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Summary of Contents for Martin Audio Blackline F10+
- Page 1 , F10 , F12 , F15 , F215 , H3 , H3H , S12 , S15 , S18 , S218 includes M3 controller configuration notes The Martin Experience All material © 2008. Martin Audio Ltd. Subject to change without notice.
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Page 2: Series Overview
Choosing a power amplifier 10.3 internal jumper configuration 10.4 Combo top card 10.5 F215 top card* 10.6 top card* 10.7 top card* • Pending. Please contact info@martin-audio.com for further information. All material © 2007. Martin Audio Ltd. Subject to change without notice. - Page 3 It is suggested that you retain the original packaging so that the system can be repacked at a future date if necessary. Please note that Martin Audio and its distributors cannot accept any responsibility for damage to any returned product through the use of non-approved packaging.
- Page 4 ’s multi-angle enclosure to be used in either its vertical or horizontal orientation, depending on the application. The F8 may be used with or without a system controller. For demanding applications, Martin Audio recommends an M3 , DX1, DX2 or Engineer system controller configured to perform EQ and limiter functions.
- Page 5 Kapton diaphragm for extended high frequency response. The F12 may be used with or without a system controller. For demanding applications, Martin Audio recommends an M3 , DX1, DX2 or Engineer system controller configured to perform EQ and limiter functions.
- Page 6 HF horn and LF section through the crossover region. The F15 may be used with or without a system controller. For demanding applications, Martin Audio recommends an M3 , DX1, DX2 or Engineer system controller configured to perform EQ and limiter functions.
- Page 7 In tri-amplified mode the H3T must be used with a Martin Audio DX1, DX2 or Engineer system controllers to provide the recommended 3-way crossover and limiter functions. All material © 2007. Martin Audio Ltd. Subject to change without notice.
- Page 8 The H3H is bi-amplified and must be used with a system controller. Martin Audio M3 , DX1, DX2 or Engineer system controllers may be configured to provide the recommended 2-way crossover and limiter functions.
- Page 9 The S18 provides good bass punch with extended sub-bass output from a new, long-excursion, 18” (460mm)/4” (100mm) voice coil driver with a water resistant cone and triple roll surround. All material © 2007. Martin Audio Ltd. Subject to change without notice.
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Page 10: Safety First
Never stand close to loudspeakers driven at high level. Pole or stand mounting Blackline+ full-range loudspeakers incorporate pole mounting (“top hat”) sockets so that they may be pole or stand mounted. All material © 2007. Martin Audio Ltd. Subject to change without notice. - Page 11 Martin Audio loudspeakers are capable of recreating musical dynamics accurately and with incredible impact if powered correctly. Martin Audio loudspeaker power ratings are quoted for AES power - a long- term average power rating, and Peak power – a short-term burst capability.
- Page 12 Blackline loudspeaker. The connectors are wired as follows: , F10 , F12 , F15 , F215 NL4 connection All material © 2007. Martin Audio Ltd. Subject to change without notice.
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Page 13: Cable Lengths
The table below gives an indication of the maximum permissible cable runs for various conductor cross-sectional areas. All material © 2007. Martin Audio Ltd. Subject to change without notice. -
Page 14: Recommended Controllers
DX2 system controllers are supplied pre-loaded for a variety of Martin Audio live sound products. Blackline+ All material © 2007. Martin Audio Ltd. Subject to change without notice. -
Page 15: System Configurations
The illustrations show systems configured using the cost-effective Martin Audio M3 controller. Larger, zoned systems may require the more comprehensive facilities offered by Martin Audio digital controllers like the DX1, DX2 or Engineer. See above for details. The M3 controller’s internal crossover card must be properly configured for the system to be used. - Page 16 Combo card must be set for With Sub operation and the subwoofer rear switch set to Active for this configuration to work correctly. See M3 configuration notes later. All material © 2007. Martin Audio Ltd. Subject to change without notice.
- Page 17 , H3H or H3T bi-amplified system set-up (H3 shown) The M3 front panel must be set for Full-range operation for this active configuration. See M3 configuration notes later. All material © 2007. Martin Audio Ltd. Subject to change without notice.
- Page 18 See M3 configuration notes later. An alternative approach for these more complex designs is to use the Martin Audio DX1 digital 2 input, 4 output controllers which come fully loaded with a many Martin Audio presets including settings suitable for Blackline combinations.
- Page 19 Martin Audio loudspeakers are capable of recreating musical dynamics accurately and with incredible impact if powered correctly. Martin Audio loudspeaker power ratings are quoted for AES power - a long- term average power rating, and Peak power – a short-term burst capability.
- Page 20 Limiter settings Set the motherboard output limiter jumpers Ch1-J11, Ch2-J12, Ch3-J13, Ch4-J14 to suit the Important: recommended limiter thresholds (vs power amplifier gain) shown below: Output channel limiter jumpers All material © 2007. Martin Audio Ltd. Subject to change without notice.
- Page 21 Output limiter thresholds vs power amplifier gain (see next page if you know the amp’s sensitivity but you do not know its gain) All material © 2007. Martin Audio Ltd. Subject to change without notice.
- Page 22 Estimated power amplifier gain vs output specification & sensitivity All material © 2007. Martin Audio Ltd. Subject to change without notice.
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Page 23: Jumper Settings
Combo Card to suit the main or main/sub combination as shown in the following illustrations: only (Front panel in Full Range mode) with S12 , S15 , or S18 (Front panel in With Sub mode) All material © 2007. Martin Audio Ltd. Subject to change without notice. - Page 24 S218 (Front panel in With Sub mode) Flown F8 with S218 (Front panel in With Sub mode) All material © 2007. Martin Audio Ltd. Subject to change without notice.
- Page 25 (Front panel in Full Range mode) with S12 , S15 , or S18 (Front panel in With Sub mode) All material © 2007. Martin Audio Ltd. Subject to change without notice.
- Page 26 S218 (Front panel in With Sub mode) Flown F10 with S218 (Front panel in With Sub mode) All material © 2007. Martin Audio Ltd. Subject to change without notice.
- Page 27 (Front panel in Full Range mode) with S12 , S15 , or S18 (Front panel in With Sub mode) All material © 2007. Martin Audio Ltd. Subject to change without notice.
- Page 28 S218 (Front panel in With Sub mode) Flown F12 with S218 (Front panel in With Sub mode) All material © 2007. Martin Audio Ltd. Subject to change without notice.
- Page 29 (Front panel in Full Range mode) with S12 , S15 , or S18 (Front panel in With Sub mode) All material © 2007. Martin Audio Ltd. Subject to change without notice.
- Page 30 S218 (Front panel in With Sub mode) Flown F15 with S218 (Front panel in With Sub mode) All material © 2007. Martin Audio Ltd. Subject to change without notice.
- Page 31 For use with a second M3+ controller where a Blackline bi-amplified H3/H3H is to be used with an S218 * Pending. Please contact info@martin-audio.com for further information. All material © 2007. Martin Audio Ltd. Subject to change without notice.