT POINT Procedure: `SPLIT POINT Use the left [-] and [+] buttons to set the split point. Split=F›2/G2 Another way to set the split point is to press the key that is – to be the highest key in the left-hand range — when this is done the SPLIT POINT function is automatically exited.

  • Page 41: Super Style Play Mode

    Super Style Play Mode SUPER STYLE PLAY MODE Procedure: Use the left or right [-] and [+] buttons to turn Super Style £SUPER STYLE PLAY MODE SectionChanging=ON Play “SectionChanging” on or off. – – Notes: Turning this function on can provide greater contrast be- Purpose: tween the chorus and verse variations when using the Ac- Determines whether Super Style Play variation switching...

  • Page 42: [F5] Disk

    [F5] Disk Although the [F5] DISK function accesses a range of important disk functions, the most com- monly used disk functions — save to disk and load from disk — can also be directly accessed via the [TO DISK] and [FROM DISK] buttons, as described below. Please note that no other PSR-5700 functions will operate while a disk function is in progress.
  • Page 43 With the cursor located under the file number parameter at the left of the lower display line (use the [>] button to move the cursor if necessary), use TO DISK Size:---k the left [-] and [+] buttons to specify a number for the file to be saved (00 01:N_FILE01 —...

  • Page 44: The [From Disk] Button

    [F5] Disk The [FROM DISK] Button Press this button when you want to re-load a previously saved file from floppy disk. The data loaded is the same as that saved by the TO DISK operation described above. When the [FROM DISK] button is pressed the display shown to the left will appear: TO DISK FROM DISK...

  • Page 45: The [F5] Disk Functions

    [F5] Disk The [F5] DISK Functions The [F5] DISK function accesses a range of functions that are used for storage and retrieval of floppy disk data. If you select the [F5] when no disk is present in the drive, the Not Found Disk ! “Not Found Disk!”...

  • Page 46: To Disk

    [F5] Disk TO DISK When the file number has been specified, press the right “TO DISK Size:---k [-] and [+] buttons under “-YES-” on the display simultane- 00:N_FILE00 - YES - ously to execute the save operation. “Don’t remove disk” –...

  • Page 47: Delete File

    [F5] Disk DELETE FILE When the file number has been specified, press the right ¢DELETE FILE Size: 32k [-] and [+] buttons under “-YES-” on the display simultane- 00:N_FILE00 - YES - ously to delete the file. “Don’t remove disk” will appear on –...

  • Page 48: Disk Error Messages

    [F5] Disk Disk Error Messages If an error is encountered when a disk operation is executed, one of the following error messages may appear: “ Type Error or Unformat! ” “ Style Disk! ” The disk in the drive has not been formatted or the disk is You have attempted to perform a save, rename, delete, the wrong type or has the wrong format.

  • Page 49: [F6] Utility & Midi

    [F6] Utility & MIDI The [F6] function accesses to utility functions and a versatile range of MIDI functions. MIDI, the Musical Instrument Digital Interface, is a world-standard communication interface that allows MIDI-compatible musical instruments and equipment to share musical information and control one another.

  • Page 50: Recall Initial Data

    [F6] Utility & MIDI RECALL INITIAL DATA Notes: “RECALL INITIAL DATA Here’s a list of the data types that can be initialized by this Data=Alldata -Execute- function: – – Data Type AllData ..All data. Pad ....Pad data. Purpose: V.Regist ..

  • Page 51: About General Midi

    [F6] Utility & MIDI GENERAL MIDI DATA RECEPTION/TRANSMISSION MIDI OUT MIDI IN Music computer, Tone generator, etc. sequencer, etc. • General MIDI data can be received • General MIDI data transmitted via the via the MIDI IN connector and PSR-5700 MIDI OUT connector can be MIDI IN MIDI OUT played by the PSR-5700.

  • Page 52: The Doc Mode

    [F6] Utility & MIDI THE REMOTE CONTROL MODE The PSR-5700’s normal mode of operation (i.e. when the DOC/GM mode is not selected) is known as the REMOTE CON- TROL mode. In this mode key on/off, voice, sustain, volume, pitch bend, and other performance data is transmitted and re- ceived without modification directly via the MIDI OUT and MIDI IN connectors.
  • Page 53 [F6] Utility & MIDI THE GENERAL MIDI (GM) MODE In this mode MIDI data is received and transmitted in accordance with the General MIDI Level 1 standard. For details refer to the “MIDI Function Tree” on page 242, the “GENERAL MIDI (GM) Mode Voice List” on page 254, and the “GM/DOC Mode Percussion Map”...

  • Page 54: Midi Channel Setting

    [F6] Utility & MIDI * The [s] and [t] page buttons can be used to access the The numbers across the top of the display above the bar volume control screen for all channels. graphs correspond to the MIDI channels. From left to right the channels are 1 through 9, “R”...
  • Page 55 [F6] Utility & MIDI Notes: • Seq.Track/Trans.Ch This setting only applies when the Remote Control The “Local” parameter determines whether the PSR-5700 Mode is selected. Separate transmit channels can be set is controlled by its own keyboard or MIDI data received for sequencer tracks 1 through 7 (the ACCOMP.

  • Page 56: Multi Part Setting

    [F6] Utility & MIDI MULTI PART SETTING (Remote Control Mode Only) Procedure: ¢MULTI PART SETTING ‡ In the first display screen use the left [-] and [+] buttons to Part=1 Channel= 3 select a part number (1 … 8) and the right [-] and [+] buttons –...

  • Page 57: Midi System

    [F6] Utility & MIDI MIDI SYSTEM (Remote Control Mode Only) • Local ⁄MIDI SYSTEM ‡ “Local Control” refers to the fact that, normally, the Clock=INT Local=ON PSR-5700 keyboard controls its internal tone generator, – – allowing the internal voices to be played directly from the keyboard.

  • Page 58: Data Transmit

    [F6] Utility & MIDI DATA TRANSMIT (Remote Control Mode Only) MIDI Bulk Dump Reception (Memory Data Receive) ¥MEMORY DATA TRANSMIT Data=Panel -Execute- The PSR-5700 can receive bulk data transmitted by a sec- – – ond PSR-5700 as long as it is not accessing disk data, the Custom Accompaniment Programmer is not engaged, and the ¥DATA TRANSMIT DOC/General MIDI Level 1 mode is not selected.

  • Page 59: Index

    Index This index covers both the PSR-5700 “Getting Started” and “Advanced Features” manuals, so the page numbers include coded prefixes to indicate in which manual the information can be found: GS = Getting Started AF = Advanced Features Delete all tracks ............AF-11 A tempo ..............

  • Page 60: Midi Function Tree

    Index Fader select ..............AF-20 Manual bass ............... GS-19 Faster ................. GS-35 Manuals, about the ............GS-3 Fill-ins ................. GS-23 Measure/beat ............. AF-19 Fingered chords ............GS-18 Memory backup ............AF-49 Fingering chart ............GS-178 Metronome ..............AF-7 Floppy disks ............GS-5, 25 MIDI ................
  • Page 61 Index Percussion instrument cancel ........AF-16 Style list ..............GS-20 Percussion map ............AF-255 Super style play ............GS-26 Phrase pads ............... GS-28 Super style play mode ..........AF-41 Pitch bend ..............GS-37 Sustain ............AF-29, GS-36 Pitch bend range ............AF-28 Sustain jack ..............
  • Page 62 MIDI Function Tree • MIDI-Funktionsübersicht • Arbre des fonctions MIDI • Arbol * Values with an “H” suffix are hexadecimal. * Bei Werten mit dem Suffix “H” handelt es sich um Hexadezimalwerte. I. Remote Control Mode * Les valeurs précédées du suffixe “H” sont des valeurs hexadécimales. * Los valores con un sufijo “H”...
  • Page 63 de funciones MIDI <Transmission Conditions> Tch :Transmit Channel STch :Split Transmit Channel SeqTch:Sequencer Transmit Channel ACTIVE SENSE MIDI START STOP TIMING CLOCK 0 - 0 TIMING CLOCK TRANSPOSE ADD NOTE TRANSPOSE 0 - 0 Panel Data NOTE ON/OFF n=T/STch selected according to SplitSend, ORCHESTRATION, and pitch.
  • Page 64 MIDI Function Tree • MIDI-Funktionsübersicht • Arbre des fonctions MIDI • Arbol de funciones MIDI II. DOC Mode <Reception Conditions> Kch:Key Channel MIDI ACTIVE SENSING START STOP TRANSPOSE ADD NOTE 0 - 0 TRANSPOSE <1~10ch> NOTE OFF NOTE ON/OFF <15ch> NOTE OFF NOTE ON/OFF BnH,07H...
  • Page 65 MIDI Function Tree • MIDI-Funktionsübersicht • Arbre des fonctions MIDI • Arbol de funciones MIDI III. GM Mode <Reception Conditions> Kch:Key Channel MIDI ACTIVE SENSING START STOP TRANSPOSE ADD NOTE 0 - 0 TRANSPOSE <1~9,11~16ch> NOTE OFF NOTE ON/OFF <10ch> NOTE OFF NOTE ON/OFF BnH,07H VOLUME...

  • Page 66: Midi Messages

    MIDI Messages • MIDI-Meldungen • Messages MIDI • Mensajes MIDI c=1 (Modulation Depth) (Compatible with Remote: O DOC: O GM1: O) I. Channel Message [IN] v= Remote :Depends on voice. :vibrato depth 1. VOICE MESSAGE :Depends on voice. [OUT] 1-1) 8n : NOTE OFF (Reception only) v = modulation wheel value: 00H(min) ~ 7FH(max).
  • Page 67 c=32 (Bank Select LSB) II. System Message (Compatible with Remote: O DOC: X GM1: X) [IN/OUT] v= 00H: CustomVoice SW OFF 01H: CustomVoice SW ON 1. REAL TIME MESSAGE c=64 (Sustain) (Compatible with Remote: O DOC: O GM1: O) F8 : TIMING CLOCK (Compatible with Remote: O DOC: O GM1: O) [IN] Transmission only in DOC &...
  • Page 68 MIDI Messages • MIDI-Meldungen • Messages MIDI • Mensajes MIDI 00100000 space (3) PANEL DATA REQUEST (Reception only) 00110010 ’2 (Compatible with Remote: O DOC: X GM1: X) 00110010 ’2 00110011 ’3 11110000 Status 00111001 ’9 01000011 YAMAHA ID 00100000 space 0010nnnn Substatus/n: Device Number...
  • Page 69 MIDI Messages • MIDI-Meldungen • Messages MIDI • Mensajes MIDI (9) CLOCK MODE CHANGE (14) PROGRAM CHANGE ON (Reception only) (Compatible with Remote: O DOC: X GM1: X) (9.1) INTERNAL MODE (Reception only) 11110000 Status (Compatible with Remote: O DOC: X GM1: X) 01000011 YAMAHA ID 11110000...
  • Page 70 MIDI Messages • MIDI-Meldungen • Messages MIDI • Mensajes MIDI 3. MIDI EXTENDED CONTROL CHANGE Règles de réception et de transmission Reception & Transmission Rules 1 Seules les commandes active dans chaque mode sont 1 Only controls that are active in each mode are available disponibles pour la réception et la transmission.
  • Page 71 MIDI Messages • MIDI-Meldungen • Messages MIDI • Mensajes MIDI Parameter Function (1) 1BYTE DATA FORMAT (O: Transmit & receive. X: No transmit or receive. R: Receive only) 0EH 00H REVERB OFF REVERB/EFFECT 11110000 Status 01H REVERB ON (Refer to “3 BYTE 01000011 YAMAHA ID 02H REVERB TYPE 1...
  • Page 72 MIDI Messages • MIDI-Meldungen • Messages MIDI • Mensajes MIDI (2) 2BYTE DATA FORMAT Parameter Function (O: Transmit & receive. X: No transmit or receive. R: Receive only) 11110000 Status 24H 00H IA OFF INTERACTIVE 01000011 YAMAHA ID 01110110 Substatus Section No.= 6 (Portable Keyboard) 01H IA ON ACCOMPANIMENT 00000100...

  • Page 73: Disk Orchestra (Doc) Mode Voice List

    DISK ORCHESTRA (DOC) Mode Voice List Stimmenverzeichnis für DOC-Modus (Disk Orchestra Collection) Liste des voix du mode DISK ORCHESTRA (DOC) Lista de Voces del modo DISK ORCHESTRA (DOC) Number Name Display Number Name Display BRASS Brass SYNTH WOOD Syn.Wood TRUMPET Trumpet SYNTH STRINGS Syn.Str...

  • Page 74: General Midi (Gm) Mode Voice List

    GENERAL MIDI (GM) Mode Voice List • Stimmenverzeichnis für GM-Modus (General MIDI) Liste des voix du mode GENERAL MIDI (GM) • Lista de voces del modo GENERAL MIDI (GM) Number Group Name (GM) Display Number Group Name (GM) Display Piano Acoustic Grand Piano GrandPno Reed...

  • Page 75: Psr-5700 Percussion Map

    PSR-5700 Percussion Map • PSR-5700 Schlagzeugklang-Verzeichnis Carte de batterie du PSR-5700 • Mapa de percusión del PSR-5700 * Reportez-vous à cette carte en cas de réception de données MIDI sur * refer to this map when receiveing MIDI data on the rhythm channel. le canal de rythme * Richten Sie sich zum Empfang von MIDI-Daten auf dem * consulte este mapa para recibir datos MIDI en el canal de ritmo.

  • Page 76: Gm/Doc Mode Percussion Map

    GM/DOC MODE Percussion Map • Schlagzeugklang-Verzeichnis für DOC/GM-Modus Carte de batterie en mode DOC/GM • Mapa de percusión del modo DOC/GM MODE Key (MIDI) Note GM Name DOC Name Number — Snare Brush — — — Closed Hi-Hat Heavy — —...

  • Page 77: Midi Implementation Chart

    YAMAHA [ Portatone ] Date : 07/23 1992 Model PSR-5700 MIDI Implementation Chart Version : 1.0 +––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––+ Transmitted Recognized Remarks Function :–––––––––––––––––––+––––––––––––––––+––––––––––––––––+––––––––––––––––+ :Basic Default : 1-16 : 1-16 : memorized :Channel Changed : 1-16 : 1-16 :–––––––––––––––––––+––––––––––––––––+––––––––––––––––+––––––––––––––––+ Default : 1,3 *2 : memorized :Mode Messages...
  • Page 78 Specifications • Technische Daten • Spécifications • Especificaciones KEYBOARD: REGISTRATION: 61 Keys (C1~C6) with Touch Response VOICE REGISTRATION: 10 PANEL REGISTRATION: 16 POLYPHONY: 38 notes max. DISPLAY: LED, LCD VOICES: Preset 100 voices DISK DRIVE: Custom 100 voices (Programmable) 3.5” FDD, Compatibility with DOC (Yamaha Disk Orchestra Collection) and General MIDI software ACCOMPANIMENT: INTERACTIVE ACCOMPANIMENT:...

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